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A 19TH CENTURY ENAMEL AND DIAMOND PENDANT Designed as a polychrome enamel lute player within a pastel enamel floral surround with rose cut diamond points, to a later bale, fitted case by Wartski Size/dimensions: 5.0cm long Gross weight: 10.9 gramsProvenance: Private Collection Condition Report: Enamel losses, more pronounced to reverse, one foot broken off, one screw holding lute player to frame deficientCondition Report Disclaimer

Edwardian inlaid satinwood etagere, removable tray top with glass base and brass carrying handles, two graduating tiers each inlaid with central oval panel depicting lute and flute with manuscript, enclosed within a scrolling acanthus leaf border, on square tapering supports with splayed feet, decorated with shaped and fan inlaid corner brackets, united by curved X-framed stretchers Dimensions: Height: 82cm  Length/Width: 90cm  Depth/Diameter: 56cm

* Circle of George Frederic Watts (1817-1904). Orpheus, oil on wood panel, showing a young male figure wearing an animal skin draped across his lower waist, playing a lute, a small bird by his feet, 23.7 x 13.2 cm (9 3/8 x 5 1/4 ins)QTY: (1)NOTE:Provenance: From the estate of John Watson (1939-2019).

Circle of Bernard van Orley,  Flemish 1491/92-1541- Two angels, one playing the lute, and the other plating the rebec; oils on panel, each with a decorative scheme verso, each 44.5 x 12.8 cm., a pair (2). Provenance:  Property of the Hon. James Bruce sale, Christie's, London, 7 March 1980, lot 84 (sold for £4,500).  with Thomas Agnew & Sons, London, 1980 [no.43945].  The Collection of Professor W. M. Ballantyne (1922-2021), and thence by descent. Note:  Despite never visiting Italy, Van Orley worked very much in the tradition of the Romanists, a group of Flemish painters who were heavily influenced by the work of Italian Renaissance artists, particularly, in Van Orley's case, Raphael (1483-1520). Indeed, as a central proponent of the Romanist approach, Van Orley also shaped the output of future generations of painters, including Michiel Coxie (1499-1592), Pieter Coecke van Aelst (1502-1550), and Pieter de Kempeneer (1503-1586), all of whom studied under him. The present work exhibits a clear debt to Van Orley, with the pose and features of the angel on the right-hand side of the composition bearing a striking similarity to the face of the Madonna in a painting by the artist which sold at Hampel, Munich, on 29 June 2023, lot 180. 

An exquisite Wedgwood porcelain figurine titled Melody from The Classical Collection. This elegant figure embodies the essence of harmony and grace, portraying a flowing-robed musician delicately holding a lute. The soft pastel hues, floral headpiece, and ethereal drapery lend a timeless, almost mythical quality to the composition, reminiscent of classical muses. Designed and modeled by Jenny Oliver, this piece is hand-decorated and bears the Wedgwood backstamp, confirming its authenticity and production in 1996 in England. The intricate sculpting and delicate detailing make this a standout addition to any collection of fine porcelain figurines.Artist: Jenny OliverDimensions: 10"H Country of Origin: EnglandCondition: Age related wear.

Miniature Chinese Folding Tabletop Screen A decorative four-panel folding tabletop screen, likely of Chinese origin. Each panel features a hand-painted ceramic or porcelain tile set within a light-toned wooden frame, connected by brass hinges. The frames include pierced fretwork designs at the top and bottom, with darker-toned openwork detailing at the base adding to its craftsmanship. The painted porcelain tiles depict traditional Chinese scenes, carefully rendered with delicate brushstrokes. These include landscapes showcasing mountains, trees, rivers, bridges, and pavilions in soft tones alongside female figures in vibrant traditional attire engaging in cultural activities such as playing a pipa (lute), painting, or holding decorative objects. The paintings use a naturalistic palette with occasional bright accents. Each tile contains vertical Chinese calligraphy inscriptions and red seal stamps, likely artist markings or poetic verses related to the imagery. One panel includes a date, "1988.6.7," suggesting a late 20th-century creation, possibly drawing on traditional artistic styles. Approximate dimensions estimate the height of the panels to be 25–40 cm. This screen served as a decorative display item, highlighting traditional Chinese artistry and cultural themes. It is an intact example of craftsmanship, reflecting both aesthetic and collectible value.

Grahame (Kenneth) The Wind in the Willows, one of 80 deluxe editions signed by the illustrator in pencil, from a total limitation of 200, illustrations by Angel Dominguez, prospectus loosely inserted, 2016 § Kipling (Rudyard) The Jungle Book, one of 200 copies signed by the illustrator in pencil, illustrations by Lute Vink, 2015 § Barrie (J.M.) Peter Pan, one of 200 copies signed by the illustrator in pencil, illustrations by Steve Hutton, 2015, many illustrations colour and full-page, original morocco, gilt, g.e., housed in original cloth drop-back boxes, gilt, Books Illustrated Ltd., 4to (3)

A mixed lot of ceramic figures, to include Arthur Bowker, 'Lancelot', a Staffordshire figurine of a man playing a lute, continental bisque porcelain figure of a mother and two children, Stratford pottery toby jug, a Goldscheider boy with a violin (AF), 22cmH

A Chinese blue and white porcelain model of a Pipa lute, decorated with a five claw dragon and lotus flowers, bearing seven character signature, length 31cm, and a Chinese celadon model of a horse on plinth (2).

THREE LLADRO WOODLAND SCENE FIGURINESconsisting of a girl and boy sitting on rocks, with the boy playing the lute; a boy relaxed, sitting back against a log; and a girl sitting on a tree trunk, holding a basket of flowers and feeding two squirrels, the tallest 25cm high (3)

A beautifully detailed Coalport bone china figurine titled Jane Seymour, HN3349. This figurine is part of a limited edition of 9,500, with this example numbered 2273. It portrays Jane Seymour, the third wife of King Henry VIII, elegantly dressed in a richly detailed Tudor gown with intricate patterns, jewelry, and a flowing cape. Beside her, a side table holds a small pot, while a lute rests against it, enhancing the historical theme. The base is fully marked with the Coalport backstamp, confirming authenticity.Issued: 1991Dimensions: 9.25"HCountry of Origin: EnglandCondition: Age related wear.

A pair of very large Royal Dux figural vases, modelled in relief as a Moorish musiciain with a lute and a female water carrier, beside palm trunks with mango and bananas, 96cm high

This exquisite Lladro porcelain figurine titled Troubador showcases a romantic musician playing a lute. The figurine features intricate detailing, from the musician's flowing tunic to the delicately crafted lute strings. Hand-painted with soft, muted tones, it reflects the timeless elegance and artistry Lladro is known for. The underside bears the iconic Lladro stamp.Artist: Antonio BallesterIssued: 1976 - 1981Dimensions: 15"L x 16"HCountry of Origin: SpainCondition: Age related wear.

An Edwardian mahogany twin handled tea tray. Kidney shaped with inlaid details including flowers and a lute to the centre, L58cm

A Bairstow Manor Pottery Jester figure - holding a lute, 18cm high, together with two further pig figures 'School Boy' and 'Footballer'. (3)

An Eastern 12 string lute/oud, with makers label to inside - total length 84cm (in need of restringing)

Herbert Wilson Foster (act 1872-1917), watercolour on paper, Nude with Lute, signed in pencil lower right, 20.2cm x 26.7cm. Foster was well-known as a painter and art teacher, teaching Laura and Harold Knight at the Nottingham School of Art. He was also well-known as a porcelain artist and worked at Mintons from 1872. He worked at one point on the tile panels in the Victoria and Albert Museum. This is probably a design for Mintons. Provenance – from the collection of his nephew

A Continental blue printed pottery bullet shaped vase, decorated in transfer print with scenes of figures with lute or mandolins, within geometric borders, indistinct printed mark to underside, possibly Royal Bonn, 32cm high.

An old French Clarinet made Jerome Thibouville Lamy, an Oscar Schmidt Autoharp in a carry case and an old lute

A rare and striking Royal Doulton figurine, presented in an exclusive colorway variation. This captivating ceramic sculpture features a jester deep in thought, his hand resting on his chin as he contemplates with an enigmatic expression. The figure is adorned in a vibrant and glossy harlequin outfit, combining green, black, and pink, contrasted by a cream-colored base. His dramatic attire, complete with a belled jester hat, a slung lute, and a travel bag, embodies the spirit of the classic court entertainer. Royal Doulton is renowned for its masterful ceramic figurines, and this unique colorway adds a distinctive charm to the already sought-after Point Jack design. The detailed hand painting and high-gloss finish showcase the brand's commitment to artistry and craftsmanship. Royal Doulton backstamp. Artist: C.J. NokeDimensions: 16"HCountry of Origin: EnglandCondition: Age related wear.

THEATRE: A matched set of four Staffordshire Figures, all Inkwells or Quill Holders, dressed as Turks,  all seated, with turbans, one plucking a lute, possibly made as portraits of stage actors, 12cm high (4).

Two vintage Spelter figures one lady playing a harp the other playing a lute overall height approximately 16 inches tall, as found

AFTER GERRIT DOU. 'The Lute Player', a late 19th Century oil on canvas. 22.5" x 19" (57 x 48cms)

A lot of various silver, including miniature cannon and lute, 20th century, up to 10x

A GROUP FIVE SOAPSTONE CARVINGS OF BOYS One example in transparent grey stone modelled as two boys taking fish from a basket, an opaque yellow toned carving of a boy crouched under lotus pad, another yellow toned example modelled as boy holding a peach, a small semi-transparent boy playing a pipa (lute), and a double gourd form snuff bottle with a boy climbing the side 4cm to 8.5cm high Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Adrien Etienne GAUDEZ (1845-1902), bronze sculpture Girl with lute, signedAdrien Etienne GAUDEZ (1845-1902), bronzen sculptuur Meisje met luit, getekendH 73 cm

Very finely sculpted bronze of the vain lute player with mirror, signedZeer fijn gesculpteerd brons van de ijdele luitspeler met spiegel, getekend24 x 17 x 9 cm

Pair of Royal Dux figures, modelled as a boy carrying pails of water and a lady playing a lute, H25cm

Peter Nuttall (British, 1943-2011) Court jester playing the lutesigned and dated 19(81) lower rightink and watercolour53 x 41cm

A Sitzendorf figural group, late 19th century, modelled as an 18th century lady and gentleman, she standing on a bridge while he retrieves her shoe from a stream, printed maker's mark to base, 22cm high; with a Sitzendorf figural group modelled as a courting couple, the lady seated holding a notebook, the gentleman standing holding his hat, underglaze blue maker's mark, 23.5cm high; and a further Sitzendorf figural group modelled as a lady with a lute seated with a cherub, 13.5cm high (at fault) (3)

A Royal Worcester porcelain figure by James Hadley, early 20th century, modelled as a lady in blue dress playing a lute, shape number H143, puce printed maker's mark for 1920 to underside, 31cm high; with a Royal Worcester figure modelled as a Welshman, shape number 1875, puce printed maker's mark to underside, 17.5cm high (2) CONDITION REPORT:Both figures show minor surface wear throughout and minor rubbing to the gilt highlights, but no obvious chips, cracks, crazing or evidence of restoration.

NEGRI, Cesare. Nuove inventioni di balli. Milano, Bordone, 1604Folio, mm. 326x225. Full brown leather binding with gilt decorations impressed on the covers and spine. Pages [8, including plate with Portrait], 296, [4]. Some numbering errors, as reported on the last page of the text. Pages 207-208 in facsimile. Woodcut initials, headpieces and tailpieces. Illustrated vignette with printer’s device on the Title Page, Portrait of the Author outside the text on a full page, 57 full-page plates in the text within borders [out of 58], all engraved in copper. The plate on page 208 is missing; the facsimile reproduction is inserted. Some traces of wear, generally a good copy. Very rare work, magnificently illustrated. The most important treatise on the history of dance, music and costumes of the 17th century. The most important treatise on the history of dance, music and costumes of the 17th century. The volume, dedicated to Philip III of Spain, is adorned with a full-page portrait of the author Cesare de Negri, included in only a few copies, and by 58 superb full-page prints of ballets, dancers, accompanied by well-known music, drawn by Giovan Mauro della Rovere, known as “il Fiamminghino”, and engraved by Leon Pallavicino. Many illustrations are signed as designed by (I.) M(auro) R(overe), and all are signed as engraved by L(eon) P(alavicino), apart from that on p.149, which is unsigned. The work is divided into three parts: the first names all the most famous dancers of the time, and describes the sumptuous dance parties held in Milan; the second part describes the dance techniques, while the third describes the evolution of ballet from a scenic and musical point of view. In this third part appear the names of the knights and ladies, belonging to the high Milanese aristocracy. From p. 117 onwards the text contains many passages of music for the lute. The title-page vignette shows the printer's device, with the motto 'Velascus Crescit Occulto'.This publication is largely a reprint of the work first published in Milan in 1602 under the title ‘Le Gratie d'Amore’, but with a new title-page and a number of small emendations to the text.Cesare Negri, a Milanese, founded a dance academy here in 1554 and was one of the most important dancers and choreographers of the time.Brunet, IV, 34 and ‘Supplement’ II, 13; Cicognara, n. 1725; Fétis, VI, 295; Eitner, VII, 166; Hoepli, Cento libri preziosi; Beaumont p. 132.

J Sands (20th century): oil on canvas, Spanish lute player, dated '22, overall 36 x 46cm. Not available for in-house P&P

A Royal Dux Porcelain Figural Centrepiece, of a maiden playing a lute between two large shells, 35cm highHead broken of and restored. Gilt loss. Some minor edge flakes but free from chips and cracks.

A Naples (Real Fabbrica Ferdinandea) cup, c.1785-90, the flared tin-glazed cup painted with the cyclops Polyphemus seated with a lute, receiving the letter from Galatea via a putto riding a dolphin, within a gilt flowerhead border and grapevine swags, titled in red to the inside rim, crowned RF monogram mark, 6.7cm high.The painting is taken from a fresco uncovered in Herculaneum and published in Le Pitture Antiche D'Ercolano, published between 1762 and 1779. The fresco, from the 1st century, is now in the National Archaeological Museum in Naples.  

A rare pair of Enoch Wood figures of musicians, c.1800-10, both seated, he playing the flute with his score resting in his lap, she playing the lute with a small dog on her lap, seated on high-backed chairs and raised on shaped rectangular bases, some restoration, 14.6cm. (2) Provenance: a private collection from Wiltshire.

Two vintage boudoir dolls and a Heubach 320 painted bisque doll: (1) Heubach 320 painted bisque doll, with five piece composition body, 20"/51cm; (2) Composition boudoir doll, cloth elongated body, playing a lute, clockwork musical movement with integral key, 19.5"/50cm; (3) Cloth boudoir doll, auburn wig, elongated body, 27"/69cm; some wear and tear throughout; (3).

A CONTINENTAL PORCELAIN MIRROR19th/20th century, bearing blue cross mark to the reverse, the rectangular bevelled plate within a floral encrusted surround, a cherub playing a lute to the cresting and another to each side, 54cm high x 34cm wide

A silver book mark, crested by a dog; another, with a frog playing a lute (2)

Twelve Royal Doulton figures from the Lady Musicians series including Virginals, Chitarrone, Cello, Lute, Dulcimer, Harp, French Horn, Violin, Viola D'Amore, Hurdy-Gurdy, Cymbals and Flute Condition Report:Violin, missing bow and foot

INDIAN KRISHNA LUTE

Giovanni Battista Cipriani RA (Italian 1727-1785) a pair of coloured stipple engravings. One depicting a woman playing a lute, marked 'Harmony' to verso, the other of a woman seated beside a lamb and holding a dove, marked 'Meekness' to verso, both marked 'G. B. Cipriani', 16.5cm x 13.5cm, framed and glazed

A striking limited edition figure of Jane Seymour dressed in a yellow and pale blue gown with a brown shawl and matching head dress. She is adorned with jewels and gilded gold details. Beside her is a column with a single vase and a lute. Part of the Six Wives of Henry VIII series. Royal Doulton backstamp. Artist: Pauline ParsonsIssued: 1991Dimensions: 6.25"L x 5.75"W x 8.75"HEdition Number: 1711 of 9500 Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

PRE-RAPHAELITE SCHOOL (19TH CENTURY). Classical figures in a landscape, male nude with lute proceeded with a robed female, oil on canvas. 20" x 12" (51 x 31cms).

A vintage six string lute guitar.

A pair of Samson Paris porcelain figures, of a shepherd and shepherdess, each holding a rectangular basket, he with a dog at his feet, she with a lamb, shaped scroll bases applied with flowers, decorated in polychrome, 18cm high, gold anchor mark to verso; a Samson Paris Derby type figure, of a shepherdess playing a lute, a lamb at her feet, before bocage, shaped scroll base, 21cm high, gold anchor mark to verso; a Samson Paris novelty nodding head figure, of a Chinese figure, seated crossed legged, 65cm high; other Continental figures (6)

Limited edition figure is part of the Lady Musicians Series. Dressed in vibrant blue, brown and white gown holding her lute. Royal Doulton backstamp. This item has its original box: 8.25"L x 8.25"W x 8"H. Certificate of Authenticity included. Artist: Peggy DaviesIssued: 1970 - 1976Dimensions: 7"L x 5"W x 6.25"HEdition Number: 153 of 750Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

GK Murray, Study of a gypsy woman playing the lute, arylic on board, signed bottom left, framed. (44cmx28cm)

THEODORE ROMBOUTS (1597-1637). After. LUTE PLAYER. Oil on canvas 110 x 99.5cm. * After the prime version, c.1620 (Philadelphia Museum of Art) The painstaking precision of lutenists' concentration was a tempting subject for artists. The musician's focused expression here may signal an amorous intent, enhanced by the association of music's sweet harmony with romance. The symbolism associated with the tankard (for revelry) and the Indian carpet (for culture) also implies a more worldly mood than the music alone. *CR Lined; some craquelure; scattered retouching; needs a clean.

Young angels sitting each holding horn, lute and accordion. Colored in blue, red and green. Goebel Hummel backstamp. 238. Issued: c. 1967Dimensions: 2.75"L x 1.5"W x 2.5"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.

A gres figure features a man fashioned in pastel colors, holding a lute in one hand with gilded gold accents. Coventry backstamp. 5046A. Issued: 20th centuryDimensions: 4"L x 3"W x 7"HManufacturer: CoventryCountry of Origin: United StatesCondition: Age related wear.

Sculpted satin crystal figures representing the most important people in the artist life includes Pepi & Mopsy, Julia, Julia with Mandolin, Marian, Sali, Sali with Accordion, Lena with Lute and Lena + Pepi Bench. Also included is the illustrated book Julia's World - Better Times. Each item has its original box measuring 7.5"L x 5.25"W x 1.75"H. Swarovski backstamp. Largest piece 1.25"L x 1.25"W x 3"H. Artist: Julia LimpkeIssued: c. 1990Dimensions: See DescriptionManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Pair of Royal Dux figures, modelled as a boy carrying pails of water and a lady playing a lute, H25cm

Handcrafted lute and a balalaikaSome losses and scratches. Please see additional images on our website

Glossy finish. Figure of an angel holding a light purple lute with signing expression. Lladro backstamp. This item has its original box. Box measures: 12.75"L x 7.5"W x 5.75"H. Artist: Francisco CatalaIssued: 1993-1993Dimensions: 5.25"L x 4"W x 7.25"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

Lladro Porcelain Figure 'Sad Harlequin' Model No. 4558. Issued 1969 - 1993. Rare with Acoustic Guitar instead of a Lute. H. 36cm

SCOTT WAUGH (SCOTTISH CONTEMPORARY), INTERIOR WITH WOMAN PLAYING A TREBLE LUTE, oil on board, signed and dated 98, framed, 75 x 59cm

* Valentine. A Regency illustrated love letter addressed to Mr G. Bennett, 1807, large bifolium, first page with hand-coloured oval engraving of a young lady seated on a bench beneath a tree playing a lute, a young gentleman looking on from behind the tree, within an oval border of manuscript letters (forming a puzzle) between flourishes, closely-written in pen & ink with romantic sentiments to blank margins, second page with manuscript 'Now Sir if you are inclined in the Sirkle[sic] Round My Name you Will find', p. 3 blank, p. 4 with name and address in ink 'Mr G. Bennett, Poulterer No 21 East Street Baker Street', an oval red ink stamp '12 o'clock 14 FE[B] 1807', with 'Refused R. Fowler' written across it in ink, and remains of red wax seal, folds to form an 'envelope', small piece missing to blank fore-edge of second leaf where seal broken, 25.5 x 20 cmQTY: (1)NOTE:A rare early Valentine which, curiously, appears never to have reached Mr Bennett, for whom it was intended, having been refused at the point of delivery by an R. Fowler; one can only imagine the possible reasons for this, as well as the repercussions which might have ensued.

An Art Deco Silvered Speltre Figure of a Pierrot Playing the Lute, marble base, unsigned, 20.5cm high.

A large 20th century bronze sculpture of a woman and child playing a lute, on plinth base, 49cmH