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Two Italian maiolica albarello, c.1730, by Francesco Antonio Saverio Grue, Castelli (1686-1747), one depicting St. Cecilia seated in a landscape alongside an inscribed pedestal, the other of St. Francis in the wilderness holding a skull, the tallest inscribed to the back 'Dr A Grue f', 22cm and 24cm highThese two albarello belong to a group of pharmacy jars depicting Saints produced by Grue c.1729-1731, with several examples on display at the Museo Nazionale della Ceramica Duca di Martina, Napoli. Most of these albarello were produced by Grue for use in the Pharmacy of Charterhouses (monasteries). Tallest heavily crazed, Minor small firing marks and tiny rim chips but essentially both in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
White majolica jug painted in shades of blue and brown with the coat of arms of Santa Maria della Scala in the center. Florence. 17th century. Defects. 20.5x11 cm approx. Brocca in maiolica bianca dipinta nei toni del blu e del marrone con stemma di Santa Maria della Scala al centro. Firenze. XVII secolo. Difetti. 20,5x11 cm ca.
Two Maiolica jars Savona, Italy, circa 1700, the first inscribed 'Unguentem de basilicon' ('Basil ointment') and the second inscribed 'Unguenrum de gistino rosa', ('Oil from rose hips'), both decorated with geometric cobalt blue borders, 17.5cm high (2) With signs of wear consistent with age and use. With chips and cracks. With firing imperfections. With crazing. With areas of flaking to the glaze.
Maiolica salt cellarItalian, possibly Faenza, circa 1600-1660, with graduating layers, the upper later painted in orange and blue with a swirling floral design, on four feet, 11cm wide x 8.5cm high x 7cm deep With signs of wear consistent with age and use With cracks. With chips and firing imperfections. Audible loose piece to the inside.
An Italian Maiolica circular charger, moulded in relief with a beauty in profile, in Renaissance dress with ruff collar, wearing a centurion motif pendant, the moulded raised border with anthemion, pedestal fruit baskets, and foliate scrolls, 35.5cm diameter, impressed 66, monogrammed "NG", c.1880
Evelina Pogliani (Pola, 1925 - L'Aquila, 1990) Grande piatto in maiolica raffigurante ragazza in costume abruzzese diametro: 45,5 cm.Al retro Ceramica d'Arte "Il Grifo" di Evelina Pogliani, L'Aquila 1982. Opera realizzata dalla pittrice aquilana nel periodo della maturità e facente parte di un trittico di ritratti di volti di donne in costumi popolari.
A Ginori Italian Renaissance Revival Hand-painted Maiolica Pilgrim Flask, 20th century, flattened baluster form, c.1870, 30cm high; Woodlesford art pottery cylindrical vase with a central band of flowers in greens and browns and standing on three scrolling feet, stamped Woodlesford Art Pottery 230 to the base,30cm high (2)
A Venetian style maiolica jar, probably 19th century, Italian, decorated in polychrome with citrus fruits and scrolling foliage, between banded and crosshatched borders,22cm diameter21cm highProvenance: The collection of Hermann Baer (1898-1977); thence by descent to the present owner.Condition ReportThe vase is structurally sound and in fair aesthetic condition overall. There are a few small chips to paint work, including one around the rim. It has a slightly warped shape but this is apparently by manufacture rather than repair. Evidence of retouching in a few areas. Please see additional images for reference.
Two maiolica waisted albarelli, mid 16th-century, Italian, each polychrome painted with a wide band of orange, blue and green stylised foliage to one side, the other with 'd c B' joined and surmounted by a four-armed cross within an oval cartouche, larger 13cm diameter23cm high (2)Provenance: The collection of Hermann Baer (1898-1977); thence by descent to the present owner.Condition ReportThe jugs are in good condition overall with no obvious signs of repair or restoration. There are small glaze and paint chips throughout and light cracking commensurate with age. A chip to one foot. Please see additional images for reference.
Bedeutender Majolika-Bildteller aus UrbinoFlache Form mit kleinem, kaum eingesenktem Spiegel. Chamoisfarbene Glasur, flächendeckender, polychromer Dekor. Szenische, mythologische Darstellung mit Apollon und den neun Musen sowie zwei Amoretten auf dem Parnass. Ger. best.; D. 26,8 cm.Provenienz: aus der über Generationen gewachsenen Sammlung Michahelles, Hamburg.An important Italian Urbino polychrome painted maiolica dish depicting Apollon and the Nine Muses. Minor chips.Italien. Urbino. Um 1550.
Ovale Majolika-Platte aus SavonaOvale, passig geschweifte Form. Flächendeckender kobaltblauer Scharffeuerdekor aus einer mythologischen Szene mit Zeus, schwebender weiblicher Göttin, Adler und Amoretten. Ger. best.; Leuchtturm-Marke. B. 33 cm.Provenienz: aus der über Generationen gewachsenen Sammlung Michahelles, Hamburg.An oval Italian blue and white maiolica bowl. Minor chips. Lantern markItalien. Savona. Ende 17 Jh.
Kleiner Majolika-Bildteller aus UrbinoFlache Form mit kleinem, kaum eingesenktem Spiegel. Chamoisfarbene Glasur, flächendeckender polychromer Dekor aus einer ruhenden Venus mit Tuchdraperie in einer weiten Landschaft. Verso alte handschriftliche Bez. (um 1900) "Dublette a.(us) d.(em) MUSEUM z. BNRAUNSCHWEIG No= 114 (/) URBINO". D. 19,7 cm.Provenienz: aus der über Generationen gewachsenen Sammlung Michahelles, Hamburg; zuvor ehemals im Museum in Braunschweig.A small Italian Urbino polychrome painted maiolica dish with reclining Venus in a landscape. Old inscription (circa 1900) with provenance on the reverse (formerly in the Museum in Brunswick).Italien. Urbino. Um 1570-1580.
Renaissance-Majolika-BildtellerFlache Form mit kleinem, kaum eingesenktem Spiegel. Flächendeckender polychromer Dekor aus einer mythologischen Szene. Verso sign. "Ganimodo"(?). D. 22,8 cm.Provenienz: aus der über Generationen gewachsenen Sammlung Michahelles, Hamburg.An Italian probably Urbino polychrome painted maiolica dish with mythological scene. Signed "Ganimodo"(?) on the reverse.Italien. Wohl Urbino. Um 1570-1580.
A PAIR OF FRENCH PORCELAIN (EDME SAMSON) JARDINIERES CIRCA 1900 Decorated in the Chinese Export style 29 x 38cm Edmé Samson (b Paris, 1810; d Paris, 1891), founder of the porcelain firm Samson, Edmé et Cie (commonly known as Samson Ceramics), was a famous copyist of porcelain and pottery. The firm produced high-quality copies or imitations of earlier styles of porcelain, mainly 18th-century European and Chinese and Japanese porcelain, but also earlier styles such as Italian maiolica.
A small Caltagirone maiolica albarello, 18th century, painted in blue, green, ochre and manganese with a band of flowerheads and formal leaf scrolls, and a North Italian drug jar, c.1720-40, of footed dumbbell form, with a manganese inscription to the waist between bands of a formal blue foliate border, small chips, 17cm max. (2)
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4115 item(s)/page