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Click here to subscribeA Collection of Various Ceramics to Comprise Spode Dipteracanthus and Salvia and Rhododendron Vase, 13.5cm high, Coalport Zoomorphic Cornucopia with Gilt Detail, 16.5cm high, a Royal Crown Derby Bali Plate, Carlton Ware 'Vert Royale' Dish and a Pair of W & R Carlton Ware Powder Blue Vases, 24.5cm high (Various Condition Issues)
Ida Bagus Tantra, (active 1970's) Indonesian, carved wood figure of a man. Inscribed on base, 'IDA BAGUS TANTRA MAS BALI', height 11.5cm, width 10.5cm, depth 7.5cm.Ida Bagus Tantra is from Mas in Gianjar Regency, Bali, a village known for its part in the development of modern Indonesian wood carving. He is one of the four sons of Ida Bagus Njana who, after working in the traditional detailed Balinese wood style, became an innovator of the new school of Balinese wood carving which emerged in the early 1950s. Acquired in Bali in the 1960's/70's and inherited by the present West Cornwall vendor. No condition issues. I can confirm the height is only 11.5cm.
Ida Bagus Tilem. Indonesian, 1936-1993, carved wood figure. Inscribed on base 'IDA BAGUS TILEM MAS BALI', height 16.5cm, width 11cm, depth 7.5cm.Ida Bagus Tantra is from Mas, Bali, a village known for its part in the development of modern Indonesian wood carving. He is one of the four sons of Ida Bagus Njana who, after working in the traditional detailed Balinese wood style, became an innovator of the new school of Balinese wood carving which emerged in the early 1950s. Acquired in Bali in the 1960's/70's and inherited by the present West Cornwall vendors. A small stain, possibly from a spot of water. Some surface scratches. The base has natural fine hairline cracks. See images.
Lot bestaande uit een stel tropische hardhouten gestoken "Bruidspaar" borstbeelden in de vorm van jonge vrouw en jonge man in traditionele kledij, hierbij 2x gestoken borstbeelden, Janger (Djanger) danseressen met de karakteristieke hoofdtooi waarvan een ajourgestoken, Bali, Indonesië, circa 1930 - 1950, Hoogte 26 - 34 cm.
Pirelli and a Unipart Calendars. A quantity of calendars from the 1980s in cardboard original packaging, opened, to include:~ Two Pirelli 1984 calendars, one serial numbers, 39995 and 25570. 1984 finally saw the hotly awaited return of the Calendar. Under a new art director, Martyn Walsh, the Calendar went back to its roots, including discreet, almost subliminal references to the Group’s hero product: tyres. On the beaches of the Bahamas, alongside the beautiful models photographed for the 1984 Calendar by Uwe Ommer, mysterious tracks appeared in the sand: the tread pattern of Pirelli’s latest creation, the P6 tyre. In terms of product placement it was a subtle but all-pervasive presence, evoking the technology that dominated the era. Pages mounted on plastic by screw buttons, one button missing on one calendar.~ Two 1985 Pirelli calendars, Photographer Norman Parkinson featuring models Anna, Cecilia, Iman and Lena wearing outfits by top fashion designers.~ A 1985 Unipart Calendar, photographed by Patrick Lichfield in Bali, Assisted by Peter Kain and Chalky Whyte. Loose sheets contained by a metal grip binder. No serial number.~ A 1986 Pirelli Calendar, Royal College of Art Painters, Photographer Bert Sten. Serial number 016390~ Two Pirelli 1987 Calendars, portrait layout, one includes serial number 33481, the other similar with no number in the box. Photographer - Terence Donovan. In 1987 Terence Donovan created a ground-breaking Calendar featuring only black models, which included a 16-year-old Naomi Campbell at the start of her career.~ A 1988 Pirelli Calendar of dancers by Barry Lategan. Serial number 386599.~ Two 1989 Pirelli Calendars with a signs of the zodiac theme, serial numbers 42551 and 38375. (11)Credit for information - https://pirellicalendar.pirelli.com/en/about-the-cal/history
5 exotische Wandmasken2x Porzellanfabrik Cortendorf, Julius Griesbach, Coburg-Cortendorf, 1x wohl Cortendorf, 1x Staatliche Majolika-Manufaktur Karlsruhe, 1x ungemarkt, überw. nach 1950 und 1x 2009, beige bis braune Scherben, part. polychrom staffiert, jeweils plastische, stilisierte Darstellung eines Frauenkopfes, best. aus: 2x "Afrikanerin" mit Ohrschmuck, 1x Achatit Wandmaske "Afrikanerin mit Schmuck", 1x Mädchenkopf "Bali" mit Kopfschmuck (E: Gertraud Wolterhoff, 1890-1975) und 1x "Afrikanerin" mit rotem Haar, 2x mit Aufklebern, von unterschiedlicher Größe und Ausführung, verso 1x mit Pressmarke, 3x mit gepresster Modellnr. "3678" bzw. "3679" bzw. "3884", 1x mit Wandaufhängung, H: ca. 14-22 cm. Part. min. Altersspuren, part. leicht ber., part. Farbabplatzer.
Kris - Indonesien, Bali/ Lombok, 1.Hälfte 20.Jh., gerade Klinge/ dapur bener aus Damaststahl, Tapukan-Griff mit Haarbesatz, Mendak mit farbigen Glassteinen, Warangka vom Typ "sandang walikat", Holzscheide mit Metallbändern aus Gliederketten, leichte Abnutzungsspuren, L. Klinge ca. 31 cm/ Gesamtlänge: ca. 47,5 cm
Rudolf Bonnet, Dutch 1895-1978 - Ni Ketut, 1975; red chalk on paper, signed, dated and inscribed lower right 'R.Bonnet Ni Ketut Bali 1975', 72.4 x 36.8 cm (ARR)Provenance:with Neka Art Gallery, Bali; private collection, purchased from the above in April 1976;Christie's, London, Three Private Collections: Belgravia, Berkshire and Guernsey, 25th May 2023, lot 101 (unsold) Note: Bonnet first moved to Bali in 1929 and lived much of his life in the town of Ubud, producing innumerable images of the people and lifestyle that surrounded him. Bonnet formed the Pita Maha ('Great Spirit') in 1936 with I Gusti Nyoman Lempad and Cokorde Gde Agung Sukawati, which encouraged local interest in and production of higher standards in art. Bonnet helped establish the Museum Puri Lukisan Ubud - a museum of fine, Balinese art - in 1953 alongside the Prince of Ubud, Tjokorda Gde Agung Sukawati.
Rudolf Bonnet, Dutch 1895-1978 - Resting Grasscutter, 1976; pastel and charcoal on paper, signed, titled and dated upper left 'R. Bonnet Resting Grasscutter Bali 1976', 69 x 55.4 cm (ARR) Provenance: with Neka Art Gallery, Bali; private collection, purchased from the above in April 1976 (according to previous cataloguing); Christie's, London, Three Private Collections: Belgravia, Berkshire and Guernsey, 25th May 2023, lot 102 (unsold) Note: Bonnet first moved to Bali in 1929 and lived much of his life in the town of Ubud, producing innumerable images of the people and lifestyle that surrounded him. Bonnet formed the Pita Maha ('Great Spirit') in 1936 with I Gusti Nyoman Lempad and Cokorde Gde Agung Sukawati, which encouraged local interest in and production of higher standards in art. Bonnet helped establish the Museum Puri Lukisan Ubud - a museum of fine, Balinese art - in 1953 alongside the Prince of Ubud, Tjokorda Gde Agung Sukawati.
Rudolf Bonnet, Dutch 1895-1978 - A Balinese man; pastel and charcoal on paper, signed, titled and annotated lower right 'R.Bonnet 1973 Bali', 48 x 30 cm (ARR) Provenance:Christie's London, Three Private Collections: Belgravia, Berkshire and Guernsey, 25th May 2023, lot 100 (unsold) Note: Bonnet first moved to Bali in 1929 and lived much of his life in the town of Ubud, producing innumerable images of the people and lifestyle that surrounded him. Bonnet formed the Pita Maha ('Great Spirit') in 1936 with I Gusti Nyoman Lempad and Cokorde Gde Agung Sukawati, which encouraged local interest in and production of higher standards in art. Bonnet helped establish the Museum Puri Lukisan Ubud - a museum of fine, Balinese art - in 1953 alongside the Prince of Ubud, Tjokorda Gde Agung Sukawati.
Blanco, Antonio Maria (Manila 1912 - 1999 Denpasar/Bali), "Trance Dancer, Bali", Offset - Lithographie, Num. 2/75, 31 x 22 cm (Passepartoutausschnitt), in vom Künstler selbst gestaltetem Passepartout und Holzrahmen, auf Rückseite vom Künstler sign., mit aufgeklebter Expertise, Widmung des Künstlers und Stempel des Künstlers, bei der auf dem Passepartout aufgelegten Figur ist der Ledergürtel durch austrocknen im Alter in einzelne Teile zerbrochen, Gesamtgröße: 58 x 48,5 cm, separates Zertifikat beiliegend, 4206 - 0009
Glasvase "Bali", Lalique & Vase, Baccarat, um 1930/50Farbloses Glas, hochovale Form mit kurzem Hals, auf Schulter Blüten im Relief, mattiert, H 17 cm, diamantgeritzte Signatur; Bechervase auf gestuftem Fuß, farbloses Glas mit Mattschliffdekor, Mündung eingefasst, versilbert, geätzte Signatur, H 18 cm
Cheong Soo Pieng (1917-1983) SingaporeanHarbour sceneSigned and dated (19)53, pencil and watercolour, 36.5cm by 54cmProvenance: Purchased in Bali while the vendor's parents were on honeymoon in 1954Thence by descentSlight time staining to the paper. Slight cockling to the paper. Sporadic small/medium sized foxing spots throughout, particularly evident to exposed areas of paper. Some very light surface dirt and debris trapped under the glass. Not examined out of the frame.
Six titles on Buddhism, Spiritualism, Mysticism etc, including Tyra de Kleen: 'Mudras: The Ritual Hand-Poses of the Buddha Priests and the Shiva Priests of Bali', 1924, 1st edition, 60 b/w plates as called for, large 4to, original quarter cloth gilt, Muhammad Subuh Sumohadiwidjojo: 'Susila Budhi Dharma: The Way of Submission to the Will of God. Subud. Rendered from his original Poem in High Javanese into Bahasa Indonesia', Gjøvik, Subud Brotherhood, [1959], 386pp, original cloth gilt, Lafcadio Hearn: 'Gleanings in Buddha Fields: Studies of Hand and Soul in the Far East', L, Kegan Paul, [1897], 296pp, original cloth gilt, plus 3 others mysticism etc, plus a 140pp printed text 'Witchcraft in Early Modern Europe and America', 1998, compiled by Jeffrey Merrick, enlarged and amended by Richard Golden, holepunched and bound into modern plastic folder with corresponding 3.5 inch floppy disk (7)
A selection of HARD ROCK CAFE glasses: 20 Hurricane glasses from Surfers Paradise (Australia), Orlando, San Francisco, Las Vegas, New Orleans, Washington D.C, Chicago, New York, Miami, Cape Town, Tokyo, London, Singapore, Reykjavik, Bangkok, Buenos Aires, Bali, Honolulu, Toronto and Vancouver, a boxed pint glass from Nashville and a shot glass from Jamaica (22)
TONI AL (INDONESIAN, B.1972) - BLUE FISH Acrylic on canvas, signed and dated 2012 80 x 180cm Provenance: Reservo Art, Bali, accompanied by gallery certificate Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
KRIJONO (INDONESIA, 1951-2011) - SELAMAT PAGI BALI KU Mixed media on paper, Signed and dated Bali 1995 lower left 100 x 75cm; 118.5 x 92cm framed Provenance: Melati, Jakarta, 1996, where acquired by the vendor Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
KRIJONO (INDONESIA, 1951-2011) - WAYANG KULIT Oil on canvas; Signed and dated "Bali 1990 Wayang Kulit, Krijono" 89 x 70.5cm; 107 x 87cm framed Provenance: Cafe Padussi, Jakarta, 1996, where acquired by the vendor Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
NEOLITHISCHES STEINBEIL gemäss eines Aufklebers auf dem Stein ist der Fundort BaliL: 15 cmProvenienz: Sammlung des historischen Waffensammlers und Antiquitätenhändlers Otto Markés, Basel.NEOLITHIC STONE AXEaccording to a label on the stone, place of discovery: BaliL: 15 cmProvenance: Collection of the historical weapons collector and antique dealer Otto Markés, Basel.