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Time Life Library of Art. The world of artists series including Van Gogh, Michelangelo, etc.

Eduardo Paolozzi (1924-2005)Omaggio a Michelangelo Etching printed in colours, 1975, signed and dated in pencil, numbered in roman numerals from the edition of 20 artist's proofs, aside from the edition of 200, printed by White Ink Studio, London, published by Stufio Bruckmann, Munich, on wove paper, with full margins, sheet 795 x 600mm (31 1/4 x 23 5/8in)

Teenage Mutant Hero Turtles / TMNT - an original c1989 Ban Dai / Playmates made Teenage Mutant Ninja Turtles (Hero variant) MOC carded action figure of Michelangelo. Bubble fully factory sealed, card back unpunched. Fold to the left-hand edge of card. Fully factory sealed, contents mint and untouched.

A LARGE CAPODIMONTE STATUE OF MICHELANGELO BY GERMANO CORTESE Michelangelo seated by a sculpture titled 'Pieta Di Michelangelo Buonarroti', with a plaque on one side and numbered 123 of 400, signed on the back, mounted on a wooden plinth, height 65cm including plinth(1) (Condition Report: cracks visible to the base of the statue)

After Peter Paul Rubens (1577-1640, Flemish Baroque), print, 'Study of a Male Torso', framed, mounted, and under glass, measuring 26cm x 29cm, & 64cm x 66cm overall, and another after Michelangelo Buonarroti (1475-1564, Italian) (2)

* Hamilton (Gavin, 1723-1798). The Erythraean Sibyl, after Michelangelo (1475-1574), later 18th century, black and red chalk on laid paper, sheet size 230 x 153 mm (9 1/8 x 6 ins), glued to outer corners verso to later laid cream backing paper, window-mounted, with inscription in pencil to lower right 'Gavin Hamilton (after Michelangelo) [done in Rome: Italian paper]' in the hand of Michael Jaffé, framed and glazedQTY: (1)NOTE:Provenance: Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge.

* Harford (John Scandrett, 1787-1866). View of Rome from Tower of Capitol, 1816, fine panoramic pen, black ink and watercolour on four conjoined sheets of laid paper, laid down on original brown backing paper, with double rule brown ink ruled outer border, signed lower left and titled and dated to lower right, pale backboard stains, and a few spots, 47.5 x 84.5 cm (18 3/4 x 33 1/4 ins), gilt framed, glazed QTY: (1)NOTE:Provenance: Private collection, Bristol.An impressively detailed panorama of Rome from the Vatican, possibly executed by Harford with the aid of a camera lucida, and showing part of the City since demolished. John Scandrett Harford F.R.S. (1787-1866) was the son of a Bristol Banker and Manufacturer, and owner of the Blaise Castle Estate near Bristol. He was an accomplished artist and Member of the Academy of Painting of St. Luke in Rome. His first visit to the City took place in 1815, when he sought the assistance of Pope Pious VII in suppressing the Spanish and Portuguese Slave Trade. Harford visited the City again in 1846 and 1852, primarily to collect materials for his biography of Michelangelo (1857), the first to be published in English.

A study of bald eagles by Michelangelo collection

Percy John Delf Smith RDI (1882-1948), portrait of Michelangelo Buonarroti, wood engraving, signed in pencil to margin,12x15.5cm, framed and glazed.

Four Teenage Mutant Ninja Turtles action figure sets by Super 7 (Nickelodean) to include Donatello (box factory sealed/unopened), Michelangelo (box factory sealed/unopened), Raphael (box opened and figure removed for display, re-tied into packaging) and Leonardo (box opened, figure removed for display and re-tied to packaging). All sets appear complete, models in mint as new condition in mint boxes with original protective plastic bags and brown card outer shipping boxes

Four Teenage Mutant Ninja Turtles 5" action figure models by Neca (2008)to include Donatello, Raphael, Leonardo and Michelangelo. Boxes unopened/factory sealed with mint contents, boxes at least near mint with dust to top panels

Eight Teenage Mutant Ninja Turtles action figure sets from Playmates Nickelodeon to include Donatello, Raphael, Leonardo and Michelangelo in 2 different styles and packaging, boxes unopened/factory sealed, boxes good to near mint

Eight Teenage Mutant Ninja Turtles 6"-7" action figure models by Neca Nickelodeon to include Donatello, Raphael, Leonardo, Michelangelo, Foot Soldier (melee weapons), Foot Soldier (bladed weapons), Shredder and Splinter. Boxes unopened/factory sealed, boxes excellent to near mint

Five Teenage Mutant Ninja Turtles 6.5" action figure models by Neca Nickelodeon to include Raphael, Leonardo, Michelangelo and 2x Donatello's (1 opened/damaged with detached arm and mark to chest, all other sets sealed/unopened, box condition fair to excellent). Also included 2 factory wrapped 3D picture/model sets (W23xH28.4xD5.5cm)

A large 20th Century carved wood David by Michelangelo sculpture / figure upon stepped square base. Measures approx. 90cm tall.

Giovani Paolo Panini, (1691-1765), a pair of copper plate engravings of Classical ruins, engraved by Johann Sebastian Muller (1715-1792); mid 18th century; both as capriccios, including juztaposed representations of Trajan's column, the Borghese Vase, Bacchus in the manner of Michelangelo; chthonic temples and other buildings; fully inscribed along the lower edges; later set into carved pine frames with swagged tops; the plates, 34.5cm high, 48cm wide, the overall dimensions 49 x 62cmNOTE: Panini also worked as an architect, a decorator and a painter, whilts Muller was also known as a botanist. Born in Nuremberg he trained under Johann Christoph Weigel and later worked in London.

A CARDBOARD BOX CONTAINING CONCORDE MEMMORABILIA AND OTHER COINS, to include a 2oz, 2013 Concorde Retirement coin cased with certificate, a First Passenger Flight London-Bahrain silver proof gold layered, three other Pobjoy silver boxed coins with coas, a cased proof silver Washington Crown boxed coin coa, a 2019 Winston Churchill silver medal 56mm, 80 grams, boxed with toning, Charles Prince of Wales investiture silver medal .925 silver 69 grams Royal Mint, a cased Birmingham Mint sterling silver medal for silver Jubilee 1977 boxed coa, a Royal Mint Westminster silver 25th Anniversary Coronation 13/4 medal (heavily toned rev) boxed with certificate, a rare white metal medal of the Royal Wedding Anniversary 1972 Elizabeth and Prince Philip boxed, a cased silver coin cover Michelangelo 1975, a boxed antique finish silver medal by David Cornell of Queen Elizabeth & Prince Philip Wedding Anniversary, a spink boxed Queen Mother 82 grams, 2 1/4 silver proof medal coa, a four coin sterling silver Crown set 1977 for Queens Jubilee boxed coa

[Art] The Moment of Explosion: Blake & the Illustration of Milton 1983. Durer The Artist & His Drawings 1971. The Paintings of Samuel Palmer by Lister 1985. Ancient Lanscapes, Pastoral Visions Samuel Palmer to the Ruralists. The Drawings of Raphael with a Complete Catalogue by Joannides 1983. British Romantic Artists by John Piper 1942. The A-Z of Art. Victorian Painting by Christopher Wood. Turner’s England 1810-38 by Shanes and others on Henry Scott Tuke, John Singer Sargent, Michelangelo, Rembrandt etc, in dust-wrappers (24)

A second-quarter 19th century, French tapestry depicting The Miraculous Draught of FishesAtelier La Foret, the border designed by Viollet le Duc, after the series of the Acts of the Apostles cartoons by Raphael, commissioned by Pope Leo X for the Sistine Chapel, Vatican, Rome,Designed with the New Testament scene depicting the fisherman Simon, later called Peter, as he is called to be a disciple of Jesus'. The bearded figure of Simon, dressed in a blue tunic, kneeling before Christ, his hands clasped together, the large catch can be seen overflowing in the boats and the nets appearing to be close to bursting with fish, another bearded figure, probably Andrew, stands behind Simon, his hands outstretched in disbelief, the boat behind this containing yet more fish and three bewildered fishermen, the immediate foreground, depicting the shore of the Sea of Galilee, three herons standing to the bottom left, a fruiting tree stump to the bottom right, the middle ground with townscape and rolling hills and peasant folk, the hazy sky filled with birds and rolling clouds, the whole enclosed by an elaborate rich border with ribbon tied swags, pendant fruit and foliate groups, on a 'Bleu de Roi' ground, with slender inner crimson border divided by narrow bamboo shoots, the corners with bound stems in trefoil motif, with later green outerslip which has later repairs and alterations. 530cm x 507cm approximatelyFootnotes:ProvenanceBy repute presented to the 4th Earl of Clarendon by Napoleon III at the Conference of Paris (viz 1873 notes by Katherine, Countess of Clarendon)The 4th Earl of Clarendon was born in 1800 into the Villiers family and served as an English diplomat and statesman. After coming down from Cambridge he was appointed attaché to the British embassy at Saint Petersburg where he remained for three years. Later in his career, Clarendon, in his capacity as Foreign Secretary, kept a close relationship with Emperor Napoleon III and the Empress Eugenie. At the Congress of Paris in 1856, when the Crimean War ended, Clarendon was the first British plenipotentiary to attend such a conference in person to negotiate a peace treaty since Lord Castlereagh.The original Raphael cartoons were commissioned by Pope Leo X in 1513 shortly after his election. The monumental designs are designed with key episodes of the lives of Saint Peter and Paul. All of the cartoons depicting the life of Saint Peter have survived -these include Christ's Charge to Peter, The Death Ananias, The Healing of the Lame Man and The Miraculous Draught of Fishes. The latter scene (used for the design of the present lot) depicts the founding moment of Christianity set on the Lake of Gennesaret in the Sea of Galilee -when Simon (later called Peter) is summoned to be Christ's first apostle. Simon kneels before Christ who raises his hand in blessing saying Fear not; from henceforth thou shalt catch men. James and John standing hunched in the other boat as they haul in the catch would also become followers of Christ -their father Zebedee can be seen trying to keep the boat steady. These figures in particular are reminiscent of the art of Michelangelo -more specifically the lost cartoon of the Battle of Cascina which show nude males kneeling over a riverbank.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Henry Bone R.A. (1755-1834)Alessandro Farnese (1468-1549), Pope Paul III (1534-1549), seated three-quarter-length, in papal robes. Enamel on copper, signed on the obverse, 'HBone', inscribed in full on the counter-enamel and dated, Pope Paul the third / London / May 1810 / Pajnted by Henry Bone ARA. Enamel Painter/ in Ordinary to Hjs Majesty and Enamel Painter I to His R.H. the Prince ofWales after Titian, gilt-metal mount engraved Enamel HBone, gilded composition frame with rocaille, scroll and acanthus leaf mouldings. Rectangular, 198mm (7 13/16in) highProvenance: Christie's London, 10 June 2008, lot 117;The Twinight CollectionFootnotes:Richard Walker's Henry Bone's Pencil Drawings in the National Portrait Gallery, (Walpole Society, LXI. 1999, p. 339, no. 398) mentions the preparatory drawing which is in the collection of the National Portrait Gallery no. NPG D17423 and is inscribed, Pope Paul 3rd by- Titian. April 1810. /Original O. Humphry Esq' for George Bowles Esq.. The original portrait of Paul III without cap, painted by Titian in 1543 is in the collection of the Capodimonte Museum, Naples, Italy. It seems likely that Henry Bone worked from an oil copy (possibly by Ozias Humphry) of the original Titian which has been in its current location since 1734.Pope Paul III (1468-1549) was born Alessandro Farnese. He became Pope from 1534 until his death. He called the Council of Trent in 1545. He was one of the few Popes to have fathered children before his election. He was a patron of the arts, commissioning Michelangelo to paint The Last Judgement.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Folio Society publications – all near mint in slip cases except where marked by an asterisk(*), in varying size formats: Aubrey (John, FRS), The Worlds of John Aubrey; Byron (V/Adml. Hon. John, RN) & Bulkeley (John), The Wreck of the Wager; Clark (Kenneth, OM, CH, KCB, FBA, Lord Clark of Saltwood), Leonardo da Vinci; Cochrane (John Dundas), A Pedestrian Journey; Columbus (Ferdinand) The Life of the Admiral Christopher Columbus; Dana (Richard), Two Years Before the Mast; Diáz del Castillo (Bernal), The Conquest of New Spain; Folio 60: A Bibliography; Goldhill, S., et al., Wonders of the World; Hibbard (H.) Michelangelo; Hibbert (Christopher), Cities and Civilisations; Nuňes de Pineda y Basuňán (Francisco), The Happy Captive; Piccolomini (Aeneas Silvius Bartolomeus, Pope Pius II), Secret Memoirs of a Renaissance Pope; Ruskin (John), Stones of Venice; Thesiger (Sir Wilfred Patrick, KBE, DSO, FRSL, FRGS), The Marsh Arabs and Arabian Sands (cased together); Tristan (Flora) Peregrinations of a Pariah; Wood (Frances), The Silk Road (18)

A PAIR OF ITALIAN PAINTINGSNEAPOLITAN, IN THE MANNER OF MICHELANGELO MAESTRI, LATE 19TH CENTURYoil on board, depicting Putti riding swan drawn chariots, in gilt frames20 x 29cmProvenanceKenneth Neame: An Enduring Legacy.TO BE SOLD WITHOUT RESERVE.

A SET OF FOUR ITALIAN PAINTINGSNEAPOLITAN, IN THE MANNER OF MICHELANGELO MAESTRI, LATE 19TH CENTURYoil on canvas, depicting classical maidens wearing diaphanous gowns, in gilt frames, together with a coloured engraving of the Three Graces, after Pellegrini (5)37 x 28.5cm (max)ProvenanceKenneth Neame: An Enduring Legacy.TO BE SOLD WITHOUT RESERVE.

Three 1930s pictoral books of the paintings and sculptures of Michelangelo (1475-1564), together with various items of ephemera, old photographs, etc.

Bisque grouping includes Shakespeare (impressed B&C 110 mark), Murillo (marked Tinsley Italy), Michelangelo, Cervantes, G. Puccini and Mendelssohn. Issued: 20th centuryDimensions: 5"L x 3.5"W x 10.5"HAge related wear. Base on Mendelssohn appears to have been reglued.

Attributed to Mateo Perez de Alesio, also known as Matteo de Lecce (Lecce, Italy, 1547 - Lima, 1628)."Adoration of the Shepherds"Oil on panel.201 x 137 cm.Pérez de Alesio was a significant painter and sculptor, from the age of sixteen he was a distinguished apprentice in the workshop of Michelangelo Buonarroti, even working on the painting in the Sistine Chapel.The majority of his paintings are of a religious nature.In 1575, he settled in Spain, working at the Cathedral of Seville, and in 1588, he arrived in Lima, becoming the most important painter there for many years and an influence on local painters even after his death.He was the founder of one of the first art schools in Lima, according to research by the historian and Jesuit priest Rubén Vargas Ugarte.In 1590, he painted the portrait of the VIII Viceroy Don García Hurtado de Mendoza, IV Marquis of Cañete, who governed between 1589 and 1596.

‡ &nbspA WEDGWOOD BLUE DIP JASPER 'MICHELANGELO' VASE AND PIERCED COVER LATE 18TH OR 19TH CENTURY With sprigged decoration, the bowl supported by a bearded male figure and two further youthful male figures atop a tripartite base Impressed uppercase mark 31cm high Condition Report: The figure with hand on head: - the hand is restored.The bowing figure with hat: - His left arm/shoulder is restored. Chip to folds of drapery below and left ankle restored.Third figure: crack through his right ankle.Firing faults to all three figures. Cover: small rim chips and two faint cracks.Please see additional images available from the Dept. upon request.Condition Report Disclaimer

LIGHTBOWN (Ronald W): 'Medieval European Jewellery..': Victoria & Albert Museum, 1992: publishers black cloth with dustjacket, VG with minor wear, large 4to: MURARO (Michelangelo) 'Venetian Villas, The History and Culture..': New York, Rizzoli, 1986: publishers red cloth with dustjacket, VG, folio: together with a quantity of other books over 3 shelves, architectural and antiques reference, various sizes. (3 shelves)

After Michelangelo Buonarroti, Florentine, 1475-1564, a plaster model of David, first half 20th century, on a square base, 78cm high Condition Report: Cracks to the legs and ankle, small losses of plaster throughout. 

[ASCENT OF MONT BLANC]: A fascinating, lengthy A.L.S. by Dr. Edmund Clark, closely written over four pages, 4to, Chamonix, 27th August 1835, to Reverend Robert Warrener. Clark writes in the midst of his Grand Tour and provides a detailed account of his successful ascent of Mont Blanc, penned in the immediate aftermath of his remarkable feat, beginning by explaining ´I have postponed my letter in hope of meeting with something of greater interest to write about, nor perhaps should I have now commenced had I not lately succeeded in an excursion of some difficulty, an account of which may help to fill my sheet. Yesterday at 3pm I reached the summit of Mont Blanc, the greatest elevation in Europe with Captain Sherwill a young English officer. This forms the 12th successful ascent of Mont Blanc, of which 6 have been accomplished by English insects´ and continuing to offer an insight into the many places in Italy and Switzerland he had visited before the ascent, ´Having seen the lions at Paris, whisked off to salute the bears at Berne. Spent a halfpenny in feeding the big brown bear with ginger bread-nuts making him stand up & catch the projected fragments in their descent towards his monstrous gaping mouth´, mentioning a famous belle in Brienz regarded as the prettiest woman in Switzerland (´the say [she] has got a lout of a fellow for a husband that thrashes her, the scoundrel´), and the Chillon Castle (´saw Byron´s name cut by himself in the dreadful dungeon´), as well as stops at Milan (where Clark viewed a picture by Leonardo da Vinci), Verona, Padua, Venice (´fine gondola lounges, the most luxurious sort of locomotion under the sun´) as well as Florence where they´Doffed our hats to the Venus de´Medici´ and also saw statues by Michelangelo, and Rome, writing ´Florence is a positively enchanting residence.....such I was in the good Pope´s dominions, a German baron & Swedish countess joined us [for] breakfast at the port before Rome.....In 3 hours we were at the gates of Rome. I entered it on foot & bare headed as is duty bound. Modern Rome is a dismal affair, but the old Ruins!´, before travelling to Naples (´through the horrid dens of cut-throats´) and to Pompeii, ´the most interesting of all objects in Italy. Scrambled up to the lofty top of Vesuvius. Such a view over the Isles of Capri´. Clark then offers an extensive report of his mountaineering exploits, ´...up the Brevent about 17,000 feet. Then a formidable day´s work up the Buel (?) a height of more than 10,000 feet. Here poor Mr. Eschen sunk into a chasm.....next morning he was found frozen to death......We looked down upon this fatal spot. I accompanied Dr. Benjamin Babington from India. It was one of the noblest views I ever saw. We were surrounded with a forest of snowy alpine peaks. Next to Mt. Blanc it is the highest accessible mountain in this part of the chain. Thursday Aug 25 with seven guides started for the top of the mountain king. It is two years since the last ascent & 5 since 3 guides were killed in an unsuccessful attempt. Ascended to the base of the Aiguille du Midi to breakfast then left Terra Firma & embarked on the dreary ocean of ice & snow. The ice is cut & creviced in such a manner that we had often half an hour´s work to advance 40 yards climbing up walls of ice by holes cut with a hatchet, or taking hold of the end of an ice pole to scramble up. We were fastened together with cords. In many places we walked over a thin slippery ledge with a deep blue chasm of 200 to 300 feet on each side.......We marched on the ice that day 7 hours & then arrived at an islet of bare rocks that rise up in the midst of the snows & are called Les Grands Mulets. Here we were dragged up a high precipice with the help of ropes & so reached the comfortable hotel. This hotel is a platform as big as an ironing table covered with snow. The snow we scraped away in some degree & then turned up the dry side of the stones (such is the unhappy tendency of man to luxurious indulgence). Lighted a fire. Manufactured some punch......Then stretched ourselves to sleep covered with a blanket & a sheet at a height much greater than the top of Skiddaw or Ben Nevis, and the thermometer at freezing. It was a lovely moon light night. No sound of insect or of bird, nothing but the awful roar of avalanches around & beneath us. 26th of August Friday, all dressed at 4 o´clock......then again embarked on the snows.......Stopped by a long crevice. Crossed it upon a bridge formed of 5 ice poles placed from edge to edge. Felt rather as if snuffing the candle with one´s finger. Then climbed up the opposite side by cutting holes with the axe. After this comfortable trudging in the snow but rather deep till the Petit Plateau, a place of snow covered with an avalanche. Crossed it & arrived at the Grand Plain. Height about 13,000 feet. Heat of the sun burning and blistering to the eyes & face......began to feel the effect of rarity of the air - headache, no appetite.......arrived at the spot where the 3 brave guides perished in an avalanche while trying to ascend with a Russian physician & statesman in 1820. Their bodies have never been found. The crevice into which they were buried by the avalanche is still somewhat visible. Two of the 7 guides with us were nearly killed in that dreadful catastrophe. Now began to ascend the steep icy wall of the summit. We were nearly 4 hours in ascending one vast slope being obliged to cut a passage with the axe very often. Here one slip wd. have been serious. You wd. probably have glided down the frozen inclined plain with immense velocity.......We now became very cold, our shoes.....as hard as iron, our faces pale & shrunk. Respiration uneasy, Intense headache. My friend had great nausea also. At last we reached the Petit Mulets. The loftiest rocks in the line of ascent. From this a steep hard plain of snow leads directly to the summit. We lay down on the snow, panted & puffed away, again for 10 yards, then lay down again; eat a little snow; up again (the guides too were already exhausted) How many more starts to the top? Three said the brave guides......and in two desperate efforts we were on the pinnacle of Europe. My friend arrived a moment or two after & such was his exhaustion that the moment his guide called out Nous voici sur le sommet de Mt. Blanc he burst into a flood of tears. We were both utterly worn out with fatigue, rarity of air. Cold & inability to eat. The thermometer was below freezing even in the sun......The sky deep indigo approaching to violet. The view immense......all in a vast panorama laid at our feet. In the highest rock I placed olive twigs brought from Italy for the purpose.....all these are enclosed in a strong cylinder of glass.......& placed in......the rocks so securely that when the storms of a thousand years are gone by & our dust is mixed with kindred earth, still I think it possible that the little record may remain unhurt. We descended hastily slept on the Grands Mulets on our delicious bed of rocks & today rejoined the valley. No one seriously hurt. I had one foot a little frozen......We are all full of gaiety for it is not too often that an ascent is at once so successful & so pleasant. It is my intention to write a small pamphlet on the ascent & to send you a copy´. With address panel to the final page of the bifolium. An excellent letter containing a rare first hand account of an early 19th century ascent of Mont Blanc. Some minor staining and age wear and toning and with a few small, neat splits and tears, G 

Time Life Library of Art, 12 volumes, The World of Goya;  Giotto;  Rembrandt;   Rodin;   Durer;  Rubens;  Manet;  Matisse;   Turner;   Michelangelo;   DelacroiX;   Velazques

A group of jewellery, comprising: a 15ct gold amethyst and half pearl brooch, width 3.6cm; a 9ct gold mounted shell cameo brooch, depicting a putto riding a chariot led by dolphins, after Michelangelo Maestri, Birmingham hallmarks, 1975; and an early 20th century 9ct gold amethyst and imitation pearl pendant, stamped 9ct, length 3.9cm (3)

° ° A collection of Folio Society books: Flora Thompson - Lark RiseDickens in EuropeThe Small House at AllingtonDoctor ThorneLa Dame Aux CameliasFramley ParsonageBarchester TowersQueen Victoria - Our Life In The HighlandsLord of The RingsDickens' LondonLives of George and Robert StephensonTravels through France and ItalyTravels In West AfricaLife of MichelangeloMemoirs of a Fox Hunting ManThe WardenCold Comfort FarmGoodbye to BerlinThe Great Enterprise (no sleeve)Out of AfricaThe English Governess at The Siamese CourtThe Private Lives of The Tudor Monarchs (no sleeve)Music at Court (no sleeve)Wren's London (no sleeve)Bayeux Tapestry (no sleeve)Shadow of Vesuvius (no sleeve)Voyage of The BeagleSherston's ProgressRise and Fall of AthensMan of Singular VirtueEscape from TerrorMiddlemarchTravels of Marco Polo

Castillo, Jorge (geb. 1933 Pontevedra) "Hommage to Michelangelo". Radierung, re. u. mit Bleistift sign., dat. (19)75 und li. u. e.a. 34x 49 cm. PP., R.

Teenage Mutant Ninja Turtles Ripped Up Set of Four Playmates 2004 carded sealed, Product code 54470, Leonardo, Donatello, Michelangelo, Raphael. Some box wear. (4 items)

MICHELANGELO MAESTRI, Italian (1802-1812), Allegorical Classical figures for 'Peace & War'; 'Wisdom & Knowledge',  a pair, after the Roman frescoes at Pompeii and Herculaneum, Grand Tour, gouache on paper, 46cm x 35cm. (2) One painting depicts 'Peace & War', with the Greek Godess Eirene holding an Olive Branch & The God Ares holding a Bow, set with a panel below decorated with birds beside a classical terme, the other picture similarly depicts Athena and Apollo, representing 'Wisdom & Knowledge'.  Michelangelo Maestri is well know for his gouache paintings (bodycolours) that were inspired by recently discovered wall frescos in Pompeii and Herculaneum.  The painting proved to be enormously popular amongst travellers on their Grand Tour.  He also drew inspiration from Renaissance artists such as Raphael Sanzio da Urbino (1483-1520) and Giulio Romano (circa 1499 -1546).  He is well known for his works 'The Hours of Day & Night' which were effectively copied from the now lost Raphael originals.  It is worth comparing Raphael's drawing for Allegory of Peace in the National Museum (inventory number: 065237-069).  There is significant resemblance to the figure of Athena in the present lot.

A Neca Toys 1/8 scale group of four Teenage Mutant Ninja Turtles action figures to include Donatello, Raphael, Leonardo and Michelangelo (all appear complete), all housed in the original card & plastic window boxes (some damage to the boxes), together with four other Teenage Mutant Ninja related boxed figures

Neca Toys 1/4 scale action figure of Michelangelo 'Teenage Mutant Ninja Turtles', sold as seen, housed in the original card & plastic window box

After Michelangelo, reconstituted stone sculpture of David, 20th Century, 115cm high

Collection of 31 1980s onwards action figures to include 5 x Teenage Mutant Ninja Turtles TMNT to include Leonardo, Michelangelo, Donatello, Raphael and Bebop), 5 x LJN Thundercats featuring Lion-O, Mun-Ra, Ratar-O, Snarf and Pantho, 5 x MASK figures to include Brad Turner with Hocus Pocus helmet, Matt Tracker with helmet, Hondo MacLean, Miles Mayhem and Matt Tracker with helmet, 1 x Rambo figure, 5 x The A-Team figures to include Mr T, Face, Murdock, Hannibal and Mr T 3/4 scale, 6 x Kelloggs Sporting Heroes featuring Ian Botham, Gary Lineker x 2, Frank Bruno, Dennis Taylor and Eric Bristow, 2 x American Gladiators with fighting podiums, all figures vg overall condition

Emily Young (British, born 1951)Blue Angel Head Brazilian sodalite55.7 cm. (21 7/8 in.) high (excluding the base)Carved in 2005UniqueFootnotes:ProvenancePrivate Collection, U.S.A., since 2005Emily Young is an artist highly tuned in with and aware of the past. She has always theorised on a scope of ideas much larger than the immediate artistic context, bringing 'the human project of meaning into conjunction with geological time' and beyond, taking into consideration the cosmic origins of the stone she works (R Trew, Emily Young, www.emilyyoung.com). Emerging from the block as if over aeons, her work participates in an idea of sculpture that dominated the artistic paradigm of the pre-eminent Renaissance sculptor, Michelangelo – who in turn drew very consciously from Ovid's mythical Pygmalion: the idea that the work lies imprisoned within the block of stone, waiting to be released. Considering Young's Heads alongside Michelangelo's group of Slaves (Accademia, Florence) brings this idea to the fore, and ties the present piece, and its place within Young's wider oeuvre, both to a deep sense of sculptural inheritance and to the more 'geological' context that the idea itself implies. But to think of Young's work as paying homage to the past without an eye to the present and future would be mistaken. Tied in thematically with the geological past of her work is where this has taken us to, and the direction to which it leads: in her own words, 'Hyper-industrialisation has encouraged us humans of the developed world to profoundly misread the planet we live on', and this misreading has resulted in the debate over whether we are entering a new geological age – the Holocene – one that is defined by our own impact on the world around us (Emily Young, Emily Young, www.emilyyoung.com). A testament to Young's focus toward this is her part in this year's 60th edition of Venice Biennale, titled Carbon II: Carbon Capture Art, where her work is now on display at the Palazzo Mora as part of an exhibition based on the importance of the arts in tackling climate change. Within this context, Blue Angel Head comes in as a work in many ways typical of Young's output, but in others, crucially outstanding. In its emergence from the stone, it firmly partakes in the ideas that so preoccupied Young's sculptural predecessors. However, where some of her works lie more passively within the stone – as if serenely dormant in expectation of being meticulously and painstakingly drawn out – this feels emphatically active, almost assertive. It has an agency in its emergence from the stone, like it is working with the artist, breaking free as Young loosens the chains. As outstanding as the energy of Blue Angel Head is the material it is worked from: Brazilian sodalite, which is rare within Young's oeuvre. An ornamental stone, the strong blue adds an incredible depth to the work, punctuated powerfully by the streaks of white that separate sodalite from its cousins lazurite and lapis lazuli – reminders of the geological vein running thematically throughout Young's work. Where others avoid the unpredictability of these inclusions in the mineral, Young embraces them, delighting in its faults, veins, splits and idiosyncratic form that inject an urgency to the work's unquenchable desire to escape. Sodalite is opaque in massive blocks, but has a translucence in thinner areas that give the present work a subtle, transient glow, something that cannot be replicated in mineral of a duller tone. Young seems keenly aware of the sense that her work will outlast us, that in freeing the stone of its prison and into its human form, she is preserving an image of ourselves that is timeless in its still beauty and empathy, yet intensely contemporary in its concern. She recognises the vulnerability of that which she depicts: 'the short-lived and organic' humanity (Emily Young, Emily Young, www.emilyyoung.com). As Young grapples with our vulnerability, Blue Angel Head breaks free from its block, eager to animate as if by Pygmalion himself.We are grateful to the Artist and EY Sculpture UK Ltd for their assistance in cataloguing the present work.This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Collection of Three Commemorative Coin Covers, Test Cricket Centenary 1977, Apollo Soyuz Space Mission 1975, Italian 500th Anniversary Michelangelo, Also Turner Bicentenary Medallic First Day Cover and Great Britons Medallic First Day Cover Set

A group of World Cup badges from the Ottorino Barassi Collection, comprising: a .750 gold & enamel FIFA badge circa 1934 by Michelangelo Veronesi di Bologna; a silver-gilt and blue enamel Swedish F.A. badge from 1958, stamped C G Hallberg; eight identical 1958 World Cup gilt-metal & enamel stick pins, by Sporrong & Co.; and 14 various lapel badges from the 1970 World Cup; the lot also including two white-metal medallions for the 1954 Cup/FIFA 50th anniversaty; and a Chile 1962 World Cup medallio, good condition, (27) The following lots 765 to 781 were awarded to Italian Sports Official Ottorino Barassi

A small collection of coins to include a Victorian crown and half crown, together with an Italian bronze medallion ‘MICHEL PIU CHE MORTAL ANGEL DIVINO’, PEL QUARTO CENTENARIO IN FIRENZE MDCCCLXXV’, (commemorating four centuries from the birth of Michelangelo) other earlier coins, etc

Tübingen, Studio Wasmuth, 1969. Softcover, 22.5 x 21 cm, 240 pp. In transparent plastic sleeve. German edition of this important review of arte povera with numerous b/w photos of works and texts by artists such as Joseph Beuys, Alighiero Boetti, Eva Hesse, Walter De Maria, Bruce Nauman, Dennis Oppenheim, Giuseppe Penone, Michelangelo Pistoletto, Robert Smithson, Gilberto Zorio and many others. Browning to spine and age toning to interior papers, generally a fine copy.

Cerquozzi, Michelangelo (Umkreis), 1602 in Rom; gestorben 6. April 1660 ebenda: Wirtshausszene: Bambocciade-Malerei Rom, 17. Jh.Zechende Bauern vor Küchenstilleben, im rechten Bereich Ausblick durch einen Torbogen auf Figuren an einem nächtlichen Lagerfeuer. Öl auf grobem Rupfen, am Oberrand monogrammiert "S. f(ecit)", rückseitig bez. "Giovanni Steen Pittore Fiamingo" und "M Cerquozzi", sowie alte Auktionsbeschreibung. Ca. 45x26cm, aufwendige antike italienische Goldleiste. Alterscraquelée, 17. Jh. Cerquozzi war mit vielen Nordeutschen Bambocciade-Malern befreundet ( u.a. Jan Stehen, Pieter van Laer, Jan Miel u. Jacob de Hase (gen. Giacomo Fiammingo) und kopierte deren Stil ab ca. 1630.

MICHELANGELO CERQUOZZI (ITALIAN 1602-1660) AND ANGELUCCIO (ITALIAN 1620-1650) ROMANTIC LANDSCAPE WITH FIGURES AND A BRIDGE Oil on canvas 122 x 153cm (48 x 60 in.)Provenance: Private collection, Trier, by the early 18th century By descent in the family By whom sold, Cologne, Van Ham Kunstauktionen, 8 April 2006, lot 1561, for €125,000 (as Michelangelo Cerquozzi and the landscape attributed to Angeluccio)With David Wade Fine Art, Yorkshire where acquired This colourful landscape is an interesting example of a collaborative work between two painters based in Rome in the mid-17th century.Michelangelo Cerquozzi was a leading member of the Bamboccianti: a group of predominantly foreign artists active in the Eternal City, who worked in the manner of Pieter van Laer (1599-1642), called il Bamboccio, producing small works that focused on contemporary Italian street-life. Cerquozzi's most accomplished pictures blend the naturalism of the Bamboccianti with strong narrative or anecdotal characteristics, exemplified here by the comedic element of the dog crouching in the foreground.Angeluccio is a more enigmatic artist by comparison, whose real name, nationality, and dates are unknown to us today. He is recorded, however, as a student of Claude Lorrain (1600-1682): the biographer Pascoli mentions him in 1730, noting that: 'Claude only had one well-known student, Angeluccio, who died young and could do little work.'1 The staffage in his pictures was usually executed by Cerquozzi, as in the present example, or else by Jan Miel (1599-1664). Interestingly, Angeluccio was also known as a draughtsman of plant studies. One of his sheets in the Kupferstichkabinett, Staatliche Museen, Berlin, may have been used as a preliminary study for the lower left quadrant of this painting.2 1 M. Roethlisberger (ed.), Im Licht von Claude Lorrain. Landschaftsmalerei aus drei Jahrhunderten, exh. cat., Munich 1983, p. 154.2 Inv. no. KdZ 14894; black pen and brush in white on blue paper, 26.3 x 41.3 cm.; M. Roethlisberger, 'Drawings by Angeluccio (= Drawings around Claude II), Master Drawings, IV, 1966, pp. 378-79, 381, no. 3 Condition Report: The canvas is relined and presents a visible craquelure across the whole surface. UV light reveals various scattered retouches, most visible on the greenery of the tree at the centre, and a few dotted restorations in the sky. Furthermore, a 8 cm L-shaped restoration is present near the river in the bottom right corner which might cover a past tear. Next the tree, near the buildings in the background, are present superficial scratchers at the layer of the varnish. To conclude, a few retouches are also visible on the figures in the foreground and there are a few dotted traces of paint loss in the bottom left corner and near the centred tree. Condition Report Disclaimer

1960s A Universal Genève 18 carat gold slim line automatic wristwatch The gold dial with a seconds hand on a leather strap With original guarantee from watches of Switzerland, dated the 25th of May 1962 Provenance: Given to Pierre Rouve by Michelangelo Antonioni Weight: Approx. 39 grams (total)

After Michelangelo, 20th century, a bronze sculpture depicting Lorenzo de' Medici, Duke of Urbino,14cm wide15.5cm deep38cm high

Franklin Mint Genius of Michelangelo by Guerrino Maltia Manassia collection of twenty eight silver medallions each 40.24g total weight 1,126.73g 

Folio Society; approximately forty eight volumes, including Egypt Revealed, The Eagle of the Ninth, Michelangelo, Shakespeare's Life and Works, Hans Anderson's Fairy Tales etc

Five bound, hardback books to include Michelangelo by Howard Hibbard. Not available for in-house P&P

This 20th century print on paper after Michelangelo features a Florentine Male Nude from a study for the Battle of Cascina. Housed in a brushed silver frame with a grey mat. Sight size: 9.50"L x 7"H. Frame size: 18.50"L x 16"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: After Michelangelo Buonarroti (Italian 1475-1564)Issued: 20th centuryDimensions: See DescriptionCountry of Origin: ItalianCondition: Age related wear.

A French bronze group of the Laocoön, After the Antique, late 19th century, Depicting the Trojan priest and his two sons being attacked by snakes, on a stepped rectangular base, with cast signature F. BARBEDIENNE. FONDEUR. and stamped with A. COLLAS BREVETTE REDUCTION MÉCANIQUE cachet, 45.5cm high, 31.8cm wide, 15.8cm deep      Footnotes: Note: This sculpture is a reduced bronze version of the Laocoön, which is one of the most iconic marble statues from Roman antiquity. It depicts a scene in Book II of Virgil’s Aeneid, where the Trojan priest Laocoön and his two sons are attacked by snakes sent by the goddess Minerva after he warned the people of Troy not to bring the Greek’s gift of the wooden horse into the city walls. The original was discovered near the church of Santa Maria Maggiore in Rome on 14 January 1506, and has since been the subjection of extensive artistic reproduction. It is mentioned in Pliny the Elder’s Natural History as a ‘work superior to any painting and any bronze’ - [Natural History 36.37]. It attracted the attention of Renaissance artists including Michelangelo and his contemporaries and it greatly influenced future works. Upon its discovery, Pope Julius purchased the statue and transferred it to the Cortile Belvedere and it is currently on display in the Vatican’s Pio Clementino Museum. This version was produced by the foundry of Ferdinand Barbedienne, 1810-1892, whose workshop in Paris specialised in bronze reductions of famous sculpture from the Antique, Renaissance and Baroque periods. Achille Collas, 1795-1859, was a French engineer and inventor who developed processes to reproduce bronzes at a smaller scale, known as the ‘réduction méchanique’, transforming the bronze industry by enabling the recreation of smaller scale reproductions of famous sculptures.   

Charlie Bears Isabelle Collection Michelangelo teddy bear, SJ 5590, 2017, LE 270/500, mohair, with swing label certificate, canvas bag, Excellent to Near Mint, 19"/48cm.

Jewitt (L), The Ceramic Art of Great Britain, 2 vols, first edition, 1878; Passavant, Raphael of Urbino, 1872; Heaton, Antionio Allegri da Correggio, 1876; Wilson, Life and Works of Michelangelo Buonarroti, 1876; Wornum, Life and Works of Hans Holbein, 1867; 4 vols, all finely bound in full calf, all edges gilt by Leighton. (6)

Lindenschmit d. J., Wilhelm von1829 München - 1895 EbendaKünstlerköpfe (Von links: Alfred Rethel, Albrecht Dürer, Rembrand van Rijn, Tizian Vecelli, Raffael Santi, Leonardo da Vinci, Diego Velasquez, Claude Lorrain, Peter Paul Rubens, Michelangelo Buonarroti) Bleistift auf Pergament · 25,5 x 47,2 cm (Sichtmaß). Nicht signiert. Blatt unregelmäßig beschnitten. Papiereinrisse. Durschlagende Montagespuren. Ohne Rahmen. Provenienz: Sammlung Fritz Aigner, Prien am Chiemsee (Im Passepartout von Aigner handschriftlich bezeichnet).

Orlik, Emil -- Bildnis Michelangelo BuonarrottiRadierung mit Schabkunst auf Japan. 1911/13.63,3 x 43 cm (80,5 x 57,5 cm).Signiert Emil Orlik" und datiert. Auflage 30 Ex.Voss-Andreae R 197 h.Druck der endgültigen Fassung mit dem Mezzotinto. Druck bei oder von Vernon, Paris. Eine Reise nach Florenz inspirierte Orlik zu dem Motiv. Prachtvoller, tiefdunkler Druck mit breitem Rand. – Beigegeben: Drei weitere Portraitradierungen von Emil Orlik: "Hermann Bahr", "Friedrich Kraus", "Leo Trotzki" 1908-18 (Voss-Andreae R 177, R 361, R 382) sowie ein Offset nach einer Zeichnung von Orlik, "Brest-Litowsk", 1918. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

TEENAGE MUTANT NINJA TURTLES (1990) - Corey Feldman, Josh Pais, Brian Tochi, Robbie Rist and Kevin Clash Autographed PosterBidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A cast-signed poster for the first big screen adaptation of the Teenage Mutant Ninja Turtles comics. It has been autographed by the character voice actors Corey Feldman (Donatello), Josh Pais (Raphael), Brian Tochi (Leonardo), Robbie Rist (Michelangelo) and Kevin Clash (Splinter). To add to the appeal of the piece, the actors signed not only with character names but also in ink that corresponds to their characters' masks.24" x 36" (61 x 91 cm)Additional Information: Signed by Corey Feldman, Josh Pais, Brian Tochi, Robbie Rist and Kevin Clash.Condition: Near MintArtist: Seiniger Advertising£200 - 400VAT Status: M

MICHELANGELO PISTOLETTO (NE EN 1933)Sans titre (Molette), 1972 Sérigraphie sur plaque d'aluminium polieSignée et numérotée 130/200 au dos100 x 70 cmSilkscreen on polished stainless steel, signed and numbered 130/200 on the backFootnotes:ProvenanceCollection particulière, ParisThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com