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Click here to subscribeIan Laurie (1933 - 2022) - A 20th-century limited edition etching, titled 'Mounts Bay Storm' in pencil to the reverse. No. 7 out of 25, signed to the bottom right in pencil by the artist. The etching depicts a figure and a boat in a stormy seascape, with intense blue, red, and purple colouring. Mounted, measuring approx. 31cm x 40.5cm.
A group of seascape pictures comprising Reginald Daniel Sherrin (British, 1891-1971) -Coastal scene -43 x 27.5cm - 68 x 52.5cm framed -Together with a smaller signed gouache by the same hand, 'The Lizard', 20 x 28.5cm - and two signed coastal watercolours by William Henry Dyer (fl.1890-1930) (4)
A stunning original oil-on-canvas seascape, painted in a Realist style, capturing the dramatic beauty of a setting sun reflecting on a restless sea. Waves crash against rugged rocks, brought to life with a vibrant palette of orange-yellows, ochres, blue-greens, and crisp whites for the sea foam. The artwork is elegantly presented in an ornate, partially gilded wooden frame, featuring a dark green wooden border and an ecru linen mat for added sophistication. Signed in the lower left corner: Tasman (?). Artwork dimensions: 35.5" L x 23.5" H. Frame dimensions: 44" L x 32" H x 2.5" W. Original Oil on Canvas, Sunset Seascape, SignedIssued: Early 20th centuryDimensions: See DescriptionCondition: Age related wear.
Splendid antique oil on canvas painted in a 19th century English Romantic style that depicts the portrait of a life-size British Border Collie wearing a reddish pink collar. He is sitting in front of a faraway seascape that is basked in sunset light. As his signature, the artist painted himself below the legs of the dog in plein-air holding a large umbrella. The canvas has been professionally re-attached to its original oval handmade wood support with copper nails. Artwork dimensions with stretchers: 29"L x 36"H x 1"W. Issued: 19th centuryCondition: Age related wear. Minor paint loss on image and paint loss on edges. Vertical crease on left side with beginning of tear in its center.
Original oil on board depicting an abstracted seascape that the artist painted with a palette knife and thick brushes resulting in textured fields of soft colors. Signature on lower right: Doole? Housed in a wooden frame. Artwork dimensions: 15.25"L x 19.25"H. Frame dimensions: 18"L x 22"H x 1"W. Issued: c. 1970Dimensions: See DescriptionCondition: Age related wear.
Eric Morecambe OBE (British, 1926-1984) A group of four unfinished paintings to include: 1. Study of a little girl (Gail), oil on canvas, 45 x 30cm, unsigned and unframed 2. Still life with shoes by brick wall, oil on board, 55.5 x 46cm, unsigned and unframed 3. Seascape with spray, oil on canvas, 35.5 x 46cm, signed lower left with initials EM (two punctures to canvas) 4. Still life with fruit, oil on canvas, 40 x 50cm, with study of Gail to reverse, unsigned and unframed (4)
A selection of 19th century Masons ware, each bat printed depicting classical, landscape and seascape scenes, to include a hybrid hard-paste maritime scene plate, circa 1800-05, illustrated in 'Mason's The first Two Hundred Years' by Gaye Blake Roberts, refence no 18If there is no condition report shown, please request
John Yardley (B 1933) - Late 20th century watercolour painting, titled 'The Yacht Club, Woodbridge', featuring a seascape of yachts docked by a harbour. Signed by the artist to the bottom left corner. Framed, mounted and glazed. Measuring approx. 50cm x 59cm.John Yardley is a British painter known for his naturalistic depictions of landscapes, interiors and street scenes. Yardley has cited Edward Seago and Edward Wesson as major influences on his work. He never received formal art training and worked as a banker for most of life, but then in 1986 he devoted himself to a career in art and is now a member of the Royal Institute of Painters in watercolour and frequently exhibits at the Royal Watercolour Society and the Johnathan Grant Gallery in Auckland, New Zealand.
(ARR) Lenny Cornforth (British, Contemporary)Untitled SeascapeOil on CanvasSigned lower rightFramed Endlessly enthralled by the Atlantic ocean, Lenny Cornforth creates evocative site specific oil paintings inspired by the wild and rugged coastlines around Devon and Cornwall. Using her own drone photographs to capture a unique and authentic perspective, Lenny's work carefully translates rocks, sea and shoreline into beautiful vibrant oil paintings. A keen sailor and surfer, there is an integral connection to the landscape within the paintings, drawn from days walking the coastal paths and summers lying in the sand. There are paintings of the Camel Estuary where the artist learnt to sail and many more of the coastline around Dartmouth where the artist now lives and works with her husband, two sons and dog. Measures approx. 92cm x 92cm (36" x 36") including frame.
Original oil on plasticized board featuring a tropical seascape seen from the shore that Schultz painted with energetic and spontaneous brushstrokes. Signature on lower right: Schultz. Housed in a wooden frame. Artwork dimensions: 11"L x 11"H. Frame size: 13.50"L x 13.50"H x 0.70"W. Issued: c. 1970sDimensions: See DescriptionCondition: Age related wear.
Vintage offset watercolor on paper of a seascape after American Plein Air artist Cecile Johnson's original. Signature in plate on lower left: Cecile Johnson. Housed in a cream color wooden frame with a white mat. Sight size: 12"L x 8.75"H. Frame dimensions: 16.50"L x 13.50"H x 0.75"W. Artwork can be unframed and rolled for shipment. Artist: Cecile Ryden Johnson (American 1916-2010)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Large original oil on canvas by seascape artist W. Hayward who represents fishing boats moored in a misty harbor. The paint is applied in thick impasto from a palette of whites, mauves, light blues, baby pinks and browns. Signature on lower right: W. Hayward. Housed in a light blue frame with an off-white border. Artwork dimensions: 19.50"L x 23.75"H. Frame size: 25.50"L x 29.25"H x 1.50"W. Artist: W. Hayward (American 20th-21st century)Issued: c. 1970Country of Origin: United StatesCondition: Age related wear.
FRANK CRAWFORD PENFOLD (AMERICAN 1849 - 1921), SKETCH - WOMAN READING A FRENCH BOOK oil on panel, signedframedimage size 20cm x 16cm, overall size 28cm x 23cm Note: artist, teacher, lecturer, known for marine/seascape, genre, landscape, and portrait paintings, especially of the Brittany region of France. Penfold came from a family of artists, the son of the portrait painter, William Penfold (English born-American, 1827-1875), who was active in Lockport and Buffalo, New York and his mother, Maria Chubbuck (née Chapman) Penfold (1828-1919) married September 19, 1847, was also an accomplished artist. He had six younger siblings to include, brothers, John Penfold (1850- ), William Chapman Penfold (1853-1928) who became a fresco artist in Erie, PA, Charles Chubbuck Penfold (1854-1911) who designed engraved and manufactured fine jewelry in Buffalo, NY, beginning in 1872, and sisters Ida Parmelia Penfold-Thayer (1854-1934), Lillian "Lillie" Penfold-Baker (1857-1915) and Marie Dollie Penfold (1867-1927). Frank’s father originally wanted him to become an engraver, but one day at school Frank drew a sketch of the old schoolhouse in Lockport, NY in the back of an atlas. The principal at the time, Mr. Porter was charmed with the sketch and asked Frank to paint it on canvas. Frank and his younger brother used to clean up their father’s studio every evening, washing brushes and palettes, and unknown to his father, saved enough paint from his father’s palette to finish the piece. Mr. Porter was pleased with the painting and had it framed and exhibited. From that time forward Frank trained with his father in portraiture and other painting styles. One of his earliest known portraits was of "Addison Roberts" of Hornell, NY, husband of Marie (née Helmer) Roberts, painted in 1873. It was was also noted on the back of the painting that Penfold was listed as an artist in Buffalo and Paris. Frank had moderate success while living in Buffalo but decided to further his studies abroad. Around 1877, he travelled to France and later settled in Pont Aven, Brittany where he also taught in the artists’ colony. He studied in Finistère, Brittany, France and also trained at the Académie Julian in Paris in 1884. He occasionally returned to Buffalo, NY and in 1891, taught a class at the Buffalo Fine Arts Academy, Albright Art Gallery. On November 22, 1897, Frank married Jeannie "Jennie" Gerard (née Green-Wells [Wells adopted last name]) Redfern-Corbett-Penfold (1849-1921) at her home in Johnson Park, Buffalo, NY with whom he had an adopted daughter (from Jeannie's brother, Charles Edward Green, whom she and Frank later legally adopted on June 3, 1912), named Jane "Jennie" May Green Penfold-Harkness-Pinnington (1892-1970). Frank Penfold remained an influential figure in the Buffalo art scene and also helped organize the Municipal Art League in Chicago, IL in 1901. He was a member of the Buffalo Society of Artists and served as President in 1896, Buffalo, NY. He alternated between two homes, one in Pont Aven, France where he maintained a studio in Concarneau, Finistère, Bretagne, France and another at 32 Johnson Park, Buffalo, NY.
Woman in Profile (or by a Seascape/Stained Glass Window) is a large framed original watercolor on paper by Cuban artist Jose Mijares. Influenced by the Havana School, Mijares explains: in my subconscious there is an inner landscape that is Cuba. Since I was exiled at an older age that landscape cannot be erased. Signature on lower right: Mijares. Housed under glass in a silver gilt frame with a white mat. Artwork dimensions: 16.50"L x 21.50"H. Frame dimensions: 26.50"L x 32.50"H x 1.25"W. Artist: Jose Maria Mijares (Cuban 1921-2004)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: CubaCondition: Age related wear.