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Click here to subscribeA pair of late Victorian gold and coral double sided cufflinks, circa 1880, designed as horseshoes, the edges set with graduated coral cabochons, with bar link connections, 8.9g gross, and a pair of double sided painted porcelain cufflinks, the large oval plaques depicting a lady playing a lute, with chain link connections
A pair of 18th Century Chelsea porcelain bocage figures of a shepherd and shepherdess, he playing the Northumbrian bagpipes, a dog at his feet, she with a lute, a lamb at her feet, raised on a Rococo style scroll and gilt decorated base, bears gold anchor marks verso, 24.2 cm high(ILLUSTRATED)
A carved Pine framed Oil Painting on canvas, laid on canvas, probably late 18th c. or early 19th c. depicting a valley near an imposing castle, a figure standing under the boughs of a tree with a lute at it`s feet being approached by a dove of peace having just wounded another figure in the foreground, 35 1/2`` x 43 3/4`` approx. paint losses, severe discolouration from smoke/fire damage, tears, patches and uneveness.
Jacob Kirkman (1710-1792) A two-manual Harpsichord, London 1763, the case veneered in walnut with burr veneered sides, boxwood stringing and rosewood crossbanding, the lid with shaped brass strap hinges the facia boards with burr maple veneers, later inlays to the sound board and carved with musical instruments, a five octave key board, FF to f3 omitting FF sharp, with ivory naturals and ebony accidentals, four brass knobbed hand stops controlling two 8ft and one 4ft stop on the lower manual and one 8ft, and one 8ft, lute stop to the upper manual, on later trestle stand, inscribed on a boxwood plaque on the name baton `Jacobus Kirkman Londini fecit 1763`, 236 x 95cm (91 x 36in) Recorded by Donald Boalch in Makers of the Harpsichord and Clavichord 1440-1840, 3rd edition, Editor Charles Mould, p.433
Late nineteenth century onyx mantel clock of classical form with gold coloured ormolu mounts standing on four ornate scroll feet, eight day half hour striking movement, porcelain dial with painted floral decoration, the case surmounted by a spelter figure of a female angel playing the lute, 59cms overall height
** A fine late 19th Century silver Tray by William Comyns, the central vacant cartouche surrounded by scroll work, further `C` scrolls and foliate repousse decoration and surrounded by various exotic birds, cherubs playing a lute and a piccolo and headed by Classical style marks, gadrooned border, 14" diameter, assayed London 1897, 416.8grms, illustrated inside back cover
A George III silver vinaigrette, possibly by John Death, London 1805, the whole engraved with seaweed and flower head motifs on a trellis work background, the gilt grille pierced and engraved with a lute resting on a sheet of music, 3cm long, together with a William IV silver vinaigrette, by Thomas Edwards, London 1831, engine turned with reeded sides, with a gilt foliate pierced and engraved grille, 3cm long, and a smaller silver example, by William Simpson, Birmingham 1838, hatch engraved with reeded sides, with a gilt scroll pierced and engraved grille, monogrammed, 2.5cm long (3)
A silver menu holder, Birmingham 1907, in the form of a stag`s head; a novelty silver ornament, Chester import mark 1904, sponsor Berthold Muller, modelled as a cherub on a bench serenading a bird with a lute; a copy of the Coronation Throne, Birmingham 1936; a miniature three tier side table; and a Chinese export miniature of a chair
Nine diminutive Derby porcelain figures of Turks, late 18th/early 19th Century, each standing on a gilt enriched scroll moulded base, comprising five women and four men, incised `No. 63` to bases (faults and restoration), together with a slightly bigger Derby figure of a girl playing a lute (restored).
Dolls’ house accessories: black and gold tiplat coal-box, two Moses baskets, gold coal-bucket mirrir, wall box, parasol stand (with two parasols), music book, cuckoo clock, bath tub, lute, guitar, iron, five fire irons and red and yellow bellows, a mantel picture frame, tazza, oil lamp, two silk slippers and ‘The Pit a Pat Piano (28)
SET OF ROYAL DOULTON FIGURES - LADY MUSICIANS 12 limited edition figures including, Viola HN 2797, Cello HN 2331, Dulcimer HN 2798, Hurdy-Gurdy HN 2796, Flute HN 2483, Harp HN 2482, Chitarrone HN 2700, Lute HN 2431, Virginals HN 2427, French Horn HN 2795, Violin HN 2432, Cymbals HN 2699. All bar one with certificates.
Ferdinand Victor L‚on Roybet (1840-1920) Musician Ferdinand Victor L‚on Roybet (1840-1920) Musician with lute watercolour signed lower left 26 x 19 cm (10 x 7 1/2 in) Maurice Blum. Three Musketeers watercolour signed lower right 16 x 12.5 cm (6 1/4 x 5 in) Alfred Andr‚ Geniola. Les Amantes watercolour over pencil signed lower right 18.5 x 14 cm (7 1/4 x 5 1/2 in); all unframed (3) Condition report: the first with slight spotting all 3 laid down onto card support
A late Georgian mahogany converted instrument case, the upper section with twin glazed doors enclosing shelves over a fall front secretaire, with applied lute and scrolling acanthus decoration over twin panelled concave doors flanked by cable twist pilaster columns to either side on hairy paw feet, bearing original label `Self Performing Harp and Flute invented and manufactured by Clementi & Company, 26 Cheapside, London`, 51" wide x 79" high.
A Chinese blanc de chine figure of Guanyin, modelled standing wearing a flowing robe holding a bottle vase raised upon a incised rockwork base, height 29 cm, together with a Chinese blanc de chine Oriental figure, modelled as a warrior wearing a robe and sword raised upon a square plinth base, height 28 cm and a Chinese terracotta cream glazed seated figure, playing a lute, height 15 cm, (3).