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Pillar drill (no plug) 

Φ Tim Gosling (born 1966)a large American Walnut extending dining table, circular form, on cruciform pillar base,unsigned175cm. diam.74cm. high

The Napoleonic Wars and the Cult of Napoleon Bonaparte - a 19th century cast arboretum plaque, Willow From St Helena, Tomb of Napoleon, 12.5cm wide; a 19th century brass desk sculpture, the Emperor stands, upon a pillar, 14.5cm high (2)

A reproduction mahogany bookcase cabinet in the George III taste, the upper section with three astragal glazed doors enclosing adjustable shelving, on a base of three drawers over three cupboard doors, on bracket feet, 136 cm wide x 38.5 cm deep x 190.5 cm high, together with a reproduction mahogany D end dining table on twin pillar supports, 214 cm wide x 97 cm deep x 75 cm high (including extra leaf)

A 20th Century Ashanti chieftain's stool, the dished top on a central carved and pierced pillar, within four further carved supports, on a carved and pierced base, 58 cm wide x 30 cm deep x 46 cm high

A 20th Century Regency Revival mahogany twin pillar dining table, the plain top with rounded corners and reeded edge (plus one extra leaf), on turned and ringed pillar supports to hipped splayed square tapered legs, brass caps and castors, 225 cm long x 98 cm wide x 75.5 cm high

Chas Farlow Maker 191 The Strand, London, wood and brass light salmon/sea trout reel, 3.5" wide spool with white plastic handle, constant check, 6 pillar frame, brass foot filed. All looks very original, runs well

P D Malloch Maker, Perth, 2 ¾" alloy fly reel, 5 pillar frame with full smooth brass foot, ivorine handle, in leather zip case, good constant check. Looks original, runs well. Interesting Dingley built Uniqua style 3" alloy trout fly reel, horseshoe latch with ivorine handle, 3 pillar frame, bridge foot (repaired) with brass foot. In zip case, runs well. (2)

Early 19th century brass clamp winch fly reel with slight curved crank handle, three pillar construction, screw at clamp, nice early example

Wells Edinburgh, Maker, brass salmon fly reel, 4 ½" wide spool, large domed brown handle, 6 pillar frame with full brass foot, runs stiff. One spool mount screw missing. Good finish. Please Note: The scratch built wooden reel cases are optional.

A collection of small unnamed alloy and brass reels, as follows: A 2" winch with curved arm with bone handle, 3 pillar frame, constant check. A 2" winch with wide 1 ½" spool, counter balanced horn handle, runs very well. A 2 ¼" ebonite and alloy plate wind with horn handle, runs well. 2 ¼" brass plate wind RHW with horn handle and sliding brass line guide, constant check, runs well. (4)

3x Intrepid FR 35 Graphite Composite fly reels 3 ½" dia constant check, one with missing pillar, quick release spools

Mallochs Patent alloy salmon fly reel, 4 ¾" wide spool, brass mounted ivorine handle, strong constant check, 6 pillar frame with full brass foot. Looks very original. Mallochs Patent alloy salmon reel, 4 3/8" wide spool, brass mounted ivorine handle, strong check, 4 pillar frame, brass foot on bridge mount (note spool does not fit flush), with original case. (2) Please Note: The scratch built wooden reel cases are optional.

Interesting collection from the estate of Sir Ludovic Kennedy, author and broadcaster - as follows: Hardy Bros brass faced Perfect salmon fly reel, 4 ½" wide perforated spool with ivorine handle, strapped milled rim tensioner with Turk's head, good constant check (1905) straight line logo and Rod in Hand Trademark, 4 cusps, full smooth brass foot. Chas Farlow Maker London brass 3 ¾" wide spool salmon reel, bone handle with crack, constant check (slight catch), slight kink to back plate, 4 pillar frame, full foot with fish logo. Hardy Bros alloy fly tin 6" x 3 ½" with 40 large clips and quantity of used salmon flies, up to 5/0. (3)

Horton Maker, Glasgow 4" brass reel, with large domed bone handle, 6 pillar frame with waisted and ported foot. Catches need a service. Anderson & Sons, Princes Street, Edinburgh 3" brass and ebonite reel, bone handle, good check, 3 pillar frame, bridge foot, runs well. Small ding to face. (2) Please Note: Whilst impressive the scratch built wooden reel cases are optional.

Early 19th century brass spike winch fly reel with sliding pillar stop, 1 ¾" dia spool, 1 ¾" width, three pillar construction, white handle, wing nut to spike, nice example

Scarce Phin Maker Edinburgh, brass winch reel, 2 ½" wide spool, horn handle on waisted arm, 5 pillar frame, filed foot. Note trademark stamped on underside of foot. Good check, runs well. Please Note: Whilst impressive the scratch built wooden reel cases are optional

Brown of Aberdeen brass reel 2 ½" spool with horn handle, good check, waisted and ported foot with 5 pillar frame. Runs very well

Crockart & Co Stirling brass plate wind reel, 3 ¼" spool, tapered horn handle, good check, 6 pillar frame, full foot, runs well. Please Note: Whilst impressive the scratch built wooden reel cases are optional

A scarce and interesting Forret & Sons Makers Kelso, the "Tweed" with the Forrest Patent adjustable drag, 4 ¼" wide spool with spindle tensioner, ivorine handle, 4 pillar frame, bridge brass foot, good check. Very original, fine example. Please Note: The scratch built wooden reel cases are optional.

Phin, Maker Edinburgh brass reel, 2 ¼" anti foul spool with bone handle, good check, 5 pillar frame, filed foot (trademark under foot), runs well

Paton & Walsh Maker, Perth brass salmon fly reel, 4 ½" wide 2 ¼" spool, dark horn handle, good check, 4 pillar fame, bridge foot, runs well. Please Note: Whilst impressive the scratch built wooden reel cases are optional

A fine Hardy Bros "Bougle" Baby fly reel No B91943, 2 3/16" spool with triple ventilation, ivorine handle and constant check. Made in England, Rod in Hand Trademark and roller bottom pillar, in leather and sheepskin zip case and original box with warranty and instructions. Reel has not seen a line!

Haywood, Birmingham Maker 2 ½" all brass multiplying pin stop winch fly reel with three pillar construction, white handle, maker's details, appears a good example overall

Wallace & Kerr Hanover Street, Edinburgh brass and alloy fly reel, 3" spool with tapered bone handle, constant check, 5 pillar frame, brass foot, runs well

Anderson & Sons Princes Street, Edinburgh alloy salmon fly reel, 4" spool, brown handle, good check, 6 pillar frame, filed foot, runs well. In original Anderson card box with metal corners

Sherriff of Glasgow ebonite and brass fly reel, 4" wide spool, tapered horn handle, 6 pillar frame (4 pillars with turned ends), good check. Very original. J S Sharpe Aberdeen brass plate wind reel, 2 ½" spool, brown handle, 5 pillar frame, ported foot, good check. With wood cases. (2) Please Note: Whilst impressive the scratch built wooden reel cases are optional

A Draper D13/5A pillar drill

Two Mancuna A2X hand operated pillar drills. A bench mounted example having a cast metal wheel with wooden handle on a steel base, 53cm high.

A set of six Regency style gilt metal two branch wall sconces each having a scrolling ribbon and bow cresting over two curved branches terminating in flared acanthus leaves and short fluted pillar fittings on a central tapering Neoclassical style pilaster with impressed patent marks as seen. H.43 W.26cm

A 19th century neoclassical brass table lamp in the form of a Corinthian column having a pale red pagoda shaped shade over an ornately cast scrolling acanthus leaf capital and a fluted pillar raised on a square moulded plinth base with 'Fleet BCo' marks to the underside, possibly from a ship. H.56cm

Antique Furniture, 19th century occasional table oblong top supported by a central turned pillar on three splayed legs approximately 50 x 60 x 70cm

A large cast concrete bird bath, with figural pillar on stepped octagonal base. Height: 78cm.

A Draper pillar drill

A NUTOOL DP10E PILLAR DRILL, with 5 speeds, total height 90cm (PAT fail due to joined cable but working)

A CLARKE CDP5EB PILLAR DRILL, still in packaging but no outer box and unassembled, not tested as appears unused but does show signs of some surface rust and oxidization

A GROUP OF FOUR STONE CARVINGS A hardstone carving in the Ghandaran style of a robed man praying before flaming pillar, two Han style figures, a lapis lazuli decorative archaistic axe head 18cm to 43cm high From the collection of Philip Ng Fook Leong Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Joseph Wilkinson of South Street, Sheffield - single train 8-day skeleton clock c1860, mounted on an oval stepped white marble base with bun feet, finely pierced and fretted dial with engraved Roman numerals each on a shield background, scroll pattern five pillar frames engraved with the retailers name and surmounted by a silvered bell and spire, chain driven fusee movement with five spoke wheels, deadbeat escapement and passing single strike on the hour. With key and pendulum.Dimensions: Height: 44cm  Length/Width: 30cm  Depth/Diameter: 20cmCondition Report:Without Glass Dome.

William Hayler of Chatham (Kent) - Fine George III black japanned chinoiserie decorated longcase clock c1760, hood with a break arch top, glazed side panels and three matching wooden finials, conforming hood door beneath with attached pilasters, long trunk with a break arch door and moulded surround, on a square double stepped plinth with a flat base, case and hood profusely decorated with scenes of gilt pagodas, temples, birds, people and panels of floral decoration, brass dial with cast brass spandrels and a silvered boss to the arch, silvered chapter with Roman numerals, minute track and five minute Arabic's, matted dial centre with seconds dial, date aperture, matching steel hands and silvered cartouche with makers name, dial pinned directly to a five-pillar rack striking movement with a recoil anchor escapement. With pendulum, weights and key.William Hayler is recorded as working in High Street, Chatham, from 1750-1810, possibly two makers (father & son) working in succession.Dimensions: Height: 237cm  Length/Width: 53cm  Depth/Diameter: 26cmCondition Report: Date intermediatory wheel missing and a small crack to the hood door glass.

Squirrelman - oak refectory dining table, rectangular adzed top on twin pillar supports, shaped sledge feet united by two pegged stretchers, carved with squirrel motif, by the Fleetham Famiy, Great Driffield Dimensions: Height: 77cm  Length/Width: 153cm  Depth/Diameter: 73cm

Winterhalter and Hoffmeier - German oak cased early 20th century fusee wall clock, with a circular wooden surround and a spun brass glazed bezel to the dial, housed on an integral carved bracket with shaped corbel supports, painted dial with Roman numerals, minute track and steel spade hands, dial pinned directly to a four pillar chain driven fusee movement with a recoil anchor escapement. With pendulum and key. German fusee movements by Winterhalter and Hoffmeier are comparatively rare, especially housed in carved wall clocks of this description. Dimensions: Height: 65cm  Length/Width: 53cm  Depth/Diameter: 19cm

A TOA Electrical co. megaphone, "alsoWeather Pillar", a truncheon, display cases, napkin ring, (A Lot). 

A George III-Style Mahogany Triple-Pillar Dining Table, 20th century, numbered 3184, in three sections, with reeded edge and pivoting tops, on gun barrel turned pedestal supports with reeded legs, brass hairy paw feet and castors, with two additonal leaves450cm extended by 137cm by 74cm

A Pair of Gilt Bronze Louis XV Style Occasional Tables, as three infant tritons, on scroll form bases and floral pillar, supporting pink and grey marble circular tops, the tops late 19th century, the bases earlier 38cm by 47cmProvenance: Selected Items from The Court House, Bolton-by-Bowland Table One - the pink marble has some ring marks/scratches, as well as some small areas of fritting/nibbles around the top (as photographed). Table Two - the top has some nibbles and chips to the underside. Base is rather loose. Both bases are heavily tarnished/oxidised. Movement in the marble top/ support on both tables.

A Good Mahogany Eight Day Longcase Clock, signed Harrison, Liverpool, circa 1780, swan neck pediment, flame mahogany trunk door flanked by fluted pilasters and surmounted by blind fretwork borders, base with flame mahogany raised central panel, 13-inch arch brass dial with a silvered Roman and Arabic chapter ring, chapter ring with inner date ring and corresponding central date hand, chequered dial centre with seconds dial and silvered plaque signed, dial arch with rolling moonphase aperture, four pillar movement with an anchor escapement and rack striking on a bell234cm highCase hood with some chips and small pieces of wood missing in parts, trunk with some blind fretwork missing to both sides, trunk door is very slightly bowed, trunk pilasters with small chips in parts, both sides of the base with small cracks, dial is slightly discoloured in parts, movement looks complete, with pendulum and two weights.

A George IV Mahogany, Boxwood Strung and Satinwood Banded Triple Pillar Dining Table, 2nd quarter 19th century, in three sections, comprising a pair of conforming D ends with pivoting supports and a free-standing middle section with two hinged dropleaves and a small frieze drawer, on turned supports with scrolled sabre legs, brass-capped toes and castors 318cm extended by 121cm by 72cmProvenance: Private Collection, Victoria Lodge, Tweedsmuir, Biggar Slightly faded but uniform condition. One of the leaves has a deep scratch (as photographed). 4 clips are available but 4 clips are missing. A section of the D end has a small split (as photographed). The opposing end has an old repair (as photographed). Various scratches consistent with age as well as some patch repairs. Please see additional images online.

A maroon velvet circular seated Piano Stool having a screw pillar for height adjustment and standing on swept legs, 14 3/4" diameter x 17 1/2" to 24" high approx.

A Mahogany/Walnut rectangular occasional Table having a frieze drawer and standing on a turned pillar with three scroll splay feet, 21" x 13 3/4" x 29 1/4" high.

A circular Oak occasional Table having a tapering turned pillar and three splay feet, 20 5/8" diameter x 26 5/8" high.

An oval Mahogany occasional table having a cross-banded top, turned pillar and four splay feet, 20 3/4" x 15 3/8" x 19 1/4" high.

An American Oak swivel Office Armchair having nine laths to the back, open arms and a screw pillar height adjustment and four splay feet.

An early 19th century Mahogany circular snap-top Table standing on a turned pillar with three splay feet, 32 1/4" diameter x 28 1/4" high.

A Mahogany circular occasional table standing on a turned and carved pillar with three carved splay feet. 17 1/8" diameter, 19 7/8" high.

Two tables including a tall Mahogany wine table with circular pie-crust top, raised on a turned pillar having three elegant splay feet, 28" high and 12 7/8" diameter and a tall tripod-based lamp/wine table, the circular top having green inset leather, 12 3/16" diameter and 36" high.

A Mahogany Pole Fire-screen the 16 1/4" x 16 1/4" panel, adjustable for height, inset with a very finely worked embroidery depicting stylised flowers and foliage, the pillar standing on three pirouette feet. 54 1/2" high, approx.

Weronika Anna Rosa White Lily, 2024 Gouache and pencil on cotton paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About WERONIKA ANNA ROSA (b. 1990 in Warsaw, Poland) - visual artist, painter and designer, since 2016 based in Lisbon, Portugal. Rosa grew up in a family involved in arts and natural sciences. These two distant, but strongly complementary worlds, constitute the pillar of her visual sensibility and sculpted her curiosity. Plants play a vital role in her work - they are not only subjects, but also a vehicle of meanings and emotions. Rosa uses botanical iconography to explore relations between plants and humans; botany and its connection with current socio-cultural and environmental factors. The artist captures the ephemeral matter of nature, looking into its strength and fragility, imperfections and beauty. Starting from a careful observation of plants, through botanical studies and realism, she abstractly scales the subject, bringing it closer to the size of a human body. Rosa intends to express the identity of plants by observing their essence, and by analysing their history and role in our culture. This naturalistic representation becomes a universal and metaphorical language. Rosa experiments with various artistic techniques and media to obtain diverse textures, scales and volumes, in a way to reach the observer on different sensory levels. Education 2019 Botany and Art, course at FCSH, Universidade Nova, Lisbon, Portugal 2016-2017 Bachelor's degree in Ceramics, Faculty of Fine Arts, University of Lisbon, Portugal 2015-2017 Master's degree in History of Art, Faculty of Arts, University of Lisbon, Portugal / University of Warsaw, Poland 2011-2015 Bachelor's degree in History of Art, University of Warsaw, Poland 2010 Drawing of Nature, course at the Natural History Museum of Marseille, France Solo Exhibitions 2025 Vestígios de Memórias, National Museum of Natural History and Science, Lisbon, Portugal (TBC), Cliché Gallery, Warsaw, Poland 2023 Natura Ludzka, Galeria Prześwit, Warsaw, Poland 2021 In search of Beauty, Minds&More, Lisbon, Portugal 2020 Fabric - The Master's Material (Tkanina - Materia Mistrza), Galeria Nizio, Warsaw, Poland 2019 (In)Visivel, Espaço Santa Catharina - ESC, Lisbon, Portugal 2018 Vivace, Galerie La Canopée, Lisbon, Portugal 2017 Secret Garden's Metamorphosis, Transept, Lisbon, Portugal Group Exhibitions 2024 Warsaw Art Fair (represented by Cliché Gallery), Warsaw, Poland Souvenirs from faraway places, I have never been, Ethical Assembly, Lisbon, Portugal Lisbon Design Week, Artlier, Lisbon, Portugal 2023 Planatae, annual exhibition of the Society of Botanical Artists, Mall Galleries, London, United Kingdom 2020 Gardens, Analora, Lisbon, Portugal Awards 2025 International Design Pool, artistic residency organised by Vista Alegre, Portugal Statement about AOAP Submitted Artwork What intrigues me the most in flowers are details that are often neglected or unseen with a naked eye. We need to stop and take a time to observe, in order to perceive. Despite the limitation of the postcard size, I wanted to make the flowers as monumental as possible, and to capture the dancing movements of their petals and stamens. I hope you can imagine their scent. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Weronika Anna Rosa Cymbidium Kellys Winter Orchid, 2024 Gouache and pencil on cotton paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About WERONIKA ANNA ROSA (b. 1990 in Warsaw, Poland) - visual artist, painter and designer, since 2016 based in Lisbon, Portugal. Rosa grew up in a family involved in arts and natural sciences. These two distant, but strongly complementary worlds, constitute the pillar of her visual sensibility and sculpted her curiosity. Plants play a vital role in her work - they are not only subjects, but also a vehicle of meanings and emotions. Rosa uses botanical iconography to explore relations between plants and humans; botany and its connection with current socio-cultural and environmental factors. The artist captures the ephemeral matter of nature, looking into its strength and fragility, imperfections and beauty. Starting from a careful observation of plants, through botanical studies and realism, she abstractly scales the subject, bringing it closer to the size of a human body. Rosa intends to express the identity of plants by observing their essence, and by analysing their history and role in our culture. This naturalistic representation becomes a universal and metaphorical language. Rosa experiments with various artistic techniques and media to obtain diverse textures, scales and volumes, in a way to reach the observer on different sensory levels. Education 2019 Botany and Art, course at FCSH, Universidade Nova, Lisbon, Portugal 2016-2017 Bachelor's degree in Ceramics, Faculty of Fine Arts, University of Lisbon, Portugal 2015-2017 Master's degree in History of Art, Faculty of Arts, University of Lisbon, Portugal / University of Warsaw, Poland 2011-2015 Bachelor's degree in History of Art, University of Warsaw, Poland 2010 Drawing of Nature, course at the Natural History Museum of Marseille, France Solo Exhibitions 2025 Vestígios de Memórias, National Museum of Natural History and Science, Lisbon, Portugal (TBC), Cliché Gallery, Warsaw, Poland 2023 Natura Ludzka, Galeria Prześwit, Warsaw, Poland 2021 In search of Beauty, Minds&More, Lisbon, Portugal 2020 Fabric - The Master's Material (Tkanina - Materia Mistrza), Galeria Nizio, Warsaw, Poland 2019 (In)Visivel, Espaço Santa Catharina - ESC, Lisbon, Portugal 2018 Vivace, Galerie La Canopée, Lisbon, Portugal 2017 Secret Garden's Metamorphosis, Transept, Lisbon, Portugal Group Exhibitions 2024 Warsaw Art Fair (represented by Cliché Gallery), Warsaw, Poland Souvenirs from faraway places, I have never been, Ethical Assembly, Lisbon, Portugal Lisbon Design Week, Artlier, Lisbon, Portugal 2023 Planatae, annual exhibition of the Society of Botanical Artists, Mall Galleries, London, United Kingdom 2020 Gardens, Analora, Lisbon, Portugal Awards 2025 International Design Pool, artistic residency organised by Vista Alegre, Portugal Statement about AOAP Submitted Artwork What intrigues me the most in flowers are details that are often neglected or unseen with a naked eye. We need to stop and take a time to observe, in order to perceive. Despite the limitation of the postcard size, I wanted to make the flowers as monumental as possible, and to capture the dancing movements of their petals and stamens. I hope you can imagine their scent. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

A LATE 18TH CENTURY EBONISED BRACKET CLOCK BY WILLIAM WRIGHT, SOUTHWARK, with twin fusee movement and verge escapement, quarterly strikes on six bells, hourly strike on large bell, the six pillar movement finely engraved to rear and with false pendulum, the brass arched top dial plate having silvered chapter ring with matted inner and a silvered date ring, silent / strike lever above 12 numeral and repeat pull strike cord, case of polished ebonised wood with side and rear glass panels and gilded brass frames, H 51 cm

A REGENCY MAHOGANY INLAID TABLE CLOCK BY J.W. BENSON OF LONDON, the case having brass inlaid scrolling detail, the five pillar movement striking on a bell, H 46 cm

A HALLMARKED SILVER TWIN HANDLED SERVING TRAY BY WALKER & HALL - SHEFFIELD 1919, with raised reed edging and pillar & rail gallery, all raised on four bun feet and stamped 'KENDALL & DENT - LONDON, approx weight 2800g, W 54 cm