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14krt. Gouden corsage broche, 19e eeuw, bestaande uit korenaren en bloemen, waarvan sommige geëmailleerd (diverse beschadigingen en reparaties). In rood etui. bruto 17,5 gr., lengte 11 cm. Provenance: uit de collectie van een koopmansfamilie (zie Highlights) 1

Bloedkoralen corsage bestaande uit een ovale vorm, waaronder guirlandes. Van staafjes en bloemen van bloedkoraal 1

A circa 1890s wax and silk wedding headdress and corsage (16’’ x 2’’  and 9’’ x 4’’)  Provenance: Worn by Amy Potts, daughter of Dr Potts of Amersham, at her wedding to William Nash, owner of the Chesham Brewery.

A Frank Usher black lace cocktail dress with pleated skirt and beaded bow detail to waist, 46 cm across chest, and a Frank Usher black georgette evening dress with flower corsage and two-tier ruffle detail to hem, 46 cm across chest (2)Good worn condition

A Verse Size 34 Black Chiffon Blouse, the sequin embellishment is on the left hand side in the form of a corsage. A White cotton 1990s dress distinctive detail on wide striped sleeves in Navy/White. The dress has navy and pearl button down the front. A cream crepe 1960s dress by '10' elasticated waist, tiered frills on the neckline, raglan sleeves with a cuff, fully lined. A white self spotted corset with suspenders 1970s (never worn). Black velvet peplum Jacket with tiny sequins by Richard Shops Size 10 (6) 

Gervase Spencer (British, circa 1715-1763)A Lady, wearing pink robe over frilled white chemise, a floral corsage pinned to her breast, her hair upswept and powdered, Signed and dated GS/ 1761, oval gilt-metal frame,4.9 x 4.2cm (1 15/16 x 1 5/8in).This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com

Vintage clothing to include; single breasted evening suit, a double breasted evening suit, single breasted morning suit, WW2 British Royal Navy issue Duffle Coat with hood remains of lable to interior, opera hat, grey top hat, wedding hat and corsage. 

Circa 1930s Evening Wear, including a Stagg & Russell London black chiffon short sleeved dress, printed with floral sprigs, gathered/smocked detail to the waist and pink velvet floral corsage (labelled size 38); black crepe stylish dress with loose capped sleeves lined with silver lame, V-shaped neckline with reversible neck ties; a black and silk laméiru collar, double buttons to the front, long sleeves, fitted waist and flared skirt and matching belt; brown dress with round neck and bow, short sleeves with cut work circles and appliqued paste stones, multi pleated trims to sleeves, waist and hem, fabric belt; red, black and gold woven evening bag with bakelite and faux tortoiseshell mount, and a petit point bag with a jewelled and enamel decorated gilt metal mount (6). Stagg & Russell dress; slight wear, some loose threads and belt missing. Black dress - belt missing, silver lame is faded and worn in places, slight wear overall. Lame striped jacket - some rubbing and wear to the fabric. Brown dress - split under one arm and wear, slight staining under the other, stitched alterations to the waistband, some slight fading, cotton crochet collar possibly later.

19th century wax shoulder head doll with applied hair and inset glass eyes, straw filled body with jointed limbs and kid lower arms, lace trimmed blue cotton dress and holding beaded handbag and corsage H44cm, displayed in glazed pine arched top case with stepped base H69cm

A Canadian wedding dress from 1918 together with wedding shoes. The dress is pure silk and made up of separate components to include an underslip, overskirt and bodice. Original photo enclosed. A 1935 satin wedding dress with beadwork on the bodice and a paddle train and sash with a wax corsage, original photo enclosed. (2)

One box of hats to include: A blonde fox fur hat, a Mitzi Ginger Fox fur hat. A Della pillbox in a velvet and felt fabric 1990-2000 with a pearl hat pin. A ostrich feather hat by Della, a navy Pillowbox with a floral corsage at the back and veil. A Beige and Tawny Fur hat and a matching fur collar (6)

A red mohave with a jet corsage embellishment - one side is red and the other side black, fully lined by Rose Jean. A white padded 3/4 coat, the fabric is embossed in a floral medallion design with a faux fur collar by G/X design, 2 flap pockets and a belt. A Jaeger Velvet Jacket in teal, white lapels 1970s style, 2 pockets (1970s). A Blue wool coat 1960s design with a Peter Pan collar, two flap pockets and turned bracelet cuff by Eiegen Klein. (4)

A Black Peter Pan Collar in stain edged in Black/White trim (1920s). A Large cotton lace Victorian Collar in cream 1880s (slight damage). A Black fishnet scant 1920.30s. A Tulle Cape edged in black fluted rosettes (1930s). An Edwardian spotted ladies car scarf (to keep hat on) with jabot style ends in Tulle/lace. A watered Taffeta Long Scarf and a red satin embroidered tray cloth. A collection of black lace trimmings and chiffon and spotted velvet trims. A black lace pearl dress (1930s). An Art Deco Floral Corsage. A Black Pom Pom hat decorations and a small collection of feathers (Q)

A silver lapel corsage holder (hallmark possibly Henry Matthews, Birmingham, 1914)

AN 18TH CENTURY DIAMOND DEVANT DE CORSAGE BROOCHThe articulated openwork pendant, with scrolling floral and foliate motifs, set throughout with rose-cut diamonds, later pin fitting, length 7.3cmGross weight approx. 32.9 grams

A LARGE ANTIQUE EMERALD AND DIAMOND DEVANT DE CORSAGE BROOCH, SPANISH 18TH CENTURY in high carat yellow gold and silver, in foliate and ribbon motif jewelled with cushion and step cut emeralds set in yellow gold, accented by rose cut diamonds set in silver, 15.7cm / 6.1", 86.1g.

A Caithness glass paperweight 'Golden Corsage', with certificate, 143/250 and seven other Caithness paperweights without certificates, including 'Magic Circle', 'Steel Blue', 'Splashdown', 'Vortice', 'Petunias', 'Whirlygig' and one untitled with dolphins, (8), (together with four empty boxes).

Two William Manson 'Weight in a Crate' glass paperweights, 'Topaz Corsage' 10/25, 'Marigolds' 33/50, both with certificates and crates, (2).

Seven Items of Circa 1930's-1940's Ladies' Evening Wear, comprising a pale blue sleeveless full length evening dress with spaghetti straps, attached belt and matching jacket with button fastening; a Perlmutt Model London pale blue grosgrain sleeveless dress, with shoulder straps, front patch pockets embroidered with floral design; a pink lace mounted long dress with short sleeves, net skirt, sweetheart neckline and attached corsage; a pale green crepe dress with three 3/4 sleeves, bead and sequin detail to the neck, gathered long skirt, attached fabric belt; a blue/purple velvet dress with short sleeves and empire line insert to the bust; a black chiffon long dress and striped flocked velvet long dress with long sleeves, with chiffon neckline and attached belt; and a black velvet opera coat with three large button fastenings and large collar (7). Pale blue dress and jacket - 36'' bust, fading to mainly the hem and shoulders of the jacket. Perlmutt dress - 32'' bust, slight wear and fading. Pink lace dress - 33'' bust, slightly discoloured, some stitched repairs and small holes to the lace. Green crepe dress - 36'' bust, fading to the arms and shoulders, couple of stitched repairs. Blue/purple velvet dress - 36'' bust, slight wear to the velvet, and fading. Black chiffon dress - 34'' bust, slight fading to the neck and wear. Black dress - 34'' bust, slight fading to neck and wear. Opera coat - slight wear to the velvet, button loose and worn.

Six Circa 1950's Evening Dresses, comprising a Susan Small Model black silk taffeta halter neck dress with draped full skirt; blue strapless evening dress with gathered full skirt; a dark red brocade sleeveless dress with pleated skirt, detachable matching belt with corsage; a Alice Edwards Italians purple and pink floral halter neck evening dress (size 18); a red satin evening dress with spaghetti straps, ruched bodice, full skirt with detail to the reverse; and a red silk sleeveless cocktail dress self-woven with floral designs, ribbon tie to the reverse, pleated skirt (6). Susan Small dress - 30'' bust, some boning visible to the bottom of the bodice, blue ribbon added to halterneck, panel of fabric missing from the back, some stitched repairs and wear, small patched repairs to the zip area. Blue dress - 30'' bust, slight wear and slight discolouration. Dark red brocade dress - 33/34'' bust, slight wear. Alice Edwards dress - 38'' bust, couple of small loose seams to the top of the bodice, straps repaired, slight wear. Red satin dress - 34'' bust, straps repaired and worn, fabric reattached to the reverse, some wear to the silk. Red cocktail dress - 40'' bust and slight wear.

Sixteen Items of Circa 1950's-1960's Cocktail Dresses and Evening Wear, comprising a Jean Allen pale pink grosgrain dress with buttons to the front (size 16); a PET sleeveless dress in black and navy floral pattern, with bow to the front; a Blanes of London royal blue crepe style cocktail dress with an abstract glitter decoration; a Watte Grant Aberdeen olive green shift dress; a Leshgold of London brown and black patterned sleeveless shift dress; a Carnegie Model white linen sleeveless dress with gold floral embroidery to hem; a peach brocade sleeveless dress with flared skirt; a peach grosgrain dress with matching silk trims and bows to the waist and hem; a brown velvet shift dress with floral corsage; a black and dark cream sleeveless shift dress with an abstract pattern; a Banner pink, yellow and orange shift dress with folding collar; a similar style dress in blue and green; a black and blue rose printed shift dress; a pale yellow and pink highlighted patterned sleeveless dress with multi-pleated skirt; a Lavinia of Leicester yellow and white cotton textured flower head dress; and a metallic yellow and silver quilted sleeveless dress with chrome style buttons to one side (16)

Assorted 1950's-1970's Ladies' Evening Wear, comprising a Melbray of London textured silver shift dress; a bronzed shift dress woven with gold floral and leaf motifs; a silver lurex style dress with slash neck and short sleeves; a bronzed and blue brocade style full length skirt; a Wellkut two-piece suit comprising full length skirt and sleeveless top with buttons to the reverse, in black and gold; a black velvet skirt with flocked and glitter decoration; a Philip Kunick green and gold lurex full length dress with long sleeves and fabric belt; a Miss Hymans Glasgow sleeveless full length dress with sequinned bodice and lurex skirt; a Kati at Laura Philips black shoulder capelet; a black halter-neck dress decorated with white and yellow beads in a floral pattern the neck, back and four-tiered skirt; a Carnegie Model white linen shift dress with silver bead detail to the waist, another in green cotton with black piped floral corsage to the waist; a Jean Allen navy and orange patterned cotton cocktail dress with 3/4 length sleeves, cream sleeveless dress with gold textured embroidery and fold over neck, cream woven brocade dress with short sleeves, pleated detail to the bodice; and a gold and silver swirl shift dress (17)

Assorted 20th Century Costume and Accessories, including a circa 1930's shot silk evening dress with floral corsage and short sleeves; pale blue linen pinafore dress; circa 1960's Strelitz Moygashel pink linen mini dress with white trim; rayon short sleeve patterned dress with belt; paisley cotton robe with belt; Laura Ashley pink cotton printed pinafore dress (size 12) and red and floral sprigged dress; black velvet evening dress with short sleeves and wrap bodice; wool and cashmere camel coloured coat; pair of circa 1940's/1950's Dolcis brown leather shoes, hats, girdle, baby gowns, scarves etc (rail and box)

A pale pink 1940s blouse with a jet corsage, a jade green coat with  overlay of black fringing, a Teddy Tingling Tennis dress, 1950, a Victorian/Edwardian white nightdress with embroidery, along with a wedding veil late 1940s (1) a Tulle embroidered shawl, modern, with sequins 

A Victorian pale blue bodice and skirt, skirt is in satin with ribbed lined fabric, the bodice is boned with pleats with yoke collars, has lace design on the sleeves also; a black satin silk 1930's dressing robe with green leaf design; a pale blue satin 1930's reversible dressing robe; a 1930's shell pink floral dressing gown with buttons on sleeves and ties; a 1930's satin wedding dress, cut is on the bias, corsage of flowers on the bodice and comes with large satin/crepe lined train and a pair of men's spats circa 1930's (Q)

CIRCLE OF THOMAS GAINSBOROUGH, RA (1727-1788) PORTRAIT OF A YOUNG LADY Quarter length, wearing a blue and pink dress, lace head dress and rose corsage, within a painted oval, oil on canvas 73 x 59.5cm. ++ Lined; craquelure; retouching; some evidence of wear

Jean Baraillot - A large early 20th Century French bronze deposit bust titled Fofonette, modelled as a fashionable young lady with a wide brimmed bonnet ribbon tied beneath her chin and a corsetted dress with large corsage, signed to the reverse, height 57cm.

Pablo Picasso (1881-1973) for Desso 'Portrait de Femme au Chapeau à Pompons et au Corsage Imprimé' 31/500, wool pile carpet 90cm x 120cm.

A blue paste brooch/corsage, the circular shape blue pastes with floral swag detailing, length 13cm. We do not supply condition reports for our Interiors Sale

A 1960s Bermona boutique black floppy hat, with period applied brooch corsage

Circa 1820 Girls' Cream Silk Evening Bonnet, with a pleated 'bavolet' silk trim to the reverse of the bonnet to shade the child's neck, multi pleated peak with a three tiered hem, attached ribbon corsage; Later Girls' Brown Velvet Bonnet, with a smocked effect crown and ribbons to the reverse; and a Girls' Straw Bonnet with blue wool decorative trim (3)

Early 20th Century Ladies' Costume, including an Edwardian grey dress with drop waist, long sleeves, pleated skirt and ribbon trims; 1920's burgundy drop waist long sleeved dress with fabric ties to the waist and lace collar; black crepe drop waist dress, round neck, sunburst detail, sheer long sleeves appliquéd with large flower heads; pink silk long dress with fabric waist ties, short sleeves; black velvet full length sleeveless bias cut dress; red silk taffeta similar dress; grey chiffon sleeveless dress with spaghetti straps, corsage and trailing chiffon, with attached neck tie (7)

Circa 1960's Jean Patou Paris Rose Pink Silk Two Piece, comprising skirt and jacket with corsage details; a similar Nora Bradley pill box hat; a Circa 1970's Diane Fres Purple Floral Long Sleeved Dress, multi-pleated sleeves and trim to neckline; a 1980's Silk Pink Polkadot and Blue Jacket (3)

Circa 1940's Ladies' Costume Accessories, comprising seven Corde handbags in brown, black and navy with gilt metal fittings; Jacoll black felt hat with floral corsage; JanDec black silk and grosgrain hat; basket weave hat with velvet trim; and a Phipps Tailored Hats in brown peach bloom fur with oval brooch to the ribbon (one box)

Six Circa 1930's Evening Dresses, comprising a latte 3/4 length sleeved dress with chocolate velvet out-turned detail to wrap skirt, the bodice embellished with a plumb sequin flower; a brown taffeta dress with caramel silk detail insert and corsage to neckline, buttons to reverse, pleated details to cuffs; a light blue and pink brocade dress with gathered panels to puffed sleeves, the reverse with a plumb velvet large bow; a combination dress/jacket, the dress with colourful jacquard floral bodice, with applied faux buttons upon a tie, with attached black jacket completing the ensemble; a black net lace 3/4 length sleeve dress with tiered velvet waistband and pleated skirt; and a black net lace drop-waist, sweetheart short sleeved dress, the lower bodice and sleeves in black satin type fabric (6). Latte dress - some small pin holes and marks, wear in places. Darker brown dress - various repairs and holes, wear overall. Blue dress - with some staining in places. Combination dress/jacket - some loose threads, some press studs missing, wear overall. Black lace with velvet waistband - some wear and pulls. Sweetheart dress- some wear and holes.

Five Chanel Garments and Assorted Accessories, comprising a cream silk shirt with black ribbon laced through the pointed collar (no size label - approx 12); a cream silk shirt with black trim to rounded collar (no size label - approx 12); black silk sleeveless ruffle neck top (size 40); another example in cream (size 40); a cream silk jacket with quilted trim; a Karl Lagerfeld vanilla silk shirt; and two other unbranded cream silk tops (8 garments); together with a cream silk Chanel frilled detachable collar and cuffs, a group of Chanel buttons and a Chanel corsage brooch (boxed)

Circa 1970's Long Evening Dresses, comprising a Jean Allen red floral printed chiffon type evening dress, with gathered lower sleeves and deep hem to the skirt, (size 14); California orange multi faded Grecian style sleeveless silk dress, with deep v to the bodice, pleated waistband (size 16); Miss Parisienne green A-line evening dress with ruffle trim to scooped neck and to cuffs, matching belt (size 14); John Charles of London pink tiered knee length dress with V-neck to front and back, rose corsage (size 10); another similar style dress by John Charles in olive green, sleeveless with sheer mount to the bodice and later velvet trim (size 14); Shubette of London purple long sleeved dress with round neck, shaped waistband, four buttons to the front above a split; John Marks brown lace mounted bodice with long sleeves, high collar, gathered cuffs and long flared skirt (size 12); Graham Price London floral printed silk type dress with scoop neck, gathered lower cuffs, three tiered gathered hem (size 14); St Michael floral pattern dress with long black sleeves, black fabric tie collar, buttons to the front (fit bust 34''); David Butler Collection by Pressler black dress front with pleats and multi pleated long skirt printed with floral motifs, sheer yellow long billowing sleeves and yellow trimmed neckline (size 10); Your Sixth Sense green sleeveless dress with multi tiers and corsage; similar style dress in pink floral fabric and fabric tie spaghetti straps (12). Jean Allen dress - slight wear. California dress - slight wear/staining under both arms, small hole next to hem, lining of skirt hanging below the top skirt - slight wear. Miss Parisienne green dress - slight wear and belt is worn. John Charles pink dress - slight wear. John Charles green dress, velvet ribbon added and slight wear. Shubette purple dress - couple of stitches loose to the side seam, under the arm and waistband to the back. John Marks brown dress - slight fading to the bodice, slight wear, gathered cuffs possibly altered and lots of loose threads. David Butler dress - slight wear. Your sixth sense dress - slight wear, one strap repaired. pink floral dress - straps pulled.

VINTAGE MILLINERY FEATHERS & CORSAGE a qty of late 19th and early 20th millinery feathers, and a wing shaped diamante and feather corsage.

Tricovill red knitted dress with cow collar and skirt and hem decorated in black abstract pattern; a coffee coloured 1950's lace dress and jacket, hem of the jacket is pleated an Icelandic blue and silver; a lurex dress mini design and pearl buttons; a 1940's chocolate brown evening dress made in peach and brown flower corsage on neckline; a peach shirt waister dress made by Berketex; a peach lace 1950's evening dress, square neckline, edged in chiffon, sleeveless; a white lace blouse with a fluted collar and jabot design on bodice, circa 1950's; an early 1950's corset bodice, strapless with silver rick-rack down the front; a pair of 1940's peach French knickers along with a gold and silver tasselled long scarf  (Q)

A late 1930's evening dress in deep burgundy velvet with the yoke and sleeves in woven gold metallic (some wear on both shoulders) corsage flower decoration; a shell pink late 1920's dress with a lead weight around the neckline, a satin train edged in fine bead work, this item would have once belonged to a wedding dress (3)

ROBERT THORBURN A.R.A. (1818-1885). Portrait miniature of a Lady, wearing a pink dress with white falling lace neckline and sleeves, and a small gold brooch set with a purple stone at her corsage, her dark hair worn in ringlets Watercolour on ivory, gilt-metal bow surmounted ormolu frame Oval, 115mm high

ATTRIBUTED TO CHARLES ROBERTSON (IRISH circa 1760-1821) A fine double sided portrait miniature depicting an Officer and a Lady. He wearing scarlet uniform with blue facings, gold epaulettes and gold lace, white frilled chemise and black stock, his hair powdered. She wearing white dress with pearl brooches at her shoulder and corsage, a white turban with pearl strand in her natural hair.  Watercolour on ivory Gilt metal frame  Oval, 60mm high

A black lace 1930 evening dress with a floral corsage on the waist band, cut on the bias (the metal zip has been added after WW2)

A cream satin full length wedding dress, ruched bodice front, belted waist, wax corsage, c 1920s; an early 20th Century white muslin dress, embroidered floral and foliage, mid length sleeves (2)

18th Century Continental Schooloil on copperMiniature portrait of a lady with a floral corsageindistinctly monogrammed5 x 3.5in.

Two Mink Hats, mink corsage and earrings.

AFTER J. C. GRAHAM ILLINGWORTH (b.1953). A pair of Art Deco style colour prints entitled 'Feather Corsage' and 'Feather Corsage II', signed in plate lower right and left, framed and glazed, 50 x 38 cm (2)

Victorian blue glass and gilt metal posie or corsage holder. (B.P. 24% incl. VAT)

* ROYAL MARINES JACKET NO LONGER IN THIS LOT * Assorted 20th Century Costume, including an Edwardian cream silk skirt with lace mount; black silk shawl with fringed trim; cream silk printed Japanese kimono; circa 1950s pink lace mounted evening dress with sweetheart neckline and corsage; French Room Harrods pale blue silk sleeveless shift dress and matching jacket; Moss Bros black morning coat and two tail coats, pair of evening trousers, (size 38) (9)

Circa 1950s Cocktail Dresses and Evening Coats, including a Hershelle blue velvet swing style coat with flared three quarter length sleeves, velvet corsage fastening to the neck; Claire of Charring Cross brown and gilt woven brocade jacket in a similar style; Windsmoor navy blue coat with asymmetric button fastening and stylish single circular pocket to the front; Sambo Fashions blue brocade sleeveless dress, with buttoned patch pockets (size 38); Carnegie blue devoré sleeveless dress (size 20), a green/blue grosgrain style sleeveless dress, white bead detail to the bust and skirt together with belt; similar coloured dress with appliqué trim to the neck, front pockets, lacking belt; purple floral brocade dress with spaghetti straps and collar, A-line skirt; Lincoln Days pure silk green printed long sleeved dress with detail to the hip; Blanes black crushed velvet short sleeve mini dress with black silk trims; Hendersons of Liverpool black grosgrain opera style coat, split flared sleeves, side pockets; Berg of Mayfair London black velvet evening coat, collar, turn back cuffs, side pockets and quilted lining (12). Hershelle blue coat - lining stained around the armholes, slight wear overall. Claire of Charring Cross - slight wear and couple of loose threads. Windsmoor coat, wear and couple of holes to the lining. Sambo Fashions dress - slight wear, stitched repair at the centre back. Carnegie grosgrain dress - hole at the front near the hem and some discolouration. Carnegie blue dress - two small holes to the bodice, fading to the shoulders. Grosgrain style dress - slight discolouration. Purple brocade dress - some areas of wear. Lincoln days dress - slight wear. Blanes mini dress - slight wear, hook and eye to the back of the collar is rusting. Hendersons coat - couple of areas of wear. Berg of Mayfair slight wear.

Group of Assorted 1950s and Later Ladies Evening and Formal Wear, comprising a Murek black velvet strapless gown with pink sequinned corsage decoration (size 38); black strapless and gold thread dress with attached gold lace scarf and belt; and M2M black velvet and sheer dress, the velvet bodice with floral edged trim (size 48); a violet blue ruffled full length dress with bead and sequin embellishment to the bust; Laura Ashley black velvet and blue iridescent strapless dress, (size 14); Jenners Edinburgh maroon shot silk strapless dress with velvet modesty panel; black and silver brocade evening dress with a black skirt; black bellow sleeve dress with turquoise and silver metallic woven bodice; Jaeger bronze and black woven two piece skirt and peplum top (size 14); lemon brocade silk type evening dress with pleated cummerbund; a cream and lemon sleeveless evening dress with metallic thread decoration; Global Styled in Paris gold sleeveless cocktail dress (size 44); a Bernard Freres champagne metallic quilted sleeveless dress; and four various evening skirts (17)

A Victorian ladies black blouse with sequin trims and lace cuffs, together with two black bonnets, a black velvet corsage, kid leather evening gloves, an early 20th century French evening bag with beaded detail and a cotton and lace dining table runner

A 9ct gold and carved shell cameo brooch, depicting the profile of a young lady in a Grecian gown with floral corsage, bezel set in a wirework frame, 7.1g, 3.5 cm (cameo)

A stunning collection of three dresses to include; a pale grey evening dress, 1956/7 in tulle with satin lining capped sleeves, metal zip and broad waistband in lace; a late 1950's evening dress with a white floral design, wide cummerbund with a floral corsage and cap sleeves; a deep salmon pink lace late 40's early 50's with three underskirts inside the dress, bows on straps on bodice and two bows and streamers running down the back (3)

BASIA ZARAZYCKA: A designer two piece wedding dress; the boned bodice has silver overlay of lace with fixed minute diamond style beads, the lace is stitched onto mesh, the neckline is boat shaped, with wide straps, 38" busy, 33 waist cms approx, on the front half of the skirt of the wedding dress is a wide waistband and is decorated in silver lace, the "Bo-Peep" skirt is made of slub taffeta, the front of the skirt is gathered and split towards the left hip and has a large paste corsage brooch and is draped with a panier, the back has another "Bo-Peep" effect and has another corsage brooch, the long underskirt is made up of tulle and hangs below the main fabric. Cost new 10000 in 2008. Together with accessories to the wedding dress to include; a basic Zarzycka tiara; a pair of decorative wedding shoes, silver pale grey lace on cream silver, kitten heels (shoes right has a stain); a matching Dorothy bag in the same fabric, silver lace on cream with silver tassels and silk flowers in pale pink roses, and one red rose, all by Basia Zarzycka

Andre Brasilier (French 1929-2004), Le Corsage rose, colour lithograph signed, CXXVIII/CL 46cm x 60cm; together with two further works by the same hand. (3)

A collection of silk and cotton handkerchiefs from the 1920/30's and grey kid leather gloves and cream leather gloves (1930's) silk scarves, hankie cases, cotton tray cloths, edged in lace, a pink stiff corsage in a daisy pattern, edged in seed pearls!! plus a late Edwardian silk pate ecru shawl with long grey silk tassels (2)

Vintage 78 piece Stieff Corsage Repousse Sterling Silver Flatware. Including twelve 7-1/8" Forks, twelve 6" salad forks, twelve 6-3/8" soup spoons; twenty-four 5-3/4" teaspoons; twelve 8-7/8" hollow handle knife; two serving forks, one serving spoon, one cake trowel, one sugar spoon and one master butter knife. All pieces signed and sterling. Approx. total weight (including knives, butter knife and cake trowel): 117.97 troy ounces; sterling items only: 87.52 troy ounces. Condition: Good vintage condition. Please not box is for display only and is not for sale. Estimate: $1000.00 - $1500.00 Domestic Shipping: $125.00

A quantity of jewellery, to include a silver belcher link chain 60cm long, four silver brooches set with semi-precious stones including rhodonite and malachite, a silver corsage holder and toothpick, two Wedgwood plaque brooches, and other brooches and garnet chip and simulated pearl necklaces.

RUBY AND DIAMOND BROOCH, KUTCHINSKY, LONDON, CIRCA 1959 designed as a corsage of flowers tied asymmetrically with rope work strands each flower set to the centre with a cluster of circular rubies and a brilliant-cut diamond indistinct hallmarks