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Ca. AD 100 - 300. A bronze statue of Apollo Citharoedus cast using the lost-wax process. The statue is dressed in a long tunic standing in counterpoise, with his left leg bent at the knee, the heel lifted and his weight shifted to his right leg. Apollo's torso is slightly twisted with the right arm resting on the flat pillar and the left brought forward to grasp a lyra. The statue is based on the original rectangular podium that has four lion paws. Size: 85mm x 28mm; Weight: 105g Provenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Middle Kingdom to Late Period, Ca. 2055 - 332 BC. A collection of 12 amulets with different shapes and materials. There are scarabs, Djed pillar, Anubis and other gods. For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, 1994. Size: 11.7-44.1mm x 8-12.7mm; Weight: 14.5g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

An unusual Victorian cast iron garden table with layers of painted finish the decorative pierced top with signs of the zodiac, supported by a central pillar and scrolled platform base, 71cm high x 80cm diameter

A 19th century walnut sarcophagus shaped teapoy/sewing table raised on a central turned pillar and shaped tripod, 74 cm high together with an Edwardian piano stool with upholstered box seat and shaped arms (2)

A 19th century pedestal table with frieze drawer, turned pillar and scrolled feet, 72cm high x 50cm x 39cm

A 19th century rosewood fold over top card table with carved and moulded detail raised on a turned pillar, shaped platform and bun feet, 70 cm high x 92 cm x 46 cm (closed) together with a Georgian demi-lune side table on square tapered supports and spade feet (2)

A 19th century mahogany pole screen with shield shaped tapestry panel raised on a partially turned pillar, petal platform and scrolled feet

A Victorian mahogany hall chair with carved and moulded shield shaped back and turned forelegs, together with a 19th century rosewood piano stool with circular upholstered revolving seat raised on a hexagonal pillar, disc shaped moulded platform and lions paw feet (2)

A 19th century mahogany fold-over top card table raised on a turned pillar with pestle collar, shaped platform and scrolled supports, raised on castors, 74 cm high x 92 cm x 46 cm (closed)

A 19th century oak tilt top occasional table, the square top with rounded corners raised on a turned pillar with swept and moulded tripod, the top 90cm square approx

A Regency mahogany fold over top tea table on an octagonal vase shaped pillar with circular base and lions paw feet, 91cm wide

A Georgian mahogany tripod table, the one piece top 60cm diameter, raised on a vase shaped pillar and tripod, 71cm high

A 19th century walnut occasional table the circular top with segmented veneers on turned pillar and platform base, 55cm diameter

A Georgian mahogany snap top table the circular top raised on a vase shaped pillar and well shaped tripod base, 75cm diameter

An unusual Georgian mahogany cantilever table with fold over top on vase shaped pillar and platform, 70cm high x 36cm deep x 41cm long when closed, 82cm when open

A 19th century Chinese lacquered occasional table of octagonal form, on turned pillar and tripod, with engraved chinoiserie detail, 78cm diameter

good 1st Half 20th Cent. Timor pillar in wood with typical carvingsTIMOR - 1° HELFT 20° EEUW goede kleine zuil in hout met typische fijngesculpteerde ornamentiek - hoogte : 91,5 cm - gesokkeld uit een oude collectie van Schilde

presumably Phoenician Ancient Carthage fragment of a pillar in marble with remains of polychrome according to the family tradition, it comes from the palace of Queen Dido (see old label dd 1972)FENICISCHE RIJK / OUD CARTHAGO - mogelijk 2° EEUW BC fragment van een zuil in marmer met restanten van polychromie, volgens de familie- overlevering zou het herkomstig zijn uit het paleis van Koningin Dido (zie oud label dd 1972) - hoogte : 15,5 cm

John Agar of York - Early 19th century 8-day mahogany longcase clock c1810, with a flat topped pediment and ogee cornice beneath, square hood door flanked by slender turned pillars with wooden capitals, glass side panels to the hood sides and a glazed circular dial aperture, trunk with conforming recessed pillars and a long door with a shallow curved top, square plinth with a moulded front panel and flat base on shallow feet, painted dial with makers name, Roman numerals, five minute Arabic's and minute track, matching steel hands and seconds dial, with a four pillar rack striking movement striking the hours on a bell. With weights, pendulum and key.The Agar family were a large and prodigious family of 18th and 19th century York clockmakers working in the city and towns in the surrounding locality.Dimensions: Height: 230cm  Length/Width: 48cm  Depth/Diameter: 25cm

Victorian figured walnut card table, moulded rectangular fold-over swivel top with baize-lined interior, on twin turned pillar supports carved with stylised foliate motifs, united by turned stretcher, on splayed shaped feet with scrolled carved terminals, brass and ceramic castors Dimensions: Height: 76cm  Length/Width: 92cm  Depth/Diameter: 44cm

Michael Gottlob Schwarz of London-Early 19th century 8-day mahogany domestic regulator clock c1800, hood with a break arch pediment, silk backed side frets and circular glazed hood door, trunk with a conforming door on a rectangular plinth with a stepped base, silvered dial with an engraved centre, subsidiary seconds, date and strike/silent dials, engraved minute track, Roman numerals, five minute Arabic's and matching steel hands, five pillar rack striking movement with a dead beat escapement striking the hours on a bell. With two brass cased weights, pendulum and key. Dimensions: Height: 215cm  Length/Width: 47cm  Depth/Diameter: 24cmCondition Report: Length of missing moulding to the hood and case.

18th century mahogany tripod kettle stand or wine table, shaped and moulded pie crust top on turned pillar, decorated with carved flower head band, on three angular out-splayed supports Dimensions: Height: 53cm  Length/Width: 25cm  Depth/Diameter: 31cm

Late 19th century Aesthetic Movement inlaid walnut library table, shaped rectangular top with moulded and banded edge, inset with oxblood leather writing surface, fitted with two frieze drawers, raised on ring turned twin-pillar end supports with carved acanthus capitals terminating to arched supports with ebony inlay, united by turned stretcher Dimensions: Height: 74cm  Length/Width: 106cm  Depth/Diameter: 60cm

James Shoolbred & Co. (London: 1814-1934) - Victorian figured walnut loo table, oval moulded top inlaid with scrolling foliate decoration and stringing, on quadruple fluted pillar supports, terminating to scroll carved splayed feet, with enamel plaque inscribed 'James Shoolbred Tottenham House [...] London' Dimensions: Height: 71cm  Length/Width: 133cm  Depth/Diameter: 96cmCondition Report:One of the bolts does not screw in properly.

Wray Son & Perry of Birmingham - Large Victorian 8-day fusee wall clock c1890, with a 22" oak surround and 16" painted dial, with a glazed spun bezel and flat steel dial with bold Roman numerals, minute markers and steel spade hands, four pillar movement with rectangular plates, chain driven fusee and a recoil anchor escapement. With pendulum.William Wray &Son were a firm of Birmingham Jewellers, Clock and Watch makers/retailers during the 19th century. Given the size of this clock it was possibly intended for a business or public institution or perhaps a clock for their own use in their New Street premises in Birmingham.

Gillet & Johnson of London- Early 20th century 8-day oak cased domestic regulator c1920, flat topped hood with glazed side panels and applied moulding above a square hood door, long trunk door with geometric patterned mouldings on a conforming plinth with applied skirting, 12” sheet brass dial with a matted centre and cast cherub spandrels, silvered chapter ring with Roman numerals, five minute Arabic's, quarter and minute tracks, with matching steel hands and makers name on a silvered cartouche, dial pinned to a substantial four pillar rack striking movement with a deadbeat escapement and maintaining power, striking the hours on a coiled gong. With brass cased weights, pendulum and key. Case with a brass presentation plaque from the staff of Lloyd's register of shipping to E Salmon on the occasion of his retirement in 1926.Gillet & Johnson were founded in London during the mid 19th century and are highly regarded manufacturers of clocks, clock movements and particularly turret clock movements, bells and carillons. The firm is still in existence today.Dimensions: Height: 213cm  Length/Width: 38cm  Depth/Diameter: 24cm

A 20thC Royal Dux ceramic table lamp, fashioned as a Biblical group, depicting a young man and woman, producing water vessels beside a pillar with a decorative capital  bears an impressed, moulded mark  17"h

A traditional brass lantern clock, 19th Century in the 17th Century style, urn finial, bell, fretwork panels to three sides, the front with engraved entwined dolphins and scrolls, over a dial with black Roman numerals and inner minute track, scrolling foliage to the centre, pillar corners, peg feet, eight-day movement striking on a bell, 38cm high, 15cm wide

A Record pillar drill with stand and accessories.

Egypt Djed Pillar , ceramic blue glazed, late periode between 600-300 B.C.E 3 cm long The hammer price will go directly to the social help of the Caritas of Vienna, Provenance; estate found Erzdiozese Wien.

Metal trolley mounted with grinder and pillar drill and a heavy duty vice. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P

Power devil PDW5010 375w pillar drill. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P

Walker-Turner company SB150303 pillar drill. Not available for in-house P&P

A Quality Early Victorian Walnut credenza with a raised mirrored back with gilded pillar supports above glazed doors with glazed bowed glass ends in very good original condition.158cm long height 135cm 48cm deep.

A GEORGE III MAHOGANY TRIPLE PEDESTAL EXTENDING DINING TABLE CIRCA 1800 With two additional leaf insertions 74.5cm high, 360cm long, 127cm wide Condition Report: Size breakdown: each leaf adds 58cm to the length of the table; each rounded end pillar section is just under 79cm long; the central pillar section is 86cm long. Without the two additional leaf insertions the three pillar table is 243cm long.Overall there are some scratches, marks, knocks, cracks along the grain of the timber and abrasions consistent with age and use.There are some observations and restorations: some filled holes to the underside of the loose leaves; there are brass clip fittings of two dates to the underside of the table top sections; there are later wood supports to the underside of the top; pedestal stencilled '1' is missing the brass handle to the two brass catches - this does not affect the catches engaging but means two hands are needed to release the catches when tilting the top; there is a slight tilt to one end pedestal top so that it is not as flat as the other end joint (a folded old Christmas card wedge has been inserted under that end of the top!); the table base is solid and robust with the usual small movement to the top that is seen with tables of this design.There is evidence of old worm to the rectangular supports between the top and the pedestals.The table top has subtle areas of colour variation in part due to fading and a lively grain and figuring.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

A VICTORIAN OAK MINIATURE PILLAR LETTER OR POST BOX IN THE MANNER OF LEUCHARS & SON, LONDON, CIRCA 1880 50.5cm high, base 26.3cm diameter Provenance: Mark's Club, London, July 2016 The Estate of a deceased Gentleman. A copy of the receipt will be made available to the successful purchaser. Condition Report: Wear from use and with restorations. Lacks base. Lacks handles to drawer and with repairs to one side of drawer front. Supplied with a key which does not operate lock but is for convenience of opening door. Later leather and lining to interior and signs of some later blocks. Some wear and bruising to exposed edges. Would greatly benefit from new base and overhaul/restoration. With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

Dinky Toys 159 Morris Oxford Saloon - Two-Tone Cerise and cream, light beige rigid hubs, silver trim - Good Plus (small chip on side door pillar) in a Good yellow and red carded picture box with correct colour spot 

A Victorian mahogany longcase regulator clock, by G J Wagstaff, London, the 11-inch silvered dial with Arabic numerals and a single hand indicating the minute divisions, with a subsidiary seconds dial, quadrant curved dial aperture, and enclosing an eight-day movement, with Harrison’s maintaining power, substantial six-pillar movement, shaped plates and dead-beat escapement, and an ebonised rod pendulum, with silvered regulation screw, the single brass weight on a five-spoke wheel, within a moulded long case with an arched door and circular windows to the sides,46cm wide24cm deep 195.5cm highProvenance: The David Morris Collection.Condition ReportGeneral knocks & wera to the case. Some splits and cosmetic repairs. The clock appears to tick when wound, however we are unable to guarantee that this represents full and complete working order and would recommend inspection by a professional.

A metal ammunition crate filled with workshop tools. Noting hand operated pillar drills, hammers and set squares, plus a metal box filled with door handles and hinges etc.

Three Victorian 19th century slate and marble mantel clocks. Comprising of, a French J. Whitehead slate clock with carved gilt floral decoration, a C.J & Co no. A247 clock with carved floral decoration and a slate clock with red marble pillar-style accents. Largest measuring approx. 20cm x 32cm x 14.5cm.

A COLLECTION OF CURIOSITIES COLLECTED BY CAPTAIN JAMES MUDDLE TO INCLUDE HANDWRITTEN LABELS:Porphyry taken from the Ruin of the Flavian Amphitheatre at Rome.A cross made from a shell-fish caught in the Dead Sea at Jerusalem. Given to J.G. by a respectable Mamluke Interpreter, 1800.A small box of gold from Australia. Manna picked from a tree in New South Wales, by Captain Muddle, 1826Lava taken up from the base of the Isle of Strombolo when it was burning hot, June 1803.Alabaster ruins of old Alexandria.Lava from the side of the Grand Crater, taken by J.C. Dec 1802.Yellow Ochre from Van Diemens Land, 1833.Rock found among the Rubbish of theh Foundant of Pompey's Pillar, Alexandria, Egypt.Agate from the ruins of Old Alexandria.Muscle...from the Island of Sardinia.A piece of Cleopatras Needle at Alexandria, taken off by J.G. 1802 (this label does not have an associated specimen, but may match a specimen elsewhere in the lot or indeed the collection)Mosaic pavement from Pompei, taken out by J.C. Dec 1802.Pieces of the mount near our Saviours Ascension to Heaven, present from a Mameluke Interpreter,Lava takaen while burning hot from the inside of the Grand Crater of Vesuvius by J.C. Dec 1802.Pieces of coral and stone, taken off Bona Beach by R. Stephenson 1824.Shells and mosaic pavement found among the Ruins in Ancient Baix, near Naples, by J.C. Dec 1802.Parts of a Sea Egg which are very musical, brought by James (no associated specimen).Pavement of the Isle of Serapis near Naples, taken by J.C. May 1803.This article comes from Perang. It is taken from the leaf of the Pine apple and is used by the Natives of that Island as thread to sew with. Sept 30th 1838, J Muddle (no associated specimen).Alexandrian pebble.Sea weed picked up on the East Coast of Tasmania. Given to me by Mrs Edward Butler on the 29th May 1850; she told me she had forgot the name of it, but is was what shell fish deposited their spawn in and afterwarrds closed it up, and when it came to Maturity, the weed burst and the fish came out (no associated specimen).Taken from the shell of a sea egg at Ocean Island in June 1835 (no associated specimen).A fantastic handwritten label 'J.M wrote this on the 2nd of February 1835 from the ink of a flying squid. The otherside was ink taken or discharged from a flying squid circumflex on the otherside was not ink from the squid'.Petrified wood from Essex.Various items to include treen letter opener, mother of pearl letter opener, rope, a paddle, glass bottle, tribal carved nut, various minerals some with handwritten labels.James Muddle was born at Gillingham in Kent on 31 January 1785. James probably went to sea at a fairly young age and worked his way up to become a master mariner. The first record of him at sea, at the age of 25, is as the master of the small single mast sloop Boston sailing in coastal waters. In 1814, James then became master of the 356-ton ship ‘Leng’, armed with six 6-pounder guns, bound for the West Indies. The Lloyd's Register for 1820 also recorded that during that year James took over from as master of the 410 ton convict ship Lord Sidmouth. By the age of 35, James had progressed from being master of ships sailing in coastal waters to sailing to the Mediterranean and across the Atlantic, and now to the other side of the World. In 1820 it was reported that the Lord Sidmouth captain Muddle had sailed from Portsmouth on for New South Wales. After a voyage of 107 days, they arrived at Sydney in Australia on 19 February 1821, where 160 male prisoners were disembarked. James and the Lord Sidmouth also sailed to Jakarta, Calcutta, Mauritius. Upon arriving back to England in 1821, James became captain of the prison ship the ‘Andromeda’, which sailed from Leith to to Van Diemans Land and New South Wales. During the following two decades of travels in and around Australia, James will have collected many of the items in the collection. James is also known to have been captain of the ship ‘Lang’, as well as the “Mandarin’, ‘Glenbervie’ and the ‘Roseanne’. He sailed on prison ships to New Zealand and even China. James died in 1865 at the age of 80, and his collection has been passed by descent down the generations to the present owners.For more information please see the link below:https://www.muddlefamilies.info/harrietsham/22eaa.htm

A 24-BORE CONTINENTAL FLINTLOCK HOLSTER PISTOL, UNSIGNED, no visible serial number, French circa 1810, with slightly swamped octagonal 6in. barrel decorated on the top and upper side-flats with gilt bordered panels and arabesques (rubbed), diminutive blade fore-sight, carved standing notch rear-sight, plain radiused lock with pointed tail and moulded pan, swan-necked cock (well repaired at neck), walnut full-stock with chequered grip swelling at the flat-based iron heel, wire inlays around side-plate and along back edge, pillar front to trigger guard, turned ramrod pipes and horn-tipped ramrod.

A 54-BORE PERCUSSION FOURTH MODEL TRANTER'S PATENT REVOLVER SIGNED JAMES GIBSON, GRAHAMS TOWN, serial no. 22928T, circa 1861, with octagonal 5 7/8in. barrel, dove-tailed pillar fore-sight, scroll engraving to sided of barrel-throat, border engraved top-strap signed 'JAMES M. GIBSON GRAHAMS TOWN' (rubbed, mild pitting) with sighting notch at rear, borderline and scroll engraved solid frame (further light pitting) with borderline engraved plain five-shot cylinder, guarded trigger, spurred hammer and chequered walnut saw-handled grip with engraved shallow-domed butt-cap.

A CASED .380 (RIMFIRE) FIVE-SHOT REVOLVER SIGNED HIGHAM, WARRINGTON, serial no. 2136, No. 2136 possibly a patent use number, circa 1870, with blued octagonal 4 7/8in. barrel, dove-tailed pillar fore-sight, standing notch rear-sight to the rear of the top-strap, the borderline engraved top-strap (lightly dented) further signed 'G. HIGHAM, WARRINGTON', ejector of percussion style mounted to right side of barrel, borderline engraved solid frame (traces of colour), five-shot cylinder with rear notch locking, double action mechanism with guarded trigger and spurred hammer, swept chequered walnut grip with shallow domed heel-plate, much finish and strong traces of colour, in its oak storage case compartmented and lined in green baize, Higham parchment trade-label inside lid and complete with ammunition tray, oil bottle, cleaning rod and turn-screw. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A CASED 80-BORE PERCUSSION THIRD MODEL TRIGGER-COCKING TRANTER REVOLVER RETAILED BY PRITCHARD & SON, serial no. 9745T, circa 1856, with blued octagonal 4 5/8in. barrel (some loss to finish), dove-tailed turned pillar fore-sight, the top-strap signed 'PRITCHARD & SON', engraved band at muzzle, scroll engraving to barrel-throat, plain cylinder (traces of colour) with rope-twist border to leading edge, borderline and scroll engraved frame, chequered walnut semi-sawhandled swept one-piece grip, engraved shallow domed iron butt-cap and swinging rammer marked 'W. TRANTER'S PATENT' mounted to left of frame, retaining a good amount of original blued finish, complete with a period walnut storage case compartmented and relined in green baize and a full suite of period accessories as supplied.

A CASED PAIR OF 28-BORE FLINTLOCK DUELLING PISTOLS SIGNED BLAKE, LONDON, no visible serial numbers, circa 1795 and of Wogdon style, with slightly swamped laminated London proved 9in. barrels signed on the top-flats in script 'BLAKE, LONDON', engraved band at breech, applied white metal fore-sight, shallow notch rear-sights to the engraved top-tangs, borderline engraved bevel-edged locks with stepped tails and signed 'BLAKE' below the plain pans, swan-necked cocks with bolted safes (one top-jaw and screw replaced), walnut full-stocks with strongly curved bag-shaped butts chequered in the Durs fashion in dot and checkerboard style, the pommels with stylised floral carving, brass furniture including pillar fronted trigger guards with acorn finials, turned ramrod pipes and original worm-ended ramrods, complete in their maker's mahogany casing lined and compartmented in pale green felt (some staining), parchment trade-label with the '104 Gun Dock, Wapping' address and including a scissors mould, lozenge-bodied flask, loading rod and flint wallet, the case with lock closure.

AN 80-BORE PERCUSSION TRANTER'S PATENT TRIGGER-COCKING REVOLVER, serial no. 34805T, third model circa 1856, with octagonal 4 3/8in. barrel, dove-tailed turned pillar fore-sight, the top-strap unsigned, engraved band at muzzle, scroll engraving to barrel-throat, plain cylinder with rope-twist border to leading edge and faint traces of colour, borderline and scroll engraved frame, chequered walnut swept one-piece grip, iron butt-cap and swinging rammer marked 'W. TRANTER'S PATENT' mounted to left of frame, the majority retaining a strong amount of original blued finish.

AN 80-BORE PERCUSSION FOURTH MODEL TRANTER'S PATENT REVOLVER, serial no. 17646T, circa 1859, with octagonal 4 1/2in. barrel, dove-tailed pillar fore-sight, scroll engraving to sided of barrel-throat, border engraved top-strap with sighting notch, borderline and scroll engraved solid frame with borderline engraved plain five-shot cylinder, guarded trigger, spurred hammer and chequered walnut saw-handled grip with engraved shallow-domed butt-cap. * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

AN EARLY 17th CENTURY .750 ENGLISH MATCHLOCK MUSKET, circa 1610, with probably shortened 38 1/2in. two-stage barrel with moulded girdle at the intersection, dove-tail for a fore-sight behind the bevelled muzzle (sight absent), standing notch rear-sight co-joining a pillar-mounted flash-guard, deeply struck proofmark, armourer's stamp and maker's mark (possibly 'S.W.') at breech, squared solid top-tang fixed from below, rectangular iron lockplate with matching maker's stamp and match-holder engraved as a rolling cloud, hinged manual pan-cover, folded full finger-length sheet-iron trigger guard bow, plain trigger, restocked (probably in the Victorian era) in the correct fashion with a walnut full-stock with angular fish-tail butt and under-barrel ramrod (fractured and fixed in place).

A .44 (RIMFIRE) WEBLEY PATENT SOLID-FRAME REVOLVER RETAILED BY TRULOCK & HARRISS, no visible serial number, circa 1870, with round 5 7/8in. barrel, London proofs, applied pillar fore-sight, solid top-strap signed 'TRULOCK & HARRISS, DUBLIN', borderline engraved frame, six-shot plain cylinder, double action mechanism with spurred hammer and guarded trigger, swivelling paddle-shaped ejector and chequered walnut semi saw-handled walnut grips. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A CASED 80-BORE PERCUSSION FOURTH MODEL TRANTER REVOLVER SIGNED CONWAY, serial no. 18425T, circa 1858, with octagonal 4 1/2in. barrel, dove-tailed turned pillar fore-sight, the top-strap signed 'THO'S CONWAY BLACKFRIARS ST. MANCHESTER', engraved band at muzzle, scroll engraving to barrel-throat, plain cylinder with rope-twist border to leading edge, borderline and scroll engraved frame, chequered walnut swept one-piece grip, iron butt-cap and swinging rammer marked 'W. TRANTER'S PATENT' mounted to left of frame, the majority retaining a good amount of original blued finish, complete with a period walnut storage case compartmented and lined in green baize, a full suite of accessories, the whole almost certainly as supplied.

A GEORGIAN MAHOGANY TELESCOPIC SHEET MUSIC STAND, the tilting surface in the shape of a lyre, with marquetry inlay, the brass pole encased by a hexagonal pillar, raised on three splayed legs, maximum height 166cm x minimum height 105cm (condition report: the surface with previous and incomplete restoration, the frame is sturdy, other general signs of usage)

A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, with a broken arch pediment, Corinthian style pillar supports, flanking an arched glass door, that’s enclosing an 11 inch brass dial, reading W M Taylor, Bridgnorth, above a trunk door, on a box plinth, height 224cm (condition report: marks, scuffs, discolouration, splits, later plinth, two weights, one pendulum, no winding key, one missing weight, other wear and usage)

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, with twin swan neck pediment, twin Corinthian style pillar supports, flanking an arched glass door, that’s enclosing a 13 inch painted dial, depicting Arabic numerals, signature well worn but could possibly be Edward Radford of Hanley and Shelton, above a trunk door, on a box plinth (condition report: in need of restoration, due to marks, scuffs, losses, loose pieces, one winding key, one pendulum, two weights, other historical wear and usage)

▲ Godfrey Tonks (b.1948) 'Pillar of Alaró'signed 'TONKS' l.l., pastel56 x 74cmProvenance: With the Medici Gallery, London. Condition ReportFramed: 78 x 96cmNot viewed out of glazed frame but appears to be in good condition.

A Victorian cast iron hexagonal pillar box money bank.

R. Evens of Halstead - an early 19th century oak longcase clock, having a 12" arched brass dial, signed to the chapter ring, twin winding holes for a brass eight-day four pillar movement striking on a bell, with weights and pendulum weight but not the rod, h.216cm

The image of the Protection of the Most Holy Theotokos. Midthird quarter of the 19th century. Possibly Vetka. The image, especially revered in Rus`, is a centric, Novgorod composition, in which the memory of getting rid of the Slavic raid on Constantinople in the 7th century is recorded. Then the weekly veneration of the protection of the Mother of God, which grew into a religious procession, saved the city. This solemnly fixes the upper case of the icon. In the lower one, the sweet singer Roman before the emperor and the queen sings hosanna to the Mother of God and Her intercession. In the right stamp, behind the pillar - the scene of the prophetic visitation of Roman by the Mother of God. Clean and precise writing on gold depicts the outline of a temple with five domes, with a bell tower and an annex at the top. The catchy pictorial coloring, including the upcoming ones (St. Nicholas, Evdokia, Agripina and the Archangel Radeniya) is similar to the manner of the Vetka masters of the middle third quarter of the 19th century. Icon dimensions: 44x37 cm. Width: 37cm, Height: 44cm, Depth: 3.5cm, Weight: 5kg, Condition: Good, Material: Wood, gesso, gilding, tempera, ID: ID-ANTQ-7884

A FINE GEORGIAN MAHOGANY CASED BRACKET CLOCK BY THOMAS WAGSTAFFE, LONDON, having a large six pillar triple fusee movement with verge escapement, finely engraved rear plate, regulated by a short bob pendulum with large single bell hourly strike and Whittington quarter strikes on eight bells, the silvered dial plates with aperture date ring, Roman numerals and blued steel filigree hands, above twelve numeral is strike / silent level, the mahogany case with padded top richly embellsihed with brass fretwork and panels, pineapple finials and fretwork fishcale side panels, H 51 cm, W 30 cm, D 19 cm    Condition: Mahogany case and gilded decorations appear to have been cleaned and restored. Gong train ticks on winding. Striking train appears to work fine on all quarters. Silent strike lever not working

A LATE 17TH BRACKET CLOCK WITH QUARTER BELL STRIKE BY JOHN SHAW LONDON, the ebonised case having a low caddy top, gilded filigree decorations and opposing female handle, the 8 inch dial plate with silvered chapter ring, angelic spandrels, matted inner, blued filigree hands and ringed decorations to the winding holes / date aperture, silent strike lever above 12 numeral, the four pillar movement with twin fusee train and verge escapement, striking the quarters on a series of small bells and the hourly strike on large bell, the rear plate richly engraved with repeat pull via blued-steel interconnecting levers, regulated by a pear shaped small bob pendulum, overall H 40 cm    Condition: Movement very clean. Going train ticks on winding. Striking train rings correctly on the hourly strike. Quarter strikes work on bells when blued levers are activated but not via the minute hand. Ebonised case and gilded decorations appear to have been restored.