Carl Spitzweg 1808 München - 1885 München Jäger mit Mädchen (Der verliebte Jäger). Um 1848-1852. Öl auf Leinwand. Links unten mit der Signaturparaphe. 33,7 x 24,9 cm (13,2 x 9,8 in). • Wohl eine der frühesten Fassungen des Motivs 'Jäger und Mädchen' im Werk Spitzwegs • Effektvoll inszenierte Szene des ländlichen Liebespaars vor der Kulisse des gebirgigen Hochwalds • Fein und detailreich ausgearbeitete Komposition, die die beiden wildromantischen Charaktere als größere Einzelfiguren besonders in den Blick rückt. Wir danken Herrn Detlef Rosenberger, der das Werk im Original begutachtet hat, für die freundliche Auskunft. PROVENIENZ: Privatsammlung Berlin. Privatsammlung Baden-Württemberg. AUSSTELLUNG: Carl Spitzweg: Reisen und Wandern in Europa und der glückliche Winkel, Seedamm Kulturzentrum, Pfäffikon, 22.9.2002-5.1.2003; Haus der Kunst, München, 24.1.-4.5.2003, S. 152f., Kat.-Nr. 69 (m. Abb.). LITERATUR: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke. Gemälde und Aquarelle, Stuttgart 2002, WVZ-Nr. 1483 (m. Abb.). Siegfried Wichmann, Carl Spitzweg. Jäger mit Mädchen im Wald. Dokumentation, Starnberg-München, R.f.v.u.a.K. 1984, S. 12-19, 24-27, Bayerische Staatsbibliothek, München, Inv.-Nr. Ana 656 SW 19. Das verliebte Paar in der alpenländischen Natur, mit den Figuren des Jägers und der Sennerin stellt eines der schönsten wiederkehrenden Motive in Spitzwegs Œuvre dar. Während seiner zahlreichen Wanderungen im Alpenvorland, den Münchner Hausbergen und Tirol dürfte er diesen beiden als Symbolfiguren idyllischer, freier Ländlichkeit des Öfteren begegnet sein. In seinen Skizzenbüchern finden sich etliche Zeichnungen des Paares, deren Zuneigung er in immer neuen Posen arrangiert. Bereits seit seiner Frühzeit variiert Spitzweg das Thema in kleinen Details und Nuancen: mal findet ein Treffen in der Felsenschlucht statt, mal auf einem Gebirgspfad am kleinen Marterl, im Hochwald oder am Brunnen. Die künstlerische Subtilität Spitzwegs zeigt sich in dem unterschiedlichen Charakter der Begegnungen, die als zufälliges Aufeinandertreffen erfolgen, als Stelldichein in nächtlicher Heimlichkeit oder auch tagsüber bei der mittäglichen Rast, wie die Chronik einer Liebesgeschichte in den Alpen, wenn man alles zusammennähme. Die beiden Figuren und ihre Romanze scheinen ihn nicht nur malerisch nachhaltig beschäftigt zu haben, merkt man doch an den zahlreichen Varianten die theatralische Lust am inszenieren und an der Erzählung. Bei einigen der Gemälde steht die Landschaft im Vordergrund, bei anderen - so wie in diesem Fall - treten die Figuren größer im Vordergrund auf. Sie wenden sich, ganz ineinander vertieft, vom Betrachter ab und spazieren in den dichten Wald, hinter dem man - in ganz Spitzwegscher Manier - einen kleinen Ausblick erhaschen darf auf den hinter den Wolken silbrig schimmernden Mond. Deutlicher als andere Variationen des Themas verortet er die Szene hier im Gebirge, wie es sich in der am rechten Rand eingefügten Felswand zeigt. Außergewöhnlich ist im vorliegenden Gemälde auch die Lichtregie, die wie vor einer Waldbühne von vorne zusätzlich beleuchtet zu sein scheint. Neben die in tupfenhafter und lockerer Malweise in den unterschiedlichsten Grüntönen wiedergegebenen Vegetation und dem Anzug des Jägers setzt Spitzweg im Gewand der Sennerin seinen bevorzugten Farbklang aus rotem Rock, blauer Schürze, schwarzem Mieder und weißer Bluse, zurückhaltend hier jedoch in kleinster und subtiler Dosierung. Die beiden Figuren des Jägers und der Sennerin finden sich auch in einzelfigurigen Szenen in Spitzwegs Œuvre, hier finden sie auf heimlich-romantische Art im Gemälde zusammen. [KT] Aufrufzeit: 09.12.2023 - ca. 13.38 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONCarl Spitzweg 1808 München - 1885 München Jäger mit Mädchen (Der verliebte Jäger). Um 1848-1852. Oil on canvas. Lower left with the signature paraph. 33.7 x 24.9 cm (13.2 x 9.8 in). • Probably one of the earliest versions of the 'Hunter and Girl' motif in Spitzweg's work • Effectively staged scene of the rural love couple against the backdrop of the mountain forest • Finely crafted composition, rich in detail, which focuses on the two romantic characters as larger individual figures. We are grateful to Mr Detlef Rosenberger, who examined the original work, for his kind support in cataloging this lot. PROVENANCE: Private collection Berlin. Private collection Baden-Württemberg. EXHIBITION: Carl Spitzweg: Reisen und Wandern in Europa und der glückliche Winkel. Seedamm Kulturzentrum Pfäffikon September 22, 2002 - January 5, 2003; Haus der Kunst, Munich, January 24 - May 4, 2003, pp. 152-153, cat. no. 69 (fig.). LITERATURE: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke. Gemälde und Aquarelle, Stuttgart 2002, no. 1483 (fig.). Siegfried Wichmann, Carl Spitzweg. Jäger mit Mädchen im Wald. Dokumentation, Starnberg-München, R.f.v.u.a.K. 1984, pp. 12-19, 24-27, Bayerische Staatsbibliothek, München, inv. no. Ana 656 SW 19. The love couple in the Alpine countryside, with the figures of the hunter and the dairymaid, is one of the most beautiful recurring motifs in Spitzweg's oeuvre. During his numerous hikes in the foothills of the Alps, Munich's local mountains and Tyrol, he was likely to frequently encounter these two as symbolic figures of an idyllic rural life. His sketchbooks contain numerous drawings of the couple, arranging their affection in ever new poses. Even from his early days, Spitzweg varied the theme in small details and nuances: sometimes a meeting takes place in a rocky gorge, sometimes on a mountain path at a small shrine, in a mountain forest or at a fountain. Spitzweg's artistic subtlety becomes evident in the encounters’ varying characters. A chance meeting, a rendezvous at night in secrecy or during the day at a midday rest, like the chronicle of a love story in the Alps. The two figures and their romance seem to have been a lasting preoccupation for him, and not just in terms of painting, as the numerous variations thereof testify to his joy in staging and telling the story. In some of the paintings, the landscape is in the foreground, in others - as in this case - the figures appear larger in the foreground. They turn away from the viewer, completely immersed in each other, and walk into the dense forest, behind which - in true Spitzwegian style - we catch a glimpse of the moon shimmering silvery behind the clouds. More clearly than inother variations on the theme, he located the scene in the present work in the mountains, as the rock face in right suggests. The lighting is also unusual in this painting, which appears to be lit from the front, as if in front of a forest stage. Alongside the vegetation and the hunter's suit, depicted in a dabbed and loose painting style in various shades of green, Spitzweg uses his preferred color scheme of red skirt, blue apron, black corsage and white blouse as the dairymaid's apparel, albeit in the smallest and most subtle doses. The two figures of hunter and dairymaid can also be found individually in single-figure scenes in Spitzweg's oeuvre; in this painting they come together in a secretly romantic way. [KT] Called up: December 9, 2023 - ca. 13.38 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
We found 661 price guide item(s) matching your search
There are 661 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
Antique 1930 Rare Italian Gaspere Burgarella doll 22” tall ; All Original .An exceptional All wooden jointed and painted finish doll with socket head, sculpted head, Finely painted eyes with eye liner and grey blue eyes with accents and delicate fine eye lashes, a closed neat rosebud mouth, a human hair plaited long hand made original wig, doll is jointed and articulated at elbows and knees in addition to arms and legs and is dressed in her whimsical original felt attire with dress and hat with corsages and long green felty beads and flat felt shoes and rayon socks , organdie petticoat and pants. The matching wired felt bonnet has a floral felt corsage to match the dress The dress has some small felt holes as shown and is all entirely original ., and some slight age dust.Burgarella dolls are rare and much collected for their scarcity alone. Gaspare Burgarella all doll company ,Made in Rome , Italy 1926-1935.Please note that this item is available for National and international postage Via Hansons or courier services; please ask for Details.
Unusual Art Deco and later clear paste set jewellery, eight ray star hair clip; 90mm hair slide; other hair clips; double hoop flower corsage grip with brooch pin fitting; small double clip with pendant centre; Sonia Lee Deco style hoop brooch; pair of dress clips for holding a scarf; two small single clips with small perfume phial; pair of 50mm clips in period box; another pair of 45mm clips; cord bracelet with paste letter H; a large filigree and paste dress clip 115x15cm; and others.Condition report:Please see additional uploaded images of all items in this lot. Most of them have collector's labels detailing age / era, company name (where appropriate) and material(s) used.
A long tiered paper nylon underskirt and a long pale cream tiered and very full tulle underskirt (probably bridal). A long satin dress (bride's or bridesmaid's) in a high-waisted and long-sleeved design, mid 1960s, with daisy chain waist trimmings. A white tulle dress with a daisy motif detail, Tudor-type collar, full skirt, long sleeves, open front satin-lined skirt with a wax flower corsage, small size (the underskirt is marked in places), 1950s. A gold brocade bridal or evening cape with narrow fur collar, early 1950s. A satin evening or bridal halter-neck dress with decorative tassels, low back and tapered skirt by Sue Wong, size 8, heavily embellished in pewter paste stones and seed pearls, and wide shawl in sateen with same beadwork as the dress and long spider's web hemline in a crocheted design, 1970? A pearl decorated floor length tulle cape with a satin lining (7)
Ty Beanies - Eight Ty Beanies housed within perspex display cases. Lot includes Ty Beanies Scrum; Ty Beanies Corsage; Color Me Birthday Beanie and similar. Ty Beanies appear to be in Excellent condition overall with swing labels attached. Cases show dusty signs of display generally appearing Fair Plus - Good. All items are unchecked for completeness. (This does not constitute a guarantee) (K)
Assorted 20th Century Milliner's Haberdashery comprising peach and cream coloured hat braid,a large pink velvet floral appliqué and two smaller flower heads, ostrich feathers,a silk fabric corsage, various circa 1920s and modern bead and silk floral appliqués, beaded Indian sari trims,three Romance Veils hat nets in original packaging with brown felt trim, other net trims, many items with original paper labels etc (one box)The Milliner's Workroom
Milano: Skira, 2008. First edition hardcover book featuring the Serpents corsage ornament on the front dust jacket, and the view of the Salon Sycamore on the back. Written for the Calouste Gulbenkian Museum in Portugal, and the eighty pieces that was exhibited in the Lalique Room. 135-pages with stunning photos and illustrations of the pieces. Artist: Maria Fernanda Passos LeiteIssued: 2008Dimensions: 9.5"W x 12"H x 0.75"DEdition Number: 1st edition Country of Origin: ItalyManufacturer: SkiraCondition: Very fine.
New York: Harry N. Abrams, Inc., 1990. First edition hardcover book depicting a Lalique corsage ornament of opals, glass, and gold on the front dust jacket. 262-pages, 377 illustrations, and 251 full colored plates. Discusses various notable fine jewelry from Faberge, Cartier, Tiffany, Lalique, and more from the mid-19th century. ISBN: 9780810936065. Artist: Kenneth SnowmanIssued: 1990Dimensions: 9.25"W x 12.25"H x 1"DEdition Number: 1st edition Country of Origin: United StatesManufacturer: Harry N. Abrams, Inc.Condition: Good.
Y ENGLISH SCHOOL (19TH CENTURY) PORTRAIT MINIATURE OF A LADY WEARING WHITE LACE TRIMMED DRESS, A PEARL BROOCH AT HER CORSAGE AND GOLD NECKLACE WITH EMERALD JEWEL Watercolour on ivory, oval In a gold frame 6.3cm highPlease note Dreweatts have applied for a de minimis exemption licence for the ivory in this lotRef: Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding.
HERMES Paris, déposé, circa 1937. Demi-parure 'Oursin'En métal doré, composé d'un clip de corsage et de clips d'oreilles.Traces d'utilisationHaut. Clip: 5 cm; Haut. Clips: 2 cm.Footnotes:HERMES Paris, registered, circa 1937. 'Oursin' half-parureIn gold metal, consisting of a bodice clip and ear clips.Slightly faded.High. Clip: 5cm; High. Clips: 2 cm.For further information on this lot please visit Bonhams.com
PABLO PICASSO Malaga 1881 - 1973 Mougins: Buste au Corsage à Carreaux. Jacqueline im Profil nach rechts. Offsetlitho (stark verkleinert) nach Picassos gleichnamiger, 1957 entstandener Lithographie (1er état). Vgl. Bloch 849 und Mourlot 308 (Lithographie 1957). - Mit dem seitenverkehrten Datum „18.12.57.“ in der Darstellung und dem Namenszug unterhalb der Darstellung. 34,5 x 28 cm (Darst.). Auf chamoisfarbenem Vélin. Mit winzigem Randeinriss und schwachen -knickspuren. [ms]
Pierre Molinier (1900-1976)Grande Poupée - Sculpture-modelage, 1957-1958 Poupée de 112 cm de hauteur comprenant 3 parties :- Tête de poupée : 28 cm de hauteur.- Tronc et jambes coupées à mi-cuisses : 84 cm de hauteurModelage sur une armature de bois, plâtre enduit et peint couleur chair. Visage maquillé, yeux provenant d'un taxidermiste.- Main droite empruntée à un mannequin de vitrine, avec bague au doigt et ongles postiches, jarretière au poignet et gants.La poupée porte une perruque, une voilette, un corsage de dentelle, foulard, culotte, porte-jarretelles, boucle d'oreille, veste de velours cousue par Molinier.On Joint : trousseau de la poupée contenu dans une mallette à fermeture-éclair, intérieur rouge : deux perruques en cheveux, une claire et une foncée ; un collant noir ; trois paires de bas ; une tunique noire transparente, une culotte noire ; un bandeau en tulle, etcDoll of 112 cm in height including 3 parts :- Doll head: 28 cm high.- Trunk and legs cut to mid-thighs: 84 cm highModeling on a wooden frame, plaster coated and painted flesh-colored. Face made up, eyes from a taxidermist.- Right hand borrowed from a shop window mannequin, with ring on the finger and hairpiece nails, garter on the wrist and gloves.The doll wears a wig, a veil, a lace bodice, scarf, panties, garter belt, earring, velvet jacket sewn by Molinier.We attach: the doll's keychain contained in a zipper case, red interior: two hair wigs, one light and one dark; black tights; three pairs of stockings; a transparent black tunic, black panties; a tulle headband, etcFootnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ozias Humphry, RA (1742-1810) Portrait miniature of a lady in a purple dress with blue ribbon and a pink rose at her corsage, her hair upswept beneath a white lace cap watercolour on ivory, oval, in a gold frame with brooch pin attachment5cmProvenance:Bonhams, London, 30 May 2013, lot 38, when acquired by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 8J1AA67M.Examined out of frame. Ivory very slightly warped along the sides. Some fading near the sitter's face and visible discoloured retouching on the right near her neck.
John Smart (British, 1742-1811)A portrait miniature of a lady of the Lodge family, wearing a white stole over her blue dress and frilled white chemise, a topaz jewel at her corsage, her hair upswept. Watercolour on ivory, signed on the obverse, J.S., gold fausse-montre frame, with a border of half pearls, the reverse with a glazed hairwork compartment. Oval, 50mm (1 15/16in) highThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A costume design by Edith Head for Veronica Lake as Nan Rogers in Miss Susie Slagles’s (Paramount 1945). A mixed-medium costume design by Edith Head, illustration likely by sketch artist Waldo Angelo. The sketch features a posed full-length female figure in an Edwardian period costume holding a fur muff. The figure is wearing a jacket with bishop sleeves, a full-length skirt with an s-shape, gloves, a floral corsage, and a beret with a pom-pom. The sketch is unsigned with no annotations. Edith Head who managed and ran the costume department at Paramount would work with several designers and sketch artists on the films she oversaw. Head who drew a lot of her sketches in her early years at Paramount now utilized sketch artists like Waldo Angelo, who were able to quickly sketch a variety of Head's design concepts for her to present to the director, producers, and talent of the film. DIMENSIONS:SKETCH 14.25 X 22.5 INCHESMOUNT 19.5 X 31 INCHES
Circa 1940-50s Ladies Clothing comprising an orange crepe day dress self woven with stripes, elbow length sleeves, round neck, pleated detail to the front of the skirt, matching fabric belt and a cream silk crepe corsage,a navy and white day dress with contrasting red mounts to the front pockets, red buttons, short sleeves and matching belt,a black and red large checked wool coat, black collar attached fabric belt and long sleeves,a Vogue Vintage Model blue wool day dress made from a 1943 pattern,another Vogue Vintage Model in teal blue crepe, modelled as a jacket from a 1939 pattern,(5)
A collection of headdress to include: a white petaled half-hat, 1950s; a small paste tiara, a 1930s/40s headdress for a bride in white wax flowers and diamante detail on two rings; an iridescent pearlised head piece; a clip corsage and head clip, 1960; a headpiece in paste stones depicting a double bow design made by Bellapacella; a pearl collar, 1950; a fur and pearl collar, 1960; a Bakelite comb with a large paste decoration and pale pink ostrich feather; a large feather clip headdress with a lemon dahlia. (8)
A collection of hats to include: a large dusky pink picture hat decorated with a large pink raffia fringed striped bow; a navy tulle corsage with white flowers; a peach picture hat in a figured fabric design with swathed crown, decoration, stiff brim and paste stones on a bow, 1980; a three-quarter hat that is pleated, swathed and decorated with a large bow, made by Trikki by Edna Wallace, 1960s; a raspberry pink tulle hat, ruched into small designs, American Union USA, 1960; a pale peach feathered hat with a design of pleated feathers in turquoise/beige wrapped around the front, 1950s; a velvet-type pillbox hat decorated with black feathers, 1970; a black tulle hat decorated with pink flowers on the crown, 1970s/80s; a deep peach petal hat by Vernier of London, 1950s; a half-hat in pink and beige with a pom-pom feathered detail and brim edged in green grosgrain made by Harrods, 1950s; a pale pink petaled pillbox hat in velvet-type flowers; a pure wool pillbox hat by Right Impression with a tulle veil and cream feather trim, 1970; a fascinator on a band with a cream feather feature and gold sequin motif by Peter Battley of London, 1980; a red punched felt hat with scalloped hem by Connor. (14)
Ladies Edwardian collection. A 1930s black lace evening skirt with taffeta lining Fits UK8-10 * A 1930s black lace cocktail dress with thin straps UK10 * A 1930s original cobalt blue satin and silk evening dress with diamante epaulettes and waist corsage Fits UK8-10 Condition Report: Good condition commensurate with age
James Holmes Jnr. (fl. 1836-1859) Portrait miniature of Mary Jane Perceval (d.1899) later Lady Matheson, wearing a tartan dress with flowers at her corsage, a gold bracelet on her right forearm, her hair in ringlets and dressed with red fuchsiaswatercolour on ivory, oval6.4cmProvenance:By family descent from the sitter,Their sale, Bonhams, London, 18th November 2003, lot 142, as one of 'Nine portraits of the grandchildren of Spencer Perceval, the children of Michael Henry Perceval';Bonhams, London, 25th May 2011, lot 89, together with another of the sitter's brother (see lot 345), when acquired by the late Barry Lock (1934-2021)Mary Jane was the fourth daughter of Michael Henry Perceval (1779-1829) and Anne Mary Flower (1790-1876) daughter of Sir Charles Flower, Lord Mayor of London. A number of the sitter's siblings were also painted by James Holmes Junior (see Provenance; see lots 345 and 346).She married in 1843 Sir James Matheson (1798-1878), one of the co-founders of the Jardine-Matheson company. After the East India Company lost its monopoly on trade with China, Jardine-Matheson sent the first private shipments of tea to England in 1834. Following his marriage, Matheson purchased the Isle of Lewis for over half a million pounds in 1844 where he built Lews Castle. In 1851, he settled on the island with Mary Jane and was made a baronet that same year. Matheson served as MP for Ashburton from 1843 to 1852 and for Ross and Cromarty from 1852 to 1868. The Mathesons had no children, so when Sir James died, the baronetcy became extinct, and Mary Jane remained on the estate caring for her mother. This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. B6D7P684.
James Scouler (1740-1812) Portrait miniature of a lady in blue dress with flower corsage signed and dated 'Scouler / 1765' (lower left)watercolour on ivory4cmProvenance:Elle Shushan, Philadelphia, from whom acquired in 2012 for £500This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No.YSZZN34K
Attributed to William Routh c.1760-70Portrait of Peter Leggat of Barwick-in-Elmet-Yorkshire, half-length, with hand in waistcoat pose, wearing a fine jacket decorated with gold buttons, a rose corsage pinned to his lapel and holding a stickA portrait of Sarah Leggat, wife of Peter, half-length, wearing a fine white satin stomacher dress with blue satin detail, ribbons and lace trimmings, a matching mop cap and choker, standing before a draped curtain and before an urn of assorted flowersA portrait of Jane and Elizabeth, daughters of Peter and Sarah Leggat, half-length, wearing white dresses and pretty headpieces holding a basket of flowers with their attendant dog before a landscapeEach initialled and indistinctly dated? oil on canvas, 66.5cm by 64cm, 67cm by 64cm and 74.5cm by 63cm respectively (3)This lot is sold together with the Leggat Book of Common Prayer and a small cache of documents relating to the family.Each relined, cleaned and re-varnished. The gentlemen - some surface dirt and discoloured varnish in evidence. Stretch shadow with traces of historic retouching by eye. Further vertical line of separated paint and possible old restoration approx 1cm to right of evident upright right hand side stretcher shadow approx 30cm in length. Further areas of apparent cracquelure and crazing e.g. immediately above the ledge of right hand side near his left-hand side shoulder. Similar degree of crazing, cracquelure, cracking, addition of bitumen? to background and curtain upper left. Surface is somewhat flattened from restoration, paint is thin in places. Delicate retouching and infilling all be it relatively consistently presumably to old flaked paint across the sitters face, collar, and shirt, his right hand shoulder, a good degree of his waistcoat, right hand cuff and his right hand in addition to his left hand. Further infilling generally within lower left-hand corner and more sporadically elsewhere. Som likely general strengthening through background and his left-hand arm and sleeve. Slightly adrift of frame along upper edge. The lady - In broadly similar condition to the gentlemen with regards to stretcher shadow, flattening and thinning of the paint as result of restoration particualrly the expanse of lace within the lower right hand corner. Varying sized patches of cracquelure, some being more pronounced than others. Surface dirt and discoloured varnish. Some horizontal creasing like effect within the lower area approx 10cm from lower edge. Some more apparent crazing to areas of paint particularly extremeties of background with more pronounced separation. Consistent retouching to more areas of paint within background upper left area, within stretcher shadow section. Delicate fairly consistent retouching and infilling to old flaked paint across the sitters face, left hand side hand and arm, and less consistently evident to other areas of her costume. Fine retouching and infilling to bulls eye shaped cracquelure within the urn. Some more general strengthening to background and sporadic retouches probably of a different date to background and floral arrangement etc. The children in broadly comparible state of preservation, stretcher shadow, varying sized and separated cracquelure, surface dirt and discoloured varnish. Minor rubbing to edges, especially top edge. Circular patch of restoration in background approx 8cm from upper left hand corner and 1.5cm dia. Delicate retouching and fairly consistent infilling to cracquelure across the faces of the two children. Further delicate but again consistent retouching to old flaked paint through the other flesh areas and costumes of the two girls. Couple of approx 1cm by 1cm patches of restoration along right hand side edge. More sporadic retouches and infilling across the hound and background in general with likely more consistent areas of general strengthening to background etc. This painting also displays a similar degree of flattening of surface and thinning in places due to restoration process. For more information please contact the department.
Frankrijk, 18 kt. gouden devant de corsage en pampille, 19e eeuw. Met bloemen en klimopbladeren. In het midden bezet met een oud slijpsel diamant van ca. 0.30 ct., (lichtgeel, chip) waarnaast zilveren blaadjes elk met een roosgeslepen diamant. Het geheel verder bezet met (vermoedelijk) natuurlijke parels, granaat en zwart email. Het hangoog van later datum. bruto 46,1 gr., l. 13 x b. 6,5 cm [1] France, 18 k. gold devant de corsage en pampille, 19th century. With flowers and ivy baths. Set in the center with an old cut diamond of approx. 0.30 ct. (light yellow, chip) next to which silver leaves each with a rose cut diamond. The whole is set with (presumably) natural pearls, garnet and black enamel. The bail added later
Armani Collezione, deux pièce bestaande uit een blazer en een rok van grijze wol en zijde, de blazer met dubbele kraag en corsage in wit en grijs It. mt 42, Nlds mt. 36 [2] Armani Collezione, deux pièce consisting of a blazer and skirt in gray wool and silk, the blazer with double collar and corsage in white and gray
Seated half length, wearing a white dress and hat, with a pale pink corsage, oil on canvas, in an associated frame (possibly French) 76 x 59.5cm. * This is a variant of the picture exhibited at The Royal Academy, 1802, no.112 (as `Mrs R. Westmacott`), which was sold at Sothebys, London, November 28th 2002, lot 168 * The sitter (nee Wilkinson) was married to the sculptor Sir Richard Westmacott, RA (1775-1856) from 1798. This picture has passed by descent in the sitter's family. *Condition: Lined; retouching; some bitumen damage, principally in the background and not affecting the principal subject.
A white Meissen figure of the lady with a fan (Stehende Dame mit Fächer), circa 1934-1948Modelled by Paul Scheurich, the lady with short waved hair wearing a clinging evening gown with pleated flounce on her left hip and flower corsage on her right shoulder, her arms crossed with a large ostrich feather fan held to her right hip, on a square base, the side incised 'SCHEURICH 29', 47cm high, crossed swords mark in underglaze-blue and impressed crossed swords/'weiß' to the side of the base, incised model number A 1224 , impressed 'Bossierer' numeral 142 and impressed crossed swords/'weiß' to underside of baseFootnotes:This model, together with five others by Scheurich, won the Grand Prix at the Paris World Exhibition of 1937, see Johannes Rafael, Paul Scheurich 1883-1945 Porzellane für die Meissener Manufaktur, Meissener Manuskripte, Sonderband VIII (1995), no.40.Scheurich modelled the figure in 1929 after spending several weeks in Paris in June and July, where he would have seen the newest fashions. In 1928 womens' dresses started becoming more form-fitting, incorporating asymmetrical hems, swags and ruffles. Scheurich must have been inspired by fashionable women he saw in Paris, modelling the figure in a gauzy dress with deep décolletage and narrow straps, a waterfall of pleats to one side of the skirt and a corsage applied to one shoulder. In her right hand is a large ostrich feather fan, a feature that was very much en vogue at the time. The cover of 'Le Petit Echo de la Mode' from 20 May 1928 shows an illustration that is strikingly similar and could have been the type of thing to inspire him. This style of dress even made its way across the sea and a gown by Chanel was illustrated in the Indianapolis Times on 9 June, 1928 (Noon Edition, p.9), where it was stated: 'A graceful side bow and a shoulder bouquet give charm to a raspberry chiffon evening gown of superb simplicity.'The manufactory made an advance payment for the model in July 1929 of RM 500, though Scheurich was working on several models and so the figure was delivered to the manufactory in March 1930 and the total price of RM 3,800 was paid in the following months. The first figure in porcelain was produced in Autumn 1930 and the first example sold in Spring 1931. Scheurich originally intended the figure to be produced only in white. According to the records of royalty payments, nine figures were sold by the end of 1944.A similar example from the Professor Johannes Rafael Collection was sold Bonhams Paris, 14 April 2022, lot 83, and a biscuit version in the same sale, lot 82.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Pablo Picasso (Málaga 1881 – 1973 Mougins). „Femme au corsage à fleurs“. 1958Lithografie auf Arches-Velin. 63,6 × 48,1 cm (66 × 50,3 cm) (25 × 18 ⅞ in. (26 × 19 ¾ in.)). Signiert.Rau 665 / Mourlot 307.–Einer von 50 nummerierten Abzügen. Paris, Galerie Louise Leiris. [3186] Gerahmt. Provenienz: Privatsammlung, RheinlandWir berechnen auf den Hammerpreis 32% Aufgeld.
Circa 1950-60s Ladies Costume, comprising five Hungarian cotton muslin embroidered tops with long and short sleeves,H Price & Sons, Paris, London, Milan red and black brocade pleated skirt,1950s red and black paisley printed reversible circle skirt with sequin appliqués,similar black skirt with embroidered detail to the hem with sequin appliqués,black textured circle skirt and a grey skirt woven with red checks,Hart Production Designed by Edith Hart pink silk long sleeved top with buttons to the reverse and pleated front,Fashion Sport red and white checked short sleeve shirt with neck tie,Blanes self striped sleeveless cocktail dress with v-neckline, velvet belt and rose corsage (size 14),Chanelle Ayr red and black textured rose print cocktail dress with black velvet straps and details to the front, bow corsages,Hockley Model black wool three quarter length coat, with long full sleeves appliquéd with black circular bead decoration, side pockets,similar style black grosgrain coat with shaped front pockets,black long sleeve tailored jacket with stylish overlapping button placket,(17)5 Hungarian tops - bust sizes 30"-38", slight wear and discolouration to all. One has stitched repairs under both arms and open sleeve seam.H Price red skirt - 28" waist - slight wear50s red and black paisley circle skirt - 24" waist and slight wear, sequin lossBlack embroidered skirt - 27" waist, slight wear, couple tiny holes near hem, some sequin lossBlack textured skirt - 27" waist - slight wear.Grey skirt - 24" waist - slight wearEdith Hart pink shirt - 44" bust, slight wear.Red and white checked shirt - 34" bust, slight wear.Blanes dress - slight rubbing and wear, belt loop snapped, 34" bust and 28" waist, slight fading to the shoulders.Chanelle dress - straps repaired and slight wear, 36" bust and 30" waist, slight rubbing under the arms.Hockley black coat - 44" chest, couple of bead losses and slight wear.Black grosgrain coat - 42" chest, fading to the shoulders and slight wear.Black jacket - 38" bust, smaller button to the top, end of sleeve seam loose, slight wear.
Assorted Circa 1960s Ladies Full Length Evening Dresses, comprising Carnegie of London blue, green and cream silk type striped dress (size 14),Mulchands Singapore purple sleeveless dress with gilt embroidery and sequins to the bodice,green satin sleeveless dress with sequin and bead modesty panel, pleated skirt and waist detail,Doree Model blue sleeveless dress with beaded neckline,Emma Domb California, Frank Jelleff Inc, Washington DC pale pink satin sleeveless dress with sequin trim and bow detail,Madame Kemp Salon of Roderick Tweedie Ayr woven pink sleeveless dress with scooped neck and full skirt,Berkertex Mayfair pink pinafore style evening dress with double breasted buttons to the bodice,Blanes of London green and silver brocade strapless evening dress, with green satin trim and floral corsage to the waist (size 16),pink and silver sleeveless dress with empire style bust, a-line skirt,green sleeveless dress with v-neckline and sequin and braid appliqué,(10)Carnegie dress - 34" bust, 27" waist, belt missing, slight discolouring under the arms, slight wear.Mulchands purple dress - 38" bust, 34" waist, slight wear, some thread pulls.Green satin dress - 38" bust, 32" waist, slight wear and rubbing.Doree blue dress - 36" bust, 30" waist, some slight discolouration under the arms, slight wear.Emma Domb dress - 38" bust, 34" waist, some slight discolouration under the arms and to the bodice top and hem, slight wear.Madame Kemp pink dress - 36" bust, 32" waist, couple ot tiny marks and slight wear overall.Blanes green dress - 36" bust, 30" waist, slight discolouration under the arms, and a couple of other marks overall, slight wear.Berkertex Mayfair pink dress - some rubbing overall, 36" bust, 30" waist.Pink and silver dress - 38" bust, 32" waist, staining under both arms and slight wear.Green dress - slight wear under the arms, 38" bust, 34" waist, slight wear.
TY Beanie babies - Approx 29 Beanie Babies in sets, to include; 3 x millennium bears (Inc "The Beginning), 2 x flower beanies (Corsage & Bloom), 2 x praying (Blessed & Hope), 3 x Canadian (Inc Chinook, Pierre), 3 x "e" bears (Speckles, Sunny & Periwinkle), 6 x rabbits (incl Grace - a praying rabbit, Spring & Dippy), 3 x elephants (Inc Giganto), 2 x mice (inc Cheddar), 1 x hamster (Pellet), 4 x lefty & righty ( 2000 & 2004). All items appear to be in very good to excellent condition (This does not constitute a guarantee).
Women`s, corsage, gold watches from Zenith. Made of 14-carat gold, in a classic taste, with a gold, guilloche dial and stopwatch. 1900-1910s. Diameter 3 cm. Weight: 28 gr. The mechanism is in working condition, a complete revision of the mechanism was carried out. Width: 3cm, Height: 4.5cm, Depth: 0.8cm, Weight: 0.028kg, Condition: Good, Material: Gold 14K
Reproduction of lovely and attractive blue eyed glamour girl brunette with pink toned corsage flower in her hair as she wears cream toned fur stole. Background is burgundy toned as well as custom lined border which also includes shades of tan and sage green. Material made of thick cardstock and wrapped in protective plastic. Artist: Zoe Mozert (1907-1993)Dimensions: 10""W x 13""HCountry of Origin: United StatesCondition: Age related wear.
PABLO PICASSO Malaga 1881 - 1973 Mougins: Figure au Corsage rayé. Farblithographie von H. Deschamps nach der gleichnamigen größeren, 1949 entstandenen Farblithographie Picassos 1978. Nicht mehr bei Czwiklitzer. Vgl. Bloch 604 und Mourlot 179. - Abdruck vor dem Text und der Verwendung als Ausstellungsplakat anläßlich des XXXIIe Festival d’Avignon im Palais des Papes, Avignon, 1978. Mit dem Datum „3.4.49.“ im Stein sowie dem typographischem Namenszug von Deschamps, Druckeradresse von Mourlot und dem Copyright von S.P.A.D.E.M in der Darstellung. Auf kräftigem chamoisfarbenen Vélin d’Arches. 52,7 x 40,2 cm. Breite Ränder mit wenigen Griffspuren. [bg]
A chrysoberyl devant de corsage brooch, possibly Portugal, 18th century, the top designed as a ribbon bow issuing foliate sprays, suspending a pear-shaped drop, set with oval, cushion- and pear-shaped chrysoberyls, mounted in silver, measuring approximately 7.8cm x 6.7cm, upper central section and two side pendants deficient, later brooch fittings
An important diamond parure, mid 19th century, comprising: a devant de corsage brooch, centring on a ten-petalled flower within undulating foliate scrollwork, suspending a detachable pendant and a festoon, set with rose-cut, cushion- and pear-shaped diamonds, measuring 8 x 11.7cm including festoon pendant, detachable brooch fittings; a necklace, composed of graduating floral motifs alternating with stylised ribbon bow links, set throughout with cushion-shaped diamonds, length 40.5cm, detaching into two bracelets, central section originally intended to be replaced with the devant de corsage and worn in combination as a single necklace; an impressive pair of earrings of elongated drop-shaped design, set with cushion-shaped diamond borders, centring on a line of cushion-shaped and antique pear-shaped diamonds, length 5.9cm, later tops circa 1910, hook fittings; and a small clip of radiating design set with cushion-shaped diamonds, 1.8cm diameter, each set in silver and gold, later rhodium plated, some later alterations to fittings, estimated total diamond weight approximately 65.00-70.00 carats, fitted case Provenance: Lord Lucius O’Brien 15th Baron Inchiquin (1864 – 1929) and Ethel Lady Inchiquin (1867 – 1940). She married the 15th Baron Inchiquin in 1896 who succeeded the peerage in 1900, thence by descent
An antique Edwardian ivory coloured silk beaded bridesmaids dress in Regency style with fine lace cuffs and wax flower corsage also two matching antique beaded silk stoles, hand embroidered in ornate gold filigree design (both approx. 56cm X 124cm) good condition, and a further silk panel with elaborate gold embroidery (approx.84cm X 49cm) Light marks and small wear marks. 4 itemsCondition Report: Dress is in good condition commensurate with age with associated marks light damage including a heel-catch tear at the hem but overall good.
Miniature portrait of a girl, her hair in ringlets, with a rose at her corsage, oval on ivory, indistinctly signed and dated 1857, 9 x 7cm in gilt gesso and glazed frame Ivory Registration Number E191GR2Z. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Miniature good, mount spotted, gesso frame with slight cracks, otherwise good. Glazed outer frame repaired at corners.
A collection of sterling silver and costume jewellery, both contemporary and period. Featuring a carnelian set "935" stamped Arts and crafts style panel brooch; a banded agate brooch; a three stone amethyst brooch and further comprising a 925 stamped belcher chain (approximate weight 16.6 grams ), a continental 800 silver cameo brooch, two silver marked brooches (13.1 grams approximately), a sterling silver cat pendant on a 925 chain (approximate weight 3.1 grams), a number of 925 silver and cold enamel jewellery (gross approximate weight two strands of simulated pearls, a magnifying glass, 27.9 grams); a white metal filigree pendant, a 1930s beaded corsage necklace and other costume jewellery.
Vintage wedding hat, scalloped edges decorated with faux lilies of the valley, similar corsage, waxed flower pieces, a net wedding veil, and a mid twentieth century silver cardboard Good Luck Horseshoe, in its original box 'My Ladye' Wedding Horseshoes No.30', another wedding Horseshoe and a small feather piece (1 box)
* Clothing. A 1930s wedding or court dress, full length fitted cream lamé gown with train, handmade, patterned with leaves and fully lined with cream sillk, with round neck, long sleeves (padded on shoulders and buttoned at cuffs), and metal eye and stitched hook closure to side, a few pulled threads, staining to underarms, lining of train marked, bust 90 cm (35.5 ins), waist 74 cm (29 ins), sleeves 63 cm (24.75 ins), length 139 cm (109.5 ins), length including train 213 cm (84 ins), together with 6 items of 1920s clothing, comprising: a rare girls' robe de style dress of gold lace over silk, with ribbon straps, metal stud closures at back, flower trim at neck and around waist and stiffened panniers, and a corsage of grapes at waist, somewhat damaged, with losses, bust 66 cm (26 ins), waist 62 cm (24.5 ins), length 61 cm (24 ins); a gold lamé dress with foliate pattern, with lined and boned fitted bodice, padded bust, metal zip closure at back, narrow self straps, and a flared skirt with gathers at rear, occasional light marks, bust 82 cm (32 ins), waist 66 cm (26 ins), length 97 cm (38 ins); a pink and silver lamé unstructured jacket, with 3/4 length sleeves, silk-lined patch pockets at front, and 3 short slits in hem at rear, bust 117 cm (46 ins), sleeves 39.5 cm (15.5 ins), length 61.5 cm (24.25 ins); a gold lace overdress, with pattern of stylised roses, round neck (self button at rear), petal sleeves of net (one with loss of gather stitching), and short train at rear, bust 84 cm (39 ins), waist 60 cm (23.5 ins), sleeves 19.5 cm (7.75 ins), length 107 cm (42 ins); a full-length bias-cut lamé flapper dress, sleeveless, with floral pattern in orange and yellow, and self pendant to neck, small hole to left shoulder, v-neck at rear slightly torn, short tear in hem, bust 90 cm (35.5 ins), waist 80 cm (31.5 ins), length 140 cm (55 ins); and a sleeveless cutwork black overdress with cream stitching, bust 83 cm (33.5 ins), waist 86 cm (34 ins), length 113 cm (89 ins), plus a 1940s full-length chiffon and embroidered net gown (some damage), and a 1950s full-length blue taffeta evening dress with ruched bodiceQTY: (9)
A Versace jacket - Jeans Couture - in cerise pink, 1990s, size 12/14, made in Italy. Together with a Fenn Wright & Manson label floral dress in a colourway of pinks/white and black background, size 10, sleeveless with a floral corsage on shoulder, 83 per cent silk and lined in pale pink with corsage details on the left hip (matches or tones with the Versace jacket), 1990s. Also a Paris-made satin coat, white background edged in red piping, with patch pocket and the bustline embroidered in red flowers and foliage, two pockets on hips. Iridescent buttons. 1990s/2000, size 12. Made by Cottonade Paris. Along with a repro evening bag with a metal frame and embellished in colourful sequins.
19th Century Cream Silk Wedding Outfit, comprising a fitted bodice with pleat and gathered details, lace mounts to the cuffs and trims, elbow length sleeves, wax floral corsage, multi button fastening, shaped reverse mounted with a large bow, the multi pleated full silk skirt has an underskirt with cream silk pleated hem and train, labelled to the waistband George Henry Lee & Co LiverpoolThe dress appears to be in good condition, some light areas of wear, slight discolouration to the lace trim on the hem - see extra images.
Late 19th and 20th Century Baby Bonnets and Costume, comprising a lace mounted bonnet of floral design with a pale blue silk liningembroidered cotton bonnet with lace insertions, cream silk ribbon corsage decorationnet bonnet with floral embroidery and a similar example in cotton with net trimlace bonnet and a white net bonnet with pleated design and pale blue silk trimspeach silk pram coat with silk lining, lace trims, floral corsage and matching lace mounted bonnet(small box)
Early 20th Century Ladies Costume, comprising a black chiffon short sleeved dress with floral lace insertionstwo full length cotton day robes with zip fastenings and collarsthree printed, embroidered and figured silk kimonos and a pink quilted bed jacketPolmarks red crepe mounted evening dressblack cocktail dress with short sleeves, corsage and pleated detail to the skirttwo other dresses and a Harrods fur stole(12)
Circa 1950s and Later Occasion Dresses and Suits, comprising a caramel coloured suit including a straight skirt, matching open jacket and floral sleeveless topJanet Sloane Greenwich grey checked double breasted jacket with collar, long sleeves and matching straight skirtHaute Boutique Aachen navy blue ribbed suit, comprising a straight skirt and double breasted jacket with collargreen, blue and black brocade dress with V-neckline and fabric tie, attached belt and three quarter length sleevesMurray Schneider San Francisco cream floral dress and matching shawl neck collarmidnight blue evening coat with single button fastening and side pocketsSwedish Model, Abeve, Sweden blue metallic dress with pleated collar, three quarter length sleeves and pleated skirtbrown floral short sleeved dress shift dress with waist detail and matching long sleeve coatplum brocade dress with collar detail and asymetric neckline, three quarter length sleevesgreen brocade sleeveless dress woven with black flower heads and silver grasses, matching jacket(10)Caramel coloured three piece - 44" bust, some wear and loose threads to the top.Janet Sloane suit - 40" bust, one button missing to the jacket, slight wear to both.Haute Boutique blue suit - 34" bust, slight rubbing and wear.brocade dress - 42" bust, several loose thread ends overall.Murray Schneider suit - 40" bust, needs some stitches to the front of the dress, slight wear overall to both.Blue coat - 42" bust, slight wear.Swedish Model blue dress - 40" bust, slight wear, corsage worn.Brown two piece - stitched repairs to the seams at the front of the dress on the bodice, slight wear overall, 42" bust.Plum brocade dress - 36" bust, slight wear overall.Green dress and jacket - 40" bust, slight wear.
Circa 1950s and Later Occasion Dresses and Coats, comprising a Schüza Kleid black textured shift dress with corsage (size 44)mid length black dress with pleated bodice panels and satin finish corsage (size 42)black patterned/textured long sleeve dress with frill collar and decorative buttoned bodice Chumley black maxi dress with short puff sleeves, brown and gold beading in a scalloped pattern to collar and pockets, gathered bodice detailsknee length black collared dress with box pleats and velvet trim (size 42) navy blue 3/4 length sleeve dress with square neckline and buckle detail on bodiceBentons black cropped jacket with sunburst silver-coloured buttons cropped black satin collarless jacket with olive satin lining and piped edgesLilli Ann cropped black jacket with white mink collarblack faux fur coat with burgundy lining, pockets and a brown/black faux fur collar with button(10)Schüza Kleid dress - 40" bust, zip ok, small pullsMid length black dress - 40" bust, zip ok, stitching coming away from under armBlack patterned/textured dress - 38" bust, zip ok, rust to back of buttons and hook and eye, back of dress is slightly sun bleached, small marksChumley black maxi dress - 32" bust, zip ok, some beads have been replaced with clear beads, small pullKnee length black dress - 36" bust, zips ok, some pulls, possible decorative button missing from collarNavy blue dress - 40" bust, zip ok, hole under right arm, wear to inside of collarBentons jacket - 36" bust, very slight wearBlack satin collarless jacket - 38" bust, small pulls and marks, fraying to piping, wear to under arms Lilli Ann black jacket - 38" bust, holes under arm and on back Black Faux fur coat - 40" bust, general wear and mark on lining under arms
Circa 1950-60s Evening Dresses comprising a Horrockses Fashions blue and white cotton sleeveless dress with spaghetti straps, printed with large flower heads (16) Blanes teal blue brocade sleeveless dress, pleated straps, attached bow and paste buckle to the hip yellow brocade sleeveless dress with bow detailsblue cotton brocade sleeveless dress, empire style bust with bow silver and black halter neck with full skirt Duprez London pale blue net mounted sleeveless dress with long white ties to the back and tiered skirt pink and green ruched ombre strapless dress with floral corsage and later straps similar sleeveless dress in pale lavender with cross bodice Russell Stuart Model silver brocade long sleeved cocktail dress with waist detail yellow lace mounted dress with short sleeves and v-neckline yellow short sleeve dress embroidered with floral sprigs overall, trim to neckline Phelps & Co Ltd Calcutta blue linen dress with white beaded strappy bodice and peplum waist (12)Horrockses dress - 34" bust, slight wear.Blanes dress - 36" bust, worn and slight discolouration. Yellow dress - 34" bust, fading and a couple of marks.Blue brocade dress - 38" bust.Silver halterneck - 30" bust, slight wear.Duprez net dress - 30" bust, slight wearPink and green dress - 34" bust, slight wear, replacement straps. Lavender dress - couple of holes and repairs around the sleeve holes.Russell Stuart dress - 40" bust, slight wear.Yellow lace dress - 32" bust, slight wear.Yellow short sleeve dress - 30" bust, slight wear.Phelps dress - 32" bust and bead losses.
Loading...