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Click here to subscribePhilippus Cancellarius.: In Psalterium Davidicum Tercentum ac Triginta Sermones vere aurei... Nunc tandem post integrum... Brescia, für Pietro Maria Marchetti (1600). Mit Holzschn.-Druckermarke a.T. 20 nn., 479 num. Bl. Flex. Prgt. d. Zt. mit Bibl.-Rsch. (Fehlen die Schließbänder, Gebrauchsspuren). Adams, P 1022. - Tls. schwach wasserrandig, erste Lage leicht wurmspurig, Vors. beschäd., Titelbl. mit hs. Besitzverm. u. St. einer Kapuziner-Bibliothek.
Lee Bros/Jamie Whitham 1985 Kawasaki KR250 Tandem Twin, 249cc. Registration number G654 DCX. Frame number 010507. Engine number 008534.Sold with the V5C, DVLA printed ownership history, Lee Bros copy of certificate of newness, MOT's, email from Whitham confirming he rode a Lee Bros KR250 in the 1985 Manx GPThe Tandem Twin is a rare machine, they were only sold in Japan, Australia and South Africa and competed against the Suzuki RG. As well as being one of the rarest 250 two-strokes, the KR is also one of the most technically interesting. Its motor is a dual-crank tandem-twin, with Kawasaki's Rotary Reed Valve Induction System (RRIS), as used on the AR125. This gives it a much broader spread of power than the reed valve only RG - the KVSS power valve equipped KR250S introduced in '86 is claimed to be even more tractable.The chassis is striking too. There's an adjustable underslung shock, a braced swing arm, adjustable anti-dive forks, triple discs, a hand-welded aluminium frame and styling that gives more than a nod to the GPZ900R. Although complicated it helps the bike to remain very narrow, as exhaust routing and expansion chambers no longer have to run underneath the engine as they do on most parallel-twin engines. In this case, they both exit on the right side of the bike: one down low, the other partly through the tailpiece in flamboyant 1980s style. The round tail lamp is set into the kicked-up tail and the bolt-on hand-fairings are an unusual touch. The 45 hp engine was good for over 110 mph and had a six speed gearbox. This machine, imported by Lee Bros of Sowerby Bridge is believed to have been ridden by Jamie Whitham in the 1985 Manx GP.In 1989 it was road registered and they sold it to David Graham of Sheffield, then Jackwood Motorcycles sold it to Nathan Corridge? of Sheffield, Andrew Ross of Doncaster in 1995 and then Deborah Poles of Wetherby in 1996. Peter Jackson of Knaresborough was the next owner in 1998 and our vendor bought it from him the same year. It was MOT'd in 1998 at 8967 km and in 1999 at 9,203km. In storage since then it now shows 9,700km.This rare machine, with probable Jamie Whitham Manx GP history is now ready for a new owner.Sold with the V5C, DVLA printed ownership history, Lee Bros copy of certificate of newness, MOT's, email from Whitham confirming he rode a Lee Bros KR250 in the 1985 Manx GP
OSCAR MURILLO (B. 1986)Untitled (Fried Chick) 2012 oil, oil stick, spray paint and dirt on canvas 248 by 181 cm.97 5/8 by 71 1/4 in.This work was executed in 2012.Footnotes:ProvenancePrivate Collection, LAPrivate Collection, UK (acquired directly from the above in 2013) Sale: Bonhams, London, Modern & Contemporary Art, 27 June 2019, Lot 33Acquired directly from the above by the present ownerCompelling, spirited and grand in scale, Untitled (Fried Chick) (2012) is foundational work by the Colombian-born, Turner Prize nominated artist Oscar Murillo; exhibiting all the hallmarks of his energetic and spontaneous style that combines raw panels of canvas, flashes of text and colour with aggregated dirt and impressions from the studio floor. Rising to artistic maturity and institutional acclaim in monumental fashion, his inclusion in such major exhibitions as The Forever Now: Contemporary Painting in an Atemporal World at the Museum of Modern Art, New York, in 2014, in addition to solo exhibitions at the Centro Cultural Daoíz y Velarde, Madrid and the Institute of Contemporary Arts, London, has cemented Murillo's international standing as one of the foremost contemporary painters currently working; culminating in his nomination for the Turner Prize in 2019 for his exhibition Violent Amnesia at Kettle's Yard, Cambridge. Untitled (Fried Chick) is an elegant example of Murillo's collaging of surfaces and techniques that flaunts the dirt from the artist's studio floor, bringing the painting to life through its closeness to the 'authentic' detritus and rubble of Murillo's workspace. In the present work, the raw support of the canvas plays host to an almost performative mark-making, suffused with a palpable energy that channels the automatic motions of Jackson Pollock, complemented by a revisionist ideology that Murillo credits to the Neo-concretism of Lygia Clark, Lygia Pape and Hélio Oiticica. The present work comes to market following Murillo's nomination for the Turner Prize in 2019 – a significant recognition of the artist's distinguished practice and place amongst his contemporaries. An exemplary early work by Murillo, Untitled (Fried Chick) is an immense painting of masterful austerity, eliciting all of the methods and conceptual hooks that has made Murillo such an internationally lauded artist.Activating the more static, Modernist modes of abstract painting through installations, social gatherings and interactive artworks, Murillo's multifaceted practice has continued to express the artist's experiences of displacement and multiculturalism, demonstrated in the present work with a bravura charm and dynamic materiality. For Murillo, the process of painting provides a method of accumulation; composing his works through a build-up of material, of folds, marks and daubs of paint that illustrate the artist's own relationship to his itinerant lifestyle and 'layering' of identity. Born in La Paila in South East Colombia, Murillo remains deeply influenced by his roots and his arrival in London as an immigrant at the age of ten. The present work represents a superbly nuanced evocation of these themes, employing single words or phrases that encourage a reading of Murillo's paintings through the lens of cultural critique. Where words such as 'pollo,' 'yoga,' 'milk' and 'mango' appear across Murillo's oeuvre, they become aesthetic devices in tandem with their implicit meaning – impactful hand-sketched lines of text that divide the canvas in a similar vein to the paintings of Jean-Michel Basquiat. Murillo interprets his own unique style thusly: 'the words are very displaced. Like cultural displacement with performance, in painting it's material displacement, object displacement [...] I also like to think that these paintings also imply a displacement of time. They're like rugs. An unstretched painting is a kind of abstract thing, one that suggests that it perhaps has been found or comes from some other space or time. But while it has this aura of being a historical thing when placed out of context, it just comes from the studio' (the artist in conversation with Legacy Russell, 'Bomb Magazine', www.bombmagazine.org, 1 Jan 2013).This lot is subject to the following lot symbols: AR TP ▲AR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.▲ 'Bonhams' owns the 'Lot' either wholly or partially or may otherwise have an economic interest.For further information on this lot please visit Bonhams.com
Scottish theology Group of 17th-century works Baillie, Robert. An Historicall Vindication of the Government of the Church of Scotland. London: S. Gellibrand, 1646. 4to, [16], 79, [1]; 56, 18th century calf, [ESTC R201008], small repair to foot of title; Gillespie, George. A Dispute against the English-Popish Ceremonies, obtruded upon the Church of Scotland. [Edinburgh]: Printed in the year of our Lord, 1660. 4to, 96, 99-186, 185-272, 279-285, p. 184, 285-316, 319-366, early 19th-century calf, [ESTC R7982], upper joint split;[Anon.] A Proper Project for Scotland. To Startle Fools, and Frighten Knaves... [Edinburgh] Printed in a Land where SELF's Cry'd up, and ZEAL's cry'd down, 1699. 4to, pp. 77, [3]; 4to, 19th century half morocco, title darkened, [ESTC R219180], rubbed;Paterson, John. Tandem Bona Causa Triumphat. or Scotlands Late misery bevailed, and the Honour and Loyalty of this Ancient Kingdom, asserted in a Sermon. Edinburgh: Society of Stationers, 1661. 4to, [5], 21, later quarter morocco, [ESTC R30086], title laid down, rubbed; [Curate, Jacob] The Scotch Presbyterian Eloquence. London: Randal Taylor, 1692. 4to, [iii], 116, 19th century half calf, [ESTC R10498], title laid down, some loss to head of spine;[Strachan, William] Some Remarks upon a late Pamphlet, entituled an Answer to the Scots Presbyterian Eloquence. London: J. Hindmarsh, 1694. 4to, [xviii], 88, modern quarter morocco, some spotting, [ESTC R1954], rubbed
Mostly 1960s. Various publishers, such as Tandem Books, Bee-Line Books (Orpheus Series), and Brandon House. All sc. Some minor foxing/ discol., but overall in good condition. Includes: (1) screenplay to Roger Vadim's Les Liaisons Dangereuses w. over 200 photos. (2) Joan Cabot, The Adventures of Claudia. (3) Sheldon Lord, The Rivals. (4) Edward Multon, Chicago-Racket (in Dutch). (5) Jenny Mann, The Naked Truth. (6) Vladimir Nobokov, Lolita. (7) Martin Henry, Ginger's Place. (8) James Graham, The Queen of Tarts. (9) Walter Baxter, The Image and the Search. (10) Charles Calitri, Strike Heaven on the Face and others. *Les Liasons Dangereuses was an epistolary novel written by Pierre Choderlos de Laclos, 1782. Vadim situated the story in the 1960s causing a huge scandal (as it did in the 18th century) because of its sexually explicit and cruel nature. The movie was initially banned (later it became an 'R' rated movie), but its eventual succes was immense. (total 32)
Herman HenstenburghBlumenstrauß mit Schmetterlingen und Schnecke in einer Glasvase1718Gouache auf Pergament auf Papier; gerahmt33 x 21 cmSigniert mittig unten: H: Henstenburgh fec=Bezeichnet und datiert unten: UT FLOS SECATUR UNGUIBUS, VEL VENTIS IMBRIBUS- / QUE COLLABITUR, SIC JOANNA CURTENIA DOTIBUS / INGENII ET ARTE FLORENTISSIMA TANDEM DE / STATIONE SUA DETURBATA EST. / CIↃ IↃCCXVIIIPrivatbesitz, DeutschlandJohanna Koerten (1650-1715) war eine Amsterdamer Künstlerin, welche vor allem für ihre hervorragende und technisch aufwändige Scherenschnittkunst geschätzt wurde. Die Galerie, die sie in ihrem Haus betrieb, avancierte quasi zu einer Sehenswürdigkeit Amsterdams. Monarchen wie Zar Peter der Große, Kurfürst Johann Wilhelm von der Pfalz oder Mary Stuart, die Frau König Williams III. sowie zahllose Dichter und Künstlerkollegen besuchten sie, um ihr bei ihren sorgfältigen Schnitten zuzusehen und diese zu erwerben.Drei Jahre nach ihrem Tod widmet ihr der befreundete Aquarellist Herman Henstenburgh das vorliegende Blatt. Der aus Hoorn stammende Künstler war ein Schüler von Johannes Bronckhorst (1648-1727), und erlangte für seine makellose Technik und seine leuchtenden Farben schon zu Lebzeiten großes Ansehen. Die letzte Zeile seiner posthumen Würdigung an Koerten ist wohl so zu verstehen, dass die von ihm bewunderte Johanna ihren Freunden genommen, aus dem Leben gerissen wurde - "Wie eine Blume wegen ihres Duftes oder durch den stürmischen Wind und den Regen abgerissen wird, so wurde Johanna Koerten, die durch die Begabung ihres Geistes und durch ihre brillante Kunst aufblühte, schließlich von ihrem Wohnsitz vertrieben."
* Searle (Ronald, 1920-2011). Self Portrait, 199(5)?, pen on thin card, depicting a caricature style self portrait of just the artist's face, signed and dated 199(5)?, sheet size 11.6 x 12.5 cm, mounted, together with McKee (David, 1935-2022). Mr Benn, 2001, pen and ink on card, depicting a gentleman dressed in a suit and bowler hat, his left arm raised in a wave, 'for Dan David McKee 2001' signed to lower margin, small scuff to paper with no loss mainly to 'f and D' of inscription, sheet size 19.8 x 9.9 cm, mounted, plusGarden (Graeme, 1943 -). The Goodies, pen on thin card, depicting three men riding a triple tandem bicycle, one waving, titled to upper left, signed lower right, sheet size 21 x 29.6 cm, mounted, andBiro (Val, 1921-2014). Gumdrop, 2008, pencil on thick card, depicting a man driving an old fashioned car, a dog sitting in the back, titled, signed and dated '08', sheet size 21 x 28.9 cm, mountedQTY: (4)
Delahaut, Jo -- Ohne Titel6 Farbserigraphien auf Velin sowie 1 Bl. Text und Impressum. Lose in Orig.-Kartonmappe. 1983.40 x 30 cm (Mappengröße).Jedes Blatt signiert "Jo Delahaut" und datiert. Auflage 100 num. Ex. Herausgegeben von gravures Tandem 74, Gerpinnes 1983. Jo Delahaut war einer der ersten abstrakten Künstler Belgiens nach 1945. Als Mitglied der Künstlergruppe La Jeune Peinture Belge gestaltete er 1946 bereits erste abstrakte Werke. 1952 gründete er zusammen mit Pol Bury die Künstlergruppe Art Abstrait. Zu dieser Zeit entstand bereits sein einzigartiger Stil, der sich mit der Dekomposition geometrischer Formen beschäftigt. Durch Vereinfachung seiner Motive bewegte er sich immer mehr in Richtung Farbfeldmalerei, die sich wie bei unserer Mappe durch intensive Farben und reduzierte Formen auszeichnet. Schöne, farbfrische Drucke der formatfüllenden Darstellungen. – Beigegeben: Eine signierte und datierte Farblithographie des Künstlers, 1982. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
After Joseph Zoffany (British 1733 - 1810) - Colonel Mordaunt's Cock Match at Lucknow in the Province of Oude in the Year 1786 at Which were Present Several High and Distinguished Personages', by R Earldom, coloured mezzotint, framed & glazed, 59 by 46cms; together with a coloured engraving after Alken ' A Sporting Tandem', 34 by 23cms (2).
Flair Sylvanian Families The Caravan #4430, Good, unchecked for completeness, within Good Plus opened packaging. Flair Sylvanian Families Burgundy Family Car #4429, Excellent, unused, within Good Plus to Excellent opened packaging. Flair Sylvanian Families Woodland Picnic set #4782, Within Excellent sealed packaging. Flair Sylvanian Families Tandem Bike & Baby Trailer #4784, within Excellent sealed packaging. Flair Sylvanian Families Beach Picnic #4659, within Good Plus sealed packaging. Flair Sylvanian Families Dolly's Candy Floss #4678, within Excellent sealed packaging. Flair Sylvanian Families 20th Anniversary Baby Tea Cups Ride #4925, within Good Plus sealed packaging. Flair Sylvanian Families Hook a Duck Stall #4496, Excellent, complete, within Good Plus opened packaging. Flair Sylvanian Families Panda Family #4465, within Good Plus sealed packaging. Flair Sylvanian Families Panda Twins #4466, within Excellent sealed packaging. Flair Sylvanian Families Pig Family #4153, within Good Plus sealed packaging. Flair Sylvanian Families Pig Triplets #4154, within Excellent sealed packaging. Flair Sylvanian Families Guinea Pig Family #4146, within Good Plus sealed packaging. Flair Sylvanian Families Sea Otter Family #4797, within Excellent sealed packaging. (14)
Prize Medallions (21), silver, some enamelled, including Lanarkshire Yeomanry; Cheshire Regiment; Army Football Cup 1902; Temperance (2); Queen Victoria Memorial, King’s Lynn CC Cycling Tandem Record, 1937, with yellow metal mount; Cheshire Regiment, bronze, Great War Memorial Plaque, farthing size (2), generally very fine (21) £60-£80
Revell, Italeri, Monogram & similar - a boxed group of Mixed Scale Plastic Kits comprising of Military and other to include a Revell 07556 1/24 Scale Kenworth Dumper and Tandem Trailer, an Italeri 778 1/24 Scale Classic Fire Truck, Italeri 297 1/35 Scale Zis-5 Soviet Military Truck along with others. Although all contents generally appear Good nothing has been checked for completeness or correctness and are all in generally Good outer pictorial boxes with one still factory sealed. (11)
AN IMPORTANT PAIR OF EMERALD AND GEM-SET PENDENT EARRINGS, BY CHOPARD RED CARPET COLLECTION, 2017Each circular-cut emerald measuring approximately 18x18mm, within a heart-shaped purplish-blue titanium motif pavé-set throughout with circular-cut emeralds, tsavorites, blue sapphires, blue tourmalines and amethysts accented with brilliant-cut diamonds, suspended from a briolette cluster of similar stones and a pear-shaped amethyst surmount with further similarly-cut stones, mounted in 18K gold and titanium, signed Chopard, numbered, length 6cmThe legendary House of Chopard was founded in 1860 by Louis-Ulysse Chopard in the Swiss village of Sonvilier, focusing production on pocket watches and chronometers. Chopard revolutionised watch manufacture and lead the charge on creating and selling complete timepieces instead of just the mechanical movement which had been the industry standard. Chopard quickly rose to fame and could boast elite clients such as Tsar Nicholas II of Russia.After Chopards death in 1915 the business was led by his son Paul-Louis and grandson Paul-André. The father and son leadership expanded Chopards remit to create women’s wristwatches and by 1921 had grown enough to move the business to the larger town of Chaux-de-Fonds. Finally, in 1937 production was moved to Geneva, the city whose name has since so iconically appeared on the dials of Chopard watches.In 1963 Paul-André Chopard sold the family company to the much-admired horologist and goldsmith Karl Scheufele III. Under Scheufele’s leadership the brand grew in production and popularity at an astonishing rate.A watershed moment occurred for Chopard in 1976 when Scheufele, in collaboration with in-house designer Ronald Kurowski, released the first watch to feature free-floating diamonds within the face of the piece. The pleasing dance of the diamonds as one moved their wrist proved to be a huge success and Chopard pieces are still admired and sought after today for this innovative quality. The Happy Diamond Collection of 1985 continued this trend of free-floating diamonds and was inspired by Karl Scheufele’s daughter Caroline’s sketch of a clown with a “tummy full of diamonds”. This joy and exuberance are a mainstay of Chopard design and history.Chopard began their genius idea of collaborating with and sponsoring events for titans of industries, creating collections in tandem, in 1988 with their partnership with the legendary Mille Miglia sportscar race. Since then, Chopard have sponsored many events but most notably, and annually, the Cannes Film Festival. Sarah Greene includes Lot 178 in her favourite pieces from this auction, showing there is a natural affinity between celebrated actresses and pieces designed by Chopard.Lot 178 comes from the 2017 Red Carpet Collection which was designed for the year’s Cannes Film Festival and marked the 20th anniversary of Chopard’s connection to the glamorous and artistically driven awards. This collection, designed by Caroline Scheufele, featured bold, rich colours, and succeeded triumphantly in its goal to modernise the interpretation of red carpet jewellery. The teardrop shape of lot (44257-3) was noted and admired most for the sensuality it lends to the wearer, in addition to the kaleidoscope of colour that draws attention to the stunning piece.Speaking to jewellery journalist Katerina Perez, Caroline Scheufele explains:“In recent years, a sort of trend has emerged. Looks on the Red Carpet have become more fashionable and less classic. No one wants to wear a diamond solitaire or a ‘riviera’ necklace. Quite the opposite. Many actresses even experiment with ways to wear jewellery to reflect their own style. Take for example the attaching of brooches to the hair. These stars are more than happy when I include titanium jewellery in the Red Carpet collection as they seek something both incredibly light and bright. I would like to believe that I have somehow contributed to the shaping of Red Carpet trends,”Caroline Scheufele has certainly done more than contribute to Red Carpet trends, her collections are the trailblazers which dictate where jewellery design is heading and impacts all corners of the fashion world. The list of actresses who have worn pieces by Chopard in recent years only begins with Charlize Theron, Cate Blanchett, Julianne Moore, Sharon Stone, Gwyneth Paltrow, Marion Cotillard, Léa Seydoux, Penélope Cruz, Lupita Nyong’o, Fan Bing Bing, Isabelle Huppert, and Jane Fonda. Condition Report:Emeralds: of bluish-green hue, medium to dark tone, facets are smooth - both well matched in size and colourPear amethysts: of purple hue, medium to dark tone, both well matched in size and colourNumbered 3295018 - 840563Minor signs of wear, overall in good conditionWith stick post for pierced and non pierced earsTotal gross weight approx. 27.9g
Komplizierte Dampfmaschinen mit fehlenden Teilen1) Großes Modell einer liegenden Tandem-Kolben-dampfmaschine, um 1990, hergestellt aus Stahl, Gußeisen und Messing, doppeltwirkende Hoch- und Niederdruck-Zylinder, Ø 6,5 und 4,5 cm, Kreuzkopfführung in Gleitlager, Exzenter mit Stange zur Schiebersteuerung, Speichen-Schwungrad Ø 15 cm, auf Gußfundament, 46 x 17,5 cm, Geschwindigkeitsregler lose, Fundament unbearbeitet. - 2) 2-Zylinder-Schiffsdampfmaschine, um 1990, 2 doppeltwirkende oszillierender Zylinder, Ø jeweils 5 cm, umsteuerbar, Schieberabdeckung und Kurbelwelle fehlen, Gesamtbreite 24 cm. - 3) Dreizylinder-Schiffs-Verbunddampfmaschine, um 1990, unvollendetes Präzisionsmodell, ohne Steuerung und Rohrleitungen, Höhe 17 cm. - 4) Modell einer Zweizylinder-Verbunddampfmaschine für die Textilindustrie, um 1950, mit 2 Dampfmotoren Stuart S 50, Gußmetall, verbunden mit einer Kabelrolle Ø 9 cm, ohne Teile der Steuerung, auf Metallsockel, 23 x 23 cm. - 5) Zweizylinder-Schiffs-Verbunddampfmaschine, um 1970, umsteuerbar, Schiffsschraube und weitere Teile liegen lose bei, nicht auf Vollständigkeit geprüft, Höhe 15 cm. - Und: 6) 8 weitere Dampfmaschinen, zum Komplettieren oder für Ersatzteile. Start Price: EUR 240 Zustand: (4/-)Complex Steam Engines with Missing Parts1) Large live-steam model of a tandem compound engine, c. 1990, steel, brass and cast metal, high and low-pressure double-action cylinders, Ø 2 ½ and 1 ¾ in., crosshead guide in tubular bearing, eccentric rod slide-valve control, spoked 6-inch flywheel, on cast-metal plinth, 17 ¾ x 6 4/5 in., governor loose, plinth unfinished. - 2) Twin-cylinder marine steam engine, c. 1990, 2 double-action oscillating Ø 2 in. cylinders, reversible, slide cover and crankshaft missing, total width 9 ½ in. - 3) Triple-cylinder marine compound steam engine, c. 1990, unfinished precision model, without controls and piping, height 6 ¾ in. - 4) Horizontal twin-cylinder tandem or duplex "mill" engine, c. 1950, with 2 Stuart S 50 cast-iron steam motors, connected with a 3 ½ in. cable drum, missing valve control rods, on metal plinth, 9 x 9 in. - 5) Twin-cylinder marine compound steam engine, c. 1970, reversible, propeller and other parts detached, not checked for completeness, height 6 in. - And: 6) 8 more steam engines, to complete or for spare parts. Start Price: EUR 240 Condition: (4/-)
Wend-Al, Morestone, Hill & Similar Makers - Civilian Series, Pre/Post War Issues [includes a few highlanders], comprising; A Quantity [70+ Pieces] of Civilian Series, Figures & Accessories, Includes: Petrol Pumps, Road Signs, Tandem, Etc. Some Paint losses, minor damages & retouching otherwise generally Fair to Good overall. [Qty]
* Gillray (James). A Welch Tandem, H. Humphrey, June 21st 1801, etched caricature with contemporary hand-colouring, trimmed to image with partial loss to the title, slight spotting, 255 x 350 mm, mounted, framed and glazed, together with Heath (Henry). The Pleasure of the Railway - Caught in the Railway! S. Gans, 1831, etched caricature with contemporary hand colouring, trimmed to the image on three margins, 255 x 365 mm, mounted, framed and glazed, with Rowlandson (Thomas). Embarking from Brighthelmstone to Diepp (sic), 1787 (but later 19th-century impression), hand-coloured etched caricature, trimmed to image, laid on card, 225 x 355, mounted, framed and glazedQTY: (3)
10 First Gear 1:34 scale American Trucks. 1:34- 1960 Model B-61 Mack Tractor & Trailer 'J. Levy & Sons. Mack R-Model Tractor & 35 Foot Tandem Axle Trailer, 'ACE Hardware'. 1960 Model B-61 Mack Dump Truck, 'Cleary Bros'. 1951 Ford F-6 Dry Goods Van, 'Moon Pie Chocolate'. 1957 International R-200 With Moving Van, 'Martin Moving'. 1960 Mack B-61 Tow Truck, 'Supertest;. A '53 Kenworth Bullnose COE Tractor & 35 Foot Trailer, 'Columbian Storage'. International Harvester Slide Back 'Miller Industries'. 1957 International R-190 With Dry Goods Van, 'Firestone. 1952 GMC Dry Goods Van, 'GM Rest Parts'. Plus a 1952 GMC Insulated Van, 'Hudepohl'. All boxed, minor wear/cleaning required. Contents VGC-Mint. £80-120
Japanese sword WAKIZASHI . The scabbard Tsuba (é”) and tsuka () (handle) are made of bone, decorated with carvings with images from genre scenes from the life of the Japanese. Wakizashi (脇 å·®) is a short traditional Japanese sword. Mostly used by samurai and worn on the belt. It was worn in tandem with a katana. Blade length - from 1 to 2 shaku (30.3-60.6 cm) [1], total length with a handle conditionally ≈ 50-85 cm (usually 70-80 cm) Samurai used wakizashi in As a weapon when the katana was unavailable or inapplicable, the Meiji era represents the Japanese era, which stretches from October 23, 1868 to July 30, 1912. [1] This period represents the first half of the Empire of Japan during which Japanese society moved from an isolated feudal society to its modern form. Blade length 42 cm.Total length 75 cm. Width: 7cm, Height: 75cm, Depth: 7cm, Weight: 2kg, Condition: Signs of wear commensurate with age, Material: Bone
Corgi: A boxed Corgi Toys Gift Set 1, Ford 5000 Super Major Tractor with Beast Carrier and Animals; together with a boxed Corgi Toys, Four Furrow Plough, Reference 61; and Wheel Controlled Tandem Disc Harrow, Reference 71. Original boxes, general wear expected with age. Vehicles have sustained slight play wear; damage to Gift Set window, all boxes have slight edge and corner wear. Please assess photographs. (3)
Corgi Toys Gift Set No. 5 "Agricultural" comprising of Massey Ferguson 165 Tractor with shovel, Tandem Disc Harrow, Tipping Trailer with raves, Land Rover finished in green, lemon interior and spun hubs, Dodge Truck with Animals plus other accessories, with dog figure and farm hand, 2 milk churns and farm sacks, in the original window box, the box window is split, some tears to the box corners (VGNM-BVG)
Corgi Toys modern issue Hauliers of Renown 1/50th scale road transport boxed group of 10, with examples including No. CC15207 MAN TG-X Fuel Tanker "Eddie Stobart", No. CC15304 Scania 110 Tandem Axle Tilt Trailer "Chapman and Ball", and others - all models have been on display and could have parts missing, and would benefit from cleaningAll broken, dirty, have parts missing, assume no mirrors at all.
SAMUEL H. FYFE (1822-1905)The steam yacht 'Express' steaming off Hunters Quay, Scotland, 1884Signed 'S.H.Fyfe' (lower right)Oil on canvas laid down9¾ x 19¼in. (25 x 49cm.) Express was a 21-ton wooden screw steam yacht designed by G.L. Watson and built at McQuistan's Yard, Largs in 1884. Measuring 53ft with a 9½ft beam, she was powered by a Simpson & Denison double tandem engine and registered in Glasgow. Her first owner was listed as James Coats, Jun., but by 1897 she has transferred to William A. Coats and disappeared from the Register in 1899. Needs cleaning. Slight paint loss.
Property of a deceased estate c.1915 Triumph 3½HP Registration no. XD 1116Frame no. 264178Engine no. 83013 URR•Purchased in 1967•An older restoration•Circa 1915 frame, circa 1910 engineThe first Triumph motorcycle of 1902 used a Belgian Minerva engine, but within a few years the Coventry firm - originally a bicycle manufacturer founded by German immigrants Siegfried Bettman and Maurice Schulte - was building its own power units. The first of these - a 298cc single-cylinder sidevalve - arrived in 1904. This first engine was not without its weaknesses: pistons and bores wore out quickly and the curious 'tandem downtube' frame in which it was installed broke, but these shortcomings were soon sorted and within a couple of years 'Triumph' was a byword for reliability. The company was soon involved in racing, and the publicity generated by competition success - Jack Marshall won the 1908 Isle of Man TT's single-cylinder class for Triumph having finished second the previous year - greatly stimulated sales. By the outbreak of The Great War the marque's reputation for quality and reliability was well-established, leading to substantial orders for 'Trusty Triumphs' for British and Allied forces. The 3½hp model first appeared in 1907. Originally of 453cc, its sidevalve engine was enlarged to 476cc in 1908 and finally to 499cc in 1910 before being superseded by the 4hp model in 1914. The old-style continuation logbook of file shows that this machine's combination of a c.1915 frame and c.1910 engine has been together since at least 1965. The date of first registration recorded in the registration documents is 22nd April 1921, this being shortly after the introduction of the Roads Act of 1920, which required local councils to register all vehicles at the time of licensing and to allocate a separate number to each. (Many vehicles, although in existence for several years in some cases, were only registered for the first time after the Act's passing). The late owner purchased the Triumph at a Lincolnshire auction in 1967 for £66 (purchase receipt on file). An older restoration, the machine will require re-commissioning following a period of inactivity and thus is sold strictly as viewed. Prospective purchasers must satisfy themselves with regard to this motorcycle's authenticity, correctness, and mechanical condition prior to bidding. Additional paperwork consists of an old-style V5 and an HPI check sheet. The detached timing cover and primary drive case are included in the sale. Key not required.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com
Corgi (Heavy Haulage) a boxed group of 1/50th scale models to include CC11802 Leyland DAF 85 Tractor, Tandem Axle Jeep Dolly, Bogie and concrete beam load "J.C.S Johnson", 55501 Diamond T Low Loader with Generator load "Elliotts of York", 13902 Foden S21 Platform Lorry with Diesel Tank load "Knowles Transport" along with others. All contents do generally appear to be Good Plus to Excellent although none have been checked for completeness or correctness in generally Good outer pictorial lift off lid boxes. (5)
Cash’s Collectors Silks, small selection of framed silks in varying sizes including; Train, Officer of The Royal Horse Guards (The Blues) with Cash’s label to reverse of frame, The Old Course St Andrews Scotland with Cash’s label to reverse of frame, Muirfield East Lothian Scotland, The Tandem with Cash’s label to reverse of frame signed, The Four-In-Hand with Cash’s label to reverse of frame signed, Ruffed Grouse with Cash’s label to reverse of frame. Industry Year 1986 with Cash’s label to reverse of frame, Butterfly and Cashs of Coventry banknote. Total quantity 10. (10)
Weldon (Anthony). The Court and Character of King James. Written and taken by Sir A: W being an eye, and eare witnesse, London: Printed by R[obert]. I[bbitson], 1650, engraved portrait frontispiece, without final blank, occasional light damp stains and ink markings to margins of few leaves, later endpapers, contemporary sheep, rebacked, slight wear to board corners, small 8vo (Wing W1273A; ESTC R204065. A later setting than R209127 with page number "197" is printed correctly, the list of errata removed, and the errata corrected in the reset sheets), together with:Charles I, Eikon Basilike. The Pourtraicture of His Sacred Maiestie, in his solitudes and sufferings, 1648, double-page engraved plate, without engraved portrait and final leaf (final leaf provided in manuscript facsimile), recent endpapers with 20th-century bookplate of Alan Morris to upper pastedown, contemporary sheep, rebacked, boards worn, 8vo,[Du Moulin, Peter], Tragicum theatrum actorum, & casuum tragicorum Londini publice celebratorum, quibus Hiberniae Proregi, Episcopo Cantuariensi, ac tandem Regi ipsi, aliisque vita adempta, & ad Anglicanam metamorphosin via est aperta, Amsterdam: Jodocum Jansonium, 1649, folding plate and six engraved portrait plates only (of 8), some toning, contemporary vellum with yapp fore-edges, small 8voQTY: (3)
* Gillray (James). The Welch Tandem, H. Humphrey, June 21st 1801, etched caricature with bright contemporary hand-colouring, large margins, small area of adhesion marks to verso, 260 x 360 mmQTY: (1)NOTE:BM Satires 11570. A satirical portrait of Sir Watkin Williams Wynn, the leading squire of North Wales, known as 'the Prince of Wales', and his two brothers, Charles and Henry Watkin. They are pictured in profile in a chaise, pulled by three flatulent goats.
English School, 18th CenturyPortrait of Sir Christopher Hatton, half-length, holding a cameo of Queen Elizabeth I bears inscription 'LORD CHANCELLOR/ HATTON 1589' (upper left) and 'TANDEM SI' (upper right) and charged with sitter's coat-of-arms (upper right)oil on canvas79 x 66.2cm (31 1/8 x 26 1/16in).Footnotes:ProvenanceThe Collection of Mrs Henrietta Coffin, 1866The Collection of Major A. F. M. Jack, Collacombe Manor, DevonHis sale, Knight, Frank and Rutley, 25 September 1962, lot 127, where purchased byThe Collection of D.S. Todd-White, from whom acquired by the current owner in 1963ExhibitedLondon, South Kensington Museum, The National Portrait Exhibition of 1866, 1866, no. 402 (lent by Mrs Henrietta Coffin)A similar portrait of the sitter is in the National Gallery, London (see inv. no. NPG 2162).For further information on this lot please visit Bonhams.com
A rare Claud Butler ladyback tandem, painted black, restored with the original 26 inch Endrick rims and hubs re-chromed by Poole Metal Finishers with all new spokes. The Resilion brakes totally overhauled, with new inner cables and original outers.The bike was restored by the owner with the intention of riding Eroica's, particularly in France, but sadly a kidney transplant put paid to this retirement plan
Four Corgi Toys diecast model vehicles to include 53 Massey-Ferguson 65 Tractor with Shovel, 61 Four Furrow Plough with Plated Shares, 66 Massey-Ferguson 165 Tractor and 71 Wheel Controlled Tandem Disc Harrow, each boxed. (4) All toys appear in reasonably good condition. Some very minor paint losses.
Atlas Editions a boxed Stobart related group (World of Stobart Series) which includes 4664127 Scania Highline Curtainside "Collette Cheryl" (H6400), 4664104 Kone Cranes Reach Stacker (RS02), 4664115 Scania P114 340 6x2 Rigid with Tandem Axle Trailer, along with others. Conditions all generally appear to be Good Plus to Excellent although none have been checked for completeness or correctness and there may be duplications as some of these boxes are still factory sealed and are all presented in generally Fair to Good outer boxes with some suffering from crushing etc. Also to include in this lot is a number of World of Stobart certificate of authenticity cards although it is not certain that all these relate to all of these models. (29 models + cards)
Robert Cottingham (American, b. 1935). Group of two drypoint relief prints published by Tandem Press including:"Component XVII" depicting a purple metallic machine part, 2007. Pencil signed and dated along the lower right; numbered 2/30."Component XXVI" depicting a blue metallic machine part, 2007. Pencil signed and dated along the lower right; numbered 2/30.Component 17; sight; height: 5 1/2 in x width: 7 1/2 in. Framed; height: 14 in x width: 15 1/2 in. Component 26; sight; height: 7 1/4 in x width: 5 1/2 in. Framed; height; 15 3/4 in x width: 13 1/4 in.Condition: The items are in excellent condition with no visible tears, creases, or losses. The color is bold and bright. No visible sign of restoration when inspected under UV light. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Stirling Moss (1929-2020) signed Grand Prix 1955 commemorative cover, 2005; QE2 & Concorde Icons cover, signed by Captain Ian McNaught & Mike Bannister; QM2 Maiden Voyage cover, signed by Commodore Warwick, 2004; QM2 & QE2 Tandem Crossing cover, signed by Commodore Warwick. Together with a folder of five photographs by Jack Harley at Cranleigh Studios depicting Eamonn Andrews at a talkProvenance: By descent of Alfred Ben Bigg & Hilary Bigg. Alfred was a well-known Executive Head Chef in London who catered for the Lord Mayor of London and numerous dignitaries at venues including the Mansion House and Guildhall. Hilary was a keen royalist and sports enthusiast
A collection of four erotic pulp fiction paperbacks comprising: Lust Racket, by Hal Mills, Club Novel (CN 103); Wild Girl, by Lewis Dixon, New York: Detective House, 1952 (Cameo Books No. 323); Love Nest, by Tony Calvano, Nightstand Books, 1961 (NB 1559); In the Prison of Her Skin, by Violette Leduc, translated by Derek Coltman, Panther Books, 1973. Together with Enter the Dragon, by Mike Roote, London: Tandem, 1974, paperback. Condition varied, sold with all faults (5)
1966 Austin Mini Cooper Mk. I (998cc) Transmission: manualMileage:69300These fabulous and popular little cars were designed in 1959 and were heralded as a new concept in car design. Little did they know or envisage what would become of these great models. With a monocoque shell, transversely mounted engine and front wheel drive, the new 'Mini' soon became popular across the world and to all types of individuals well healed or not! The potential for competition use was soon seen by John Cooper; he eventually persuaded BMC and the two worked together culminating in the birth of the Austin Mini Cooper and the Morris Mini Cooper in 1961. Victories in the 1964, 1965 and 1967 Monte-Carlo Rallies set the Mini on the road to fame but probably the greatest publicity was gained from their, somewhat unfair, disqualification for lighting irregularities in the 1966 event after coming in 1st, 2nd and 3rd. A more powerful Mini Cooper, dubbed the 'S', was developed in tandem and released in 1963.Offered here is a truly exceptional Mk. I Austin Cooper restored to its original specification. Such high quality restorations are usually reserved for only the very best Cooper S models, making this probably the best condition Cooper on the road. Restored from the ground-up in its original colours of Tweed Grey with an Old English White roof, this car wants for nothing. Such was the obsessive nature of the restoration, that there are an abundance of period correct details not often found on many Minis, that will surely please any Mini aficionado. A good example of this is the period correct, crimped exhaust silencer, fabricated because these items are no longer available. Indeed, throughout the extensive photographic record of the restoration, you can see that no stone has been left unturned in the pursuit of perfection and it is a pleasure to see such effort going into something other than an ‘S’. The history file shows that since its restoration in 2013 the engine was rebuilt in 2017 and has hardly done any mileage since. Such pride was taken in the restoration of this car that a full photo gallery of it can still be seen on the restorer’s website. The Heritage Certificate shows this car to have been originally completed on 10th February 1966 and despatched to Solihull Motor Company on 26th February 1966 with the only option added being a fresh-air heater.Supplied with the Heritage Certificate, history file, driver’s handbook and photographic record of its restoration. This unique and correct Cooper is offered from the private collection of Jamiroquai’s front man, Jay Kay.
Matchbox Regular Wheels 45b Ford Corsair Promotional Issue "Collecting Matchbox Regular Wheels 1953 - 1969 by Charlie Mack" - metallic dark pink body with blue hood, roof & trunk tampo print, clear windows, red interior with front extensions, bare metal base, 36-tread black plastic wheels - Excellent with a couple of tiny pin size chips & base tarnished. Model was released in tandem with the Charlie Mack book.
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