We found 2198 price guide item(s) matching your search

English School (mid-19th century), A Set Of Six - portraits of Old Masters, Raphael, Michelangelo, Leonardo da Vinci, Van Dyck, Rembrandt and Rubens, Each oil on board, Ovals, 20cm x 16cm, Mounted as two in 19th century elaborately carved, giltwood fruiting, vine frames

pETER BLAKE (B. 1932) pRETTY BOY MICHELANGELO, 1972 signed and numbered in pencil, screenprint, edition of 125, number 62/125. Part of the Wrestlers series (group of 5) 20.5cm x 10.5cm (plate size)

An Italian sculpted white marble model of a maiden personifying Night, after Michelangelo Buonarroti's Tomb of Giuliano de' Medici, late 19th century, portrayed wearing crescent moon corona and reclining amongst drapery, an owl beneath her raised left knee, on an architectural base, 45.5cm high, 61cm wide. The iconography of this work is more complex than it might at first seem. The figure wears the half moon crown usually associated with Diana the Huntress. This accoutrement though is indicative of the Moon and therefore Night, another and lesser known of Diana's associations. (Luna, Goddess of the Moon was associated with Diana by the Romans). The mask beneath her is suggestive of the casting off of a disguise to reveal newness behind, as happens with sleep. The owl, whilst usually associated with Athena as a symbol of Wisdom, was in the 16th century more reminiscent of witchcraft, magic and death, and therefore again, Night.

Circle of Michelangelo (1475-1564) - Sepia ink drawing - Study of a figure of the Sistine Chapel, 12.25ins x 10.5ins, bears collector’s seal in black, in gilt moulded frame and glazed Illustrated £500-800 Note : Thought to be from the collection of Dr. C. D. Ginsburg, and collector’s seal on lower left corner

Michelangelo Politi - 19th Century hand coloured etching on papyrus - A family of Sicilian leather workers with their horse and cart, signed Michelangelo Politi, Siracus, 25cm x 30cm

*Ocean Liners. A miscellaneous collection of coloured and sepia postcards of these vessels, subjects include SS 'Orsova', T/S 'Michelangelo', 'Berlin', 'Bremen', 'Andrea Doria', 'Oceania', SS 'United States', 'Queen Elizabeth II', and others, together with a collection of Norddeutscher-Lloyd and Hamburg America Line menu cards, approx. 60 cards including duplicates, 8 menu cards and another item, contained in a folder, some cards loose, plus a miscellaneous collection of coloured and sepia postcards of steam and sailing ships, continental port scenes and associated subjects, 31 cards contained in a folder (-)

After Michelangelo, an Italian white marble figure group 'The Pieta', 20th century, after the antique. 46x37cm.

A black lacquered cigar box and an alabaster desk weight modelled as a book with a profile of Michelangelo

After Michelangelo, 'Moses Seated holding a large manuscript', a terracotta maquette, 19th century, 37cm high.

The Sculptures of Michelangelo, a Phaidon publication and a Plan for the City and County of Kingston Upon Hull, prepared for the City Council by Edwin Lutyens and Patrick Abercrombie, published by Brown and Sons 1945 (2)

Sir Eduardo Paolozzi 1924-2005 moonstrips empire news (Volume 1) complete set of 100 screenprints of images and text loose 8 signed and numbered 309 / 500 contained in a formed acrylic box 38x24.5cm.; 15x10in. Screenprinted by Kelpra Studios London and published by Editions Alecto London 1967 in an edition of 500 with 50 artist's proofs numbered and stamped with printer's and publisher's marks. The eight signed and numbered images are titled: Secrets of the Internal Combustion Engine; Cover for a Journal; Erni and T.T. at St Louis Airport; Memory Core Units; Donald Duck meets Mondrian; Formica-Formikel; High Life; The Silken World of Michelangelo.

Beurdeley, Michel and Cecile, Chinese Ceramics translated by Katherine Watson, London, Thames and Hudson, 1974, folio (320mm x 275mm.), half title, illustrations, many colour and full-page, original cloth gilt, spine lettered in gilt, pictorial dust-jacket, and slip-case With a number of other works including, Peter Sadecky Octobriana and the Russian Underground (London, 1971), Robert Lobl Wien in Farben... (Innsbruck, 1975), Creighton Gilbert History of Renaissance Art... (New York, n.d.), Nicolas Powell The Sacred Spring The Arts in Vienna1898-1918 (London, 1974), Denis Grivot Autun (Lyon, n.d.), Ludwig Goldscheider s Michelangelo... (London, 1967), and Norman Denny & Josephine Filmer-Sankey The Travels of Sir John Mandeville (London, 1973)

MICHELANGELO MEUCCI A STILL LIFE OF DEAD GAME Signed, inscribed and dated 'Firenze 1876', oil on panel, oval 47cm x 37cm

Phaidon. The Paintings of Michelangelo, The Sculptures of Michelangelo, Donatello, Rodin, Velazquez, Etruscan Sculpture, Roman Portraits, The Paintings of Jan Vermeer, Rembrandt, The Impressionists, Leonardo da Vinci, 1939-48, all 1st eds. (except final three), col. and b & w illusts., all orig. cloth, folio (11)

World, silver medallic covers: USA Bicentennial, 1976, Apollo-Soyuz, 1975, Concorde, 1978 & Michelangelo, 1975 (4)

A plaster reproduction depicting the figure of David, after Michelangelo, on plain white plaster plinth, overall height 147cm.

Miniature - Italian School, 19th century (after Michelangelo) Venus Awakened By Cupid On ivory, 5.5cm x 7.7cm, gilt brass mounted ebonised frame

Ramsden (EH), The Letters of Michelangelo, 1963 2 vol set in slip-case. With: Friedlaender's From Van Eyck to Bruegel (1956, in dw); & Studies in the History of Art dedicated to William E Suida on his eightieth birthday (1959, in dw & with slip-case) (3)

Vignola (Giacomo Barozzi da, 1507-73). Regola delli cinque ordini d'architettura, Libro primo et originale, Rome, Andreas Vaccarius, 1607, eng. title, and forty-five eng. plts. (numbered I-XXXXV), contents entirely close-trimmed, and laid down in late 18th-c. calf-backed folio boards, worn, folio (approx. 41. x 27.5 cm). This edition includes designs by Michelangelo. BL copy incomplete. (1)

History of Art published Heron Books, London, 19 volumes; a History of the English House by Nathaniel Lloyd; and various books on art and architecture including Michelangelo 2 volumes

Follower of Jacopino del Conte Portrait of Michelangelo Buonarroti (1475-1564), half length, wearing black inscribed upper centre: MICHELANGELVS BONAROTTVS oil on panel, brushed on the reverse: Dek / No.100 66.5 by 51.5 cm.; 26.125 by 20.25 in.

A set of six 19th Century Italian lava oval miniature profiles depicting Italian Renaissance artists - 'Raphael', 'Michelangelo', 'Leonardo da Vinci', 'Correggio', 'Albani' and 'Titian', each 1.25ins x 1.125ins (unmounted)

Michelangelo Meucci (Italian, 19th Century) Hanging game signed 'M. Meucci' (lower right) oil on board, oval 8 x 6 in. (21 x 16.5 cm.)

A collection of nine bronze and spelter studies, 19th century and later. To include figures after michelangelo, a figure of mercury and others.

GOLDSCHEIDER,Lugwig, 'Ghiberti' Phaidon press, 1949. 1st edn. Fo. Tog. with 2 Letters relating to the book. Plus 'The Sculptures of Michelangelo' by same. Phaidon, Fo. 2nd.edn. 1950 Plus other Art. 5

A group of approximately 25 books including: Ivan Fenyo, North Italian Drawings, New York 1966; Pouncey and Gere, Raphael and His Circle; 2 vols, London 1962, Johannes Wilde, Michelangelo and His Studio, London 1953; Popham and Pouncey, XIV-XV Centuries, 2 vols, London 1950 (25)

Michelangelo (Buonarotti). The Sistine Chapel, Text by Frederick Hartt, Commentary on the Plates by Gianluigi Colalucci, Note on the Restoration by Fabrizio Mancinelli, Photographs by Takashi Okamura, 2 vols., pub. Barrie & Jenkins, 1991, num. fine col. illusts. from photos., many folding, orig. cloth with red morocco labels to spines, slipcase and orig. packaging, folio. Limited edition 168/500. (1)

Dearden (Harold, 1888-1962). Pulpit in the Baptistery at Pisa, by Niccolo Pisano, Tomb of Lorenzo de Medici, by Michelangelo, Font & Tabernacle in the Baptistery of the Duomo, Siena & The Pazzi Chapel, Santa Croce, Florence, together four early 20th-c. pencil and wash studies, two signed and dated November 1910, approx. 75 x 56cms., together with other similar studies of architectural details, incl. The Propylaea at Athens, a Pompeian Ornament in gouache colours, etc. (a folder).

Monaco (Domenico). Specimens from the Naples Museum, One Hundred and Sixty-Five Plates Engraved on Copper by the Best Italian Artists, Illustrating Five-Hundred Objects from Every Branch of Art and Archaeology, Naples, 1895, num. b&w illusts. and folding plts., orig. cloth gilt, sl. dampstained to extremities, 4to, together with Weinburger (Martin). Michelangelo The Sculptor, 2 vols., 1967, num. b&w illusts., orig. cloth gilt with d.j., printed cardboard slipcase, 4to (2).

Michelangelo (Buonarotti). The Sistine Chapel, Text by Frederick Hartt, Commentary on the Plates by Gianluigi Colalucci, Note on the Restoration by Fabrizio Mancinelli, Photographs by Takashi Okamura, 2 vols., pub. Barrie & Jenkins, 1991, num. fine col. illusts. from photos., many folding, orig. cloth with red morocco labels to spines, slipcase (with a few minor marks), folio (2)

An Italian micromosaic Chronological Rome round table by Michelangelo Barberi, with an ebony and ormolu base, circa 1845, the micromosaic top with medallions on a red square shaped cartouche and a black marble ground, signed 'Cav Barberi, 148 via rasella' centred with a view of St. Peter's Square, and roundels and ovals representing the four epochs of Rome, the inner circle with pink marble cartouches between olive branches and wreathed Imperial eagles: I The Colosseum, II The Arch of Constantine, III The Pantheon, IV The Roman Forum. The outer circle with round medallions: I Temple of the God Rediculo, II Trophy of Arms of Captured Vej, III The Tarpejia Fortress, IV Portrait medallion of Scipio Aphricanus Consul, V Tomb of the Horatii and the Curiatii, VI Trophy of Arms of captured Etruscans, VII Temple of Vesta, VIII Medallion of Numa Pompilius, IX Grotto of the Nymph Egeria, X Trophy of Arms of captured Latins, XI Mount Palatine, XII Medallion of Gregorius XVI PO.MA.A.XII,XIII Tomb of the Metella, XIV Trophy of the Arms of defeated Carthage, XV Bridge of Luccano, XVI Medallion of Augustus Imperator Caesar within an ormolu border with egg and dart type band, the base with an ebonised oak cruciform support, on an ebony baluster column with shell and acanthus mounts, the concave sided triform with masks on three griffon supports and paw feet with recessed brass casters, 93 high x 102cm diameter

After Michelangelo Lorenzo de' Medici, Duke of Urbino bronze, 52cm high.

MICHELANGELO BUONARROTI. The Letters . . . Translated from the Original Tuscan, Edited & Annotated by E. H. Ramsden. Peter Owen, 1963. 2 vols., 4to., orig. cloth gilt, d.ws., slipcase. Plates.(2)

Twenty five books relating to art to include; Sitwell S, Conversation Pieces; Rewald J, The History of Impressionism; Goldschieder L, Michelangelo; Berenson B, Italian Painters of the Renaissance

Royal Crown Derby Strainer, Pin Dish, Small Michelangelo Plaque, Wedgwood Glass Elephant Paper Weight, Sylvac Posy Vase And Poole Flower Ring

Cundall (H.M.) Birket Foster R.W.S., front hinge cracked, original decorative cloth, spine slightly faded, 1906 ~ Marijnissen (Roger H.) and Peter Ruyffelaere. Hieronymus Bosch, the Complete Works, n.d. [c.1980] ~ Hartt (Frederick) David, by the Hand of Michelangelo. The Original Model Discovered, 1987 ~ Deuchar (Stephen) Sporting Art in Eighteenth-Century England, a Social and Political History, 1988; and c.56 others, Fine Art and related subjects, 8vo & 4to (c.60).

Buonarroti (Michelangelo, nephew of the artist) Il Natal D'Ercole, woodcut title vignette, some light soiling, small marginal wormhole affecting final 4ff., modern half cloth, slightly rubbed, Florence, Stamperia de' Giunti, 1605; Il Giudizio di Paride, woodcut title vignette, a little light soiling, modern half calf, slightly rubbed, Florence, Stamperia de Sermartelli, 1608, 4to (2). *** The first mentioned was written in honour of the visit of Alfonso and Luigi d'Este to the Medici court where it was performed.

MICHELANGELO MEUCCI (Italian School, late 19th century), "A still life composition with hanging robin and greenfinch", oil on board, signed, inscribed "Firenze" and dated 1873#11;, 8.5 in (21.59 cm), 6.5 in (16.51 cm)