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Click here to subscribeLama, wohl Tibet 15. Jh.Bronze, vergoldet. Auf Lotosthron im Mönchs- gewand m. Kopfbedeckung, Hände im dharmachakra mudra. Boden offen, innen alte Inv.Nr. "2798". Auf Holzsockel (m. Schlag- stempel-Dat. "29.12. 1959"). Vergoldung stark berieben, Kopfbedeckung verbogen, verso kl. Delle m. Riß. H 20 cm, Ges.H 22,8 cm Prov.: Privatsammlung Hamburg bis ca. 1960; Privatsammlung Rheinland-Pfalz.dharmachakra mudra, Tibet, vergoldet
Gregory (J. W.). To The Alps of Chinese Tibet, an account of a journey of exploration up to and among the snow-clad mountains of the Tibetan frontier, 1st edition, London: Seeley, Service & Co, 1923, folding map at rear, black and white illustrations after photographs, diagrams, publisher's advertisements at rear, bookplate of C. E. Rusbridge to front pastedown, original orange pictorial cloth, 8vo, together with:Ottley (W. J.). With Mounted Infantry in Tibet, 1st edition, London: Smith, Elder, & Co, 1906, frontispiece, black and white illustrations after photographs throughout, diagrams, hinges tender, original red cloth gilt, spine faded, 8vo, plusSkrine (Francis Henry, Edward Denison Ross). The Heart of Asia, a history of Russian Turkestan and the Central Asian Khanates from the earliest times, 1st edition, London: Methuen, 1899, frontispiece, black and white illustrations after photographs, 2 folding maps, original pictorial green cloth gilt, 8vo, with 4 others including Edmund Candler's The Unveiling of Lhasa (1905), L. W. Shakespear's History of Upper Assam, Upper Burma North-Eastern Frontier (1914)QTY: (7)
Prinsep (Henry T.). Tibet, Tartary and Mongolia; their social and political condition, and the religion of Boodh, 2nd edition, London: Wm. H. Allen & Co, 1852, folding map of Tibet, small neat black ink ownership inscription to front pastedown, original blue blindstamped cloth gilt, a few light marks, 8vo, together with:Björnstjerna (Magnus Frederik Ferdinand). The British Empire in the East, 1st edition, London: John Murray, 1840, folding map frontispiece, hinges cracked, original blue blindstamped cloth gilt, rubbed and marked, 8vo, plusNapier (W. F. P.). The Conquest of Scinde, with some introductory passages in the life of Major-General Sir Charles James Napier, 2 volumes, 1st edition, London: T. & W. Boone, 1845, publisher's advertisements bound at front and rear, armorial bookplate of Charles Hall Woodhouse to front pastedown of volume 2, spotting, original red blindstamped cloth gilt, 8vo, with[Wallace, Robert Grenville]. Fifteen Years in India; or, sketches of a soldier's life, 1st edition, London: Longman, Hurst, Rees, Orme, and Brown, 1822, ex-library with bookplate to front pastedown and small blindstamps to preliminary leaves, a few spots, 19th-century brown cloth gilt, spine faded, some wear to extremities, 8vo, with 6 other 19th-century works on India, including T. W. Atkinson's Travels in the Regions of The Upper and Lower Amoor (2nd edition, 1861)QTY: (11)
Hedin (Sven). Central Asia and Tibet, towards the Holy City of Lassa, 2 volumes, 1st edition, London: Hurst and Blackett, 1903, frontispieces, full-page illustrations (a majority after photographs), 4 folding maps, lightly spotted, original pictorial red cloth gilt, spines somewhat faded, 8vo, together with:Wylly (H. C.). From The Black Mountain to Waziristan, 1st edition, London: Macmillan and Co, 1912, 8 folding maps contained in rear pocket, Malvern college bookplate to front pastedown, contemporary green prize half morocco gilt, armorial in gilt to upper cover, spine faded, rubbed, 8vo, plusSykes (Ella). Through Deserts and Oases of Central Asia, 1st edition, London: Macmillan and Co, 1920, 2 maps (1 folding and in rear pocket), black and white illustrations after photographs, bookplate of C. E. Rusbridge to front pastedown, black ink ownership inscription to head of half-title, original black cloth, lightly rubbed, spine a little faded, 8vo, with 14 others related including C. P. Skrine's Chinese Central Asia (1926), M. H. Donohoe's With The Persian Expedition (1919)QTY: (18)
Andriveau-Goujon, Eugene. Carte de l'asie orientale comprenant l'empire Chinois le Japon les ètats de l'Indo-Schine et le grand archipel d'Asie. Chromolitohgraphie aus 24 Segmenten auf Leinen gezogen in OHalbleinenschuber (stark lädiert). 108 x 61 cm (Darstellung) bzw. 112,5 x 67,5 cm (Blattgröße). Paris 1881.Große Karte von Südostasien mit Tibet, China, Russland und Japan. Dargestellt sind die einzelnen Besatzungszonen in fünf verschiedenen Farben: Französisch (blau), Englisch (rosa), Spanisch (gelb), Niederländisch (lila) und Portugisisch (orange). Unten links befindet sich ein kleines französisch-chinesisch-tatarisch-mandschurisch-malaiisches Vokabular. Eine frühere Ausgabe der Karte erschien unter einem anderen Titel "Asie orientale comprenant l'empire Chinois et le Japon, les états de l'Indo-Chine et le grand archipel d'Asvon". - Papierbedingt leicht gebräunt. Mit Exlibris im Leinenschuber.
Anville, Jean Baptiste Bourguignon d'. Seconde partie de la carte d'Asie contenant la Chine et partie de la Tartarie ... Grenzkolorierte Kupferstichkarte in 20 Segmenten auf Leinen aufgezogen. 100 x 72 ( Plattenrand) bzw. 104 x 73 cm (Blattgröße). Paris 1752.Die große Karte mit filigranem Grenzkolorit zeigt China, Korea, die japanischen Inseln und Südostasien bis zur Insel Timor und Neuguinea mit Teilen von Tibet und die chinesische Tartarie. Der Kartograph Jean Baptiste Bourguinon d'Anville (1697-1782) brachte diese im Jahre 1752 unter der Schirmherrschaft von Louis-Philippe d'Orléans, Herzog von Chartres und später Herzog von Orléans, heraus. - Papierbedingt etwas gebräunt und leicht stockfleckig.
BOOKS, a miscellany. To include vintage guide books. Baedeker's 'Norway' (1895 6th ed. Good) and 'Rhine' (flaws to spine etc.). Some other travel books (Rome, Tibet etc.). And Jules VERNE, ''From the Earth to the Moon Direct in 97 Hours and 20 Minutes", Sampson Low, 1886 'Author's Illustrated Edition'. Good (at least). Leather spine etc. With MacCabe, Frederic, 'The Art of Ventriloquism', vintage book. Spine not present but still bound (just). 20+ items.
SAWREY GILPIN R.A. (BRITISH 1733-1807) STRIATED MONKEY signed Howitt in the watercolourwatercolour25 x 19cm; 10 x 7 1/2intogether with another signed watercolour, thought to be of Thorold's Deer from Tibet by the same handboth unframed(2)LiteratureIolo Williams, Early English Watercolours and Some Cognate Drawings by Artists Born Not Later Than 1785, 1952, p. 196, Plate CXLVII, Fig. 299, Samuel Howitt, A Stag (Red Deer?)The first, is illustrated in reverse in Edward Griffith's book, General and Particular Descriptions of the Vertebrated Animals, arranged conformably to the Modern Discoveries and Improvements in Zoology, London 1821, p. 97Iolo Williams said, [Howitt] was particularly good at deer, which he drew with special delicacy, but he also did many monkeys, cattle, birds, fish ans so forth. (Early English Watercolours, p. 196.)
WILLIAM SAMUEL HOWITT (BRITISH c. 1756-1822)STRIATED MONKEY signed Howitt in the watercolourwatercolour25 x 19cm; 10 x 7 1/2intogether with another signed watercolour, thought to be of Thorold's Deer from Tibet by the same handboth unframed(2)LiteratureIolo Williams, Early English Watercolours and Some Cognate Drawings by Artists Born Not Later Than 1785, 1952, p. 196, Plate CXLVII, Fig. 299, Samuel Howitt, A Stag (Red Deer?)The first, is illustrated in reverse in Edward Griffith's book, General and Particular Descriptions of the Vertebrated Animals, arranged conformably to the Modern Discoveries and Improvements in Zoology, London 1821, p. 97Iolo Williams said, [Howitt] was particularly good at deer, which he drew with special delicacy, but he also did many monkeys, cattle, birds, fish and so forth. (Early English Watercolours, p. 196.)
Mahakala, Tibet/Nepal, 19.Jh. oder früher mehrteilige, gesteckte Bronze, vergoldet bzw. kalt bemalt, auf doppeltem Lotossockel, stehender, auf Garuda reitender, 4-armiger Mahakala in Yab-Yum Vereinigung mit seiner Prajna, in den Händen div. Attribute haltend, verso auf Sockel Schriftzeichen, geschlossener Boden mit Klostermarke, H ca. 37cm, Altersspuren, Bereibungen, Haltestab am linken Fuß gebrochen Lit.: B.C. Olschak, Mystik und Kunst Alttibets, Hallwag, Stuttgart, 1972, S. 169 f.
Yama Dharmaraja, Tibet/Nepal, wohl 19.Jh., 2-tlg. Bronze, vergoldet, braun patiniert bzw. kalt bemalt und Schmucksteine, auf einfachem Lotossockel, ein geschmückter Büffel über einem liegenden Körper, darauf der büffelköpfige Gott des Todes in Pratyalidha - Haltung mit ausgestreckten Armen, die Hände im Apana-Mudra, geschlossener Boden mit Klostermarke, H ca. 17,5cm, Altersspuren, 4 Schmucksteine fehlen, Gold und Patina berieben Lit.: B.C. Olschak, Mystik und Kunst Alttibets, Hallwag, Stuttgart, 1972, S. 170 f.
Avalokiteshvara, Nepal/Tibet, wohl 19./20.Jh., 4-tlg. Bronze, vergoldet bzw. kalt bemalt und Schmucksteine, auf doppeltem Lotosthron, stehende, vielarmige, elfköpfige Figur, in den vorderen Händen verschiedene Attribute haltend, geschlossener Boden mit Klostermarke, H ca. 36cm, Altersspuren, 3 Schmucksteine fehlen, Gold partiell berieben Lit.: B.C. Olschack, Mystik und Kunst Alttibets, Hallwag, Stuttgart, 1972, S. 22/23, S. 77
2 Thangkas. TIBET, 19./20. Jh., jeweils mit Mandaladarstellung, Tempera auf Baumwollgewebe: 1.) 72,5 x51 cm (115 x69 cm mit Brokateinfassung). 2.) 66x45 cm, stark nachgedunkelt. Jeweils mit Alters- und Gebrauchsspuren und besch.| 2 thangkas. TIBET, 19th/20th cent, each with mandala depiction, tempera on cotton fabric: 1st) 72.5 x51 cm (115 x69 cm with brocade border). 2nd) 66 x 45 cm, heavily darkened. Each with signs of age and wear and dam.
dating: 19th Century provenance: Tibet, Of big size, with triangular iron blade and decorated with engraved silver snakes. Beautiful, silver hilt with a dragon's head at the base, vajra at the center and pommel with a big deity's head; the ensemble engraved, partially pierced and richly decorated with red and turquoise stones. The earrings of the deity are shaped as snakes. length 48 cm.
dating: circa 1700 provenance: Tibet, Six gilded, carved, partially embossed or pierced iron elements. Two circular, convex (diameter. 9.5 cm) and leather-lined; two rectangular with round angles and three masks in high relief (diameter.: 4.2 x 16.6 cm), leather-lined; two angled mounts with impress. dimensions various cm.
dating: 18th Century provenance: Tibet, A leather horse's head hilt provided with six rings for the fastening and, at the top, with an iron bow decorated with geometric and floral motifs in gold (9.8 x 19.7 cm). Set with four iron mounts decorated with dragons between gold and silver spirals. dimensions various cm.
Ward,F.K.: In farthest Burma. The record of an arduous journey of exploration and research through the unknown frontier territory of Burma and Tibet. London, Seeley 1921. Mit zahlr. Tafeln sowie 2 Karten (1 im Text u. 1 mehrfach gefalt.). 311 S., 4 Bl. Olwd. (Schwach best. u. berieb.). - Erste Ausgabe. - Schwach gebräunt, vereinzelt etw. fleckig.
Hackmann,H.: Vom Omi bis Bhamo. Wanderungen an den Grenzen von China, Tibet u. Birma. Halle a.S., Gebauer-Schwetschke 1905. Mit 3 farb. Tafeln, 2 Faltktn. sowie zahlr. Illustr. im Text. 5 Bl., 382 S., 3 Bl. Anzeigen. Mod. Lwd. mit Rtit. Aschoff 741. Erste Ausgabe. - Breitrandiges Ex., unbeschn., schwach gebräunt, vereinzelt etw. fleckig.
Six Prog Rock LPs by Japanese Rock band Ghost: In Stormy Nights, 2007 2xLP; Second Time Around LP, 1997 on blue translucent vinyl; Temple Stone LP, 1997 on green translucent vinyl; Hypnotic Underworld LP, 2007 2xLP (sealed); Snuffbox Immanence LP, 1999; and Tune In Turn On Free Tibet, 1999 2xLP. (6)
Ausdrucksstarke Cham-Maske, Tibet/Bhutan Ausdrucksstarke Cham-Maske des Mahakala, mit Schädelkrone, Holz geschnitzt, polychrom gefasst, verso schön glänzende Patina, Fassung blättert ab, am Kinn gebrochen, Tibet/Bhutan, Ende 19. Jh., Prov.: Sammlung Prof. Günther Doeker-Mach und Alice Tay, H x B ca. 34 x 26,5 cm
Ivory censer with remarkably high stupa-shaped upper part decorated with a four-clawed dragon and ram's heads (Ibexes) beneath, early to mid 20th century, China/Tibet, markedIvoren wierookvat met opvallend hoog stupa-vormig bovendeel gedecoreerd met een draak met vier klauwen en onderaan ramskoppen (steenbokken), vroeg tot midden 20e eeuw, China/Tibet, gemerktH 41 cm With Cites certificat EU only
Dimensions: Height 24,6 cm ; Wide 10 cm ; Depth 8 cmWeight: 1169,8 grams The slender, eight-armed form of Avalokiteshvara standing in sampada on a lotus base, the primary hands in anjali mudra, wearing multiple necklaces and an ornate dhoti, flowing sashes and elaborate jewellery, the eleven heads arranged in tiers each showing individualized features surmounted by Amitabha.Compare: Circa 11th century, Kashmir Schools in Western Tibet, Avalokiteshvara, brass, 25,4 cm, photo: courtesy of Ulrich von Schroeder, Buddhist Sculptures in Tibet Volume One, Visual Dharma Publications, p. 189 pl. 56C (published the wrong way round), Potala Collection, Lima Lakhang inventory nº 991, Lhasa (Tibet).
Dimensions: Height 21 cm ; Wide 8 cm ; Depth 6 cm without baseWeight: 1201,2 grams with base Portraying the historical Buddha Shakyamuni, this bronze probably emerged from a Tibetan monastery, like most other Gupta period (c. 300-600) bronzes.Perhaps this bronze survived because it was taken to Tibet as a sacred relic or souvenir.The Buddha’s slim and graceful body is revealed by his transparent monastic robes. His right hand displays the gesture of reassurance while the left hand holds the end of his robe.
Virupa MahasiddhasTibet, 15. - 16. Jahrhundert. Bronze, vergoldet, H. 15 cm. Gew. 1220 g. Alterspatina / Altersspuren, leicht ber. An einer Stelle Bodenplatte leicht locker. Virupa, einer der vierundachtzig erleuchteten Großen Adepten (Mahasiddhas) und herausragender Meister sowohl der Chakrasamvara- als auch der Hevajra-Linie, wird in seiner beliebten Haltung dargestellt, wobei seine rechte Hand und sein Blick auf die Sonne gerichtet sind und seine linke Hand eine Schädelschale hält oder eine Schüssel mit Goldfarbe. Eine Blumengirlande hängt über seiner linken Schulter und eine Blumenkrone ziert seinen Kopf. Auch die Locken von Virupas Haar, Bart und Augenbrauen sind Standard in seiner Ikonographie. Er sitzt auf einem Antilopenfell auf einem Lotussockel, dessen hoher Rand unterhalb der Reihe abgerundeter Perlen liegt. Die Reihe länglicher Lotusblütenblätter ist ein gemeinsames Merkmal der nepalesischen Tradition. In Tibet ist Virupa besonders wichtig für den Sakya-Orden, der traditionell Newari-Kunsthandwerkern die Schirmherrschaft bot.
Original Tibetan thangka gouache on canvas with Yellow Tara (Goddess of compassion) depicted in her customary posture while holding blue lotus blossoms. The deity and her consorts are made with outstanding minute and richly colored details in the traditional sacred Karma Tibetan Gadri style. Housed in a black wooden frame with a teal background. Housed in dark wood frame with a teal color acid-free museum quality background. Artwork dimensions: 18.50"L x 26"H. Frame dimensions: 25"L x 32.50"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: Tibet/IndiaCondition: Age related wear. Minor area of paint loss on lower center.
A group of medals, comprising a Great War 'Western Front' medal for Bravery in the Field (51656 Gnr. S.H. Jewell RGA), George IV War Medal, Africa Medal with Kenya Bar (23253463 Private R. Dean KSLI), Service to New Zealand 1939 to 1945, War Service Mercantile Marine 1914/18, 1914-1915 Star, Defence Medal 1939-1945, QEII General Service medal with Northern Ireland clasp, Tibet 1903-04, and General Service medal with Palestine Bar (54984569 Pte A.G. Mason HMPSR)Shipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.
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