We found 30647 price guide item(s) matching your search

Pair of large contemporary cut-glass candlesticks, with knopped faceted pillar stems, on domed circular plinth bases, 45cm high 

Square form terracotta garden pillar, 55cm and a cylindrical terracotta chimney pot, 59cm (2) 

Small sundial mounted on a reconstituted stone pillar stand, 63cm high x 43cm diameter 

Reconstituted stone square planter with Celtic style twist decoration on a cast moulded pillar 

Fabricated brass/steel 4 pillar vertical steam engine, single cylinder with rocker valve steam inlet, dummy centrifugal regulator fixed to wood base, 7” x 4” x 1" (Est. plus 24% buyer's premium inc. VAT)

A collection of model vehicles, including Corgi, a Hornby wagon, boxed, two Royal Mail collectable pillar boxes, etc.

A good Georgian style mahogany twin pillar dining table with two leaves.

A circular Mahogany/Walnut occasional Table, the top with light and darkwood rope stringing and with a central shaded circle, standing on a turned pillar with three swept legs terminating in turned compressed bun feet, 21 1/2'' diameter x 28 1/4'' high.

A pair of Meissen marked [ only one ] figures of a young girl and boy in front of a pillar decorated with Acanthus leaves in pale pink and green [some damage to both.]

A Mahogany occasional Table, the shaped top having a fretworked frieze and standing on a turned and carved pillar on three splay feet, 32 1/2" x 20" x 31 1/4" high.

A late 19th/early 20th century oval clock, the 9 cm diameter enamel dial signed Mandella, Camors, fitted an eight day movement, in an oval four pillar brass and marble case, 36 cm highGenerally good with a sun pendulum, and a winding key

A Regency style twin pillar extending dining table by william Tillman with two extra leaves, 247cms x 107cms fully extended

A vintage Beha cuckoo clock with ebonised case with gilt highlights, and ceramic pillar details

Industrial Salvage - a workshop trolley on castors, 72cm x 84cm x 46cm;  Tools - early 20th century fruitwood loppers,  a late 19th century vice, pillar drill base and drill bits

Dinky Toys Pre-War No. 12 "Postal" Set - containing Public Telephone box - red, cream and silver, Delivery Van "Royal Mail" - Red, black including smooth hubs with white smooth tyres, "Air Mail" and "Post Office" pillar boxes plus figure. Condition is Fair to Good Plus (some fatigue) in Fair to Good (repaired) box with reprodcution insert.  

Dinky Toys mixed group of Figures and Accessories to include (1) 760 Pillar box containing 1 example, (2) assortment of Figures and others (see photo). Conditions are Fair to Excellent Plus in Poor to Good boxes. 

CHILDS SILVER MONEY BANK BIRMINGHAM 1911, MAKER C. F. SAUNDERS AND J. F. H. SHEPHERD of pillar box form, embossed with 'Three Blind Mice', with hinged coverQty: (loaded)Dents present around the top of the money bank

Finely detailed soldier dressed in Roman armor, complete with a helmet, sword, and shield. The piece depicts the centurion standing proudly with his sword at his side and leaning on a stone pillar, showcasing the craftsmanship for which Royal Doulton is renowned. This piece is a part of the Historical Figures series, celebrating the might and legacy of the Roman Empire.Issued: c. 1991Dimensions: 9.75"HCountry of Origin: EnglandCondition: Age related wear.

Matchbox Superfast 45b BMW 3.0 CSL - orange body with door braces, RARE DARK GREEN WINDOWS WITH ROOF LIGHT SUPPORT, pale yellow interior, bare metal base, 5-arch wheels - Near Mint (hood label applied a little off centre by the factory & minor factory casting flaw to right hand windscreen pillar), in Good to Good Plus stained Type J Box without New but with 2-line English/French text to striker side panel. Box has original "Harvey Nichols London" retailers price label.

Matchbox Superfast 55e Ford Sierra FACTORY PRE-PRODUCTION COLOUR TRIAL - yellow body with black tampo print, clear windows, black interior & rear spoiler, GLOSS BLACK MADE IN ENGLAND BASE, chrome telephone dial wheels - Near Mint with chip to left hand side windscreen pillar.

A small collection of 19th and early 20th century world coins, including a Spain silver eight reales or pillar dollar 1756, Lima Mint, a Newfoundland fifty cents 1911 and a South Africa two-and-a-half shillings 1896.

Virgin of the Pillar, a white metal figure of Madonna and Child, mounted onto white onyx column and base, 30cm H

A Georgian mahogany wine table with rectangular top raised on a slender vase shaped pillar and tripod base, top 48x38cm, 70cm H

A reproduction Georgian twin pillar D end extending dining table on swept supports, 215cm long x 100cm wide, together with a collection of eight Regency style chairs with rope twist splats and sabre supports each with individual hand work tapestry seats

A vintage pillar drill

DAVID ROBERTS: ORIGINAL PRINT, POMPEY'S PILLAR, ALEXANDRIASpink label to verso.28cm x 23cm Framed and glazed 45cm x 38cm

A Wickes pillar drill

Three various desk clocks, to include; a silver and blue guilloche enamel easel back desk clock, Birmingham 1930, no makers mark, key wind, having circular white Arabic numeral dial with outer minutes track, blued spade and whip hands, in working order, 7.5cm square, together with a 1930's silver plated and glass desk clock height 17cm, circular casing detached from pillar stand at collar with fracture line, hence as found), and a Aatahua abalone shell desk clock, movement as found. (3)

Pair of bronze bookends, centered with a portrait relief bust of Emerson and Dickens approx 16 cms h together with a pair of bronze bookends centered with an imp in relief titled Lincoln Imp approx 11 cms, inscribed 'Ye olde legend many years ago curiosity tempted the imp to alight in the cloister of Lincoln Cathedral it cost him dear, for as he came to rest on top of a beautiful pillar, in a moment he was turned into stone' approx 11 cms h.

A late Victorian walnut card table, the rounded rectangular top with moulded edge, swivelling to reveal a recess and opening to reveal a green baize-lined interior, over a plain frieze, on twin turned and ringed end pillar supports, united by a centre stretcher, on acanthus carved splayed legs, scroll feet and castors, 92 cm wide x 46.5 cm deep x 73 cm high

Ca. 1550 - 30 BC.A collection of five faience amulets including three depictions of Anubis with a jackal head and upright ears, Thoth with an ibis head and lion-headed Sekhmet with a solar disc above her head. Each is standing on an integral flat plinth, supported by a pillar at the back, with a suspension loop either through the pillar or above the head. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, Cat. 20, 23, 30; The Metropolitan Museum of Art, Object Number: 2021.41.33, 74.51.4492.Size: 37-44mm x 8-15mm; Weight: 21gProvenance: Private UK collection; Ex. European collection formed since the 1970s.

Ca. 1550 - 30 BC.A collection of five faience amulets depicting deities. Among them is Thoth with an ibis head, and Taweret as a pregnant hippopotamus. Each is standing on an integral flat plinth, supported by a pillar at the back, with a suspension loop either through the pillar or above the head. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, cat. 20; The Metropolitan Museum of Art, Object Number: 74.51.4486.Size: 38-45mm x 10-18mm; Weight: 25gProvenance: Private UK collection; Ex. European collection formed since the 1970s.

Ca. 1550 - 30 BC.A collection of five faience amulets including Thoth with an ibis head, Anubis with a jackal head and Taweret depicted as a pregnant hippopotamus. Each is standing on an integral flat plinth, supported by a pillar at the back, with a suspension loop either through the pillar or above the head. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, cat. 20, 23, 30; The Metropolitan Museum of Art, Object Number: 74.51.4481, 2021.41.33.Size: 36-42mm x 10-16mm; Weight: 23gProvenance: Private UK collection; Ex. European collection formed since the 1970s.

Ca. 1550 - 30 BC.A collection of five faience amulets representing animal-headed deities, including Anubis, depicted as a standing figure with a jackal head, elongated snout, and upright ears; Thoth with an ibis head, a narrow beak extending downward, and arms held close to the body and Khnum, shown with a ram’s head and curved horns. Each is standing on an integral flat plinth, supported by a pillar at the back, with a suspension loop either through the pillar or above the head. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, Cat. 20, 23; The Metropolitan Museum of Art, Object Number: 74.51.4481.Size: 41-46mm x 14-18mm; Weight: 28gProvenance: Private UK collection; Ex. European collection formed since the 1970s.

Silver Hallmarked Antique Pillar Candlestick - 508g weight

Selection of brass to include tankard, two small candlesticks and two taller pillar candlesticks

Selection of Halcyon Days Enamels to include, Tigger, Twinkle Star, With Love from me to you, Strawberry egg, Miss you, Pillar box, teddies, life poem and Remember me design examples, all boxed (9)

A vintage hand press and a pillar drill

20th century Jydsk danish table top pillar telephone, with crank handle, bakelite and chrome mounted receiver, H34cmCondition Report:Converted and in working order

A mixed lot of clocks To include:  [a] Breitling for Bentley, A desk clock With walnut veneer side and a quartz movement Makers mark to the reverse Serial number Q81010 to the reverse [b] An antique, Swiss, Zenith Grand Prix 1865 pocket watch With an embossed Turkish railroad to the back [c] A Swiss Vetur globe-shaped pocket watch in its original box and outer case. [d] Cartier Paris, gold plated quartz bedside clock Serial number: AL1001212 [e] Jaeger LeCoultre, lapis lazuli travelling clock (as found) Serial number: 1291296 [f] 19th Century French Ormolu bronze pillar mantel clock with a fountain feature Property of a Nobleman Dimensions: [a] 3.25 in. (H) x 4.75 in. (W) [b] 2 in. (H) x 2.5 in. (W) [c] 2.75 in. (ø) [d] 3.75 in. (H) x 3 in. (W) [e] [f] 12.25 in. (H) x 7 in. (W)

A Pair of Derby Porcelain Figures of Shakespeare and Milton, after Peter Scheemakers, Shakespeare with a scroll inscribed in gilt with verses from The Tempest, Milton resting against a pillar adorned with book and scroll, raises on scroll moulded bases, 27-29cm high. (2)Shakespeare - Old 1.5cm firing crack under baseMilton - Big chip to back on hem of maroon blanket, ribbon lace loss to both shoes, crack meaning 5cm to back base on his right side, and both hands restored.

Voyages.- Slocum (Joshua) Sailing Alone Around the World, first edition, association copy with signed presentation inscription from the author "To 'Alan Erric', a friend who had a kindly encouraging word for the struggling skipper when the breakers seemed close aboard | Joshua Slocum | Boston March 31st 1900" on front free endpaper, illustrations, some light marginal toning, browning to pp.120-121 and slightly lighter to pp.264-265, otherwise mostly clean, original decorative cloth, spine faded, light surface marks, extremities lightly rubbed, else an excellent and bright example, 8vo, New York, 1900. *** Rare association copy of this classic of nautical literature. Sailing Alone Around the World is the superb narrative of the first single-handed circumnavigation of the globe and the "justly admired record of [Slocum's] seamanship, character, and navigational skill" (ANB).In 1892, he was given the Spray, a small weather-beaten 37-foot oyster sloop designed for coastal sailing. After rebuilding the sloop, Slocum left Boston in 1895 for his three-year solo voyage.In Chapter X, he shields from a storm and gets the Spray into a snug nook in Port Angosto, still 60 miles short of his next destination towards Cape Pillar and the Pacific. Laden with tallow and salvaged cargo, he just escapes from a brush with the native Feugians and gets out of his anchorage, though not before drifting around - namely the eponymous dedicatee of the inscription – Alan Erric Island.  The eponymous Alan Erric is not mentioned in detail, but alluded to only as an acquaintance: “I named it Alan Erric Island, after a worthy literary friend whom I had met in strange by−places” – p.132. A rare association inscription and link to this maritime literary cornerstone.

A mid 20th century barometer, with teak surround and acrylic pillar ends in heavy brass mount, with acrylic back plate inset with brass detail, makers label to brush steel face, height 21.5cm, width 17.5cm, depth 8cmGood condition, light wear commensurate with age

A fine Victorian mahogany single-pillar extending dining table, D-ends forming a near-circular breakfast table when closed (127 cm w x 124 cm), with three leaves respectively 56 cm (2) and 35 cm

Victoria to Elizabeth II - Two crowns, 1889 and 1890, half crowns, early Victoria pennies, also five Pesetas pillar 1888, Brazil 2000 Reis and other world coinage in small black album. (qty)

Two Faience pillar vases, 26cm tall and a chinoiserie jar and cover

A Victorian Hallmarked Silver Candlestick, R.F, London 1885, of Doric pillar form, on spreading square base (weighted) with beeded rim, crested with boar's head, approximately 13cm tall, together with another hallmarked silver candlestick, B&Co, Birmingham 1966, of decorative baluster form with scrollwork design in relief, on circular spreading base (weighted), approximately 12cm tall. (2)

Trench art money box in the form of a pillar / post box on a turned wooden base - 17cm high

A 19th century Copeland parian ware bust of the "Hop Queen", modelled with hops in her hair, with marks reverse for Copeland, Crystal Palace Art Union, Pub, January 1872, J. Durham A.R.A, upon a rectangular parian pillar, overall approx. 44.5cm high. Further details: chips to corners of pillar, some nibbles and chips to extremities of hops and hair, marks, wear etc.

After P. Koralzewski; a bronze figural bust of a female in bicorn hat, upon a red marble pillar and sqaure base with gilt metal mount, approx. 19.5cm high. Condition: minor wear, scratches and very small nibbles to edges.

A Regency and later mahogany three-pillar dining table, the top with D-ends and two additional leaves, on ring-turned shafts and reeded tripod bases ending in brass castors. 290 cm overall length x 117 cm overall width x 71 cm overall height, including a later third section.All leaves are relatively flat and all sit well without sagging, some marks in the polish of the leaf insert, signs of an old crack that has been repaired, one leaf differs in colour from the others.Please see the images that illustrate the points raised.

Alessandro Albrizzi (Italian, 1934-1994). Three piece mid-century modern fire tool set in chrome, Lucite, and black enamel, ca. 1970. Featuring a rectangular Lucite pillar surmounted atop a flat base. With shovel, poker, and broom brush resting within chrome fittings along three sides.Height: 34 1/2 in x width: 10 in x depth: 8 1/2 in.Condition: There are no obvious breaks or losses. Some accretions and light scratches along the metal base.

SAMUEL DE WILDE (BRITISH, 1751-1832)Mrs Pope as Zara in Mourning Bride oil on canvas 36.5 x 28.5cm Provenance Sale, Phillips, London, 21st June 1994, lot 37 (as a part lot with another portrait and catalogued as Mrs Siddons in a tragic pose); Private collection, UK Footnote For an engraving of the same image by J Thornthwaite after this original work by de Wilde, see V&A, Accession No. S.1929-2013. Mrs Elizabeth Pope (nee Younge) (1740-1797) was an English actress specialising in Shakespearean roles.Condition ReportCanvas relined; light surface dirt and a few traces of craquelure mainly to the background; tiny fleck of paint loss, lower left.  Ultraviolet reveals traces of retouching to the pillar and touches to the sitter's face however an opaque varnish prevents further reading.  Held in a plaster gilt frame with some losses to the mouldings.

Y  A GEORGE IV AMBOYNA AND EBONY CENTRE OR LIBRARY TABLE ATTRIBUTED TO GILLOWS, CIRCA 1825 The underside of one drawer with a label titled 'Victoria and Albert Museum' 73.5cm high, 123cm wide, 85cm deepFor a closely related Gillows pillar end library table see Susan E. Stuart, Gillows of Lancaster and London, 1730-1840, Cabinetmakers and International Merchants, A Furniture and Business History, Volume I, Antique Collectors' Club Ltd, 2008, fig 311, p 292.

English, c.1880, engraved in copper plate script to the rear of the foor 'Ross London', Y shaped foot with pillar, rack and pinion focus, limb with screw in magnifier, drawer with sliding slide rest in mahogny case with empty drawer

Outside Ice Cream Kiosk A hexagonal ice cream vending kiosk with steel pillar roof supports, a steel roof finial & internal sink & shelving. Approx. HxWxW 500x600x600.

The Bull Pub Complete Building. The Bull Pub complete building comprising hardwood frontage with a 7-paned window either side of the doorway, decorative pillasters with ornately carved capitals & with carved wooden pub sign above, HxW 314x388cm. 4 sections of wooden railing with gate, H 88cm, total length 427cm. Carved hardwood pillar attached to the railings, HxWxW 235x11.5x11.5cm. 2 half glazed doors with carving to the frames situated at the back of the Pub, approx. 19 sq.m oak parquet flooring & a pair of reconstituted stone ball finials on the roof.Buyer to dismantle (please see "Buyers Notes").

Flambards Architecture Penfold style Pillar Box A cast iron Penfold style Pillar Box with ornate top and door castings,VR monogram and Royal Crest,the whole of hexagonal cross section.Key located. Buyer to arrange removal from current set position outside the main entrance. 170 H cm ++internally fitted with a collection basket for postkey for this lot with staff overall good condition with no obvious damage , hinges very stiff and thick with paint,top is detatchable.

A George III ebonised bracket clock, the folding handle above inverted bell top case, arched brass 6inch dial, silvered calendar dial to arch, gilt Indian mask spandrels, signed on a curved plaque 'Cha. Clay, London', additional spandrels to the front door, arched glazed side panels and rear door, fully engraved backplate with single fusee 5 pillar movement converted to anchor escapement, pull repeat, striking on two bells, on ball feet 41cm high (handle folded)seems to run but not tested as to duraction and accuracy.  Holes in the backplate implying alteration - in fact probably a Dutch-made clock with an added London name plaque. Could do with some cleaning and polishing.

A George III mahogany longcase clock, Joseph Stephens, London, the breakarch hood with stop fluted columns, 12inch (30.5cm) brass dial signed in the arch, Rococo spandrels, seconds dial and date aperture, plain centre, 5 pillar 8 day movement, the trunk with conforming door upon a panelled plinth base, two brass cased weights 218cm highProvenance:Tanners, Kedington, SuffolkNot currently running correctly, so needs setting up properly and some adjustment. One lower spandrel broken tip (missing). Some reinforcement to the case, to the front of the cheeks, and new blocks within the plinth (base). New wire lines. Rear pilasters of hood missing their caps. See photos for an overall impression.