Lot

2

* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), CHANGING NIGHT SKY

In The Scottish Contemporary Art Auction

Please log in or sign up to place a bid.
This auction is live! You need to be registered and approved to bid at this auction.
You have been outbid. For the best chance of winning, increase your maximum bid.
Your bid or registration is pending approval with the auctioneer. Please check your email account for more details.
Unfortunately, your registration has been declined by the auctioneer. You can contact the auctioneer on +44 (0)141 810 2880 for more information.
You are the current highest bidder! To be sure to win, log in for the live auction broadcast on or increase your max bid.
Leave a bid now! Your registration has been successful.
Sorry, bidding has ended on this item. We have thousands of new lots everyday, start a new search.
Bidding on this auction has not started. Please register now so you are approved to bid when auction starts.
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), CHANGING NIGHT SKY
This auction shows Current bids
Loading... Loading...
Register to bid online Register to bid online
You're registered for this auction
Waiting for registration approval
Registration has been declined
Glasgow
Payment Option
Payment Option
Payment Option
Payment Option
Passed GBP
Glasgow
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), CHANGING NIGHT SKY

watercolour on paper, signed
mounted, framed and under glass



image size 30cm x 43cm, overall size 54cm x 66cm

Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.

* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), CHANGING NIGHT SKY

watercolour on paper, signed
mounted, framed and under glass



image size 30cm x 43cm, overall size 54cm x 66cm

Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.

The Scottish Contemporary Art Auction

Sale Date(s)
Venue Address
Meiklewood Gate
Meiklewood Road
Glasgow
G51 4EU
United Kingdom

General delivery information available from the auctioneer

McTear's are pleased to offer a global packing and shipping service through the experts at Auction Logistics from Mail Boxes Etc. If you are using the-saleroom.com bidding platform, the shipping prices for most lots in our Specialist Sales are on the-saleroom.com lot detail pages in advance of the sale day. the-saleroom.com buyers can purchase shipping conveniently online by following the payment link received by email after the sale. 
Auction Logistics from Mail Boxes Etc. offer a complete collect, pack and ship service to most global destinations and include up to £150 Inclusive Cover protection per lot, with the option to upgrade the cover to the full amount paid for the item/s*.
Auction Logistics (Mailboxes) 

E: auctionlogisticsenquiries@mbe.uk
T: 0871 221 1233

“Calls charged at £0.13 per minute from UK landlines and mobiles plus your phone company's access charge”
Buyers can instruct a packer and shipper of their choice. Other options available are:

Collin Moran & Son Ltd
collin@collinmoranandson.co.uk
0141 849 1947


Aardvark Art Services Ltd (Specialist Painting Couriers)

E: info@aardvarkartservices.com

T: 01253 794673

Important Information

McTear's require photographic ID from every client before purchased goods can be released.

Viewing times:

Tuesday 29th - 9am-5pm
Wednesday 30th - 9am-5pm
Thursday 24th - 9am-10am

Please Note: McTear’s reserve the right to charge the card you used to register for live bidding within 24 hours of the auction finishing unless other arrangements are agreed with McTear’s prior to the sale. 

Buyer`s Premium 24% + VAT

Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT at the rate imposed

For purchases we recommend packing and shipping companies such as:

Collin Moran & Son Ltd
collin@collinmoranandson.co.uk
0141 849 1947

Mailboxes 
info@mbewoodlandsroad.co.uk
0141 332 6555
admin@mbeshawlands.co.uk
0141 649 6777

Aardvark Art Services Ltd 
info@aardvarkartservices.com
01253 794673

Alban Shipping
info@albanshipping.co.uk
01582 493 099

Terms & Conditions

 

To view McTear's Terms of Business click here.

To view McTear's privacy policy click here.

See Full Terms And Conditions