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Lot 457
A mixed lot to include selection of china and glassware to include a Carlton ware flower planter, Victorian cranberry jug, and an Italian majolica ware, a Japanese blue and white table lamp together with a treen carved Bali centre bowl, crystal salts and a porcelain ashtray and a log tray, wood working tools and othersLocation: G
Lot 1630
A Bali rice sheath paddle panaptapan Indonesia with a carved smiling face wearing a headdress, with a black patina and red pigment underneath, the back flat and with a curved handle, 19th century, 35.5cm long.The rice paddles were used to flatten the top surface of the bundles of rice, before they were taken to the rice barns.
Lot 903
An Edith Head costume design for Madeleine Carroll as Gail Allen in the film production Honeymoon in Bali (Paramount 1939). An original costume design by legendary costume designer Edith Head, sketch artist unknown. The sketch features a full-length female figure in a skirt-suit ensemble, a fitted short-sleeve diagonal check jacket worn with a white blouse and black fan pleat skirt paired with black heeled mules. The ensemble is a smart look for Carroll who plays Gail Allen a buisness manager on 5th Avenue in New York. The sketch is unsigned with no anotations of markings. Carroll is a busy buisness manager by chance walks onto a boat and meets happy-go-lucky Bill "Willie" Burnett (Fred MacMurray) who owns the boat and lives in Bali. They quickly fall in love and he proposes, Gail turns him down. After Willie leaves she regrets her decision and it is off to Bali to find true love. SKETCH: 14.5 X 22.5 INCHESMOUNT: 19.5 X 31 INCHES
Lot 401
Mixed Asian collectables to include a carved wooden elephant figure group (approx 40cm high), Chinese black lacquer stand, Chinse painted egg, Chinese carved wooden photograph frame with Foo dogs to base, cased set of six Chinese black lacquer liqueur glasses & tray, a quantity of Chinese figures, bamboo plates, Bali carved wooden figures, and a Chinese diorama in lacquer case
Lot 22
1880 BALI - 2 NIGHT, 3 DAY STAY AT 1880 HOTEL, BALI 2 nights, 3 days accommodation at 1880 Bali Subject to availability from 1st Sept 2023 to 31st Aug 2024. All proceeds from the sale of this lot will be donated to the Atlas Foundation: Nicholson Memorial Fund. The fund supports projects across Asia which are focused on improving the lives and life chances of the most disadvantaged children in the region. The Nicholson Memorial Fund was set up by Ben Nicholson in memory of his wife Anita and their two children Alex and Annabel who tragically lost their lives in the Sri Lanka bombings on Easter Sunday 2019. Anita was a hugely popular member of the Atlas Foundation family. Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 526
Kleine Truhe Bali 20. Jh., Holz geschnitzt, schwarz gefasst und goldbronziert, langrechteckiger schlichter Korpus über getreppter Basis, die Wandung umlaufend kassettiert und mit figürlichen Szenen aus der Fabelwelt verziert, eingelegter flacher Deckel, Altersspuren, berieben, Maße 34 x 81 x 30 cm.
Lot 812
KrisBali, 20. Jh., zweischneidige Damastklinge mit zwölf Wellen, als Mittelgrat fast über die ganze Länge die Darstellung der "Naga-Raja-Schlange", der Griff in Form eines Tempelwächters aus Messing und mit bunten Glassteinen besetzt (wenige davon fehlen), Holzscheide mit ornamental verzierten Beschlägen aus Messing, guter Zustand, L ges. 68 cm.
Lot 345
Two trays of Royal Crown Derby porcelain to include: unfinished blue and white Imari pattern items: octagonal bowls, centre bowls, lozenge shaped and other small dishes and trinket trays and 'Bali' design items; teacups and saucers, coffee cups and saucers, 'Derby Days' small plate etc. (2)(B.P. 21% + VAT)
Lot 22
Vintage jewellery to include coral necklaces, bead necklaces from Bali, a pearlised multi-strand bracelet A/F with 9ct gold clasp, an Art Deco silver necklace with dark green cabochon, a small Egyptian yellow metal ring g, loose stones to include amber together with a Cartier box A/F and other items all housed in a vintage Bernado Hernandes Guijuelo produce box. Location:R2.2
Lot 393
Sinta Tantra Happy Talk, 2023 Gold leaf on paper Signed on Recto 10 x 15cm (3¾ x 5¾ in.) About Artist Sinta Tantra (b.1979) is known for her colourful large scale public artworks and geometric paintings. Living and working in between her two studios in London and Bali, Tantra's artwork occupies multiple dimensions and scales. Her canvas shifts comfortably from a bridge slicing through the urban skyline to a stretched linen frame produced within the intimate setting of her studio - each artwork is an abstract blueprint for her utopian aspirations. Born in New York to Balinese parents, Sintra grew up in London and studied art at the Slade School of Fine Art (2003) and at the Royal Academy Schools (2006). Within her work, motifs derive from Western movements such as Bauhaus, Art Deco, modernism and abstraction. Her Balinese identity within the post-colonial context is central to her work. The drawings of 20th century Balinese artist, architect and stone carver I Gusti Nyoman Lempad have informed explorations into two-dimensional lines and three-dimensional space. Her pop-tropical colour palette draws from the culture and environment of Bali. Education Slade School of Fine Art (2003) Royal Academy Schools (2006) Select Exhibitions/Awards Solo shows such as Modern Times at Kristin Hjellegjerde Gallery in London (2020) have seen Tantra move beyond the walls and into the architectural space, while others explore dimensionality within the canvas as seen at A House in Bali at the ISA Art Advisory in Jakarta (2017), and Flatland: A Romance of Many Dimensions at Pearl Lam Gallery in Hong Kong (2016). Her work has been included in biennials and group exhibitions exploring identity, post-colonialism and the environment such as Framer Framed (2020) in Amsterdam, Karachi Biennale (2019), Folkestone Triennial UK (2017), and Liverpool Biennial UK (2012). Tantra's work is part of the Government Art Collection, the Benetton Foundation collection and other private international collections. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 895
Postcards, Foreign, a good selection of approx. 113 cards on Indonesia, with Batavia, Soerabaia, Java, Bali, Djokia, Semarang etc. Many good ethnic inc. rug making, wagon, market, farming, offering to temple in Bali, many good street scenes and villages. Also butchers, rail, waterway, ploughing, lunch, a few Malaya, funeral etc (mainly gd)
Lot 614
A RARE AND LARGE CARVED HARDWOOD 'MALE AND FEMALE' DOOR, ODA MATANTimor, Belu Regency, late 19th century. Expressively carved in relief with a male and female figure standing side by side, the man holding a dagger and the woman a bottle, their faces with deep eye sockets centered by a triangular nose and small mouth, the woman further with two small breasts. The panel is additionally incised with abstract geometric patterns.Provenance: From the collection of Alexander Goetz, a noted German art expert and collector who specializes in Indonesian works of art. As a young man, he built and sailed wooden boats around the world, and eventually arrived in Bali in 1971. Within a year, he became involved in the local art scene and in 1975, he was sponsored by the Indonesian Institute of Science to do research on contemporary art in Bali. In 1990, Goetz and his family moved to London where he opened a gallery specializing in Southeast Asian art, with Indonesia as the main focus. Since 2015, Alexander Goetz has run Gallery 101, a dedicated art space in Kabupaten Badung, Bali.Condition: Good condition with extensive old wear, weathering as expected, age cracks, some with associated old repairs. Small nicks, scratches, and losses. Beautiful, naturally grown patina overall.Weight: 16.4 kg Dimensions: Size 128.5 x 78 cm This door was originally installed in a great thatched communal house belonging to an aristocratic, matrilineal Tetun clan. Such residences were usually embellished with painted walls as well as elaborately carved panels and doors. The floorplan reflected Tetun notions of the cosmos which held that humans lived on earth between the upper world and the underworld. The rear of the house was viewed as the women's domain and symbolized the sacred underworld. Following birth, a father carried his infant through the "female door" to the upper world, which was predominantly male.Most of such doors were decorated solely with tightly patterned geometric designs, while others singularly depict or combine raised carvings of breasts, animals, or ceremonial jewelry. In the case of figurative doors, they usually consist of a single effigy with a long angular frame or a half-bodied torso. Only very few doors actually depict male and female figures, like the two seen on the present door.Literature comparison: Compare a closely related door, dated c. 1915, in the collection of the Dallas Museum of Art, object number 2013.3. Compare a closely related door, dated c. 1900, combining male and female aspects in a single figure, in the collection of the Powerhouse Museum of the Museum of Applied Arts & Sciences in Sydney, object number 2002/6/1.
Lot 6413
5 Dämonen und Götterdarstellungen. Holz, vollplastisch geschnitzt. Farbig und goldgefasst. Unterschiedliche Darstellungen, wohl teils aus größerem Zusammenhang stammend. 4x mit später erg. Sockel (2x lose anbei). Altersspuren und min. Fehlteile. Indonesien, wohl Insel Bali. H. 18 bis 28 cm.
Lot 6455
5 feine Knochenschnitzereien. Aus Röhrenknochen teils durchbrochen geschnitzte Zierobjekte mit aufwendigen und detailreichen Darstellungen aus der hinduistischen Mythologie mit verschiedenen Gottheiten, Personen und Tieren. Altersspuren, die oberen Ränder teils ausgebrochen. Indonesien, Insel Bali. H. 18 bis 25 cm.
Lot 6462
5 feine Knochenschnitzereien. Aus Röhrenknochen teils durchbrochen geschnitzte Zierobjekte mit aufwendigen und detailreichen Darstellungen aus der hinduistischen Mythologie mit verschiedenen Gottheiten, Personen und Tieren. Altersspuren, die oberen Ränder teils ausgebrochen. 4x mit Holzsockel. Indonesien, Insel Bali. Gesamt-H. 17 bis 27 cm.
Lot 62
Kris. Indonesien, Bali. 19. Jh.Klinge aus Stahl mit Pamor und sieben luk. Der Griff belegt mit Goldblech und mugeligen Steinen vom Typ Baju mit Blume, mendak mit Granulation und mit Steinen besetzt. Wrongka aus Elfenbein vom Typ bebancihan. Die Scheide aus Holz, beidseitig verkleidet mit getriebenem und graviertem Silberblech.L 65,5 cmProvenienzAus einem niederrheinischen Nachlass, erworben im Sommer 1976Privatsammlung, Baden-WürttembergDieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. Wir machen darauf aufmerksam, dass eine Genehmigung im Regelfall nicht erteilt wird.
Lot 63
Kris. Indonesien, Bali. 19. Jh.Die Klinge aus Stahl mit pamor und elf luk. Der Griff aus Silber mit eingelegten farbigen Glassteinen vom Typ Bayu, das integrierte selut ebenfalls mit großen bunten mugeligen Glassteinen besetzt. Das wrongka aus Elfenbein vom Typ gayaman. Die pendok-boeton-Scheide verkleidet mit dünn vergoldetem, getriebenem Silberblech, an der Schauseite mit Blüten und Blattranken sowie farbigen Glassteinen, auf der Rückseite die gravierte Figur eines Prinzen. Mit Hülle aus weinrotem Samt.L 68 cmProvenienzNachlass, Nordrhein-Westfalen, vom Vorbesitzer erworben bei Borkenhagen, Siegen, in den 1960er-JahrenDieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. Wir machen darauf aufmerksam, dass eine Genehmigung im Regelfall nicht erteilt wird.
Lot 65
Drei balinesische Mädchen. 1956Öl auf Leinwand, in beschnitztem Künstlerrahmen. Unten rechts rot signiert und datiert: A. Sonnega '56.Inspirationsquelle für seine Malerei zog Sonnega aus seiner tiefen Zuneigung zu Bali und dessen Bewohner. Diese spiegelt sich in vielen Gemälden mit Einzeldarstellungen balinesischer Mädchen mit den für Bali typischen Frangipani-Blumen im Haar und pflockartigem Ohrschmuck wieder. Die vorliegende Arbeit unterscheidet sich jedoch von den übrigen Gemälden, da es drei junge Frauen in palastartigem Interieur zeigt. Obgleich es sich um ein Gruppenportrait handelt, wirken sie jeweils gleichgültig und abwesend und die Darstellung somit wie eine, in die Tiefe gestaffelte Komposition einzelner Portraits. Während das Mädchen im Vordergrund in einer Art verlorenem Profil aus dem Bild hinausschaut, ist das Mädchen im Mittelgrund als Brustbild dargestellt. Sie hält ein silbernes Kendi samt Schale vor der Brust. Solche Kendis wurden für Trinkwasser verwendet, zum Beispiel bei Hochzeitszeremonien. Der Körper des sich kämmenden Mädchens im Hintergrund ist hingegen fast vollständig wiedergegeben. Ausschnitt und Ausrichtung der Portraitierten verstärken so die Distanziertheit.70,7 x 60,4 cmProvenienzPrivatbesitz, Niedersachsen, laut Einlieferer direkt vom Künstler erworben
Lot 643
A 20th century hardwood head and shoulders sculpture of Mahatma Ghandi, signed to base Dew Pasar.. Bali. Nadepanti. W. 26 cm high. (see illustration). CONDITION REPORT: The bust is in extremely good condition. It is very well carved. There are no splits, cracks or stress fractures to the timber and there are no significant scratches or marks. There are no significant nibbles or losses to the bottom edge. The condition is really extremely good.
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