We found 1364 price guide item(s) matching your search

Salco gypsy caravan and driver, paint loss and minor rusting to roof, scarce tandem with side car, two riders and baby, Hanson taxi cab and four circus figures, G-F (Est. plus 24% premium inc. VAT)

James Gillray (English, 1756-1815) ‘’The Welch Tandem’’ dated 1801, 260 x 364mm. BM Satires 9760 [A satirical portrait of Sir Watkin Williams Wynn, the leading squire of North Wales, known as ‘the Prince of Wales’, and his two brothers, Charles and Henry Watkin, portrayed in a chaise, pulled by three flatulent goats]‘’George a’ Cock-horse’’, dated 1796, 345 x 274mm. BM Satires 8889‘’Wide-Awake’’ and ‘’Fast-Asleep’’, a pair, each 1806, each 247 x 206mm BM Satires 10644 and 10645 and‘’Comfort to the Corns’’, dated 1800, 265 x 200mm. BM Satires 9585,Five hand-coloured etched caricatures, published by Hannah Humphrey (5)***CONDITION REPORT***The caricatures tipped-in, to each side of an early 19th century blue paper folio album leaf.George a’ Cock-horse’’- lower margin trimmed around title block.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Darly (Mary) Darly's Comic-Prints of Characters, Caricatures, Macaronies &c., engraved portrait frontispiece of Matthew Darley, engraved title, with 282 engraved plates on 125 sheets, on laid paper with armorial watermarks, some with countermark 'w', each leaf approx. 450 x 270 mm (17 3/4 x 10 5/8 in), offsetting throughout, some marginal nicks, small loss to title page, several sheets with larger repaired tears to inside corners and edges of sheets, some affecting the plates, occasional spotting and minor surface dirt, purple ink stamp to inside front free endpaper 'GIL', 19th century half morocco, marbled boards, bound by 'Mackenzie', spine gilt, t.e.g., rubbed and worn, folio, presented in modern solander box, Mary Darly, 1776.⁂ An important and fine example of the collected works of the husband and wife printsellers, Mary and Matthew Darly. From the time of their marriage, they worked in tandem designing, engraving and publishing prints using the signature, MD or MDarly. Mary was one of the first professional caricaturists in England. The present collection includes many of their most famous prints, including numerous "macaroni" satires, as well as caricatures featuring enormous hair styles, such as Bunkers Hill, or America's Head Dress. Scarce at auction, with ABPC recording only 4 copies to have come to auction since 1978. Not in the British Library, and with only 2 other copies recorded as being held in British institutions (Oxford, and the V&A Library). WorldCat lists 5 copies in American collections.

Three Boxed Diecast Model Farm Accessories, comprising of Corgi Toys No. 71 wheel Controlled Tandem Disc Harrow, Britains No. 9537 Vicon-Lely Acrobat High Speed Rake, (damage to box), No. 9534 Disc Harrow (missing end flaps); together with a wooden painted farm yard.

Graham Thomas Oakley (British, 1929-2022), Sampson the cat trapped in a box on the back of a tandem, watercolour, unsigned, 18 x 24 cm (unframed) Provenance: From the estate of the late Graham Thomas Oakley deceased Graham Oakley is best known for the Church Mice series of picture books (1970-2000), next to the Foxbury Force series (1994-1998)From Graham Oakley’s personal box file reading Church Mice In Action Please note this has not been referenced or checked against the books Please note these are sold without copyright

Graham Thomas Oakley (British, 1929-2022), Sampson the cat trapped in a box, crashing on a tandem, watercolour, unsigned, 20 x 25 cm (unframed) Provenance: From the estate of the late Graham Thomas Oakley deceased Graham Oakley is best known for the Church Mice series of picture books (1970-2000), next to the Foxbury Force series (1994-1998)From Graham Oakley’s personal box file reading Church Mice In Action Please note this has not been referenced or checked against the books Please note these are sold without copyright

OLD VINTAGE CH & E TANDEM ROLLER TIN SIGN

Taschenuhr: interessante und seltene, frühe Goldsavonnette mit Seconde Morte, sehr feine Qualität, ca.1860: Ca. Ø51mm, ca. 115g, 18K Gold, Savonnette à-goutte, No.22065/17763, Gehäuse-Punze DG, hochfeines Ankerwerk mit Ringanker, Tandem-Aufzug und goldenen Laufrädern, unabhängige anhaltbare Sekunde, Emaillezifferblatt (kleine Krakelee), besonders schöne filigrane Stahlzeiger, Werk läuft an, ist aber reinigungsbedürftig.

Morestone - Tandem Set, comprising: Red Tandem with attached Blue Sidecar with Child Passenger, Male & Female Cyclists. Badly chipped otherwise Fair overall. Scarce to Find with the Correct Figures. [3 pieces]

Morestone - Tandem Set, comprising: Red Tandem with attached TURQUOISE Sidecar with Child Passenger, Male & Female Cyclists. Some paint chipping otherwise generally Good overall. Rare Sidecar Colour Variant. [3 pieces]

AN UNUSUAL ENGLISH GILT BRASS SMALL MOONPHASE CALENDAR CARRIAGE CLOCK WITH TANDEM-DRIVE BARRELUNSIGNED, MID 19th CENTURYThe eight-day four pillar two train bell striking movement with single spring barrel incorporating opposing tandem greatwheels for driving both trains, the going train with offset underslung platform lever escapement regulated by sprung monometallic balance, the fine gilt twin bird inhabited foliate scroll engraved rectangular dial with rolling moonphase aperture to centre, incorporating silvered 'button moon' to the revolving matted lunar disc annotated for the age-of-the-moon to upper margin and with rosette engraved lunettes to infill beneath, within Roman numeral chapter ring and with blued steel spade hands over twin subsidiary day-of-the-week and date-of-the-month dials within fine engraved leafy infill, the case with hinged foliate cast faceted baton carrying handle over inset concave-sided rectangular platform to top and convex cornice mouldings flanked by projecting rounded ogee mouldings forming the caps for the quatrefoil three-quarter column corner uprights, the front and rear with bevel glazed doors and the sides with plain panels, on stepped canted base interrupted by blocks supporting the uprights at the angles over disc feet.12.5cm (5ins) high with handle down, 9cm (3.5ins) wide, 7cm (2.75ins) deep. The provision of a 'tandem barrel' to drive both the going and strike trains is very unusual and has its roots in 17th century Dutch practice with many 'Haagse' clocks employing this system (see Van Den Ende; Van Kersen-Halbertsma; Taylor, Dr. John C. and Taylor Neil HUYGENS' LEGACY, THE GOLDEN AGE OF THE PENDULUM CLOCK pages 176-177, for an example by Johannes van Ceulen). The natural advantage of this system is to save space which would naturally lend itself to provision within carriage clock work. However is rarely seen with Charles Allix noting that it occurs in some carriage clocks made in the French Dura and also in Austria (see Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development page 416).The form of the case of the present clock follows those made popular by makers such as Arnold and Dent during the 1840's; a case sharing the same handle casting, and stamped for the casemaker L. Lange, is illustrated in Roberts, Derek CARRIAGE and Other Travelling Clocks on page 348 (Figure 24-5). Condition Report: Clock appears complete and in original condition however it is not currently running or striking. The movement does appear essentially 'untouched' and is fully wound hence is most likely gummed-up with dried oil. The hands are 'catching' when advanced indicating that there is an issue with the under-dial work - most likely the strike release. The dial is in good original condition with visible faults limited to some rubbing and wear to the black numerals. We cannot ascertain whether the calendar functions are operational due to the hands 'catching'. The case appears free from visible damage or noticeable replacements and has deep gilt finish exhibiting some patchy discolouration/oxidation, scratching and edge wear. There is no winding key present. Condition Report Disclaimer

Catalogue of Bliss and Co. Dated October 1910. It describes in the introduction as their export catalogue of Saddlery, harness and all tack for horses, horse clothing, men and women's saddle, Race and Polo saddles, martingales, nosebands and fronts, head collars, crib biters, muzzles, horse boots, saddle bags, gig harness, Brougham harness, carriage harness (pair horse), tandem harness, four horse harness, pair horse buggy harness, cape single harness, cape mule span harness, mule harness, harness, saddles and pads, riding bits, driving bits, rubber mouth bradoons, stirrups, spurs, driving, riding and dog whips, hunting flasks, watch cases and whip sockets, India rubber boots, saddle bars, harness buckles, Tilbury tugs, front and bradoon chains, rosettes and ornaments, crests and monograms, gig harness and clips, suit of horse clothing, jute sheet, dog cloths and saddle cloths, kneecaps and boots, etc. 51 pages 11¼" x 8¾". A magnificent, fine copy in quarterleather red board binding with Bliss and Co. in gilt on the spine. This is an exceptionally fine item, detailing all equipment to do with horses in the first decade of the 20th century. Exceptionally RARE, particularly in this as new condition. From single vendors book collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99. 30kg box UK £15, EU £40, ROW £60

A FINE 18K GOLD AND DIAMOND-SET 'ARCEAU. LE TEMPS SUSPENDU' AUTOMATIC WRISTWATCH, BY HERMÈS, 2022Of automatic movement, the circular cream engine-turn dial, rose Breguet numerals and hands, applied dot minute markers, subsidiary mother-of-pearl dial, brilliant-cut diamond bezel with polished rose gold case and lugs, time suspension function operated through the push button in the band at 9 o'clock, sapphire crystal display back secured by five screws, signed 18K rose gold buckle, gold crown with H, on black alligator strap, case, dial and movement signed, Swiss assay mark, European convention mark, serial no. 31157**, case no. AR7.471, with large Hermès case and outer box, with manual booklet, case 38mmAccompanied with its certificate of authenticity from Hermès Paris, dated October 20th 2022 & photocopy of invoice of same date.Please note that this lot contains alligator leather and might be subject to CITES regulations when exporting outside the EUThe Hermès Arceau Le Temps Suspendu allows the wearer to capture and hold specific moments by literally stopping time. This watch’s unique design includes the feature of suspended time, in which with the push of a button the hour and second hands immediately move to the 12 o’clock and remain stationary. The date hand disappears seamlessly behind the hour ring. There is a particularly clever horological feature to this watch, which has been created exclusively by Hermès. The movement continues uninterrupted with the running time and the suspended time phases controlled by two column wheels working in tandem with each other. The 360° retrograde feature allows time to disappear without disrupting the movement. When the wearer decides to restart the watch it automatically moves forward to display the correct time. This particular function was designed by a group of movement experts at Hermès under the direction of Jean-Marc Wiederrecht, founder of Agenhor, which specializes in conception of complex watch mechanisms. Condition Report: Superficial signs of wear, overall in good conditionRetail price: €32,200. -Total gross weight approx. 87.7 grams

Sandra Blow, British 1925-2006 - Blue and White Stripes, 1998; acrylic on canvas, signed, titled and dated to the overflap 'Blow Blue and White Stripes March 1998', 121.8 x 121.5 cm (ARR) Provenance: Bonhams, London, Modern Pictures and Sculpture, 22 March 2011, lot 188; private collection, purchased from the above Note: Blow is considered to be one of the pioneering abstract artists of the 1950s who introduced a new form of expressive painting to Britain, often using everyday discarded materials such as sawdust, sackcloth and plaster. This practice was developed in tandem with her then-partner, the great Italian artist, Alberto Burri, with whom she travelled and worked in Italy during the late 1940s. Although considerably younger than many of her contemporaries of this early period, she was at the forefront of the abstract movement in Britain. The present work is an exemplary piece of her later period, following her move to St. Ives in 1994 and shows her brilliant synthesis of form, light, space, texture and rhythm. 

Coltons tandem bicycle

A circa 1900 mahogany ladies' cylinder writing bureau, the tandem mechanism enclosing fitted interior, leather inset pull-out surface over single frieze drawer and four further short drawers, to cabriole supports, width 78cm

Corgi 56 Four Furrow Plough - red, yellow; 61 another - blue, chrome and 71 Wheel Controlled Tandem Disc Harrow - yellow, red - conditions are generally Excellent to Mint in generally Good Plus to Excellent Plus blue and yellow carded picture boxes. (3)

Corgi GS5 Gift Set "Agricultural" to include Land Rover (109WB) - metallic green, lemon interior, silver trim, spun hubs, grey plastic tow hook; Tandem wheeled; Dodge Kew Fargo Livestock Transporter; Farm Tipping Trailer; Massey Ferguson 165 with Shovel; plus various accessories - conditions appear to be generally Good Plus to Excellent Plus, inner polystyrene tray is Good Plus, outer blue and yellow window box is Fair to Good (still complete), also comes accompanied with harder to find "Mr Retailer" card - accompanied with correct GS5 instruction leaflet - see photo.

Corgi 58 Beast Carrier - yellow, red including plastic hubs, green plastic netting, 4 x loose cattle; 66 Massey Ferguson 165 Tractor - grey, white, red including hubs, black steering wheel and 71-wheel Controlled Tandem Disc Harrow - yellow, red including hubs - conditions are generally Good Plus still lovely bright examples in Fair to Good blue and yellow carded picture boxes. (3)

A Motobecane Interclub tandem bicycle.

A single sheet handwritten and signed by William Shatner, recalling the production of the first Star Trek film made in 1979.Composed on his personal stationery, Shatner writes, "It was going to be a movie for T.V. Nope - it was going to be a new series - excuse me? Change that, it is now a movie - a movie movie - I'm o.k. with that. Robert Wise is going to direct the first movie - that's huge - he is one of the best - we heard later he had never heard of Star Trek. God, he's going to direct it and he's never heard of us. But listen, his wife is a big fan - urged him to do it - Yes Wise is going to do it. There was dancing in the streets, Robert Wise elevates Star Trek from a mere television show to a mainstream movie - Now the script - well it needs some work - But we have to get going to make the release date which was set for the Holiday season - We grind out the movie - Leonard and I working in tandem try and improve the script - We have meetings with Robert then Gene and we try but Gene won't accept our ideas. I've forgotten what the issue was - but Robert was enthusiastic about the change after we sort of performed it for him - but at a second performance that day for Gene it didn't go as well - no changes - too bad. / William Shatner."Unbelievably, director Robert Wise was rumored to have never heard of Star Trek, despite his career in Hollywood directing The Sound of Music (Robert Wise Productions, 1965), West Side Story (The Mirisch Corporation, 1961), The Day the Earth Stood Still (20th Century Fox, 1951), and several other hits.7.25 x 10.25 inches

Circa 2nd century A.D. With openwork body formed as two dolphins leaping in tandem, with simple detailing to the fins; on the reverse pin lug and catchplate. Cf. Hattatt, R., Ancient Brooches and Other Artefacts, Oxford, 1989, item 1641. 13.3 grams, 32 mm (1 1/4 in.). Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance. Twin dolphin brooches were found in Wiltshire, but they are more typical of the Roman territory of Pannonia, The hinge was usually placed below the bodies towards the tails, so that when worn win the pin point uppermost the dolphins faced upwards instead of downwards. [No Reserve]

Corgi. 1960s onwards collection, generally excellent to good in good or better boxes, with Carrimore Detachable Axle red cab No. 1104, Tandem Disc Harrow No. 71, Four furrow plough No. 61, Volvo BM Rapier (cellophane crushing) No. 1156, Holmes Wrecker including mechanic figures (2) and reproduction box ends No. 1142 and Carrimore Car Transporter (without lid) No. 1101, plus empty boxes Nos. 74 and 102. Contents unchecked for completeness or correctness and viewing recommended. Qty 6

Diecast - x3 original Corgi made diecast models of haulage interest comprising; CC11907 Gold Star Special ERF EC Petrol Tanker BP, CC11802 Leyland DAF 85 Tractor, Tandem Axle Jeep Dolly, Bogie & Concrete Beam Load and 76802 I.R Dunkerley MAN Tractor Unit, Bogie & Bridge Beam Load.

A vintage Colibri Cycles tandem bicycle, blue frame with drop handle bars, cable brakes, rear mudguard and parcel shelf. 238 cm long.

A vintage tandem bicycle, with BSA badge to frame

A circa 1900 mahogany ladies' cylinder writing bureau, the tandem mechanism enclosing fitted interior, leather inset pull-out surface over single frieze drawer and four further short drawers, to cabriole supports, width 78cm

Movado for Mappin & Webb, - A 9ct gold wristwatch, circa 1939, the tandem signed square silvered dial, 23cm wide, with gold coloured quarte Roman numerals, gold coloured hands, subsidiary seconds register at 6 o'clock and baton minute track, signed but unnumbered 15 jewel mechanical crown wind movement calibre 150MN, case, 26mm wide, verso snap on with personal engraving, interior numbered 167952 91788, with Glasgow import hallmarks for 9ct gold, additionally marked with Poinçon de Maître: Hammer Head number 115 for Favre & Perret SA, fixed wire lugs to an aftermarket striped nylon NATO style single pass strap with gilt pin buckle, 8.1g ex movement, presented in the retailer signed spring loaded case, lined in brown satin and velvet

Dublin - A 19-piece harlequin set of 18th century and later silver flatware, 'Fiddle' pattern, crested, comprising 6 table forks, mark of James Keating, 1796, 6 tablespoons, (5 with mark not traced {JS pellet between}, 1803, 1 marked ‘Sterling’ and double tandem marked) tandem marked by Toleken and 7 teaspoons (6 with probable mark of John Read, 1831, 1 with probable mark of Joshua Buckden 1835) tandem marked by Neill, crested, 33.4ozt gross (19)

Ulysse Nardin, Locle, for Türler, Berne - A Swiss 14ct gold open faced pocket watch, circa 1920, the tandem signed white dial, 42mm diameter, with black Arabic numerals, gold coloured spade and whip hands, subsidiary seconds register at 6 o'clock and chemin de fer chapter ring, signed and jewelled crown wind movement number 64015, case, 48mm diameter, verso hinged at 6 o'clock, plain and polished, interior liveried and numbered 320340 with Swiss marks for 14ct gold, Locle, additionally stamped 56 14K 0,585, the cuvette similarly marked and additionally engraved NO 64015 ULYSSE NARDIN LOCLE & GENÈVE, 58.4g gross

Vinyl - 6 Chris McGregors Brotherhood of Breath / Ogun Records UK jazz albums to include: Chris McGregors Brotherhood of Breath (Neon records NE 2), Procession (Ogun Records OG 524), Live At Willisau (Ogun records OG 100), Mike Osborne / Stan Tracey – Tandem - Live At The Bracknell Festival (Ogun Records OG 210), Keith Tippett's Ark – Frames (Music For An Imaginary Film) (Double album, Ogun Records OGD 003/004), Mike Osborne Trio – All Night Long (The Willisau Concert) (Ogun Records OG 700). Condition VG+ overall

LINKWOOD 1974 30 YEAR OLD RARE MALTS SPEYSIDE SINGLE MALT A stalwart of DCL’s portfolio (now Diageo) since 1936, Linkwood distillery, in the Speyside town of Elgin, produces a fresh and fruity sprit that ages gracefully and is favoured by blenders. In 1972, a second distillery was built next door, known as Linkwood “B”, with the two running in tandem until 1985 when the original site was retired. From that point on Linkwood “B” became the primary distillery, with “A” used as an experimental site up until 2012 when it was demolished.Distilled: 1974Bottled: April 2005Bottle Number: 580254.9% ABV / 70cl

Tensors cycle Tandem

The AH-64 Apache is a versatile attack helicopter primarily used by the United States Army. Manufactured by Boeing, the Apache is known for its advanced weapons systems, agility, and lethality. Here are some key features and characteristics of the AH-64 Apache:1. Attack Capabilities: The Apache is specifically designed for combat missions and is equipped with a wide range of weapons systems. It typically carries a combination of AGM-114 Hellfire anti-tank missiles, Hydra 70 rockets, and a 30mm M230 chain gun. This firepower allows it to engage armored vehicles, ground targets, and even low-flying aircraft.2. Advanced Avionics and Sensors: The Apache features advanced avionics and sensor systems to provide superior situational awareness. It includes a Target Acquisition and Designation System (TADS) and a Pilot Night Vision Sensor (PNVS), which enable day and night targeting, reconnaissance, and surveillance capabilities.3. Survivability: The Apache incorporates advanced measures to enhance its survivability on the battlefield. It has a low radar cross-section, infrared suppression systems, and armor protection for the crew and critical components. Additionally, it can carry countermeasures systems to defend against threats such as surface-to-air missiles.4. Long-Range Operations: The Apache has a considerable operational range, allowing it to conduct missions over extended distances. It can be refueled in-flight to further extend its reach. This makes the Apache suitable for a variety of missions, including close air support, reconnaissance, and deep strike operations.5. Network-Centric Operations: The Apache is designed to operate in network-centric environments, allowing for real-time data exchange and coordination with other friendly forces. It can share information with ground forces and other aircraft, enhancing situational awareness and mission effectiveness.6. Agile Maneuverability: The Apache is highly maneuverable, capable of flying at low altitudes and in challenging terrain. Its agility enables it to conduct close air support missions in complex environments, including urban areas, where precise targeting and rapid response are crucial.7. Crew and Cockpit Configuration: The Apache has a two-person crew, consisting of a pilot and a co-pilot/gunner. The crew sits in a tandem cockpit configuration, providing excellent visibility for both crew members. The pilot controls the aircraft, while the co-pilot/gunner operates the weapons systems.The AH-64 Apache has been widely deployed by the U.S. Army and has also been exported to various countries around the world. Its combat-proven capabilities, versatility, and adaptability make it a formidable asset in modern warfare, capable of engaging a wide range of threats and supporting ground forces with precision firepower.Measures 10 x 9 x 21.

A Crown Devon musical mug, Daisy Bell, embossed with figures on a tandem bicycle; others similar; a pair of Crown Ducal vases; a Shelley Spano-Lustra wash jug and bowl, a/f; a Sylvac floral bouquet; etc, qty

An FFCT tandem bike frame with wheels and box containing parts

Mytek - Taiwan Made diecast model bikes. A selection of Four boxed diecast models appearing in Excellent condition with Excellent boxes. 3 are 1:10 scale and 1 is 1:6 scale. Lot consistis of: MY-0042 BMX Mountain Bike, MY-0041 Racing Bike. MY-0055 Big Wheel. MY-0054 Tandem. Bikes have functioning parts, pedals, and brakes where applicable. (This does not constitute a guarantee).

Two boxed Corgi "Hauliers of Renown" detailed die-cast models including a Mercedes Actros Container Pulleyn Transport Ltd (CC13823 - 0194) and Scania 110 Tandem Axle Tilt Trailer British Road Services (CC15305 - No 1455 of 1500) - Scale 1:50

A Phillips Super Tandem double tape/radio etc.

A rate late 19th century French nickel silver 'Angelus' carriage clockDesigned by Lucien Falize. The movement numbered 7901Surmounted by a handle of entwined dragons, over twelve titled circular panels cast into the sides, each representing a month of the year with an associated activity (sowing, harvesting, threshing etc); the rear set with a scene of the Admonition and the inscription 'Vigilate quia netcitis diem neque horam' Watch thee, for you know not the day nor the hour and a solid door with strapwork hinges and sliding bolt, the octagonal dial with gothic Roman numerals and fancy pierced hands with mythical beasts to the centre, over a scene of the Annunciation and the inscription 'Angelus Domini numtiavit Maria', The Angel of the Lord Announced to Mary, the underside cast in the same style with strapwork and hexagonal panel, signed AXF and depose. The rectangular carriage clock movement with folding integral handle tandem winding both trains, with lever platform escapement striking and repeating on a gong. 18cms (7ins) high. Footnotes:The plates are engraved AB and punch numbered 5036COMPARATIVE LITERATURE:A. Kenneth Snowman, The Master Jewellers, London, 1990, pp.61-72Lucien Falize, 'L'Orfevreue et la Bijouterie au Champs de Mars', Gazette des Beaux Arts, Paris, 1878Katherine Purcell, 'Catering for Every Taste', Apollo, February 1991Joseph Fanelli and Charles Terwilliger, A Century of Fine Carriage Clocks, Clock Trade Enterprises, 1987, pp.90-91Lucien Falize (1839-1897) and his father Alexis (1811-1898) were renowned designers and manufacturers of the finest decorative and enamelled jewellery. Alexis established the firm in 1832 and retired in 1876, whereupon his son took over and expanded the business. Lucien was particularly influenced by the enamel art of Japan and the revival of interest in Gothic and Renaissance art so popular in the last quarter of the 19th century.This particular model of clock - given the name Angelus - was first exhibited in ivory with gold and silver mounts at the 1878 at the Exposition Universelle in Paris. The 'AXF' lozenge mark stamped on the underside of this lot was not used by Falize after he took Bapst, former French crown jeweller, as a partner in 1880, giving a timeline of possible production of this piece of 1878-1880. Related examples of this model were sold in these rooms 17th June 2003, lot 92; 15th December 2015, lot 120; Sotheby's Paris, 28 March 2007, lot 155; Christie's London, 6 December 2006, lot 16 and Sotheby's London, 24 February, 2004, lot 3. Another example is in the collection of the Los Angeles County Museum of Art, Accession Number: M.2001.137.For further information on this lot please visit Bonhams.com

1.Pflueger Tandem Spinner 2/0. 2. GM Skinner Willow leaf spoon 1oz Copper/Red spinning lure. 3. GM Skinner Willow leaf spoon #5 Copper/Red spinning lure. 4. WTJ Lowe Buffalo NY 1/0 spinning lure. 5. WTJ Lowe Buffalo NY 2/0 spinning lure. 6. WTJ Lowe Buffalo NY #8 spinning lure. 7. Brass Red/Silver spoon marked PH. 8&9. Two unmarked copper and brass early spinning lures. The longest 4"L without hook. Condition: Age related wear.

A Regency ormolu mounted rosewood and parcel gilt breakfront low cabinet attributed to Marsh and TathamCirca 1810The superstructure with a breakfront upper tier, on four gilt bronze octagonal ring turned baluster shaped front columns, with a triple moulded panelled back comprised of one long central and two short end panels, each inset with intersecting waved grills and later pleated silk material, the top above an ovolo moulded cornice, over a frieze mounted with four ribbon wrapped and ribbon tied ivy wreath angles, with one large central panelled door inset with waved grills and later pleated silk, flanked by two smaller conforming doors, two of the doors enclosing one long fixed shelf and two short adjustable shelves, one end door enclosing six graduated solid mahogany drawers each with inset brass handles, interspersed with four panel mounted pilasters each headed by a lotus-leaf capital mount, terminating in a plinth base, with a triple chamfered panelled back, approximately: 153cm wide x 56cm deep x 119cm high, (60in wide x 22in deep x 46 1/2in high)Footnotes:A related pair of low bookcases attributed to Marsh and Tatham sold Christie's, London, 14 June 2001, Important English Furniture, lot 174. They have essentially identical laurel wreath and lotus-leaf paired ormolu mounts to those on the offered lot. All three of these cabinets, despite being of English origin, are clearly examples of the ancient Grecian inspired French Neoclassicism which was first promulgated in France during the 1790s. This style was then subsequently promoted in England, at the very beginning of the 1800s, by the then Prince of Wales (later to be George IV) in tandem with the renowned collector and connoisseur, Thomas Hope (d. 1831).The present cabinet, along with the aforementioned models, are each mounted with wreath ornamentation typically representing Apollo, the ancient Greek god of poetry, music and the arts. However, the pairing of pilasters headed by palm-flowered or lotus-leaf ormolu work with these distinctive wreath mounts is most likely a reference to the grecian choragic monument of Thrasyllus, which appears illustrated in J. Stuart and N. Revett, The Antiquities of Athens, 1762. Importantly, almost identical gilt bronze adorned pilasters are a prominent element on a satinwood desk provided in 1811 for Carlton House in London, upon behalf of the Prince of Wales. This was executed by the renowned cabinet making partnership of William Marsh and Thomas Tatham, see W.H. Pyne, Carlton House, 1817 and J. O'Brien & D. Guinness, Great Irish Houses and Castles, 1992, London, p. 161.The particularly well defined and highly detailed mounts on the offered model were almost certainly produced by Alexis Decaix (d.1811), who was a French bronze-founder based on Old Bond Street. Decaix supplied ormolu upon behalf of the then Prince of Wales (later George IV) and in turn gained recognition in large part due to the hugely influential collector and designer, Thomas Hope, via the latter's 1807 publication, Household Furniture and Interior Decoration.Similar gilt bronze wreath mounts also feature on a desk provided for Hothfield Place in Kent, which was home to the 9th Earl of Thanet. This desk sold Christie's, 27 November 1969, lot 142. Closely related palms or lotus leaves, as appear on the above, are among the ormolu mounts adorning the yew wood bookcases made in 1806 by the firm of Marsh and Tatham for the Prince of Wales. One of these bookcases sold Christie's, 3 July 1997, lot 70. Such Grecian ornament, which was often favoured by Marsh and Tatham, drew its more recent inspiration from the Neoclassical furniture housed at the Duchess Street property belonging to Thomas Hope, as well as from the latter's designs. Another rosewood bookcase, made in 1806 by Marsh and Tatham, which has similar ormolu mounts to both the present and aforementioned examples, is one forming part of the Royal Collection, Buckingham Palace. This appears illustrated in M. Jourdain, Regency Furniture, 1795-1820, 1948, Glasgow, fig. 11, p. 64.This lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

Philippus Cancellarius.: In Psalterium Davidicum Tercentum ac Triginta Sermones vere aurei... Nunc tandem post integrum... Brescia, für Pietro Maria Marchetti (1600). Mit Holzschn.-Druckermarke a.T. 20 nn., 479 num. Bl. Flex. Prgt. d. Zt. mit Bibl.-Rsch. (Fehlen die Schließbänder, Gebrauchsspuren). Adams, P 1022. - Tls. schwach wasserrandig, erste Lage leicht wurmspurig, Vors. beschäd., Titelbl. mit hs. Besitzverm. u. St. einer Kapuziner-Bibliothek.

TANDEM

Lee Bros/Jamie Whitham 1985 Kawasaki KR250 Tandem Twin, 249cc. Registration number G654 DCX. Frame number 010507. Engine number 008534.Sold with the V5C, DVLA printed ownership history, Lee Bros copy of certificate of newness, MOT's, email from Whitham confirming he rode a Lee Bros KR250 in the 1985 Manx GPThe Tandem Twin is a rare machine, they were only sold in Japan, Australia and South Africa and competed against the Suzuki RG. As well as being one of the rarest 250 two-strokes, the KR is also one of the most technically interesting. Its motor is a dual-crank tandem-twin, with Kawasaki's Rotary Reed Valve Induction System (RRIS), as used on the AR125. This gives it a much broader spread of power than the reed valve only RG - the KVSS power valve equipped KR250S introduced in '86 is claimed to be even more tractable.The chassis is striking too. There's an adjustable underslung shock, a braced swing arm, adjustable anti-dive forks, triple discs, a hand-welded aluminium frame and styling that gives more than a nod to the GPZ900R. Although complicated it helps the bike to remain very narrow, as exhaust routing and expansion chambers no longer have to run underneath the engine as they do on most parallel-twin engines. In this case, they both exit on the right side of the bike: one down low, the other partly through the tailpiece in flamboyant 1980s style. The round tail lamp is set into the kicked-up tail and the bolt-on hand-fairings are an unusual touch. The 45 hp engine was good for over 110 mph and had a six speed gearbox. This machine, imported by Lee Bros of Sowerby Bridge is believed to have been ridden by Jamie Whitham in the 1985 Manx GP.In 1989 it was road registered and they sold it to David Graham of Sheffield, then Jackwood Motorcycles sold it to Nathan Corridge? of Sheffield, Andrew Ross of Doncaster in 1995 and then Deborah Poles of Wetherby in 1996. Peter Jackson of Knaresborough was the next owner in 1998 and our vendor bought it from him the same year. It was MOT'd in 1998 at 8967 km and in 1999 at 9,203km. In storage since then it now shows 9,700km.This rare machine, with probable Jamie Whitham Manx GP history is now ready for a new owner.Sold with the V5C, DVLA printed ownership history, Lee Bros copy of certificate of newness, MOT's, email from Whitham confirming he rode a Lee Bros KR250 in the 1985 Manx GP

Cycling postcard, scarce, signed, RP of E.H. Chambers British Olympic Team, 1928 & 1932, Silver medal at both in 2000m Tandem (with his brother in 32) also competed Berlin 1936 (vg)

OSCAR MURILLO (B. 1986)Untitled (Fried Chick) 2012 oil, oil stick, spray paint and dirt on canvas 248 by 181 cm.97 5/8 by 71 1/4 in.This work was executed in 2012.Footnotes:ProvenancePrivate Collection, LAPrivate Collection, UK (acquired directly from the above in 2013) Sale: Bonhams, London, Modern & Contemporary Art, 27 June 2019, Lot 33Acquired directly from the above by the present ownerCompelling, spirited and grand in scale, Untitled (Fried Chick) (2012) is foundational work by the Colombian-born, Turner Prize nominated artist Oscar Murillo; exhibiting all the hallmarks of his energetic and spontaneous style that combines raw panels of canvas, flashes of text and colour with aggregated dirt and impressions from the studio floor. Rising to artistic maturity and institutional acclaim in monumental fashion, his inclusion in such major exhibitions as The Forever Now: Contemporary Painting in an Atemporal World at the Museum of Modern Art, New York, in 2014, in addition to solo exhibitions at the Centro Cultural Daoíz y Velarde, Madrid and the Institute of Contemporary Arts, London, has cemented Murillo's international standing as one of the foremost contemporary painters currently working; culminating in his nomination for the Turner Prize in 2019 for his exhibition Violent Amnesia at Kettle's Yard, Cambridge. Untitled (Fried Chick) is an elegant example of Murillo's collaging of surfaces and techniques that flaunts the dirt from the artist's studio floor, bringing the painting to life through its closeness to the 'authentic' detritus and rubble of Murillo's workspace. In the present work, the raw support of the canvas plays host to an almost performative mark-making, suffused with a palpable energy that channels the automatic motions of Jackson Pollock, complemented by a revisionist ideology that Murillo credits to the Neo-concretism of Lygia Clark, Lygia Pape and Hélio Oiticica. The present work comes to market following Murillo's nomination for the Turner Prize in 2019 – a significant recognition of the artist's distinguished practice and place amongst his contemporaries. An exemplary early work by Murillo, Untitled (Fried Chick) is an immense painting of masterful austerity, eliciting all of the methods and conceptual hooks that has made Murillo such an internationally lauded artist.Activating the more static, Modernist modes of abstract painting through installations, social gatherings and interactive artworks, Murillo's multifaceted practice has continued to express the artist's experiences of displacement and multiculturalism, demonstrated in the present work with a bravura charm and dynamic materiality. For Murillo, the process of painting provides a method of accumulation; composing his works through a build-up of material, of folds, marks and daubs of paint that illustrate the artist's own relationship to his itinerant lifestyle and 'layering' of identity. Born in La Paila in South East Colombia, Murillo remains deeply influenced by his roots and his arrival in London as an immigrant at the age of ten. The present work represents a superbly nuanced evocation of these themes, employing single words or phrases that encourage a reading of Murillo's paintings through the lens of cultural critique. Where words such as 'pollo,' 'yoga,' 'milk' and 'mango' appear across Murillo's oeuvre, they become aesthetic devices in tandem with their implicit meaning – impactful hand-sketched lines of text that divide the canvas in a similar vein to the paintings of Jean-Michel Basquiat. Murillo interprets his own unique style thusly: 'the words are very displaced. Like cultural displacement with performance, in painting it's material displacement, object displacement [...] I also like to think that these paintings also imply a displacement of time. They're like rugs. An unstretched painting is a kind of abstract thing, one that suggests that it perhaps has been found or comes from some other space or time. But while it has this aura of being a historical thing when placed out of context, it just comes from the studio' (the artist in conversation with Legacy Russell, 'Bomb Magazine', www.bombmagazine.org, 1 Jan 2013).This lot is subject to the following lot symbols: AR TP ▲AR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.▲ 'Bonhams' owns the 'Lot' either wholly or partially or may otherwise have an economic interest.For further information on this lot please visit Bonhams.com

Scottish theology Group of 17th-century works Baillie, Robert. An Historicall Vindication of the Government of the Church of Scotland. London: S. Gellibrand, 1646. 4to, [16], 79, [1]; 56, 18th century calf, [ESTC R201008], small repair to foot of title; Gillespie, George. A Dispute against the English-Popish Ceremonies, obtruded upon the Church of Scotland. [Edinburgh]: Printed in the year of our Lord, 1660. 4to, 96, 99-186, 185-272, 279-285, p. 184, 285-316, 319-366, early 19th-century calf, [ESTC R7982], upper joint split;[Anon.] A Proper Project for Scotland. To Startle Fools, and Frighten Knaves... [Edinburgh] Printed in a Land where SELF's Cry'd up, and ZEAL's cry'd down, 1699. 4to, pp. 77, [3]; 4to, 19th century half morocco, title darkened, [ESTC R219180], rubbed;Paterson, John. Tandem Bona Causa Triumphat. or Scotlands Late misery bevailed, and the Honour and Loyalty of this Ancient Kingdom, asserted in a Sermon. Edinburgh: Society of Stationers, 1661. 4to, [5], 21, later quarter morocco, [ESTC R30086], title laid down, rubbed; [Curate, Jacob] The Scotch Presbyterian Eloquence. London: Randal Taylor, 1692. 4to, [iii], 116, 19th century half calf, [ESTC R10498], title laid down, some loss to head of spine;[Strachan, William] Some Remarks upon a late Pamphlet, entituled an Answer to the Scots Presbyterian Eloquence. London: J. Hindmarsh, 1694. 4to, [xviii], 88, modern quarter morocco, some spotting, [ESTC R1954], rubbed

Mostly 1960s. Various publishers, such as Tandem Books, Bee-Line Books (Orpheus Series), and Brandon House. All sc. Some minor foxing/ discol., but overall in good condition. Includes: (1) screenplay to Roger Vadim's Les Liaisons Dangereuses w. over 200 photos. (2) Joan Cabot, The Adventures of Claudia. (3) Sheldon Lord, The Rivals. (4) Edward Multon, Chicago-Racket (in Dutch). (5) Jenny Mann, The Naked Truth. (6) Vladimir Nobokov, Lolita. (7) Martin Henry, Ginger's Place. (8) James Graham, The Queen of Tarts. (9) Walter Baxter, The Image and the Search. (10) Charles Calitri, Strike Heaven on the Face and others. *Les Liasons Dangereuses was an epistolary novel written by Pierre Choderlos de Laclos, 1782. Vadim situated the story in the 1960s causing a huge scandal (as it did in the 18th century) because of its sexually explicit and cruel nature. The movie was initially banned (later it became an 'R' rated movie), but its eventual succes was immense. (total 32)

Herman HenstenburghBlumenstrauß mit Schmetterlingen und Schnecke in einer Glasvase1718Gouache auf Pergament auf Papier; gerahmt33 x 21 cmSigniert mittig unten: H: Henstenburgh fec=Bezeichnet und datiert unten: UT FLOS SECATUR UNGUIBUS, VEL VENTIS IMBRIBUS- / QUE COLLABITUR, SIC JOANNA CURTENIA DOTIBUS / INGENII ET ARTE FLORENTISSIMA TANDEM DE / STATIONE SUA DETURBATA EST. / CIↃ IↃCCXVIIIPrivatbesitz, DeutschlandJohanna Koerten (1650-1715) war eine Amsterdamer Künstlerin, welche vor allem für ihre hervorragende und technisch aufwändige Scherenschnittkunst geschätzt wurde. Die Galerie, die sie in ihrem Haus betrieb, avancierte quasi zu einer Sehenswürdigkeit Amsterdams. Monarchen wie Zar Peter der Große, Kurfürst Johann Wilhelm von der Pfalz oder Mary Stuart, die Frau König Williams III. sowie zahllose Dichter und Künstlerkollegen besuchten sie, um ihr bei ihren sorgfältigen Schnitten zuzusehen und diese zu erwerben.Drei Jahre nach ihrem Tod widmet ihr der befreundete Aquarellist Herman Henstenburgh das vorliegende Blatt. Der aus Hoorn stammende Künstler war ein Schüler von Johannes Bronckhorst (1648-1727), und erlangte für seine makellose Technik und seine leuchtenden Farben schon zu Lebzeiten großes Ansehen. Die letzte Zeile seiner posthumen Würdigung an Koerten ist wohl so zu verstehen, dass die von ihm bewunderte Johanna ihren Freunden genommen, aus dem Leben gerissen wurde - "Wie eine Blume wegen ihres Duftes oder durch den stürmischen Wind und den Regen abgerissen wird, so wurde Johanna Koerten, die durch die Begabung ihres Geistes und durch ihre brillante Kunst aufblühte, schließlich von ihrem Wohnsitz vertrieben."

A vintage 20th century adult size tandem tricycle bike - bicycle. With a ebonised tubular frame with two seats XM9 iscaselle and ammaco. With horn and rear viewing mirror. Double wheels to rear with single steering front wheel. Measures approx. 

* Searle (Ronald, 1920-2011). Self Portrait, 199(5)?, pen on thin card, depicting a caricature style self portrait of just the artist's face, signed and dated 199(5)?, sheet size 11.6 x 12.5 cm, mounted, together with McKee (David, 1935-2022). Mr Benn, 2001, pen and ink on card, depicting a gentleman dressed in a suit and bowler hat, his left arm raised in a wave, 'for Dan David McKee 2001' signed to lower margin, small scuff to paper with no loss mainly to 'f and D' of inscription, sheet size 19.8 x 9.9 cm, mounted, plusGarden (Graeme, 1943 -). The Goodies, pen on thin card, depicting three men riding a triple tandem bicycle, one waving, titled to upper left, signed lower right, sheet size 21 x 29.6 cm, mounted, andBiro (Val, 1921-2014). Gumdrop, 2008, pencil on thick card, depicting a man driving an old fashioned car, a dog sitting in the back, titled, signed and dated '08', sheet size 21 x 28.9 cm, mountedQTY: (4)

Delahaut, Jo -- Ohne Titel6 Farbserigraphien auf Velin sowie 1 Bl. Text und Impressum. Lose in Orig.-Kartonmappe. 1983.40 x 30 cm (Mappengröße).Jedes Blatt signiert "Jo Delahaut" und datiert. Auflage 100 num. Ex. Herausgegeben von gravures Tandem 74, Gerpinnes 1983. Jo Delahaut war einer der ersten abstrakten Künstler Belgiens nach 1945. Als Mitglied der Künstlergruppe La Jeune Peinture Belge gestaltete er 1946 bereits erste abstrakte Werke. 1952 gründete er zusammen mit Pol Bury die Künstlergruppe Art Abstrait. Zu dieser Zeit entstand bereits sein einzigartiger Stil, der sich mit der Dekomposition geometrischer Formen beschäftigt. Durch Vereinfachung seiner Motive bewegte er sich immer mehr in Richtung Farbfeldmalerei, die sich wie bei unserer Mappe durch intensive Farben und reduzierte Formen auszeichnet. Schöne, farbfrische Drucke der formatfüllenden Darstellungen. – Beigegeben: Eine signierte und datierte Farblithographie des Künstlers, 1982. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

After Joseph Zoffany (British 1733 - 1810) - Colonel Mordaunt's Cock Match at Lucknow in the Province of Oude in the Year 1786 at Which were Present Several High and Distinguished Personages', by R Earldom, coloured mezzotint, framed & glazed, 59 by 46cms; together with a coloured engraving after Alken ' A Sporting Tandem', 34 by 23cms (2).

Flair Sylvanian Families The Caravan #4430, Good, unchecked for completeness, within Good Plus opened packaging. Flair Sylvanian Families Burgundy Family Car #4429, Excellent, unused, within Good Plus to Excellent opened packaging. Flair Sylvanian Families Woodland Picnic set #4782, Within Excellent sealed packaging. Flair Sylvanian Families Tandem Bike & Baby Trailer #4784, within Excellent sealed packaging. Flair Sylvanian Families Beach Picnic #4659, within Good Plus sealed packaging. Flair Sylvanian Families Dolly's Candy Floss #4678, within Excellent sealed packaging. Flair Sylvanian Families 20th Anniversary Baby Tea Cups Ride #4925, within Good Plus sealed packaging. Flair Sylvanian Families Hook a Duck Stall #4496, Excellent, complete, within Good Plus opened packaging. Flair Sylvanian Families Panda Family #4465, within Good Plus sealed packaging. Flair Sylvanian Families Panda Twins #4466, within Excellent sealed packaging. Flair Sylvanian Families Pig Family #4153, within Good Plus sealed packaging. Flair Sylvanian Families Pig Triplets #4154, within Excellent sealed packaging. Flair Sylvanian Families Guinea Pig Family #4146, within Good Plus sealed packaging. Flair Sylvanian Families Sea Otter Family #4797, within Excellent sealed packaging. (14)

Vier Miniaturen, 20. Jh., Silber verschiedene Feingehalte, Ultraleichtflieger, Hubschrauber, Dreirad und Tandem, L. bis 6,5 cm, Gesamtgew. ca. 50 g, dazu Miniatur-Dreirad, plated, L. 3,5 cm

Acht Miniaturfahrräder, überwiegend Italien, 2. H. 20. Jh., Silber 800/000 bzw. geprüft, 1 Tandem, 2 Dreiräder und 5 Fahrräder, L. bis 6 cm, Gesamtgew. ca. 73 g

Prize Medallions (21), silver, some enamelled, including Lanarkshire Yeomanry; Cheshire Regiment; Army Football Cup 1902; Temperance (2); Queen Victoria Memorial, King’s Lynn CC Cycling Tandem Record, 1937, with yellow metal mount; Cheshire Regiment, bronze, Great War Memorial Plaque, farthing size (2), generally very fine (21) £60-£80

A SET OF 4 FINELY HAND COLOURED AQUATINTS IN AS NEW CONDITION, OF WILD DUCK SHOOTING NEAR COWLEY, DRAWN AND ENGRAVED BY R HAVELL JR, 15” X 19”, TOGETHER WITH TWO COLOURED ANTIQUE ENGRAVINGS AFTER HENRY ALKEN OF A SPORTING TANDEM, ONE A/F, 15” X 21”

Farnborough Camberley cycling club enamel medal fobs, Border Cycling Association enamel badges, Veterans Time Trial Association medals and vintage enamel badges including Tandem Club enamel badge. (B.P. 21% + VAT)