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Click here to subscribeA Dutch parcel gilt tazza, the shallow saucer bowl with a central plaquette of Abraham and Isaac within a finely engraved continuous seascape with a naval battle, the domed foot chased with alternate panels of cherubs heads and swags of fruit, 17cm diam, maker's mark a star, Enkhuizen, date letter S, c1630, 8ozs 10dwts (lacking the stem) (see illustration) The battle scene may derive, with artistic licence, from Frans Huys' 1561 engraving of a Naval Battle in the Straits of Messina (Hollstein, No 15) after Pieter Brueghel the Elder. ++ Originally with a stem now lacking, the foot now joined to the bowl
An Italian maiolica monumental vase and associated stand, late 19th Century, the two-handled vase of ovoid shape painted to each side with Classical figure panels, signed by B. Mazzarella, within yellow rocaille reserves against a blue ground, the foliate handles with mask moulding, the associated stand painted with three Classical seascape panels in scallop shell reserves beneath relief moulded heads within yellow rectangular frames, raised on leaf scroll feet, overall height approx 159cm (faults). (See illustration)
A Worcester (Flight Barr and Barr) plate, painted with a titled seascape in the style of Thomas Rogers within a gilt gadrooned border, 22cm diameter, printed and impressed marks and inscribed Mill Bay Plymouth, circa 1815 (slight rubbing to the gilding); and five other English porcelain plates
A Sevres teapot and cover circa 1778 painted by AndrŽ Vincent Vielliard with a landscape and seascape within two circular medallions each flanked by two smaller medallions enclosing pastoral scenes all within a double laurel wreath band spiralling around a French banner interlacing L's painters mark and AA datecode in blue incised 3 and 4c collector's mark in black ink 12cm. 4.75in. (2) The shape of this teapot is known as Verdun or Calabre and dates from before 1753.
Russian School 20th century- landscape and monument; oil on card, signed and dated 1948-52 (sic), with inscription and official release stamp verso, 50x71cm: together with one other oil study of a harvesting scene by the same hand, inscribed and dated 1960 to the reverse: Russian School 20th century- seascape; oil on canvas laid on board, signed, (3), (unframed)
Collection of 4 Oil on Boards by Paul Smythe all Seascapes & Shore Scenes, one titled Rough Seas, Sandy Bay Gibraltar Circa 1915 approx. 12’ x 9’, Moonlight Seashore approx. 12’ x 9’, Moonlight Seascape 91/2’ x 71/2’ approx, Night Scene with Boat at Sea, Sunset Gibraltar 1915 approx. 91/2’ x 41/2’ NB Paul Smythe London Exhibited Royal Academy 1913