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Click here to subscribeA 19th Century Minton maiolica heron and fish pattern ewer, by Hughes Protat, the ewer modelled in the form of the figure of a standing heron with a pike in his beak, on oval base with lily pad and reeds, 21.5ins high (base impressed Mintons - date code for 1876 and mould No. 1241 - with restoration to crest of heron, neck and mouth of fish)
A Castelli circular Maiolica roundel, Grue workshop, possibly by Nicola Cappelletti (1691-1767), late 17th/early 18th century, depicting a capriccio landscape of a river, two trees in the foreground, with figures by a ruined column, looking across to a town with hills, (large rim chip, 2 small chips). 18.5cm diameter
A Mintons (Kensington Gore Studio) 'Maiolica' Dish 1886, painted by E Welby, signed and dated, with a central female portrait framed by a saturated blue ground border filled with five amorini in a continuous acanthus meander with a central escutcheon, artist's marks, impressed date code, {43.2cm}. See lot 89 for illustration.
A 19th Century Italian maiolica charger of the Faenza factory in the Urbino style, the centre painted in colours with a standing figure of Ceres with Mercury and other attendants, the wide borders decorated in blue with mythical beasts, cherubs and bold leaf scroll ornament and with four small shaped reserves painted with views of cupid at various pursuits, 24.5ins diameter, with painted mark to base and dated 1885 (slight fritting to rim)
CONTINENTAL CERAMICS - A pair of maiolica plates, in Castelli style, painted in typical tones of blue, yellow and green, one with a maiden and cherub bearing a garland, the other with seahorse drawing a chariot and with mer figures, all within broad borders of disporting cherubs, flowers and scrollwork, 12.75in diam, 19th century