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Pink and White Crystal Corsage Style Bangle, a hinged bangle with a pink enamel, graduated pink crystal and white crystal lily to the centre front, and Art Nouveau leaf and bud designs to the sides, in green, pink and lilac enamel, studded with pink and AB crystals; hinged to the back, the closure, to one side of the lily, is completely hidden

A box containing assorted items to include a pair of nephrite jade yellow metal mounted tear drop earrings and a matching pendant, various other jewellery, Carltonware trinket dish, a Victorian photograph of a young girl in gown with floral corsage inscribed "Whiteley, Bayswater", etc.

A Collection of Garnet Jewellery, late 19th century, comprising of a corsage pendant brooch, with detachable drop (one stone missing), a set of six buttons, bombe style, a pair of earrings and a single earring. (a quantity). From a private Shropshire vendor.  Corsage Piece:  top:  68mm   x 50mm  No stones missing but one small stone replaced or different at some stage.  In my opinion the metal is silver gilt.Detachable drop pendant:  55mm  length  x 44mm width.  One stone missing at the top of pendant. In my opinion the metal is silver gilt.Six  Dress Studs/Buttons:   17mm  width all matching.  Two with later backs. In our opinion the backs are silver gilt with two later solder attachments in gilt metal (see photo) A Pair of Earrings:  18mm x  15mm.  No stones missing.  In our opinion on silver backs with screw fitting of  base metal. A single Earring:  7mm width .  No stones missing .  In our opinion on a base metal.  

Pink and White Crystal Corsage Style Bangle, a hinged bangle with a pink enamel, graduated pink crystal and white crystal lily to the centre front, and Art Nouveau leaf and bud designs to the sides, in green, pink and lilac enamel, studded with pink and AB crystals; hinged to the back, the closure, to one side of the lily, is completely hidden

BUTTONS ETC. A small collection of buttons including enamelled, coral, Austrian tinies & a button corsage.

A COLLECTION OF 1930's/40'S/50'S EVENING DRESSES. A 1930's floral lace dress with a flower corsage on the shoulder. 26" high waist. A 1940's nylon red rose long dress, side hook and eye fasteners. 26" waist. (needs cleaning and stitching) A 1950's 'Jean Allen' long dress made from metallic light blue quilted fabric. 30" waist. A further 1950's 'Laura Phillips' dark blue velvet evening dress with diamante clasp. 30" waist. (4)

Pink and White Crystal Corsage Style Bangle, a hinged bangle with a pink enamel, graduated pink crystal and white crystal lily to the centre front, and Art Nouveau leaf and bud designs to the sides, in green, pink and lilac enamel, studded with pink and AB crystals; hinged to the back, the closure, to one side of the lily, is completely hidden

A collection of Victorian and later jet beaded edging, sequin, paste jeweled and other beaded edging, a floral wax wedding head-dress, a floral silk corsage, a rose stitch-worked bell pull etc. etc.

Soren S Borup - A 1970s Danish Sterling Silver corsage bangle, the head designed as a stylised abstract flower with planished finish all to a hinged plain graduated bangle, inner bracelet diameter 5.5cm, head measures 5.4cm, stamped S. Borup (twice), 925, S, Denmark.

Helen Allingham, watercolour, portrait of a girl wearing a floral corsage and striped dress, signed H. Allingham, 6.75ins diameter, circular mounted, original gilt frame with various pencil inscriptions verso

A 1920s wax and paste floral wedding headdress, with a 1930s coronet of wax flowers and beads, two further 1920s wax orange blossom headdresses and a wax corsage, (5).

A length of 1970s dressmaking silk, possibly from Liberty of London; together with a green silk-lined sewing case with contents, a floral corsage, vintage pinnies, two waistcoats and a collection of dressmaking fabric, (qty).

A 1930s green taffeta and velvet evening gown with corsage, a 1930s full length yellow gown, a gold lame cropped jacket, a black satin evening gown, a black lace skirt, a pair of 1930s full length ivory dresses with red and blue pleats and one other dress, (8).

A pair of Meissen kinderkopf busts of the Bourbon children 19th century, after the models by Kändler, the prince wearing a gilt-edged bonnet with feather, tied with a blue ribbon, the princess a patterned white headscarf, each with a floral corsage, raised on quatrefoil bases, blue crossed swords marks, a little restoration to the prince, 15cm. (2)

Late 19th century, English School, portrait miniature on ivory of Charlotte Philippa Mary Leslie née Kelso (-1908), seen in profile, wearing a white dress and with a floral corsage in her hair, numbered 25 on the reverse, the image 6.2cm high.

Continental School, circa 1730, portrait miniature of Elizabeth Corry, wearing a white dress decorated with a floral corsage and a blue shawl, a pearl cluster in her hair, oils on metal, the image 5cm high (Second wife of James Leslie of Leslie and Hill); together with a late 18th century English School portrait miniature on ivory of Penelope Leslie, wearing a white dress (fragment), numbered 5 on the reverse, the image 2.2cm high (Sister of Reverend Peter Leslie, married Edmund Francis Stafford in 1714, maternal great grandmother of the 1st Duke Of Wellington) (2).

A 1957 forest green suit by Lauren White with Persian lamb collar and mink corsage (zip replaced at a later date)

A blue circa 1930's ball gown, handmade with original corsage to the shoulder, also with the McCall's sewing pattern used to make the dress

1940's black lace cocktail dress lined with mocha organza with belt and corsage, 46 cm across chest Condition Report Good condition

A navy blue ladies hat by Hatbox at Debenhams, with a wide netted brim and flower corsage decoration, in protective hat box

A gold-plated Christian Dior pendant,with a lozenge shaped red paste to a white paste border and black enamel ground,together with a pair of similar gold-plated Christian Dior clip-on earrings,a Christian Dior simulated pearl and white paste corsage brooch,signed and dated 1967,a gold-plated necklace by Christian Dior,with a pavé set paste bar centrepiece to two rows of rope chain,together with two pairs of clip-on gold-plated earrings by Christian Dior and Grosse (9)

J Watt "CATHERINE GORDON" WEARING A BLUE DRESS WITH CORSAGE AND FLOWERS IN HER HAIR Miniature, oval, in a pierced metal frame set with four demi-pearls, 11.5 x 10cm and another, "VISCOUNTESS FORDWICH", (2)

A late-19th century French enamelled copper miniature of an 18th century lady wearing a wig and floral corsage, within a gilt metal ribbon-tied circular frame, 11 x 10cm and a painted miniature portrait, 'Duchess of Burgoyne', 4.5cm diameter, within gilt metal frame, 10.5 x 9cm overall, (2).

Velvet corsage in original box.

A Pablo Picasso print entitled 'Femme Au Corsage Bleu' signed in pencil by the artist 6¾ by 11ins. In a gilt frame.

A 1930's cream silk satin court dress with floral roundels highlighted in gold thread, bias cut with small train and corsage (53 cm across chest) Condition Report No repairs/holes etc, very good condition. Requires cleaning. measurement across back from underside of arms is 52 cm approximately

W.HILL THOMSON A.R.M.S. Miniature portrait of a lady with floral corsage on ivory, c.1900; 7.5 x 6.25 cms.  N.B. Possibly over a photographic base.

A quantity of textiles, comprising; three pairs of 1950's lady's evening gloves, six evening bags, three shawls and milliner's/corsage floral ornaments.

Oyster satin wedding dress, with original corsage, 1929.

CHRISTINA ROBERTSON (1796-1854) Portrait, probably of Grand Duchess Olga of Russia (1822-1892), seated half length at a window, wearing a silk dress and a bead necklace with cross pendant, flowers at her corsage, pencil and watercolour heightened with body colour, signed and dated 1846 left centre, 25 x 20cms.

ENGLISH SCHOOL C.1830 A miniature portrait of a lady wearing white dress with blue corsage & ribbons, half length, on ivory; 7.5 x 6 cms in folding frame, a pair of sepia landscape views, on ivory; 4.75 x 4 cms, five printed portraits and one other (9)

FOLLOWER OF ALLAN RAMSAY (1713-1784) PORTRAIT OF SARAH LEWIS (b.1727) Half length, wearing a pink dress with lace decoration, pearl jewellery and a floral corsage, within a painted oval, oil on canvas 75 x 62.5cm.; with a portrait of her husband, James Lewis (b.1727) wearing a dark brown coat, by a follower of Charles Maucourt, 75 x 62.5cm. (2) Provenance: By descent in the family of the sitters ++ Each lined; with retouching, craquelure etc. An alternative attribution to Thomas Beach (1738-1806) has been suggested for the portrait of Mrs Lewis.

Two 19th Century gilt metal posy holders one with decoration of fruit bearing angels, another with lillies and a conical corsage pin

Royal Tudor Ware dinner service, including coffee and tea pots, black Greek key band with gilding, six place setting and spares, including tureens and serving plates, sauce boat, cruet, approx. 80 pieces, together with Carlton Japan Corsage pattern twelve place setting and tureen (61 pieces), floral polychrome banding and a Chinese part tea service, white floral banding with silver line (24 pieces).

Royal Tudor Ware dinner service, including coffee and tea pots, black Greek key band with gilding, six place setting and spares, including tureens and serving plates, sauce boat, cruet, approx. 80 pieces, together with Carlton Japan Corsage pattern twelve place setting and tureen (61 pieces), floral polychrome banding and a Chinese part tea service, white floral banding with silver line (24 pieces).

A magificent 19th century seed pearl parure in presentation case, comprising an ornate necklace, a large corsage or hair ornament set `en tremblant`, an oval brooch and a pair of long pendant earrings, set throughout with small pearls and seed pearls (all assumed to be natural) attached to fine pierced mother-of-pearl frames. The necklace with graduated alternating leaf and flower features leading to a large central flower; this same flower and the leaves repeated in the curved corsage ornament which also has buds, bell flowers and a bow, the brooch echoes the large flower, which is repeated in miniature in the earpendant hooks, the drops taking up the theme of the bell flowers; the necklace clasp is circular hairwork and small pearls; the corsage ornament is attached to a metal stalk and pin, the individual flowers and leaves on delicate mobile wires and the largest on a spring; approximate lengths - necklace 39cm, corsage 16.5cm,brooch 4.3cm, earrings 9cm. All in a splendid period shaped fitted leather case with velvet and satin lining. This parure has been in the same family for at least 160 years, and has come by descent through the female line from Elizabeth Cheesewright in the second quarter of the 19th century The case contains also various notes tracing its history: `For dear Kathleen on her 21st Birthday 9th June 1893 from her loving Mother, Sophia Curran - Great grand-mother`s* Pearls received on the death of Aunt Dighton in 1862 - for whom they were added to and remade as a Birthday gift by her first husband Frederick George Caudiest [?] about 1830. *Elizabeth Cheesewright ` `To my Darling Helen, With love and best wishes from Mother, for Many Happy returns of the Day, May 2nd 1952`

Émile Becat (1885-1960) Jeune femme au corsage fleuri Crayon sur papier Signé en bas à droite 24 x 14?cm

Various silver and plated spoons, Continental white metal corsage holder, two knitting needle mounts, thimble and other small items of silver and plate etc

AN ITALIAN MARBLE BUST OF A YOUNG WOMAN with a corsage and mask, square truncation, signed Oliveri, 46cm h, late 19th c ++Corners of base chipped, other minor blemishes but in satisfactory overall condition

Important CLIP DE CORSAGE « bouquet » en platine (900 millièmes) et or jaune (750 millièmes) serti de deux alignements de diamants et pierres rouges. Légers chocs. Vers 1940. Long. : 7,8 cm. Poids brut : 34,2 g. 500/700

VAN CLEEF & ARPELS CLIP DE CORSAGE, modèle « Griffon », en or jaune (750 millièmes) partiellement boulé, l’œil serti d’un saphir cabochon légèrement Signé VAN CLEEF & ARPELS et numéroté. Long. : 6,4 cm. Larg. : 6 cm. Poids brut : 39,7 g. Biblio : Pour un modèle de la même collection, « The Spirit of Beauty, Van Cleef & Arpels », Edition Xavier Barral, 2009. 1.200/1.800

CLIP DE CORSAGE « nœud stylisé » en platine (900 millièmes) et or jaune (750 millièmes) ajouré à motifs de volutes, orné de cinq diamant taille ancienne en serti clos. Travail français, vers 1940. Long. : 5,2 cm. Poids brut : 20 g. 500/600

NAIVE ARTIST, MID 19TH CENTURY PORTRAIT OF A SEA CAPTAIN, A BRIG AT SEA BEYOND; PORTRAIT OF A LADY a pendant, in a light brown dress with lace collar and sleeves, pearl earrings and devant de corsage, half lengths, feigned oval, 80 x 60cm (2) ++Both signed and restored perhaps thirty/forty years ago. Some pigments darkened with the passage of time and somewhat unevenly painted but genuine not without charm. In what could be the original 19th c giltwood frames, the frames with flaking gilding, chipped ground and regilt with a cheap bronzing paint

ÉCOLE SUEDOISE DU XVIIIÈME SIÈCLE ENTOURAGE D’ALEXANDRE ROSLINPORTRAIT DE FEMME AU CORSAGE ORNÉ DE ROSESToile ovale73 X 58 CM Manques, soulèvements et restaurations anciennes 2000 3000

A MODERN REVERSIBLE ORIENTAL JACKET, together with a longer vintage oriental jacket, two Victorian babies` day dresses and a wedding dress with wax flower corsage (5)

SCHOOL OF WILLIAM WISSING, circa 1685, portrait of Mary II, Queen of England, when Princess of Orange, bust length, wearing a lace bordered blue dress, pearl drop earrings and with a large diamond set jewel at her corsage, oil on copper, oval 8.7cm x 7.1cm, gilt brass frame with spiral cresting and ring suspension. See illustration

FOLLOWER OF MARIA VERELST (1680-1744) PORTRAIT OF A LADY half length in a rust coloured dress with corsage and blue wrap, 73 x 62cm The support lined and with over painting and some localised loss of medium. Much old ingrained dirt and varnished over craqueleur

An early 20thC Japanese white metal bracelet, with raised silver and gilt flora and fauna decoration, a corsage holder, brooch, coins etc.

A teddy bear couple in full bridal dress; the groom in morning suit with corsage, the bride wearing a satin gown with pearl and lace trim, complete with veil, bouquet and garter belt. Provenance: The Teddy Museum, Stratford upon Avon.

A 19thC hairwork corsage, in frame, 19cm x 22cm

A selection of seven 1940s to 50s organza, satin and lamé gowns including 1950s as follows: warm ivory silk satin shift embellished with large beaded motif, lilac ribbon stripe satin gown, green and gold glitter organza prom gown, blue satin fitted gored satin gown (unfinished), white and metallic blue ribbon pinstripe organza gown, plus from the 1940s, a peach and copper lamé gown with appliqué corsage and a pale peach glitter dot satin gown. (7)

A collection of 1950s to 60s bridal wear including a 50s lace and tulle cupcake prom style wedding gown, a 50s Emma Domb lace-on-satin gown with iridescent sequin embellishment and kick pleat back, as well as from the 1960s: an ivory brocade high waisted gown, an appliqué lace-on-satin high-waisted gown with satin rose corsage and long train plus a sequin-on-satin wrap-over lamé flap front gown. (5)

Early 19th century British school, oval portrait of a lady with blue dress and flower corsage, indistinct monogram lower right, pastel drawing on paper in a gilt frame, 43cm wide, 53cm wide

Assorted Circa 1950`s and Later Costume including a Simon Massey London black fitted jacket with velvet mounted collar; another similar jacket with scallop detailing to the patch pockets; Michelle black v-neck top with black bead detailing, long sleeved fitted jacket with chevron quilting to the pockets; Glendawn fawn tailored jacket; Cresta Harella brown wool jacket with velvet mounted collar; yellow and brown printed cotton dress with two tiered skirt and floral corsage to the waist; Marjon Couture printed cotton day dress, decorated with apricot coloured flowers (size 38); and a later Marketta Finland red printed cotton day dress; Elida Model London lavender, yellow and blue patchwork skirt and matching top; blue and white checked two piece suit with double breasted jacket (10)

Assorted Circa 1920`s and Later Costume including a Black Silk Beaded Shift Dress with short sleeves and square neckline; Circa 1930`s Black Velvet Evening Dress with floral corsage to the shoulder; Circa 1950`s Cocktail Dress with capped sleeve black velvet bodice set with paste stones and black and silver floral silk taffeta skirt of floral design; Harrods Black Grosgrain Coat with button and pleated detailing to the cuffs; Edith Hart Black Chiffon Evening Top with sequin collar and buttons to the front (size 34); Green Chiffon Evening Skirt and another in black silk taffeta (7)

An oval cameo brooch, depicting the head of a classical lady wearing a corsage, in ropetwist border mount, 6.5 x 4.5cm (2 1/2 x 1 3/4in.); and another cameo brooch with classical figures, within an openwork mount (2)

CLIP DE CORSAGE « fleur » stylisée en or jaune partiellement ciselé serti au centre de diamants taille ancienne et un saphir. Choc. Vers 1970. Long. : 5,7 cm. Poids brut : 23,3 g.

CLIP DE CORSAGE « nœud » en fils de platine et or gris serti de diamants taille ancienne, taille brillant et 8/8. Vers 1950. Long. : 6,5 cm. Poids brut : 18,7 g.

Jean-Baptiste PERRONNEAU (Paris 1715 – Amsterdam 1783) « Portrait de dame à la robe bleue en buste vue de face et portant un fichu de dentelle » Pastel sur papier marouflé sur toile (quelques usures et mouillures) Signé en haut à droite et daté 1744. 64 x 54,5 cm Beau cadre en bois sculpté et doré à décor de coquilles dans les écoinçons, queues de cochons et rinceaux de feuillage, d’époque Louis XV Formé auprès de Natoire, de Laurent Cars puis de Drouais, Perronneau fut agréé à l’Académie Royale en 1746, et reçu huit ans plus tard. Il s’illustra particulièrement dans l’art du pastel, maniant les couleurs et les matières avec raffinement, figurant des modèles aux poses souvent semblables, mais aux expressions naturelles et spontanées. Il a représenté ici à mi-corps une femme en corsage bleu, garni de soie jaune sur le devant, et agrémenté de nœuds de même couleur. L’encolure et les manches sont ornées de dentelles. Les mains croisées, la femme esquisse un léger sourire. Ses cheveux poudrés sont coiffés d’un bonnet de dentelle. On peut confronter notre œuvre aux pastels de Perronneau conservés au Musée des Beaux-arts d’Orléans, comme le Portrait d’Anne-Catherine Chevotet. Coiffée d’un bonnet similaire, elle arbore la même expression contenue ; le chatoiement de son corsage rappelle celui de notre œuvre. Nous remercions Madame Dominique d’Arnoult, spécialiste de l’artiste, de nous avoir confirmé l’authenticité de notre œuvre (après examen de visu) qui sera intégrée dans le catalogue raisonné en préparation. Provenance : - Vente après décès de M. Sigismond BARDAC, Galerie Georges Petit, 10 et 11 mai 1920, n° 28, « Portrait de femme », adjugé 40 000 francs (environ 37 425 €), repr. - Vente au Palais Galliera, 9 décembre 1970, n° 23, « La femme en bleu » Bibliographie : - L. VAILLAT et P. RATOUIS de LIMAY, J.B. Perronneau (1715 – 1783) : sa vie et son œuvre, Paris : G. van Oest, 1923, pp. 204 et 208. - N. JEIFFARES, Dictionnary of pastellists before 1800, Londres, 2006, p. 411, repr.

Paire de clips de corsage “Noeud” en platine et or gris sertie de diamants ronds et baguette ( environ 8cts) - Travail Art Deco - Hauteurs : 3cm - Poids brut : 21g Platinum and gold diamond pair of Bow brooch - height : 1, 2in.