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A CANTAGALLI MAIOLICA DESSERT SET OF A COMPORT AND SIX PLATES

Carltonware blue ground tapering oviform chinoiserie vase, circa 1930, printed W&R factory marks, 26cm high, a Dresden-style bottle-shaped vase, printed and painted with figures in garden landscapes alternating with bouquets on turquoise ground, crown and spurious interlaced L marks, an early 19th century English blue ground spill vase painted with a river landscape and an Italian maiolica mythical beast candlestick, Manganese FF and indistinct numerals (4) (damages) 

Three Italian maiolica rectangular painted portrait tiles, each painted in the early 16th century style, the first comprising a pair of gentleman (approx. 30cm x 16cm) and companion (approx. 32cm x 16.5cm) in profile in Renaissance dress (one extensively damaged), the other framed, painted with a Bella Donna in prayer (approx. 45cm x 30cm), initialled AD, within parcel gilt wooden frame, the tiles approx. 

A 1930s Focaccia e Melandri, Faenza maiolica vase, 18cm

Angelo Minghetti, a late 19th century Italian maiolica Half length model of a Renaissance child holding an apple, 24cm

AN ITALIAN MAIOLICA RECTANGULAR PLAQUE IN THE CASTELLI-STYLE. Painted with St George defeating the Dragon in landscape, inscribed 'Fornaci Che Furano Ristaurate Di Marzo' below indistinct initials and a possible date '1...18', probably 19th century, pierced for hanging, 28.7cm x 23.2cmSome chipping and losses to glaze, chipping to corners and wear.

A CALTAGIRONE MAIOLICA BOTTLE-SHAPED VASE, 17-18TH CENTURY. With tall neck, painted overall with flowerheads and scrolling foliage in yellow, green, manganese, on a blue sgraffito pattern ground, 22.8cm highOverall in good order, with two circular patch of glaze flaking to body, minor losses to glaze at upper rim, some chipping to glaze at the foot rim, inscribed in ink with collection no. a13163

THREE ITALIAN MAIOLICA CASTELLI-STYLE FLARED BEAKERS, 18-19TH CENTURY. Painted with rustic figures and putti within landscape, signed CF, 7.3cm high (3)One with a rim chip, the others with very minor small chips/glaze flaking to rim, slight glaze flaking, minor wear, with some sanding to the interior.

ITALIAN MAIOLICA LARGE BLUE AND WHITE DISH LATE 17TH/ EARLY 18TH CENTURY, PROBABLY SAVONA painted to the centre with a coat of arms, the well and rim moulded with scrollwork detail, the arms enclosed within alternating panels of ships and buildings, with foliate designs to the shaped rim, underglaze blue shield mark to the reverse, bearing a paper label for D. M Archer 38.5cm diameter Provenance: Great House, Dedham, EssexThe Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

CASTELLI MAIOLICA CHARGER LATE 17TH CENTURY, WORKSHOP OF GRUE painted in the centre with a battle, probably a scene from the Wars of Alexander the Great, after Antonio Tempesta (1555-1630), the wide rim painted in colours of yellow, green, blue and brown with symbols and trophies of war  43cm diameter The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, LondonGreat House, Dedham, Essex

SMALL CASTELLI MAIOLICA PLATE 18TH CENTURY, POSSIBLY WORKSHOP OF GRUE painted in the centre with a scene depicting 'the man who fell among thieves', the rim painted with stylised scrolling acanthus leaves  22cm diameter The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, LondonGreat House, Dedham, Essex

CASTELLI MAIOLICA ARMORIAL TAZZA TOP DEPICTING SAMSON AND DELILAH 1706-1753, WORKSHOP OF GRUE painted with a scene of action depicting Samson's betrayal by Delilah, after the print by Raphael Sadeler from the series ‘The Power of Women', dated 1589;  showing Samson being seized by armed Philistine soldiers and having his hair cut with scissors; within a classical architectural setting, with two putti flanking an armorial crest above, the arms for Cardinale Tommaso Ruffo (1663-1753) 29.2cm diameter The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, LondonGreat House, Dedham, Essex

CASTELLI MAIOLICA CHARGER 1706-1753, WORKSHOP OF GRUE painted in the centre with a scene depicting a robed woman seated beneath a tree, reading a book at her feet, a lion alongside, with a bridge, river, buildings and figures in the background, the rim painted with winged putti on a yellow ground, with a pair of putti flanking an armorial for Cardinale Tommaso Ruffo (1663-1753) 35cm diameter The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, LondonGreat House, Dedham, Essex

A pair of large Savona maiolica armorial chargers, 18th century, painted in blue with a double armorial of two crested shields within a crowned foliate cartouche, the wide rim with landscape vignettes and flower sprays, the undersides with beacon light marks for the Levantino family of Albissola, 38.6cm. (2)

A large Cantagalli maiolica vase, late 19th/early 20th century, the bombola form decorated in the Caltagirone manner with a continuous design of flowering branches on a deep blue ground, blue cockerel mark, 33.5cm.

A Castelli maiolica saucer, mid 18th century, painted with a seated figure wearing a ruff and a blue smock, a dog begging before him, with trees and ruined Classical columns behind, yellow line rim, a little good restoration to the rim, 15.4cm.

A small North Italian maiolica drug or pill jar, dated 1724, painted in blue with flower and foliate scrolls around a narrow banner inscribed 'PILre AGGRGATIVE', above a shield containing a star above a fleur de lys, dated in manganese to the back of the shoulder, 12.3cm.Pilulae Aggregativae were purgative pills made from a range of ingredients including rhubarb, aloe, larch agaric, scammony and turpeth root. They were used primarily in the relief of headaches and gastric complaints.

Three pieces of Alfredo Santarelli lustre maiolica, tallest 16cm

A Maiolica dish and cover, decorated in relief with flowers, 23cm long

A PART CAULDON TEA SERVICE, SEVRES STYLE with other part tea and coffee services by Wedgwood and Aynsley, Italian maiolica dishes and other ceramics

Late 17th/early 18th century Italian maiolica wet drug jar, inscribed 'Rosato Solutivo' (syrup of roses), 19.5cm high, together with two Italian or Spanish polychrome maiolica tiles, decorated with a man fishing, and a boar (3)The jar has losses and chips, including to handle and spout. It also has some glaze wear / frost damage. The tiles have some edge losses and glaze wear.

A group of Victorian Maiolica pottery, including 2 jugs, a plate, jar and cover, and a Wedgwood Vesta (6)

A Spanish maiolica ashtray, bearing date 1898, 21cm diameter

Three Maiolica chargers, all having figural scenes, marks to base on two 33cm diameter and smaller (3)

Two Maiolica chargers, one depicting a courting couple, the other Poseidon, 35cm

Miniatur-Pilgerflasche im Renaissance-Stil Majolika. Beidseitig abgeflachte Form, seitlich reliefierte Masakarons. Polychromer Dekor, schauseitig ein Fabelwesen. Manufakturmarke. H. 13 cm.A miniature polychrome painted maiolica pilgrimbottle. Manufacturer's mark.Italien. Doccia. Richard Ginori. Um 1900.

Two mid-20th Century Italian Grazia Deruta maiolica jugs, both with hand-painted foliate decoration centered by a crowing cockerel, the smaller dated 1953, tallest 19 cm, (small chip to spout of smaller)Qty: 2

A Spanish Talavera or Puente del Arzopbiso circular maiolica bowl, the first quarter of the 18th century, with white tin glaze painted with a rearing horse in a wooded landscape in tones of copper green sienna, ochre, cobalt and manganese.28 cm diameter x 13 cm high.A private estatesome edge chips and some fine cracks in the body running from the rim

An Italian maiolica bust, in the manner of Angelo Minghetti, Bologna, depicting a Renaissance youth, 27cm wide, 19th century (faults)

An Italian maiolica table lamp with moulded glass shade, 74cm

A 19th/20th Century Minton style Maiolica centre piece with a bowl supported by two rabbits, 30cm diameter

A Slavonic three section brown glazed earthenware puzzle jug and pair of 19th century Portuguese lizard handle maiolica vases and two other similar items, largest 28cm high

19thC Italian Cantagalli Maiolica table centrepiece in blue glaze with griffin supports. 36cm in Length

An Italian maiolica albarello. G. Stirac Calam, height 27.5cm together with a Dutch delft pastille burner modelled as a large house with a turret decorated in polychrome, makers mark to base and a maiolica Firenze bowl.

A stunning English Maiolica pottery clock, adorned with cherubs, 4 cherubs in total, with 2 supporting the main clock Atlas style, clock in non working and lidded top is missing finial, H59cm

A 20thC Urbino Maiolica pottery dish, decorated with a central portrait within borders of scrolls, flowers, etc., 37cm diameter.

A pair of Cantagalli Maiolica vases, late 19th/ early 20th century, of twin handled globular form, each decorated with Urbino style landscape scenes, with double yellow serpent handles, upon three paw feet, painted maker's mark to base, each 15cm high (2) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates  Condition report: Each vase shows surface wear commensurate with age and use, including small chips and surface scratching. Firing frits and pits are seen on both vases, and each would benefit from a clean. No other obvious signs of damage or restoration.

Italian maiolica style wall plaque with Christmas scene of Mary and baby Jesus, 41cm tall. (af)

A large 19th century Islamic/Haspano Moresque Maiolica Alhambra two handled vase decorated deer and foliate scrolls on a yellow ground, 50cm high

An Italian Deruta Maiolica jar and cover, decorated sunflowers with lemons and having horse head handles, 39cm high, together with an Aqua Di Menta jug, 23cm high (2)Condition ReportThe cover has glaze chips to the rim and chips to the inner rim. The jar has several small glaze chips to the body, both handles have chips and the lower rim is also chipped. The jug has some glaze chips to the handles, neck rim and base rim.

Zuppiera in maiolica bianca con manici leonini. Manifattura Castelli, XIX secolo altezza con coperchio cm 28; senza coperchio cm 17,5Coperchio non pertinente con presa con base a fiore a rilievoPiccola rottura della presaLievi felature diffuse

Biscottiera con decoro fiorato blu sull’orlo e con serto di fiori rossi sul coperchio. Manifattura Castelli, 1914 altezza con coperchio cm 30; senza coperchio cm 26; Ø cm 18 Rottura nella presa del coperchio Sul fronte la scritta “W Castelli” in serto di fiori rossi e blu. Al retro monogramma con data 23 7 1914” inserito all’interno di decoro fiorato. Finti manici in maiolica gialla. Piccole cadute di colore.

Filosofo col turbante che legge. Piatto in maiolica con la tesa decorata in azzurro a monticelli alternati a motivi filiformi imitanti ciuffi d'erba. Manifattura Deruta della seconda metà del XV secolo Nel cavo un profilo virile barbuto che tenendo in mano un libro ed avendo la testa cinta da un turbante potrebbe far pensare ad un ritratto ideale di un filosofo.Maioliche con lo stesso decoro nella tesa sono conservate nella raccolta del Museo delle Arti Decorative del Castello Sforzesco di Milano 

Zuppiera in maiolica caratterizzata da tre mascheroni muliebri a rilievo. Decori alternati tra serti fioriti e reticolato. Manifattura Castelli, prima metà del XIX secolo altezza cm 21 Tre zampe leonine poggiano su base a disco bianca e blu Mancanza all’orlo con felature che corre verticalmente Lievi cadute di smalto stannifero Lievi rotture alla base

PANATA CON DONNA, FIORE E LETTERA "A". Manifattura dell'area umbro-laziale dei primi decenni del XVI secolo Boccale (Panata) in maiolica con una riserva racchiusa da un motivo a scaletta azzurro con al centro un ritratto femminile di "bella" affiancato da un motivo fitomorfo a sinistra e a destra da una lettera A in carattere capitale, sicuramente iniziale del nome della donna raffigurata.Probabile gamelio, quindi dono di fidanzamento.

XVIII secolo Antico calamaio in maiolica nei colori dell'ocra, celeste e manganese arricchito con decoro fiorato XVIII secolo cm 6x19x14,5Mancanze e rotture ai bordi

Vaso globulare in maiolica decorato al fronte con stemma con tre monti probabilmente della famiglia Chigi e al retro con le caratteristiche foglie accartocciate (altrimenti dette foglie gotiche) tipiche delle produzioni centro italiane faentine e toscane della metà del Quattrocento. Manifattura di Deruta degli ultimi decenni del XV secolo Decoro con motivi a monticello e filiformi a ciuffo d'erba sul collo e alla base,Esemplari simili per riscontro si rinvengono nella donazione Angelo Fanfani al M.I.C. Museo Internazionale delle Ceramiche di Faenza.

Grande anfora in maiolica con ansa serpentiforme e con decoro a grottesche di gusto rinascimentale. Manifattura Napoli Gaetano Battaglia, XIX secolo cm 64,5x22, Ø cm 13,5 Al centro ed in una riserva ovale, nobildonna con due suore oranti accolgono due cavalieri all'ingresso di un palazzo turrito. La manifattura è ascrivibile al napoletano Gaetano Battaglia, alllievo del maestro Fedele Cappelletti di Rapino (CH)

Coppia di centrotavola in maiolica con anse serpentiformi e zampe leonine. Manifattura A. Ciulli, inizi del XX secolo. Centrotavola marrone: cm 49x31Il decoro è di gusto rinascimentale e sulla tesa sono presenti raffaellesche, mentre al centro del cavo un gioco di putti. Il decoro nell'insieme riprende le forme e gli stilemi della maiolica metaurense del primo '600. Centrotavola blu: cm 20x47x30,5Il decoro è di gusto rinascimentale e sulla tesa sono presenti raffaellesche, mentre al centro del cavo una scena galante tratta da un dipinto di Francois Boucher. Il decoro nell'insieme riprende le forme e gli stilemi della maiolica metaurense del primo '600.

Piccola brocca in maiolica con decoro al fioraccio. Manifattura di Palena, fine del XIX secolo altezza cm 17

Orcio biansato in maiolica con decoro in bicromia verde ramina ed arancio con decoro a stemma gentilizio sul fronte e uccello al retro. Manifattura senese (San Quirico d'Orcia) della prima metà del XVIII secolo. Bibliografia di riferimento: "M. Anselmi Zondadari ed altri: "Ceramica chigiana a San Quirico: una manifattura settecentesca in Val d'Orcia, in San Quirico d'Orcia", Donchisciotte, 1996.

Piatto in maiolica con decoro della tesa a finte baccellature e al centro del cavo un ritratto virile posto di profilo. Manifattura area umbro-laziale della fine del XV e primi decenni del XVI secolo Tutto il retro del piatto è decorato al bordo con un motivo alternato fogliato in blu e manganese terminante con piccoli asterischi blu, mentre al centro campeggiano in caratteri capitali blu su fondo bianco le lettere M A divise a loro volta da un asterisco. 

Grande zuppiera in maiolica bianca con coperchio con presa a pigna e iniziali A.R. In blu. Manifattura Castelli, XVIII secolo altezza con coperchio cm 32; senza coperchio cm 20 Al coperchio probabili iniziali del proprietario. Decori fogliati a rilievo a simulare prese. Grande felature che attraversa la zuppiera verticalmente. Lievi felature e piccole cadute di smalto.

Vaso monoansato in maiolica bianca di forma ovoidale con coperchio con presa a frutto e manico a nastro. Manifattura Castelli, fine del XIX secolo altezza cm 25 Rottura alla base del coperchio.

Mixed Lot: Victorian blue and white two handled dish together with a further modern Maiolica style wall plaque (2)

A PAIR OF 19th C. MAIOLICA ALBARELLI, EACH PAINTED WITH COURT SCENES ABOVE SUC D PETROSIN AND SUC D PAPAY RESPECTIVELY. H 42cms.

A box containing a quantity of ceramic, glass and other collectable items including skull form drinks bottles, Italian maiolica lidded jar, etc.

Cantagalli Maiolica pottery table centre bowl, length 40cm, A/FBowl has been broken in 2 and re-glued, several other glaze chips around the rim

Full title: A pair of fine Chinese famille rose trembleuse stands or 'mancerina', QianlongDescription:L.: 25,5 cm – H.: 4 cm (the stands)Dia.: 7 cm – H.: 4,5 cm (the cups) Provenance:- The collection of Tove and Karl Emil Stromstad (born 1936), Norway. - Acquired in 1894 by or from Thomas WU (?), for the price of GBP 5.50 each, according to the label on the base. Ref.:- Christie's, The Tibor Collection, New York, April 10, 2019, for a nearly identical pair. (sold USD 5.000) (External link available on rm-auctions.com)The accompanying text states:The mancerina is closely associated with the Hispanic market and with the Spanish custom of chocolate drinking. Both chocolate and silver of course came from the Spanish New World, so it is fitting that this form was often made in silver as well as in Spanish maiolica. It is said that the 2nd Marques de Mancera, Viceroy of New Spain 1664-1673, had a palsied hand and thus needed the all-in-one cupstand, which took his name, though none survive from this early period. Interestingly, a very similar form exists in Chinese ceramics of the Song period, which may have influenced the development of the export examples.For a Mexican silver mancerina see H.R. Borrell et al, The Grandeur of Viceregal Mexico, p. 380. An almost identical single export mancerina is in the Museo Nacional de Historia, Mexico City, and illustrated by M. Priyadarshini, Chinese Porcelain in Colonial Mexico, p. 123. - Denver Art Museum, Accession Number 2017.143, for a similar yet less elaborate example. (External link available on rm-auctions.com)The accompanying text by Jorge Rivas Perez states: This large Chinese famille rose mancerina decorated with flowers is a specialized item found in chocolate services. The mancerina is a deep, wide saucer, often in the shape of a seashell, with a cup holder in the center to hold the jícara (chocolate cup) in place and prevent it from tipping over. It was invented in Mexico in the mid-1600s and named after Don Antonio Sebastian alvarez de Toledo Molina y Salazar, 2nd Marquis of Mancera, and Grandee of Spain (c. 1608 - 1715), a Spanish nobleman who was Viceroy of New Spain (Mexico) from 1664 to 1673.Mancerinas became very fashionable across the Spanish empire during the colonial period and were manufactured in both silver and ceramic. In the 18th C., thanks to the trade with Asia via the Manila Galleon, porcelain mancerinas were also produced in China for the Mexican market. This example, a Qianlong period (1736-1795) famille rose mancerina decorated with flowers from circa 1760-70, is representative type of the Asian export wares for the Spanish market.Condition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.

Full title: A polychrome Italian maiolica 'mythological subject' plaque, Castelli, 18th C.Description:Dim.: 27 x 20,5 cmCondition reports:Condition reports (unless otherwise specified above):Please contact us on info@rm-auctions.com to request a condition report. Condition reports and high resolution pictures are made available on our website at www.rm-auctions.com. The full list of available condition reports for this sale is available on this link: https://www.rm-auctions.com/en/condition-report/77.