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A FRENCH GILT BRASS AND CLOISONNE ENAMEL MANTEL CLOCKVINCENTI ET CIE, PARIS, CIRCA 1900The circular eight-day gong striking movement with anchor escapement regulated by brass disc bob pendulum incorporating Brocot type regulation to suspension, the backplate with Vincenti & C., MEDAILLE D'ARGENT... roundel over numbers 10795, 3 7, the circular gilt dished dial with polychrome enamelled rosette to centre and vertically aligned Arabic hour numeral to chapter ring, with steel fleur-de-lys hands set behind hinged convex glazed engine-milled brass bezel, the case with turned finials to the ogee-shaped superstructure polychrome enamelled with floral sprays onto a light sky blue ground, over lappet-leaf cast cornice and conforming enamel infill to the fascia around the dial and to the sides, the rear with pierced hinged circular movement cover, on egg-and-dart moulded skirt base decorated with further floral sprays to the shaped apron flanked by leaf cast squab feet.29cm (11.5ins) high, 15cm (6ins) wide, 11.5cm (4.5ins) deep.  Condition Report: Movement is in working order (ie is running and striking) however a clean and overhaul is advised. There is no visible evidence of alteration or noticeable replacements. The dial has wear/rubbing to the chapter ring mainly around the winding holes and is discoloured/dirty. The case is in good condition with no apparent/noticeable chips or cracks to the enamel. The surface retains traces of gilding within the castings but is generally cleaned back to brass with a coat of lacquer which is now starting to break-down/discolour.Clock is complete with pendulum and a winding key.Condition Report Disclaimer

A 19th century French gilt-metal mounted white alabaster mantel clock, the 8-day two train drum movement by Vincenti, 37 cm h o/all to/with a glass dome and stand case (pendulum and key present) - a/f

A SECOND HALF 19TH CENTURY FRENCH GILT FIGURAL MANTEL CLOCK, the enamel dial with raised Roman numerals and oval portraits of a male and female, the eight day movement with bell strike by Vincenti & Cie, the case inset with six further enamel panels and cast seated figure of a 16th century male, height 32cm, with pendulum and key (Condition Report: the clock winds but pendulum cannot swing as the clock dial / movement are not sitting in the correct position and probably need removing and resitting into the case, heard chiming but two hours ahead, chipping around winding holes and some wear to a couple of the panels)

A repeating carriage clock with alarm dial, movement signed for Charles Vincenti, with retailer John Walker, 230 Regent Street London to enamel face, 13.5cm high

A mid 19th century circa 1855 French gilt metal and enamel mantel clock. Gilt metal & pink enamel painted urn finial, mounted atop embellished enamelled Roman dial, beaded gilt detail surround, Roman style goddess head either side and foliate detail. Marked to verso '1855 Medaille d'Argent Vincenti'. Neoclassical enamel painted scenes featuring ladies lounging and plucking grapes. Complete with winder. Presented on a red baize lined gilt wood stand, with label to base ' Aubert & Linton, 252 Regent St. London '. Measures approx. 36cm x 28cm x 13cm, the stand 34cm x 4.5cm x 15cm.  

A 19th century French gilt ormolu mantle clock by Vincenti & Cie. The mantel clock having a muse-like female figure atop with painting in hand, standing within foliage with lyre & trumpet. Central white metal clock face with roman numerals to chapter ring and eight day movement. Marked Lelacheur & Lenfestey A Guernsey to face. Raised in intricately decorated & pierced supports. Clock movement stamped Vincenti & Cie Medaille d'Argent to back. In elongated glass dome & ebonised plinth base. Clock measures approx. 37cm x 25cm x 10cm. Dome measures approx. 45cm x 27cm x 18cm.

TWO MANTEL CLOCKS, comprising a French Medaille Dé Argent 'Vincenti & Cie' beige and grey marble mantel clock, architectural form, brass mechanism, eight day striking bell movement, bevelled glass back and front, black Roman numerals, height 38cm x 30cm, together with an oak cased bracket clock made in the U.S.A by the Ansonia Clock Co.(missing finial, door needs attention) (2) (Condition report: both missing keys, marble clock appears to work, missing bell)

A FRENCH BOULLE MARQUETRY MANTEL CLOCK IN LOUIS XV STYLEBY F.L. HAUSBURG À PARIS, LATE 19TH CENTURYthe brass eight day movement by Vincenti, striking on a bell, the enamel dial with blue Roman hours and black Arabic minutes, in a flared case, with a pendulum29.5cm high

PRUNKVOLLE KAMINUHR, 2. Hälfte 19. Jh., reich dekoriertes Alabastergehäuse mit aufgesetzten Zierapplikationen aus vergoldeter Bronze, in der Front eine Orakeldarstellung von Delphi, hinter einer Glastür das weiße Emailziffernblatt, Werk mit Federaufhängung, und Schlag zur vollen und halben Stunde auf eine Glocke, Rückseitig gestempelt: „Vincenti & Cie“. HxBxT: 45/25,5/10,5 cm. Leichte Alters- und Gebrauchsspuren, rest, erg., Werk im Kurztest funktionstüchtig.| MAGNIFICENT MANTEL CLOCK, 2nd half of the 19th century, richly decorated alabaster case with applied ornamental applications of gilt bronze, in the front an oracle depiction of Delphi, behind a glass door the white enamel dial, movement with spring suspension, and striking on the hour and half hour on a bell, stamped on the back: "Vincenti & Cie". HxWxD: 45/25,5/10,5 cm. Slight signs of age and wear, rest, erg., movement functional in short test.

KAMINUHR MIT TURTELTAUBEN, Frankreich, 2. Hälfte 19. Jh., Bronze, Allegorisch dekoriertes Gehäuse mit bemalten Porzellanplatten im Sèvres Stil, Werk mit Fadenaufhängung und Schlag zur vollen und halben Stunde auf eine Glocke, Werk auf der Rückplatine gestempelt: „RICHOND F' A PARIS M“ sowie „Vincenti & Cie., Medaille d'Argent“. HxBxT: 28/20/12 cm. Alters- und Gebrauchsspuren, rest, erg, Werk im Kurztest funktionstüchtig.| CHIMNEY CLOCK WITH TURTLE DOVES, France, 2nd half of the 19th century, bronze, allegorically decorated case with painted porcelain plates in the Sèvres style, movement with thread suspension and striking on the hour and half hour on a bell, movement stamped on the back plate: "RICHOND F' A PARIS M" and "Vincenti & Cie., Medaille d'Argent". HxWxD: 28/20/12 cm. Signs of age and wear, rest, replacement, movement functioning in short test.

KAMINUHR, Frankreich, 2. Hälfte 19. Jh., Bronze neu feuervergoldet, Werk mit Fadenaufhängung und Schlag zur vollen und halben Stunde auf eine Glocke, Werk auf der Rückplatine gestempelt: „A.M.“ sowie „Vincenti & Cie., Medaille d'Argent“. HxBxT: 36/26/9,5 cm. Leichte Alters- und Gebrauchsspuren, rest, erg., nicht auf Funktion geprüft.| CHIMNEY CLOCK, France, 2nd half of the 19th century, bronze newly fire-gilded, movement with thread suspension and striking on the hour and half hour on a bell, movement stamped on the back plate: "A.M." and "Vincenti & Cie, Medaille d'Argent". HxWxD: 36/26/9.5 cm. Slight signs of age and wear, rest, replacement, not tested for function.

KAMINUHR IM STIL LOUIS XV, Frankreich, Ende 19. Jh., Bronze, auf Rocaillensockel stehendes Uhrengehäuse dekoriert durch Voluten und Akanthus Blattranken, Werk mit Federaufhängung und Schlag auf Glocke zur vollen und halben Stunde, Werk auf der Rückplatine gestempelt: „Vincenti & Cie., Medaille d'Argent“. HxBxT: 56/31,5/19 cm. Leichte Alters- und Gebrauchsspuren, rest, erg., Werk im Kurztest funktionstüchtig.| CHIMNEY CLOCK IN THE STYLE OF LOUIS XV, France, end of the 19th century, bronze, clock case standing on a rocaille base decorated by volutes and acanthus leaf tendrils, movement with spring suspension and strike on bell on the hour and half hour, movement stamped on the back plate: "Vincenti & Cie, Medaille d'Argent". HxWxD: 56/31,5/19 cm. Slight signs of age and wear, rest, replacement, movement functioning in short test.

A FRENCH VINCENTI & CIE BOULE-CASED CLOCK with ormolu mounts, movement marked 'Paris make' retailed by Howell and James, countwheel striking on a bell 31cm high (dial cracked, glass missing, needs attention)

A Late 19th Century French Black Marble Cased and Gilt Metal Mounted Mantel Clock by Vincenti & Cie, No.6860, the 3.5ins diameter white enamel dial with Arabic numerals to the eight day two train movement striking on a bell contained in rectangular case, surmounted by cast finial with scrolls, inset with red veined marble panels and with cast drop handles to sides, on plinth base and paw feet 18ins high

A French crystal regulator 4-glass brass and glass mantel clock with four bevelled glass panes, opening door front and rear, front door has decorative moulding to match the bezel, the case having reeded columns to all four corners surmounted by Corinthian capitals, hour and half past gong striking movement stamped Vincenti et Cie, 1855, Roman numerals to a black marble dial, matched fleur-de-lys hands, with key and faux mercury pendulum, 28 cm (h).

French champlevé and porcelain mounted small two train mantel clock, the Vincenti movement striking on a gong, the porcelain dial painted with a semi-robed reclining lady and cherub in a lakeland landscape, within a coloured stylised floral champlevé decorated case surmounted by a rounded arched cornice and vase finial, 10.5" high (pendulum and key)

Large French champlevé and gilt metal mounted two train mantel clock, the Vincenti movement with outside countwheel striking on a bell and signed Ollivant & Rotsford, Paris, the 3.75" white dial also signed, within a decorative case surmounted by an urn finial, 27" high (pendulum and key)

LATE VICTORIAN GILT METAL MOUNTED OAK BRACKET CLOCK LATE 19TH CENTURY the circular dial with a cream enamel chapter ring with Arabic numerals and a pierced brass centre, signed 'Manoah Rhodes & Sons Ltd, Bradford', the oak case with a caddy top mounted with Orientalist style gilt metal mounts, on bracket feet, the French twin-train brass movement by Vincenti et Cie stamped '23196', striking a gong, with matching number pendulumDimensions:27cm wide, 44cm high, 21.5cm deep

19th Cent. French Louis XV style clock with case in "Boulle" with gilded bronze mountings and "Angel" sculpture - with a "Vincenti - médaille d'argent 1855" signed work||Negentiende eeuwse Franse kartelklok met kast in boulle met Lodewijk XV ornamentiek in gedoreerde brons en bekroond met een sculptuur in de vorm van een engel met vuurzwaard - met werk getekend "Vincenti - médaille d'argent 1855" - hoogte en breedte : 80 en 37 cm

Early 20th century Louis XV style mantel clock with a circular enamel dial inscribed Maple & Co. Ltd., Paris, enclosing an 8 day movement striking on a bell, by Vincenti & Cie., in a red tortoiseshell boulle case with gilt metal mounts surmounted by a putto, H.32.cm, (overwound)

Vincenti et Cie, an agate clock garniture the eight-day duration movement having a later platform lever escapement and striking the hours and half-hours on a bell with an outside count wheel, the backplate stamped with the trademark for the maker of the blanc roulant Vincenti et Cie of Paris, along with the trademark of the clockmaker Eugene Farcot, the white enamel dial having decorative floral swags, Arabic numerals and decorative gilt-brass lyre hands, the shaped white agate case with applied gilt-metal mounts, with a pair of matching two-light candelabra side-pieces, height 25cm clock, 26cm side-pieces.

A MONUMENTAL 19TH CENTURY FRENCH BOULLE AND "ORMOLU" BRACKET CLOCK OF LOUIS XVI DESIGN the embossed brass dial with enamelled numeral cartouches to the eight day bell striking movement by Vincenti et Cie, contained in case with Minerva surmount, glazed sides, on figural mounts, 120cm high x 57cm wide x 28cm deep, together with conforming bracket 37cm high x 63cm wide x 22cm deep

French ormolu and champleve enamelled mantel clock, by Vincenti et Cie, having a gilt dial with Arabic numerals, centred with enamel and with retailer's mark 'F Butt, Chester', the movement signed and striking on a gong, the case enamelled in turquoise, pink and blue, height 25.5cmPlease note our special conditions of sale regarding clocks and watches

Vincenti et Cie: a French 19th Century gilt brass and champleve mantel clock, with arabic dial and two train drum movement striking on a gong on the hour and half-hour, the case with cupola-style central finial and four outer finials, decorative polychrome enamel panels to body, on stepped plinth base with turned feet, 29cms

Dated mid 19th Century French Sèvres-style porcelain and gilt metal mantel clock, P. H. Mourey, Paris, 1863, the 3-inch cellular Roman chapters on bleu celeste ring framing floral centre, the two-train movement, with Vincenti Exposition stamp and numbered 23118, outside countwheel-striking on a bell, the case with wreath-topped urn surmount and a pair of oval putto panels, on breakfront base with further panel, stamped verso '11 P H MOUREY 63' (for November 1863), 40cm high (sold with pendulum)

A LARGE 19TH CENTURY FRENCH FIGURAL MANTLE CLOCK the 8-day Vincenti et Cie. movement striking on a bell, enamel dial with Roman numerals signed 'Mlle. MINAS in Crieste', the gilt metal case surmounted by a courting couple, 34cm wide 46.5cm high Condition Report : metal a good colour with no obvious losses, enamel dial with some discoloured cracks, movement untested. with pendulum Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

French Boulle two train mantel clock, the Vincenti movement striking on a gong, the 3.5" white dial with Roman and Arabic chapter rings, within a balloon shaped case applied with foliate mounts, 15.5" high (pendulum and key)

Good French bronze and black marble two train figural mantel clock, the Vincenti movement with outside countwheel striking on a bell, the 3.75" white dial inset into a pillar surmounted by scrolls and attended by a reclining bearded robed scribe, upon a rectangular stepped base with rounded ends, 16.25" high (pendulum and key)

French black slate two train mantel clock, the Henry Marc Vincenti movement with outside countwheel striking on a bell, the 4.75" white chapter ring enclosing a recessed visible escapement and signed Henry Marc á Paris, within a breakfront stepped case, 14.75" high

French black slate and blackened metal figural two train mantel clock, the Vincenti movement with outside countwheel and striking on a bell, the 4" white dial inset into a pillar attended by a robed lady leaning over, upon a fluted stepped breakfront case, 19.25" high (pendulum)

A Late 19th Century French Gilt Brass and Champlevé Enamel Mantel Clock by Vincenti & Cie and retailed by Howell & James of Paris, No.142, the 3.5ins gilt dial with Roman numerals to the eight day two train movement, striking on a bell, contained in arched case, surmounted by a pinnacle and putto, with slender turned columns to each corner, decorated throughout with black, blue, white, red and green enamels, on moulded base with flat bun feet, 17.5ins high

A 19th Century French Green Tortoiseshell and Boulle and Gilt Metal Mounted Mantel Clock by Vincenti & Cie and retailed by Leroy & Fils, Paris, No.15717, the 3.5ins diameter cast gilt brass dial with enamel Roman numerals to the eight day two train movement striking on a bell contained in case surmounted by urn of fruit and flowers with bead and leaf scroll mounts and on scroll feet 12ins high

ATTRACTIVE 19TH CENTURY FRENCH MANTEL CLOCK BY VINCENTI & CIE,in gilt brass and champleve enamel six-glass case, with cast urn surmount, two knopped and four foliate finials, the enamel decorated dial set with Arabic and Roman numerals, the movement with manufacturer's Médaille D'Argent stamp and date of 1855, the eight day movement striking on a coil, with original mercury filled twin cylinder pendulum, raised on six cast knopped feet, 37cm highCondition good to fair. Starts ticking then slowly stops. Appears overwound. Wear throughout as per use and age, including tarnish, some scratches to interior gilt base, paint/residue to back right panel and back left column. Additional images now available.

A FRENCH BRASS FOUR GLASS MANTEL CLOCK LATE 19TH CENTURY the brass eight day drum movement stamped 'Vincenti & Ci' and serial number '4169 48', striking on a gong, with an enamelled dial with a visible Brocot escapement and faux mercury pendulum, with keys 25.5cm high, 15cm wide, 12.5cm deep

Vincenti et Cie, Paris a gilt-metal mantel clock the eight-day duration movement striking the hours and half-hours on a gong with an outside countwheel, the backplate stamped with the trademark of the movement maker Vincenti et Cie, the round white enamel dial having black Roman hour numerals and blued steel moon hands, the classical gilt-metal case having floral mounts alongside a figure of a lady standing holding an armful of reeds, height 36cm.

A 19th century Vincenti mahogany cased mantel clock, with twin train movement, Roman numeral dial, movement stamped 'Vincenti & Cie Medaille l'argent 1855', marquetry inlaid case, pendulum and two keys.

19th Cent. neoclassical clock in white marble and gilded bronze with a bronze group with godess and cupid on top - with a "Vincenti" signed work || Negentiende eeuwse neoclassicistische klok met zuilvormige kast in witte marmer en gedoreerde brons, bekroond met een bronzen groep met dame en amourtje - met werk getekend "Vincenti Médaille d'argent" - hoogte : 45,5 cm

A Rosewood Inlaid Striking Mantel Clock, mid 19th century, twin-barrel movement with outside countwheel striking on a bell, silk suspension, movement backplate stamped Vincenti, 35cm high

A French black marble Mantle Clock with malachite inlay, Roman numerals to the face and marked Lanion, mechanism marked 'Vincenti & Cie, Medaille d'argent 1855' (pendulum present but no key),10 3/4'' long x 6 3/4'' wide x 11 1/2'' tall.

Führich, Joseph von -- Macbeth und Banquo treffen die drei Hexen. Feder in Grau, grau laviert, quadriert. 15,3 x 20,5 cm. Um 1851.Aus Anlass der Londoner Weltausstellung 1851 wurde Führich vom österreichischen Kaiser mit der Fertigung eines Albums mit Szenen aus Shakespeares Macbeth beauftragt, das der britischen Königin Victoria feierlich als Präsent übergeben werden sollte (vgl. Von Runge bis Menzel. 100 Meisterzeichnungen aus dem Kupferstichkabinett der Hamburger Kunsthalle, Hamburg 2003, Kat. 72). Wahrscheinlich angeregt durch die Auseinandersetzung mit dem dramatischen Stoff vollendete der Künstler im selben Jahr ein Gemälde (Stift Kremsmünster, s. Boetticher 44), dessen Vorzeichnung mit unserem Blatt identifiziert werden kann. Den Königsmörder und seinen Gefährten lässt Führich einen gewundenen Pfad an der Küste hin reiten, wo sie plötzlich auf die unheilvollen Verkünderinnen treffen. Scheuende Pferde, dahinwehender Sturmwind, unruhiges Meer und dunkle Wolken vermitteln den Eindruck finsterer Erregtheit dieses schicksalhaften Momentes.Provenienz: Aus dem Nachlass des Künstlers.Sammlung Elsa von Wörndle -Führich, Innsbruck (Enkelin des Künstlers).Ausstellung: 1875, Künstlerhaus Wien, Führich-Ausstellung.Literatur: Heinrich von Wörndle: Joseph Ritter von Führich, sein Leben und seine Kunst, München 1925, Nr. 534a.Friedrich von Boetticher: Malerwerke des neunzehnten Jahrhunderts, Bd. 1 (1891), S. 347, Nr. 148 ("Macbeth, Banquo u. die Hexen. Skizze zu einem Oelbilde").Carl Vincenti: Wiener Kunst-Renaissance. Studien und Charakteristiken, Wien 1876, S. 207."Aus dem Wiener Künstlerhause. Führich-Ausstellung", in: Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe, Bd. 10 (1875), S. 405. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Vincenti & Cie: a green Paris-style porcelain and gilt bronze mantel clock, with enamelled arabic dial, the two train eight-day movement striking on the hour and half-hour, with outside count wheel, the backplate stamped with the trademark of the maker, and Serial No. 1911/58, the green porcelain waisted case with applied cast ormolu mounts, painted to the front with a courting couple and decorative gilt floral sides, with Sevres-style mark to base, with pendulum, 37cms high.From the Leslie Southall Collection.

An impressive three-part-piece gilded Louis XV clock from Vincenti à Paris. The mantel clock decorated withchildren, flowers and guirlandes. The candlesticks in the shape swinging stems carried by children. Marked Vincenti à Paris, medaille d'argent.Een indrukwekkende driedelige vergulde Louis XV schouwgarnituur van Vincenti à Paris. De pendule versierd met kinderen, bloemen en slingers. De kandelaars in de vorm van slingerende stengels gedragen door kinderen. Gemerkt Vincenti à Paris, medaille d'argent.H 69.5 - 73.5 cm

Full title: A French gilt bronze mounted tortoiseshell and brass marquetry Boulle table clock, ca. 1900Description:H 33 - L 24 - D 13,7 cm The dial marked 'Demeur - Hgor du roi'. The work marked 'Medaille d'argent - Vincenti and Cie' and 'Farret a Paris'. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

A Victorian Medale De Honor Vincenti 1855 eight day chiming clock, classical monument style, French mantel clock.

Boulle Pendule mit fein gearbeitetem Gehäuse, qualitätvollen Bronzebeschlägen und graviertem Zifferblatt mit römischen Emaille Ziffern, Werk bez: "Bergkammer Fabnt a Paris, Medaille D'Argent Vincenti 1855", nummeriert: 207981, H. 70cm, gangbar (keine Garantie auf Werk und Funktionalität), diverse kleine Defekte, 1 Fuß verbogen

A FRENCH GILT-METAL-MOUNTED TORTOISESHELL MANTEL CLOCKIn the Louis XV style, circa 1900With enamel dial and twin train drum-shaped movement, stamped Vincenti and MAPLE & CO Ltd. PARIS, striking on a gong36cm highThe clock is in good overall condition.  The movement has its pendulum.  It may require a service.

FRENCH SMALL WHITE MARBLE AND GILT BRONZE MANTEL CLOCK LATE 19TH CENTURY the balloon shaped case with a white enamelled dial with Arabic numerals surmounted by a figure of Cupid and supported on clouds and a pair of putti, on a lozenge base raised on toupie feet, the twin-train movement stamped Vincenti & Cie, striking on a bellDimensions:18cm wide, 32cm high

FRENCH GREEN ONYX AND CHAMPLEVÉ ENAMEL MANTEL CLOCK LATE 19TH CENTURY the cylinder movement with a painted cream dial with blue Roman numerals and floral swags, the moulded green onyx top over a four glass case with enamelled corner columns amd toupie feet, the twin-train movement stamped Vincenti & Cie and numbered 1141, striking the full and half hours on a gongDimensions:19cm wide, 34cm high

Including relic from Saint Vincenti, 7 x 7 cm.

French brass two train ornate mantel clock, the Vincenti movement striking on a bell, the 4" silvered dial with raised Roman cartouche enamel numerals, within a stepped case applied and pierced with stylised foliage, surmounted by a classical urn, 16.5" high (pendulum)

A 19th century French gilt metal mounted boulle cartouche shaped mantel clock, 8cm dial inscribed with Roman numerals upon enamel reserves, eight-day Charles Vincenti movement striking on a bell, the backplate numbered 28617, 31cm high, c.1870

A French bronze and marble mantel clock, late 19th century, the case with mother and child seated reading a book, on stepped white marble plinth base on four gilt brass toupee feet, the white enamel dial with Roman numerals, eight day movement striking a bell, backplate stamped Farret a Paris and with lozenge for Medaille D'argent Vincenti & Cie, 27cm high, 41cm wide (VAT charged on hammer price)Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Please refer to department for condition report

KAMINUHR Portaluhr Vincenti, aus Alabaster Marmor: vier Säulen auf halbrundem Sockel mit Kugelfüßen, vergoldeten Beschlägen, Apitrav mit Ormoluverzierung, aufgesetzten vergoldeten Zapfen, darauf Uhrengehäuse eingerahmt von vergoldetem Lorbeerkranz mit aufgesetzter Feuerschale in Alabaster mit goldener Flamme, Pendule, Werk mit Schlag auf Glocke, signiert mit runder Marke: "Vincenti, Paris, Medaille d'Argent 1855" (Silbermedaille), 7-Tagewerk, Sonnenpendel, 37cm, B 18cm, T 9cm *guter Zustand - läuft an*

KOMMODENUHR zwei plastische Turteltauben aus vergoldeter Bronze, auf dunkel emailliertem Metall-Uhrengehäuse in der Form einer Weltkugel mit applizierten Sternen und römischen Ziffern, vergoldete Zeiger in Schlangenform, seitlich plastische Blütengirlanden, auf geschwungener Wolkenbasis mit Kugelfüßen, Bronze vergoldet, Pendule, Werk bezeichnet: "Vincenti, Medaille d'Argent", Schlag auf Glocke, 7-Tagewerk, wohl Frankreich 19. Jh., H 40cm, B 29 cm, T 15cm

A gilt-metal and porcelain French mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the movement maker Vincenti et Cie and numbered 2354, the pink porcelain dial with gilt Roman numerals and decorated with painted flowers, with gilt-brass spade hands, the shaped gilt-metal case of waisted form and having applied mounts depicting musical instruments and flora with further decorative pink porcelain oval plaques all surmounted by an urn, height 39cm.Biography Jean Vincenti started his clockmaking workshops before 1823 in Montbeliard, France but went bankrupt a year later, whereupon the clock manufacturer Roux took on the management on his behalf, making the roulant blancs (rough movements) for clockmakers to finish and use under the name Vincenti et Cie. Vincenti died in 1834.

A French gilt-metal mounted champleve enamel mantel clock, mid-19th century, in the Rococo taste, the white enamel chapter ring (repainted) with Roman numerals within a scroll and leaf-cast case with floral and foliate enamel panels, the eight day movement striking on a gong and signed Vincenti, Medaille d'Argent 1855 (lacking key). Height 27cm

MID 19TH CENTURY FRENCH ORMOLU & PORCELAIN MOUNTED MANTEL CLOCK by Le Roy & Fils, Paris, with Cupid surmount, the Sevres-style pink porcelain dial with reserves of flowers and musical instruments within the gilt Roman hours, four pink porcelain panels repeated at base, two lovebirds and on four turned feet, striking on a bell, stamped 'Le Roy a Paris 8083' and with Vincenti 1855 Exposition stamp, standing on gilt-wood shaped base, 35cms high

A 19th century French gilt brass mounted 'Boulle' tortoiseshell inlaid mantle clockthe movement signed Vincenti et Ciethe swept arched case with intricate brass inlay and foliate mounts surmounted by an urn above a fully glazed front door and sides on scrolling feet, the cast brass dial with separate Arabic and Roman enamel cartouche insets to the chapter ring, the winding holes on a matted and foliate case ground with blued steel hands, the twin spring barrel movement with Brocot escapement and suspension, with elaborate sunburst pendulum, case key, winding key and suspension key, 57cms highFootnotes:Born in Corsica in 1786, Jean Vincenti's family moved to Montbeliard in1791. By 1823 he had established a factory making rough movements for clocks and watches. It seems that the bulk of the ebauche/rough movement machinery used in the factory was self-made. The factory went bankrupt in 1828, but by October 1829 Albert Roux had possibly enerted into partnership with Vincenti, or possibly bought his factory outright, however the name, Vincenti & Cie, was kept. Around 1830, in addition to the rough movements (of which 3,000 were being produced a year), mechanical devices were being made as well, including metronomes, oil lamps, music boxes, etc. In 1834, Roux took over an old sawmill and weaving factory and, as the building dated to 1773, updated it and based Vincenti & Cie there. Before this move it was known in the area as L'usine de la Petite Raisse (The Factory of Petite Raisse); by the time Vincenti & Cie ceased trading, it was known as L'Usine Roux (Roux's Factory). Vincenti died in 1834, the same year Vincenti & Cie won a silver medal at the Exposition. They would go on to win medals at the Expositions of 1839,1844,1849,1855, and 1867.In 1850, workers lodgings were built on the site and six years later, a house for Roux and his family was constructed within the factory's footprint. Albert died in 1858 and was succeeded by his son Amédée. His son would expand the output of the factory to encompass chiming clocks, travel alarm clocks, Morse code receivers, and several other devices. 1864 saw the addition of a foundry to the factory; in this same year, it is recorded that 5,500 rough clock movements were made per month. Amédée died in 1876, when his son was 9. It seems likely (based on similar situations with other horologists) that Amédée's wife, Emma de Freystedt, would have taken over the running of the factory, until Albert had been educated. Albert was listed as an horological manufacturer, as were his father and grandfather, therefore it seems likely he would have taken over the running of the factory eventually. 1890 saw another expansion into phonograph movements and mechanisms for various meters, extinguishers, etc. Initially their customers had been in Paris, and later the Jura region. By 1890, however, their client base had expanded to neighbouring Belgium and Switzerland, as well as slightly further afield in the UK and even the USA. To meet demand, they were making 80,000 clock movement per year, though this figure does include the clockwork motors and meters mentioned above. Around this same time, the foundry was being used to make brass and bronze wire, an operation that was expanded in 1895. That same year, a salesroom was established in Paris, 110 rue Vielle-du-Temple.The last expansion of the factory took place in 1902, when a new steam engine and steam engine room were installed, to modernise the factory's water wheels and 1840's steam engine. By 1926, 57 people remained working in the factory, and the doors were finally closed in 1929. At its peak, in 1863, the Vincenti & Cie factory had employed 400 workers, and been the largest rough movement manufacturer of clocks in France, with the exception of Japy freres.Raphaël, F., Région Franche-Comté, Inventaire du patrimoine (2012) Usine d'horlogerie et de mécanique de précision Roux et Cie. Available at: https://patrimoine.bourgognefranchecomte.fr/dossiers-inventaire/usine-dhorlogerie-et-de-mecanique-de-precision-roux-et-cie-ia25001019This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

A LOUIS XV STYLE ORMOLU AND 'BLANC DE CHINE' PORCELAIN MANTEL CLOCKTHE MOVEMENT BY VINCENTI ET CIE, PARIS, LATE 19th CENTURYThe circular eight-day countwheel bell striking movement with vertically planted platform cylinder escapement regulated by sprung monometallic balance, the backplate stamped with VINCENTI & CIE, MEDAILLE D'ARGENT, 1855 medallion beneath serial number 2329, the 3 inch circular convex white enamel dial with vertical Arabic hour numerals and scroll-pierced gilt brass hands set behind a hinged convex bevel-glazed moulded cast brass bezel, the case with white ceramic recumbent figure in stylised oriental dress attended by a boy with a slice of melon, set on a gilt brass oval stand cast and chased with open foliate rococo scrollwork, the rear issuing a naturalistically cast shrub applied with porcelain blooms suspending the clock movement within a white ceramic melon above the figure and surmounted by a Ho-Ho bird.38.5cm (15ins) high, 30.5cm (12ins) wide, 21.5cm (8.5ins) deep.Condition Report: Movement appears complete and all-original. Both trains are currently fully wound; the strike train is operational however the going train is currently not running most likely due to 'gumming-up' (the escapement appears undamaged and the balance will pivot). Movement therefore most likely only requires a gentle clean/service. The dial has very slight hairline cracks issuing from a small chip the right-hand winding hole and some blemishes to the left of the '10' numeral; the dial otherwise appears to be in good original condition but has overall heavy grime deposits/discolouration.The porcelain 'melon' hosing the movement has a small chip to the rear adjacent to the bezel together with some light hairline stress cracks and one or two firing shrinkage cracks. The figure group also has firing shrinkage cracks. The right hand of the larger figure has been restored, his left hand has restoration to the forefinger and the smaller figure also has restoration to his hands. The slice of melon has a small chip to one end, and a fruit to the base (behind the larger figure) is missing its stalk/bud. The Ho-Ho bird has lost his feet and has been re-attached to the gilt frame with glue. There is one flower missing; of the 19 that are present four have a noticeable loss of either a petal or most of a petal, damage is otherwise limited to some tiny edge chipping to around half of the blooms. The gilt metal work is in good original condition with no obvious losses or repairs.Clock does not have a winding key present. Condition Report Disclaimer

Konsolen Uhr mit Bronzeknabe rechteckiger Holzkorpus auf vorkragendem Sockel, mit Kordel- und Perlrand sowie Weinreben Messing-, Bein- und Perlmutt-Intarsien, aufgelegte römische Messingzahlen und Schlangenzeiger, 2 Aufzüge für Uhr- und Schlagwerk, Pendelwerk gemarkt Vincenti & Cie Medaille d'Argent mit Schlag auf Glocke läuft an, ca. 24,5 x 13 cm, H ca. 31 cm, darauf sitzender Bronzeknabe bei der Weinlese, H ca. 15 cm, kleine Lackfehlst., um 1860/80