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Click here to subscribe§ § Cecil Rochfort D'Oyly John (English, 1906-1993) 'Tarragona, Spain'oil on boardsigned21.5 x 27cm Honest untouched condition, possibly needing a light clean but no real faults noted, ink signature perhaps just starting to fade, ornate gilt frame with artist's label verso, signed and inscribed by the artist with a date of 1971, a sketch of a seascape verso, mostly covered up by the stuck down label.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A COLLECTION OF 'HIGHLAND STONEWARE' DINNER AND KITCHENWARE ITEMS to include a lamp with a lake scene, height 41cm (untested), five plates in seascape, landscape, and puffin patterns, diameter 20cm, two small mugs in seascape and sheep patterns, three fish individual handled dishes with different fish patterns, two with 15.5cm diameters and the third 18cm diameter, a seascape serving bowl diameter 23.5cm, and two Tain Pottery thistle patterned bowls (14) (Condition Report: items require a thorough clean, no obvious damage)
Anthony Stern (1944-2022) A selection of art glassware to include a multicoloured paperweight 9cm high, blue 'Seascape' bowl 9.5cm high x 14cm wide, two globular formed vases 15cm high x 13.5cm wide and a tapering vase with wrythen decoration 23cm high, each signed to the basesIf there is no condition report shown, please request
Artist unknown, acrylic on board depicting a stormy seascape, signed indistinctly lower right, in gilt and white frame. 29.5cm x 47cm, 34cm x 51.5cm overall. Sold with a watercolour on paper showing Southport Pier, signed indistinctly lower right, in washline mount, dark wood frame and under glass. 23cm x 36.5cm, 34.5cm x 46.5cm overall.
*JASON HICKLIN (B. 1965) 'St Aldhelms Head, 1997'signed, titled, dated and numbered 15/30 in pencil to the margin, etching on Somerset watercolour paper, image size 16.5cm x 24.5cm; together with a small oil of a seascape by Esteves de Cooman, signed and dated 2014 verso, oil on canvas, 10.5cm x 15cm laid on a larger canvas 12cm x 18cm (2)
A good 19th Century French ormolu and porcelain mantel clock circa 1890's, 8 day movement striking on a bell, with pendulum and key. The original gilding and panels are in good condition, with the main panel depicting a Seascape scene. H37cm x W25cm Note : We do not guarantee the working movements of clocks or watches.
Books and documents – Uranian interest: Chubb (Ralph): Flames of Sunrise, 2 pp, large 4to. decorated on recto with a half-tone portrait of the author at the age of twelve in herald's costume. Printed on coated stock. paperclip indentation; A Sibylline Book 2pp large 4to, decorated on recto with one lithograph and printed on handmade paper; The Heavenly Cupid or The True Paradise of Loves, printed on handmade paper. 2pp large 4to. Decorated with one lithograph; books by Ralph Chubb, list printed on handmade paper, 10 books and their details, decorated with one lithograph; order form (unused) for The Heavenly Cupid with illustrations from four pages, incl. opinions about Chubb's work as artist and poet; order form (unused) for Water Cherubs with illustrations from title page, bound book and a full page, 2pp, incl opinions about Water Cherubs; a prospectus, 2pp, incl. drawing of Chubb by Stanley Spencer inviting a visit to Fair Oak Cottage 'if you wish to acquire a book or a picture'; The Children of Dawn, original maquette (1947) for a page in this book, ink and pencil, with colour illustration of naked boy and seascape, margins showing Chubb's holograph pencil notes minutely detailing colour requirements for printing 5 x 7.75in (12.7 x 19.7cm) framed; The Child of Dawn or The Book of the Manchild, prospectus, 2pp large 4to decorated with one lithograph, printed on handmade paper & framed; Water Cherubs, prospectus 2pp large 4to, decorated with one hand-coloured lithograph, printed on handmade paper and framed. Autumn Leaves – two fragments’ (1940) 17pp with 14 lithographic illus., original paper & grey d. w. lettered black, no. 21/24 copies as part of an edition of 39 also O’Connor (John), The Boy and the Heron. (1977) wood engravings by author, also signed by him, no. 22/100 including signed framed print on Japanese paper, original wax protective paper over cover with printed title The Boy and the Heron’, all printed at the Foulis Archive Press in 12pt on Basingwerk Parchment (qty)
Vase mit Bootsszene. Gemarkt Qianlong (1736 - 1795).Porzellan mit Unterglasurblaumalerei und polychromer Fassung. H 24,5 cm. Kugelform mit schlankem Hals, Palmblatt-Schmuckkante, Seelandschaft mit Kormoranfischer und Hausbooten.| Nachtrag 25.02.25: Jüngere Ausformung als die Marke angibt Aufrufzeit 27. | Feb. 2025 | voraussichtlich 11:39 Uhr (CET)Vase with boat scene. Market Qianlong (1736 - 1795).Porcelain with underglaze blue painting and polychrome frame. H 24.5 cm.Spherical shape with slender neck, palm leaf decorative edge, seascape with cormorant fishermen and houseboats.| Addendum 25.02.25: Younger moulding than the mark indicates Call time 27 | Feb. 2025 | presumably 11:39 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MASS, Helene(1871 - 1955) "Frühlingsblüten"Farbholzshnitt. Anfang 20. Jahrhundert. 36 x 44 cm. Gerahmt & hinter Glas : 61 x 66 cm / 4 kg. Jugendstil Seelandschaft. Rückseitenverglasung gesprungen. Aufrufzeit 01. | März 2025 | voraussichtlich 10:42 Uhr (CET) MASS, Helene(1871 - 1955) "Frühlingsblüten"Color woodcut. Early 20th century. 36 x 44 cm. Framed & behind glass : 61 x 66 cm / 4 kg. Art Nouveau seascape. Back glass cracked. Call time 01 | March 2025 | probably 10:42 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BRUYCKER-ALLDA, Eugen de(1901 Hamburg - 1981 Schneverdingen/Lüneburger Heide) "Mit achterlichem Wind"Öl/Hartfaser. Rechts unten signiert. 1. H. 20. Jh. 60 x 80,5 cm. Gerahmt : 75 x 95 cm (beige-silberner Rahmen); 4,7 kg. Seestück mit kleinem Boot auf dem ruhigen Meer bei sinkender Sonne. Deutscher Maler und Grafiker, studierte an der Kunstschule Hamburg zunächst als Bühnenbildner, nach 1945 endgültige Hinwendung zur Malerei. Literatur : https://www.atelier-de-bruycker.de/atelier4.php. Aufrufzeit 01. | März 2025 | voraussichtlich 17:12 Uhr (CET) BRUYCKER-ALLDA, Eugen de(1901 Hamburg - 1981 Schneverdingen/Lüneburger Heide) "Mit achterlichem Wind"Oil/hard fiber. Signed lower right. 1st half of the 20th century 60 x 80.5 cm. Framed : 75 x 95 cm (beige-silver frame); 4.7 kg. Seascape with a small boat on the calm sea as the sun sets. German painter and graphic artist, studied at the Hamburg art school, initially as a stage designer, after 1945 finally turning to painting. Literature : https://www.atelier-de-bruycker.de/atelier4.php. Aufrufzeit 01. | March 2025 | probably 17:12 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Crown Devon Fieldlings Art Deco ribbed vase, together with a single handled jug, raised and decorated with seascape, flowers and foliage. The tallest 24cm high approx. (2) (B.P. 21% + VAT) The vase is badly damaged with a few noticeable hair cracks, heavy crazing. The jug also with some hair cracks and some crazing.
LIBRARY - 10" 78s COLLECTION. An intriguing collection of approx 37 x 78s. Titles include Havoc, The Comic Mystic, The Melodi Light Orchestra - High Life, Roger Roger - Through The Town, The Telecast Ensemble - Left Bank Paris Soir, Taj Mahal, Queen's Hall Light Orchestra - Journey Into Melody, Gateway To The West, Lake Of The Woods, Sportsmaster, Pow Wow, New Era Symphonic Band - The Awkward Squad, Drummer Boy, Seascape, Ottawa Heights and How Beautiful Is Night. The condition is generally V+ to E+.
Brian Edwards, 20th Century; Design for the National Theatre 1965, pencil and watercolour the design with Brutalist overtones, 59x78cms, signed to reverse, framed and glazedNB Brian Edwards is a retired architect whose practice and teaching exploit the interface between art, nature and architecture. His colourful paintings explore how buildings sit in the landscape and seascape of North Norfolk. He is the author of the much acclaimed book ‘Understanding Architecture through Drawing’ and is currently Emeritus Professor at ECA Edinburgh University. He has exhibited in the Architecure Section of Royal Academy summer exhibition and also at the RSA and Edinburgh Festival’ 59x78cms good condition
Brian Edwards, 20th Century: Cley Mill, acrylic on board, signed lower right with title verso in white wooden frame, 55x45cmsNB Brian Edwards is a retired architect whose practice and teaching exploit the interface between art, nature and architecture. His colourful paintings explore how buildings sit in the landscape and seascape of North Norfolk. He is the author of the much acclaimed book ‘Understanding Architecture through Drawing’ and is currently Emeritus Professor at ECA Edinburgh University. He has exhibited in the Architecure Section of Royal Academy summer exhibition and also at the RSA and Edinburgh Festival. 55x45cms good condition
Brian Edwards, 20th century: Blakeney Harbour, acrylic on board signed lower left with title verso, 43x52cms.Brian Edwards is a retired architect whose practice and teaching exploit the interface between art, nature and architecture. His colourful paintings explore how buildings sit in the landscape and seascape of North Norfolk. He is the author of the much acclaimed book ‘Understanding Architecture through Drawing’ and is currently Emeritus Professor at ECA Edinburgh University. He has exhibited in the Architecure Section of Royal Academy summer exhibition and also at the RSA and Edinburgh Festival. 43x52cms good condition
(ARR) Philip Sutton (British, b. 1928) – Iken Seascape, 1955 - A 20th century oil on canvas abstract landscape painting in red, orange and yellow tones. Titled, signed & dated to back of canvas. Framed. Measures approx. 66cm x 86cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.
A Frisian grandfather clock, Friesland, mid 19th century. Oak case, the curved hood is crowned with brass cartouches, pilasters with Corinthian capital and base as styles, silvered brass dial with a fantasy seascape in the arch. The dial ring with Roman and Arabic numerals indicates the hours, minutes and seconds, h 130 cm.
Kenneth Green (British, 1905-1987) Seascapesigned and dated lower left 1975oil on board36 x 45cmExhibited:Artist's of Chelsea (now the Chelsea Art Club)The painting is in a clean original state with some disolouration to the white pigment. The paint layer is thin in areas with the board texture coming through, but this looks intentional rather than a defect. There is a textured grit to the paint layer which may indicate this work was produced using the plein air method. The frame has chips to the gilt. Frame size: 50cm x 60cm