jacAssorted 20th Century Ladies Costume, comprising an HB Burnett, Las Vegas, Beverley Hills, Los Angeles brown ribbon work long sleeved jacket with nehru collar and flower headsJacques Fath blue floral brocade sleeveless cocktail dress and matching jacket with three quarter length sleevescotton house coat printed with hunting scenes with collar, long sleeves and button fasteningblack and red checked wool coat with collar, three quarter length sleeves and three button fasteninga 70's style maxi dress with crochet bodice and cat printed fabricAdrienne Landau modern chinchilla 'floral corsage' style long sleeve jacket (6)Private Collection of Millinery and CostumeHB Burnett jacket - possibly replacement lining, couple of thread pulls overall to the outside but generally in good condition, 44" chest, 32.5" shoulder to hem.Black and red checked coat - some stains to the lining, 44" chest, slight wear overall.House coat - 44" chest, couple of tiny brown spots to the front, stitched repair under one arm and slight wear.Jacques Fath - 34" bust dress, slight staining under each arm, some light staining to the front of the skirt and slight rubbing. jacket and dress re-lined, small brown spot to the back of the jacket.Cat print dress - 34" bust, modern skirt on an earlier crochet top - condition good.Fur jacket - 38" chest, some wear and rubbing to the corsages.
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Bought From A Theatrical Seamstress Circa 2000 comprising of a brown velvet chevron quilted 1920s coat in the style of Fong Leng, with tassel details and a large collar with smocking and a peach textured liningred spotted chevron quilted wrap jacket in the style of Fong Leng, with gold lining and corsage, horn shape on left cuffblue velvet quilted jacket in the style of Fong Leng, with large flower shaped cuffs that are wired to hold shape, shawl collar and several embroidered and beaded floral motifs also a large beaded flower design on back with long beaded tassel(3)Fong Leng (Rotterdam, 13 August 1937) is a Chinese-Dutch fashion designer, and calls her clothing designs 'creations'. Fong Leng started a fashion boutique in 1969 in a Drugstore, Nieuwendijk in Amsterdam. In 1971 she moved to larger premises at the P.C. Hooftstraat and called it Studio Fong Leng. She is mostly known for her extravagant cloak dresses. Fong Leng’s most notable client was Mathilde Willink, the divorced wife of the Dutch magic realist painter Carel Willink. The materials Fong Leng uses for her creations are leather, suede, silk, marabou feathers, and fur. She uses techniques like application, incrustation, quilting, matelassé, smocking and pleating. Most designs have figurative images on them. Fong Leng is most famous by her cloak dresses for women. High society and extravagant women like Mathilde Willink and Kate Bush wore clothes by Fong Leng. In 1975 the Centraal Museum in Utrecht was the first museum to collect Fong Leng’s work. The museum bought it straight out of Fong Leng’s studio, so it had never been worn by anybody. The museum paid 10,000 guilders for the Straalmantel. Up to this day there are numerous museums that have creations made by Studio Fong Leng in their collections. For instance: Amsterdam Museum, Museum Rotterdam, and Kunstmuseum Den Haag. During the years there have been several exhibitions organised solely devoted to Fong Leng's designs. Brown velvet coat - 44" bust, no signs of wearRed spotted jacket - 40" bust, no signs of wearBlue velvet jacket - 44" bust, no signs of wear
Including a small late 19thc white feather fan, a small black feather fan, a dark grey woven silk drawstring purse, an early 20thc dark purple silk velvet evening bag, a woven silk evening bad, a pink lace corsage, a cotton drawstring bag, and 4 paper fans. *CR: Not available. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Assorted Circa 1900-1960s Ladies and Gents Costume, comprisng a cream silk gents fitted waistcoatcirca 1940s red and white floral 'silk' type day dress with short sleeves, pleated skirt and buttons to the back, another similar in cotton on a blue ground with flower heads overallGoddett & Gross grey wool crepe suit including a straight skirt and tailored long sleeve jacket with bead decoration to the lapels and around the hem Frank Usher blue full length sleeveless evening dress with gathered shoulder straps, and multi woven detail to the bodice, full skirt (size 38)blue wool crepe dress with capped sleeves, wide shawl neck collar and attached satin corsage to the waistsimilar style jacket in a navy paisley wool with three quarter length sleeves and bow detail to the waistlongline black velvet waistcoat with black floral trimEde and Ravenscroft black academic robe and mortar boardcirca 1960s turquoise and gold striped sleeveless dress with woven gilt metal beltpink sleeveless dress woven with flower heads, button and bow detail to the bodice, full gathered skirt (11)Private Collection of a Shropshire Lady
Assorted Circa 1920-40s Costume Accessories comprising two pairs of pink silk heeled mary jane style tap shoes, belonging to Dolores and Esmerelda Disteli, the Dolores Twins, together with a signed photograph of the two, and one volume of London Hippodrome Programme for Box O' Tricks which features themsimilar pair in beige leather with snake skin insert to the frontLa Alec Barry, 162 Grand Avenue, Oakland raspberry and plum velvet stylish hat with floral appliques and large bow, similar floral corsage and bead appliques with drop tasslesPrivate Collection of a Shropshire Lady
Assorted Decorative Costume Accessories, comprising a circa 1930s straw hat with black velvet trims and faux floral corsagefolding parasol with silk jersey floral design mount, pale pink silk to the underside, bone knopbamboo parasol with spotted net mount over a pink floral cotton coverpair of white kid leather gloves embroidered with flowers, pair of Aris Monarch pale blue evening kid leather gloves, pair of lace glovestwo pairs of cream silk stockings(one box)Private Collection of a Shropshire Lady
Teile einer spanischen Rokoko-Garnitur18 kt Gelbgold, getrieben, ziseliert. Bestehend aus einem Paar Bügel-Ohrgehängen, einer Sevigné-Brosche und einem Devant-de-Corsage-Anhänger. Jeweils mehrteilig gearbeitet aus àjour gesägtem Laubwerk, mit zentralem Schleifen-Motiv und geschlossen gefasst mit kolumbianischen Smaragden. Dreiteilige Ohrgehänge mit 78 Smaragden im Tafelschliff; vierteiliger Anhänger mit 85 Smaragden in verschiedenen Formschliffen und zentraler leicht barocker Naturperle (nicht geprüft, Durchmesser 8 mm) sowie rückseitig zwei Schlaufen zum Durchziehen eines Bandes; dreiteilige Brosche mit 46 Smaragden in verschiedenen historischen Schliffen und mit kleiner Perl-Pendilie. Gestempelt: Garantiemarke (stehender Löwe im Oval) von Córdoba, 18. Jh. Partiell minimal verbogen und mit diversen kleineren Verlusten/Altreparaturen. Bekrönung der Brosche verloren. Perlpendilie später ergänzt. Ohrringe L 6 cm. Devant-de-Corsage 9,0 x 5,8 cm. Brosche 6,2 x 5,5 cm. Gesamtgewicht 51,22 g.Córdoba, um 1760, mit kleinen Veränderungen.
A rare Lucy Peck poured wax bridal shoulder-head doll, with head turned to the right, inset pale blue glass eyes with a darker edge to iris, painted eyelashes, light brown painted brows, down turned mouth, modelled ears, inset brown hair held in a bun, slender neck, slightly raised breasts, stuffed body with indistinct stamp to front, probably reads ‘From Mrs Peck The Doll’s Home 131 Regent Street W’, wax limbs held with brass eyelets, the right arm fully bent, the left slightly bent, finely modelled fingers and toes, wearing original cream two-part ribbed silk wedding gown with long train the underside trimmed with lace, high necked boned bodice with full puffed sleeves, trimmed with fine muslin and waxed flowers, a corsage and bouquet pinned to the front of dress, corset, chemise, long petticoat, wool petticoat, cream silk underskirt and drawers -22in. (57cm.) high (dress stained and starting to fray in places, staining to underclothes, fading to face, some hair possibly replaced)
Noorwegen, een paar zilveren oorclips. In de vorm van een krul, gedecoreerd met blauw guilloche email, de achterzijde verguld. Hierbij een stijve armband en corsage broche met lichtgroen email, een reverspeld met de kleuren van de Nederlandse vlag en wimpel en een potloodje met geel en zwart email bruto 37,5 gr. Provenance: Uit de persoonlijke collectie van Hester van Eeghen [6] Norway, a pair of silver ear clips. In the shape of a curl, decorated with blue guilloche enamel, the back is gilded. Herbey a rigid bracelet and corsage brooch with light green enamel, a lapel pin with the colors of the Dutch flag and pennant and a pencil with yellow and black enamel
{Zwei "Devant-de-corsage"-Zitterbroschen.} Zweige mit Blättern und beweglich montierten Blüten "en tremblant". Mit Diamanten ausgefasst: ein Altschliffdiamant ca. 0,90 ct. Getöntes Weiß (crystal), P1 - ein Altschliffdiamant ca. 0,50 ct. Getöntes Weiß, si - weitere Diamanten ca. 3,60 ct. Eine Brosche numm. 1965. Feingehaltsstempel Frankreich 18 ct. GG. L 9 cm. Meisterliche Goldschmiedearbeit des Fin de siècle. In passendem Etui, beschriftet "Morel & Cie. J. Chaumet, Successeur 63, Rue Richelieu Paris", auf dem Deckel 1897 dat.Das Haus Chaumet geht zurück auf den Pariser Hofjuwelier Nitot, der 1802 persönlicher Juwelier Bonapartes wurde. Jean Valentin Morel wurde 1835 künstlerischer Direktor. Nach der Weltausstellung in London wurde Morel zum Hofjuwelier der Queen Victoria. Joseph Chaumet übernahm 1889 die Firma Morel. Er erlangt Berühmtheit mit den sog. "En tremblant"-Stücken, bei welchen sich die mit Diamanten besetzten Blüten in Bewegung versetzen lassen. Unter Chaumets Leitung gewann das Haus zahlreiche Preise und belieferte den Hochadel und die Königshäuser
![WILLIAM HASKELL COFFIN (AMERICAN 1878-1941)Young Beauty with Corsage,pastel on paper60 x 44 cm (23 5/8 x 17 3/8 in.) [sight]f](https://cdn.globalauctionplatform.com/66148d69-26c7-4213-aade-af1c002039b3/c9d1e289-cae9-4169-989f-af1c0028e6d9/468x382.jpg)
A 1940s wedding dress in a faux damask print satin with a wax flower headdress, unlabelled but in a Gay Fashion House box, along with a bridesmaids dress, slip, pink rice paper flower headdress and a little corsage with pink bow (box and bag) headdresses both in good condition, there are a couple of small breaks to the petals on the wax, but not at all obviouswedding dress in good condition with some foxingbridesmaid dress good, slip has some damage
NYMPHENBURG 2-tlg Konvolut Trachtenfiguren "Miesbacherin" und "Tiroler Schütz", 20. Jh. Entwurf von Resl Schröder-Lechner 1937, "Miesbacherin": auf einem Sockel schreitende Frau in Miesbacher Tracht, blaues Kleid mit schwarzer Korsage und silberfarbenen Talern, Tuch und Schürze in gleichem, floralen Muster, applizierte Blüten im Dekolleté, Modell-nr. 831, H 20, 5 cm, "Tiroler Schütz" mit grünem Rock, Hut und Gewehr, 1 Blütenblatt min. best., Modell-nr. 832, H 24 cm, je grüne Stempelmarke am Boden mit dem Buchstaben "A" für Herzog Albrecht von Bayern und gepresste Rautenschilder auf dem Sockel, sehr guter Erhalt.Das Figurenpaar wurde auf der Münchner Kunstausstellung 1941 in Danzig gezeigt, Schröder-Lechner erstellte seit 1937 zahlreiche bedeutende Figuren für Nymphenburg.| NYMPHENBURG 2 figures "Lady of Miesbach" and "Tyrolean shooter", 20th century, design by Resl Schröder-Lechner 1937, "Miesbacherin": woman in Miesbacher costume walking on a pedestal, blue dress with black corsage and silver-coloured thalers, cloth and apron in the same floral pattern, flowers applied to the décolleté, model no. 831, H 20.5 cm, "Tiroler Schütz" with green coat, hat and gun, 1 petal slightly damaged, model no. 832, H 24 cm, each green stamp on the bottom with the letter "A" for Duke Albrecht of Bavaria and pressed signs on the base, very good condition.The pair of figures was shown at the Munich Art Exhibition in Danzig in 1941. Schröder-Lechner created numerous important figures for Nymphenburg from 1937 onwards.
A Jeano Cerruti halter neck dress in size small. Limited edition, and in the colour Icelandic blue. It has a single shoulder strap. The dress is two layered and has an asymmetric hem, with an overdress in sateen and an underskirt of nylon and tulle which is full length. The bodice and hem is edged in small cream beading detail.A full length 1970s-80s high waisted evening gown with a swathed chiffon bodice. It has a rose corsage under the bust line. It has a small train, and an asymmetrical full length tiered skirt of chiffon and nylon. An Edwardian lace blouse in a cream colour. The neckline is adorned in a lace ruffle, and the cuff has a light ruffle at the wrist. It fastens with a hook closure and a snap closure at the centre front. A 1930s decorative beach bag with folk embroidery style decoration done in wool thread. It has a pattern of flowers and leaves, and a female clown in the centre with a large petticoat skirt, all done in a rainbow of colours. It has two small wooden handles. A small 1970s beach bag with a woven folk embroidery style pattern on the front in lime green, black and white.A 1970s leopard print swimsuit with a black belt and a low neckline. The belt has a small diamante decoration on the centre. A 1940s blush pink linen blouse with short sleeves and a faux covered button closure down the front. It has hook and eye closures on the inside. The yoke has cutaway fagotting detail and a decorative tie around the neckline.A black leather belt decorated with shell-coloured sequins in a leaf and flower design. A 1970s ladies V neck jumper in navy blue. It has two patch pockets (9)
Three 1920s/30s ladies garments comprising a 1920s black evening dress with lamé floral decoration and net mermaid skirt, approximate size 10-12, a 1930s chiffon dress with pink and grey floral pattern, approximate size 8, and a 1930s crepe dress in pink with ruched details and a bakelite flower corsage and belt, approximate size 4-6. (3)
A 1950s ladies vintage dress in lavender chiffon with underskirt and mauve underskirt, boat bodice and original floral corsage, approximate size 10, together with a 1950s ladies vintage dress in sheer white and pink floral pattern chiffon over a red net and satin underskirt, with boat neckline, approximate size 8. (2)
Picasso, Pablo (1881-1973), nach Limitierter Teppich mit Motiv nach dem Werk "Portrait de femme au chapeau à pompons et au corsage imprimé" (1962). Schurwolle. Design-Nr. 208010-110. Verso auf Herstelleretikett Ex. 332/500. Desso, hergestellt in den Niederlanden mit der Lizenz Succession Picasso, 1996. D. ca 120x 90 cm.
French 1870 Fine Poupée de Mode, French Fashion doll 31cm with bisque head, pierced ears ,deep cut slant with cork pate and original wig corsage on head m kid stitched lady body . Fixed inset paperweight blue eyes and small lash strokes and very fine painted brows-all original.The gown is Original and in celadon silk part toy perished on bustle. The Head is a swivel head in a kid lined socket on a shoulder head,with kid body and arms and detailed fingers and the legs are straight with a pleat move at the buttocks joint. Condition; Head is unmanaged and has no repair or cracks ( tested) The body and all kid limbs and hands original and some wear with age to hands . The dress is wonderful and the doll has later layers below which have been added ,the cork pate has a crack from being removed and pins all present . Head Marked 8 or B slightly unclear.
Schlittschuhläuferin Porzellan mit koralleroter Manufakturmarke Porzellanfabrik Fasold & Stauch in Bock-Wallendorf sowie Prägenr. 18097, kniende Eisläuferin mit knielangem Volantkleidchen und enger Corsage, ein Fuß seitlich sowie beide Hände nach oben, auf rundem gestuftem Sockel ausgeführt, hautfarbenes sowie zart pastellfarben bemaltes Porzellan, goldkonturiert, H ca. 19,5 cm, ein Daumen beschäd.
Circa 1920-40s Ladies Costume, comprising a floral printed velvet long sleeve open jacket; black velvet evening jacket with lapels, single button fastening and flared long sleeves and pink corsage; black silk long sleeve dress with jewelled neckline, net mounted skirt with silk cummerband; grey wool tailored coat with lapels, single breasted with three buttons, side pockets with stylised pocket fronts; Diego Model black wool fitted jacket, with patch pockets, single button fastening and long sleeves; black silk long sleeve top, and three other shirts; black grosgrain straight wrap skirt with button fastening, two others (12)Velvet jackets - both have rubbing and wear to the velvet. Black dress - net added later and has wear and small holes, cummerband needs re-stitching, slight wear. Grey coat - slight fading and wear, hole to one pocket and lining faded. Black jacket - slight wear. Shirts - black one has a couple of small holes and wear, others slight discolouration. Grosgrain skirt - ok, others one has broken zip and other tear down seam and slight wear.
A collection of items to include: A blue brocade shift dress, 1960s; A late 1960s/early 1970s green cotton Empire line dress with ribbon tie; Abstract design dress in green/blues/purple with waist buckle, size 14 (1970); A white long off-the-shoulder Energy dress, 14 (1960); A hyacinth blue floral C&A dress, 1970s, size 12; A rose pink strapless dress, elasticated, frilled bustline, pink corsage on waistline 1960/70, size 12; Empire line, black lace yoke and bodice, long straight design in black, 1960/70; An early 1960s red grosgrain dress, size 12, with blue flower design, metal zip, bow on back; A green, jersey-mix dress, abstract pattern, tie neck, size 12, calf length; A 1960s Ann Reeve dress, size 10, high waisted, blue floral with red yoke, long dress, 1960s. (10)
A burgundy silk Asian/Kaftan gown in silk/white gold embossed decoration on the yoke and front.A white Arabian Roke with gold embellishment & gold and silver thread 1960s/70s.A Jade Aladdin's theatrical outfit, a long Arabian coat embellished in peacocks with a long jade green top embellished with a peacock in a range of colourways in sequins.A pair of Far Eastern style trousersA Jane Gray Wedding dress with a pink floral fan design, bodice in lace onto a silk bodice cap sleeve.A full skirt in silk with a corsage decoration at the back.A shirvani robe which is Persian that is embellished in ting gold beads, seeds, and pearls in decorative squares together with a wedding gown in the style of a Victorian to mid 19th century style has cap sleeves and the neckline is decorated with cotton lace & pink ribbon. The fitted waist is an 'A' line design and is scalloped round the hemline. The full skirt has numerous tulle underskirt, covered buttons at the back with bow detail etc.(8 items)
Clothing. A 1930s wedding or court dress, full length fitted cream lamé gown with train, handmade, patterned with leaves and fully lined with cream sillk, with round neck, long sleeves (padded on shoulders and buttoned at cuffs), and metal eye and stitched hook closure to side, a few pulled threads, staining to underarms, lining of train marked, bust 90 cm (35.5 ins), waist 74 cm (29 ins), sleeves 63 cm (24.75 ins), length 139 cm (109.5 ins), length including train 213 cm (84 ins), together with 6 items of 1920s clothing, comprising: a rare girls' robe de style dress of gold lace over silk, with ribbon straps, metal stud closures at back, flower trim at neck and around waist and stiffened panniers, and a corsage of grapes at waist, somewhat damaged, with losses, bust 66 cm (26 ins), waist 62 cm (24.5 ins), length 61 cm (24 ins); a gold lamé dress with foliate pattern, with lined and boned fitted bodice, padded bust, metal zip closure at back, narrow self straps, and a flared skirt with gathers at rear, occasional light marks, bust 82 cm (32 ins), waist 66 cm (26 ins), length 97 cm (38 ins); a pink and silver lamé unstructured jacket, with 3/4 length sleeves, silk-lined patch pockets at front, and 3 short slits in hem at rear, bust 117 cm (46 ins), sleeves 39.5 cm (15.5 ins), length 61.5 cm (24.25 ins); a gold lace overdress, with pattern of stylised roses, round neck (self button at rear), petal sleeves of net (one with loss of gather stitching), and short train at rear, bust 84 cm (39 ins), waist 60 cm (23.5 ins), sleeves 19.5 cm (7.75 ins), length 107 cm (42 ins); a full-length bias-cut lamé flapper dress, sleeveless, with floral pattern in orange and yellow, and self pendant to neck, small hole to left shoulder, v-neck at rear slightly torn, short tear in hem, bust 90 cm (35.5 ins), waist 80 cm (31.5 ins), length 140 cm (55 ins); and a sleeveless cutwork black overdress with cream stitching, bust 83 cm (33.5 ins), waist 86 cm (34 ins), length 113 cm (89 ins), plus a 1940s full-length chiffon and embroidered net gown (some damage), and a 1950s full-length blue taffeta evening dress with ruched bodiceQTY: (9)
An Ian Stuart shell pink ballgown, the neckline is rushed in the boat neck design, the edging is in crystal beads, and sequins, the right hand shoulder has a large corsage of four roses, the bodice is swathed and ruched and falls into the high waist, which is embellished in crystals and sequins, the same embellishment is also on the thigh, the lower skirt has a fish tail design, it falls into a long train, the back has covered buttons, concealing a zip, the dress comes with a fine tulle stole, edged in lace
An Ian Stuart ballgown, in pale blue, strapless with a swathed bodice and a wide embellishment of sequins, crystals and beads, in silver and green, at the slant, the ivory skirt has layer of ruched tulle and scallops decorated with silk rosettes dotted and scattered around the skirt which has a long train, the dress has a matching bolero, which is edged all the way around the jacket and sleeves, there is also a matching choker, the bodice has a concealed zip, covered buttons and a silk and tulle corsage at the base of the back
A rose pink evening dress, size 10/12 by Ian Stuart, the bodice is fitted with a Princess line, it is embellished in crystals and beads, the left hand side has a corsage of organza, the bodice comes down to an r, and the skirt is gathered and made of organza, the skirt is split into two halves, and has an insert of ruffled organza in rose pink, gold and it is attached to a Duchess satin underskirt, it has a ruffled stole, which is wired in rose pink and red and gold, also has a corsage attached, concealed zip and covered buttons, size 12/14 (new)
An Ian Stuart ballgown in claret red silk, the bodice of the dress is boned and decorated in lace and a tiny red crystal beads and sequins, the cuff of the bodice has lace trim and the waistline also has lace trim and beadwork, the skirt has ruffles and a lace insert bead decoration and also has a corsage of a rose with trailing petals on the waist and the hips, the Spanish design (flamenco) skirt has numerous ruffles and it is shorter at the front and has a train at the back, the side has a thigh length split, there is a ruffled bolero, jacket which has sleeves, edged in deep ruffles! size 14/16
Augustus Jules Bouvier (1825-1881), a watercolour young woman in standing pose holding a corsage. 52 cm x 31.5 cm, framed, signed and dated 1860 (see illustration). CONDITION REPORT: The watercolour is in generally very good condition with no fading, no damage, no repairs and no restoration. There is no foxing. As with lot 458 there are one or two very tiny flecks possibly on the paint surface or glass but these really are miniscule. The frame is similar to that of 458 and in similarly good order.
American School (?), early 19th c - Portrait miniatures of a Nobleman and Lady of the Zollicoffer family, bust length in a braided green coat and red cloak or brown dress with rose corsage, oil on card, oval, 65mm, 19th c English papier mache frames with brass leaf hanger Both in good condition with old inscriptions on backing
AFTER JEAN-LOUIS GREGOIRE (FRENCH, 1840-1890), A PAIR OF BRONZE BUSTS OF YOUNG WOMEN LATE 19TH CENTURY Each depicted with hair up and wearing a corsage, signed to the cast, no foundry marksthe tallest 28.5cm high, the base 7.7cm wideCondition Report: Both have worked slightly loose on their bases and will benefit from removal of plaster to base and remedial tightening. Otherwise generally good- only very mild wearPlease refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Circa 1970-80s Full Length Evening Dresses, comprising a Jean Varon black and white spotty silk dress with V-neckline and long exaggerated sleeves and cuffs; Tricosa black and gold vertical striped long dress with spaghetti straps; Carnegie black crepe dress with long sleeves with long tassel trims attached (size 14); black silk taffeta dress with gathered trim to the bust, faux lace up detail to the bodice, A-line skirt; Frank Usher black lace mounted dress with spaghetti straps (size UK38 ); Easy Streets Fashion Inc, New York black jersey dress with black metallic trim to the bust and straps, side split and applique sequin and bead butterfly to the reverse; Laurence Corsin Pour Studio Mode Paris black dress woven with silvered threads, bat wing sleeves and V-neckine with tab; Susan Small black dress with high roll neck and long sleeves embroidered with floral designs (size 14); Trina Lewis for Marjon Couture black silk taffeta strapless dress with tiered zig zag top to the bodice and cummerband (size 14); Dellwood green and yellow silk strapless dress with pleated bodice with corsage detail and yellow pleated skirt; Carita Couture of London turquoise silk two piece comprising long sleeveless dress and matching coat both decorated with gilt metal embroidery; Laura Ashley blue floral printed cotton dress with scooped neckline and short sleeves (size 10); After Six black and white spotty cotton tiered full length sleeveless dress with ric rac trim (size 16); a green floral sleeveless cotton dress, sleeveless with gathered trim to shoulders (14)Jean Varon spotty dress - 34" bust, slight fading under the arms.Tricosa striped dress - 34" bust, couple of thread pulls.Carnegie - slight wear, 36" bust.Black silk taffeta dress - 32" bust, black velvet lace split to front, straps repaired, slight wear, belt missing.Frank Usher lace dress - belt missing, 34" bust, straps replaced, some loose threads to the reverse.Easy Street Fashions dress - slight wear 32" bustLaurence Corsin dress - 34" bust, strap across neckline broken, and some marks around the neckline, and some areas of wear.Susan Small dress - 34" bust, belt missing, slight rubbing and wear.Dellwood dress - 32" bust, some colour run to the reverse near the zip, some loose stitches and wear to the bodice and wear.Dress and jacket - 34" bust, some wear under the arms of the dress, two tiny holes to one sleeve.Laura Ashley dress - couple of light marks and slight fading and wear.After Six - slight wear overallCotton floral dress - slight wear, 34" bust.
Assorted 20th Century Costume Accessories, comprising a circa 1920s purple and blue beaded drawstring bag; Chinese style silvered textured silk bag with faux tortoiseshell hinged mount, and another handle; black silk drawstring bag with zig zag trim and purple silk lining and bead trims, a later black silk small evening purse; purple silk chiffon hombre long scarf; eastern black chiffon mount or sash with appliqued white lace and coloured silk embroidery to the leaves, hung with silk striped pom poms to the ends; modesty panels, silk handkerchief with lace trim; brown Connor Hat with grosgrain trim and laces; Christian Dior straw hat with brim and faux floral corsage in a Cresta hat box (hat box and box)
IRIS VAN HERPEN : ROBE 'BENE GESSERIT'Portée par Grimes lors du Met Gala 2021Silicone liquide argenté et soie dégradéeLot vendu avec les croquis originaux de la robe signés par Iris van Herpen et deux entrées pour le défilé Iris van Herpen du 4 juillet 2022.La musicienne canadienne Grimes a porté cette robe conçue sur mesure pour la soirée du Met Gala au profit du Costume Institute en 2021. La robe est inspirée de l'ordre du Bene Gesserit dans le film Dune (2022).Imaginée tel un labyrinthe tridimensionnel découpé au laser, cette robe est faite de silicone liquide argenté avec une finition miroir. Chaque pièce de silicone est coulée individuellement à la main et comporte trois couches.À partir du corsage complexe, vingt-six mètres de soie drapée de façon spectaculaire flottent de façon organique et ont été plissés à la main et traités en dégradé du blanc au noir. La fabrication de la robe 'Bene Gesserit' a nécessité plus de 900 heures de travail.Les recettes seront reversées à l'Amazon Conservation Association et de la Rainforest Trust Foundation.Amazon Conservation Associationwww.amazonconservation.orgFondation Rainforest Trustwww.rainforesttrust.orgVeuillez noter que ce lot sera vendu sans les frais acheteurFootnotes:IRIS VAN HERPEN: THE 'BENE GESSERIT' GOWNWorn by Grimes at the 2021 Met GalaSilver liquid silicone and gradient silkTo be sold with the original sketches, signed by Iris van Herpen, and two tickets to the July 4th 2022 Iris Van Herpen show.Canadian musician Grimes wore this custom designed gown to the Met Gala at the Costume Institute Benefit in 2021.The gown is inspired by the Bene Gesserit cult group in the film Dune (2022).It is made from silver liquid silicone with a mirror finish and arranged in a laser-cut labyrinth design culminating in a 3-dimensional relief on a nude illusion bodice. Each silicone piece is individually hand-casted in three layers. From the intricate bodice, twenty-six meters of dramatically draped silk floats down organically and was hand-pleated and gradient-died from white to black. The process of making the 'Bene Gesserit' Gown took over 900 hours.All proceed will be donated in support of the Amazon Conservation Associationand Rainforest Trust Foundation.Amazon Conservation Associationwww.amazonconservation.orgRainforest Trust Foundationwww.rainforesttrust.orgPlease note that this lot is to be sold without Buyer's PremiumFor further information on this lot please visit Bonhams.com
TWO 17TH CENTURY ROYALIST PORTRAIT MINIATURE JEWELSThe first depicting King Charles I, the Martyr (1600-1649), standing before his crown, wearing the sash and badge of the Order of the Garter over a suit of armour, the second depicting William III (1650-1702) holding an orb with Mary II (1662-1694) before a skull, both painted on vellum in pie-crust mounts, the reverse of the mount holding William and Mary engraved with initials, JM, lengths: 1.9cm - 2.3cm (2)Footnotes:After the death of King Charles I in 1649, commemorative jewellery in the form of rings, lockets and slides, was produced in great numbers. The jewels were worn by Royalists in memory of Charles I. A few had concealing lids, as many supporters of the royalist cause wished to keep their allegiance secret. Some were presented by the exiled Queen Henrietta Maria to Royalist supporters in appreciation of their continuing loyalty and financial backing.The tradition for wearing images of Stuart monarchs remained popular during times of political and religious uncertainty, periods of national mourning and also celebration, such as the Restoration of the Stuart monarchy in 1660 when these jewels could be worn more openly. The miniatures were not painted from life but derived from earlier full-scale oil portraits. The miniature of Charles I in his suit of armour derives from Sir Anthony Van Dyck's circa 1638 portrait in the Hermitage Museum (inventory no. ГЭ-537).Prince William of Orange married Charles I's grand-daughter, Mary Stuart, the Princess Royal, in 1677. The couple were happily married and anointed joint sovereigns in 1689. Devastated by Mary's death, William ruled alone until his own death in 1702 from a riding accident. The skull in this Restoration portrait has been placed behind Mary to represent her early death from smallpox while William can be seen holding an orb in reference to his continuing reign. The image of William in a suit of armour and lace cravat derives from his circa 1685 portrait by Willem Wissing (Royal Collection inventory no. RCIN 405644). While a different colour, the design of Mary's dress, jewelled corsage and ermine cloak relate closely to her circa 1692-94 portrait attributed to Jan van der Vaart, which is held by the National Portrait Gallery (inventory no. NPG 197).For further information on this lot please visit Bonhams.com
A GOLD LONGCHAIN, CIRCA 1820The multiple textured links decorated with lozenges and dot motifs, the later gem-set clasp applied with filigree detail, one green hardstone deficient, length 155cmFootnotes:The longchain rose in popularity after the Napoleonic Wars, when precious gems and metals were in short supply. The effect of heavy gold linking is deceptive as they were produced from thin gold sheet. They were also worn in a variety of ways - draped across shoulders, tucked into belts or pinned at the corsage to create eye catching festoons. The linking ranged vastly in size and texture with both engraved and embossed patterns and star motifs. The clasps were often more detailed with bead, burr and filigree detail, sometimes taking the form of a textured, gloved and gem-set hand.For further information on this lot please visit Bonhams.com
Unique statuette en biscuit représentant une femme à l'éventail, Meissen, circa 1937 A unique Meissen biscuit figure of the lady with fan (Stehende Dame mit Fächer), circa 1937Modelled by Paul Scheurich, the lady with short waved hair wearing a clinging evening dress with pleated flounce on her left hip, her arms crossed with a large ostrich feather fan held to her right hip, on a square base, the side incised 'SCHEURICH 29', 46.5cm high, crossed swords mark in blue to the rear of the base, impressed crossed swords mark within a triangle, incised model number A 1224, impressed former numeral 50 for Hoberg (restoration to fingers on her left hand)Footnotes:Provenance: Heinrich Hoberg, Chief Repairer (Meister der Bossierer) at the Meissen manufactoryExhibited:Meissen, Museum der Meissen Porzellan-Stiftung, Paul Scheurich. Porzellangestalter Zeichner Grafiker, 6 March 2020-21 February 2021This model, together with five others by Scheurich, won the Grand Prix at the Paris World Exhibition of 1937, see Rafael 1995a, no.40.Scheurich modelled the figure in 1929 after spending several weeks in Paris in June and July, where he would have seen the newest fashions. In 1928 womens' dresses started becoming more form-fitting, incorporating asymmetrical hems, swags and ruffles. Scheurich must have been inspired by fashionable women he saw in Paris, modelling the figure in a gauzy dress with deep décolletage and narrow straps, a waterfall of pleats to one side of the skirt and a corsage applied to one shoulder. In her right hand is a large ostrich feather fan, a feature that was very much en vogue at the time. The cover of 'Le Petit Echo de la Mode' from 20 May 1928 shows an illustration that is strikingly similar and could have been the type of thing to inspire him. This style of dress even made its way across the sea and a gown by Chanel was illustrated in the Indianapolis Times on 9 June, 1928 (Noon Edition, p.9), where it was stated: 'A graceful side bow and a shoulder bouquet give charm to a raspberry chiffon evening gown of superb simplicity.'The manufactory made an advance payment for the model in July 1929 of RM 500, though Scheurich was working on several models and so the figure was delivered to the manufactory in March 1930 and the total price of RM 3,800 was paid in the following months. The first figure in porcelain was produced in Autumn 1930 and the first example sold in Spring 1931. Scheurich originally intended the figure to be produced only in white. According to the records of royalty payments, nine figures were sold by the end of 1944.A biscuit figure of the lady with fan was privately commissioned by Annelies von Ribbentrop, for which the chief repairer at the manufactory, Heinrich Hoberg, received his own example.For further information on this lot please visit Bonhams.com
English School, 1850 - Portrait of Joanna Philips, seated three quarter length in a black dress with short fringed sleeves and rose corsage, a cross around her neck, before red drapery, indistinctly signed J G...d and dated 1850, oil on canvas, 29.5 x 23.5cm Joanna Freeman Cure (1795-1858) married John Burton Philips in 1826 Condition ReportPatch repair to the immediate right of the sitters head with localised re-touching. Otherwise unlined and on the original stretchers. In a later 19th c gold painted wood frame with printed trade label of Antill Gilder 77 Western Rd Hove
A 14 karat gold 'devant de corsage'. Composed of two brooches in the shape of two ducks, both with enamel. One duck with green enamel feathers and a blue enamelled head. Its collar in white gold is set with granular spheres. The eyes of the ducks are each set with an octagonal cut diamond, ca. 0.015 ct. Gross weight: 6.4 g. eend 1: ca. 32 mm. eend 2: ca. 13 mm.
Rosenthal "Ballett (Lo Hesse)"Entwurf Dorothea Charol 1926, signiert, grüne Rosenmarke mit Zusatz Bavaria 1929, geprägte Modellnummer 222 sowie Pinselzeichen, naturalistische Ausformung, mit pastelltoniger Aufglasurbemalung und Goldstaffage, auf flachem Rocaillesockel en Pointe stehende Darstellung der deutsche Tänzerin Lo Hesse (1889-1983?) im Rokokokostüm mit Corsage, Plisseerock und Hut, sehr guter Zustand, H 26 cm.
Circa 1950/60s Evening and Occasion Wear, comprising a Kenilworth pale pink sleeveless dress with double spaghetti straps and floral corsage to the waist (size 36); Paul Jonas pink satin dress with beaded floral decoration, sleeveless with spaghetti straps (size 38); Petite Francaise pink shift dress with long sleeves and scooped neck (size 16); Continentals Berkertex Overseas blue damask dress with capped sleeved and pleated skirt (size 14); Dalys Glasgow long dress printed with a large brown flower head, full skirt; Emenson pale blue and pink flocked evening dress with shawl neck collar; yellow full length halter neck evening dress with multi pleated bodice; gold sleeveless shift dress woven with orange and yellow flower heads and a matching drawstring bag; yellow and ivory brocade strapless dress with double tiered bodice and yellow silk cummerband; plum sleeveless dress with shawl neck collar, pleated bodice and bow to the hip; pink satin sleeveless A-line dress, appliqued overall with beads; Julian Rose pale pink evening coat with button fastening and three quarter length sleeves (12)Condition report: Kenilworth pink dress - straps repaired and worn, couple of dark marks and some discolouration around the zip area. Paul Jonas dress - straps loose and repaired, slight fading under the arms and to the front, slight wear, later zip. Petite Francaise pink dress - a tiny hole to the top of each pleat at the front, slight wear. Continentals dress - wear and slight discolouration to the bodice and sleeves, small mark to the skirt, some wear. Dalys dress - bow missing to the strap and slight wear. Emenson dress - slight wear. Gold and orange floral shift dress - slight wear. Yellow brocade dress - slight wear. Plum dress - slight wear. Pale pink dress - some discolouration and wear mainly to the bodice, bead losses. Julian Rose coat -
Circa 1950/60s Costume, comprising Lee Delman turquoise and pink metallic brocade dress with sweetheart neckline and multi pleated detail to the bodice; similar style dress in printed cotton; grey lace mounted cocktail dress over a pink underdress and chiffon detail to the neck; black net strapless dress with sequin decoration to the bodice and net trims to the skirt; Mandale Couture London black jersey cocktail dress with capped sleeves and gathered details, later floral appliques (size 44); Bellino blue sleeveless evening top with sequin and bead appliques overall; Rodette London green pedal pushers (7)Condition report: Mandell Couture Dress - 40" bust, floral corsage to skirt added later, repairs to the waist and centre seam to the back, couple of marks to the bust.Black net dress - 32" bust, sequins later added, several small holes to the net and fading also, zip broken and centre seam to the back repaired.Cotton dress - elasticated waist, slight fading and wear.Lee Delman brocade dress - 42" bust, some stains to the front, darker stains to the hem and above it, and a 50p piece sized hole.Grey net dress - 36" bust, later chiffon collar and lining, slight wear.Blue bead sleeveless top - 38" bust, some bead and sequin loss, slight wear.Pedal pushers - 24" waist - good condition
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