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SÈVRES; a late 18th/early 19th century French porcelain cobalt blue jewelled shallow bowl, the central panel hand painted with decoration of a lute amongst baskets of fruit and foliage, surrounded by cobalt blue and gilt heightened border, diameter 14cm, and a further Sèvres French porcelain dish, the central panel depicting bagpipes amongst scrolling foliage, surrounded by blue and gilt decorated jewelled borders, diameter 12.5cm (2).

20th century Middle Eastern six string lute with a segmented back and a purpose designed hardwood stand

Early 20th century Karl Ens German porcelain classical figure of a woman playing a lute with a cherub raised upon an oval plinth style base, together with a French early 20th century baroque style ceramic mantel clock decorated with a floral transfer design and gilt detailing. Mantel clock features a brass clock face with Arabic number chapter ring. Makers mark to the underside of the Karl Ens figure. Largest piece measuring approx. 35cm x 16.5cm x 10cm.

Two 20th Century micro mosiac brooches, one formed as a lute

A Chinese moon lute with carrying case

This rare Royal Doulton prototype Toby jug features a unique color variation, making it a prized collector's piece. Crafted from fine bone china, this jug showcases a vibrant hand painted design, with the Lady Jester dressed in a striking red and green costume, complete with jester's hat and lute. Marked as The Property of Royal Doulton Tableware Ltd - Not Produced for Sale, this prototype was created as a test piece and never entered full production, further enhancing its rarity and desirability. The detailed sculpting and rich glaze application reflect Royal Doulton's craftsmanship and commitment to artistic excellence. A distinguished addition to any Royal Doulton collection.Artist: David B. BiggsIssued: c. 1998Dimensions: 6.25"HCountry of Origin: EnglandCondition: Age related wear.

A Victorian ladies writing desk having inlaid lute and cherub decoration and later leather inset top, aesthetic style brass drawer handles, width approx. 84cm

A pair of Staffordshire Dalmations, with gilt collars and chains. Height 12.5 cm, together with another Staffordshire dog and a figure of a lady playing a lute.

Jean Jacques Pradier (1792-1852), a 19th century French bronze group ‘L'Ange Gardien’, modelled with the angel holding a lute and shielding the infant Christ with a wing, signed Pradier Sculp, 28cm wide, 16cm deep, 36cm high Overall of a rich golden patination which is in good order, just a little dusty in the crevices, no faults noted, lacks any plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

UNKNOWN 18TH CENTURY oil on canvas - portrait of a classical lady seated by a lute, unsigned, 37 x 30cmsProvenance: private collection DenbighshireComments: framed

An early 20th century lute guitar, length 118 cm

Elegant porcelain ewer with Rococo-inspired design, gilded accents, and applied floral decorations. Features a central vignette with an open book and lute motif, scrolled handle, and openwork pedestal base.Issued: 20th centuryDimensions: 13"HCondition: Age related wear.

A 19TH CENTURY ENAMEL AND DIAMOND PENDANT Designed as a polychrome enamel lute player within a pastel enamel floral surround with rose cut diamond points, to a later bale, fitted case by Wartski Size/dimensions: 5.0cm long Gross weight: 10.9 gramsProvenance: Private Collection Condition Report: Enamel losses, more pronounced to reverse, one foot broken off, one screw holding lute player to frame deficientCondition Report Disclaimer

AFTER GERRIT DOU 'The Lute Player', a late 19th century oil on canvas. 22.5" x 19" (57cm x 48cm)

Royal Doulton and Nao figures, etc, including Geraldine, HN2348, Fragrance, HN2334, Lute Player, etc (8)

A stumpwork picture, having a central oval panel of a Queen playing a lute in a landscape enclosed by a bader decorated with flowers, snails and insects, probable late 17th/ early 18th century, 19 x 25cm

Edwardian inlaid satinwood etagere, removable tray top with glass base and brass carrying handles, two graduating tiers each inlaid with central oval panel depicting lute and flute with manuscript, enclosed within a scrolling acanthus leaf border, on square tapering supports with splayed feet, decorated with shaped and fan inlaid corner brackets, united by curved X-framed stretchers Dimensions: Height: 82cm  Length/Width: 90cm  Depth/Diameter: 56cm

A large bronze statue of a lady, 20th century, shown in standing pose playing a lute, 68cm high

* Purse. An embroidered lute-shaped purse (or sweete bag?), early 18th century, purse in the shape of a powder flask, padded (probably with horse hair) and embroidered with coloured and metallised threads, using mainly long and short stitch and stem stitch, and incorporating two small beads (remaining few missing), with flowers tied in a bow and stems of daffodils, carnation, and tulip above, on a beige grosgrain ground, faded and dusty, backed with green silk, and with a pouch of the same sewn to the back, gathered with drawstring ribbon of woven cream, green, and metallised silver threads (a little frayed to one side), the two ends of the ribbon caught together in a metal thread toggle, purse edged with woven metallic braid, 9.5 x 6 cm (3.75 x 2.25 ins)QTY: (1)NOTE:Provenance: Lady Ottoline Morrell (1873-1938); thence by descent.A most unusual early purse; we have not been able to trace another the same either at auction or in an institution. The British Museum has a purse not wholly dissimilar, made of velvet and purporting to have been given by King Henry VIII to Anne Boleyn (registration number 1878,1101.635): 'Curator's comments - This is an unusual construction and its purpose is not clear'. The Rijksmuseum, Netherlands, also has a padded shaped purse of velvet (more akin to the British Museum's than that offered here), which they call 'in the shape of scissors (phallus?)' - object number BK-KOG-29.Although these two examples are referred to as purses, it seems more likely, given the contruction, that our receptacle was intended to be filled with sweet-smelling herbs such as lavender, so that a lady could wear it around her neck to ward off infection and unpleasant odours, much like the more commonly found sweete bags of the 16th and 17th centuries. The delicate silk could only have been used to hold something light, and the narrow opening at the top would have been enough for a lady's nose to imbibe the sweet scent within, rather like a perfume bottle.

* Circle of George Frederic Watts (1817-1904). Orpheus, oil on wood panel, showing a young male figure wearing an animal skin draped across his lower waist, playing a lute, a small bird by his feet, 23.7 x 13.2 cm (9 3/8 x 5 1/4 ins)QTY: (1)NOTE:Provenance: From the estate of John Watson (1939-2019).

Circle of Bernard van Orley,  Flemish 1491/92-1541- Two angels, one playing the lute, and the other plating the rebec; oils on panel, each with a decorative scheme verso, each 44.5 x 12.8 cm., a pair (2). Provenance:  Property of the Hon. James Bruce sale, Christie's, London, 7 March 1980, lot 84 (sold for £4,500).  with Thomas Agnew & Sons, London, 1980 [no.43945].  The Collection of Professor W. M. Ballantyne (1922-2021), and thence by descent. Note:  Despite never visiting Italy, Van Orley worked very much in the tradition of the Romanists, a group of Flemish painters who were heavily influenced by the work of Italian Renaissance artists, particularly, in Van Orley's case, Raphael (1483-1520). Indeed, as a central proponent of the Romanist approach, Van Orley also shaped the output of future generations of painters, including Michiel Coxie (1499-1592), Pieter Coecke van Aelst (1502-1550), and Pieter de Kempeneer (1503-1586), all of whom studied under him. The present work exhibits a clear debt to Van Orley, with the pose and features of the angel on the right-hand side of the composition bearing a striking similarity to the face of the Madonna in a painting by the artist which sold at Hampel, Munich, on 29 June 2023, lot 180. 

An exquisite Wedgwood porcelain figurine titled Melody from The Classical Collection. This elegant figure embodies the essence of harmony and grace, portraying a flowing-robed musician delicately holding a lute. The soft pastel hues, floral headpiece, and ethereal drapery lend a timeless, almost mythical quality to the composition, reminiscent of classical muses. Designed and modeled by Jenny Oliver, this piece is hand-decorated and bears the Wedgwood backstamp, confirming its authenticity and production in 1996 in England. The intricate sculpting and delicate detailing make this a standout addition to any collection of fine porcelain figurines.Artist: Jenny OliverDimensions: 10"H Country of Origin: EnglandCondition: Age related wear.

Miniature Chinese Folding Tabletop Screen A decorative four-panel folding tabletop screen, likely of Chinese origin. Each panel features a hand-painted ceramic or porcelain tile set within a light-toned wooden frame, connected by brass hinges. The frames include pierced fretwork designs at the top and bottom, with darker-toned openwork detailing at the base adding to its craftsmanship. The painted porcelain tiles depict traditional Chinese scenes, carefully rendered with delicate brushstrokes. These include landscapes showcasing mountains, trees, rivers, bridges, and pavilions in soft tones alongside female figures in vibrant traditional attire engaging in cultural activities such as playing a pipa (lute), painting, or holding decorative objects. The paintings use a naturalistic palette with occasional bright accents. Each tile contains vertical Chinese calligraphy inscriptions and red seal stamps, likely artist markings or poetic verses related to the imagery. One panel includes a date, "1988.6.7," suggesting a late 20th-century creation, possibly drawing on traditional artistic styles. Approximate dimensions estimate the height of the panels to be 25–40 cm. This screen served as a decorative display item, highlighting traditional Chinese artistry and cultural themes. It is an intact example of craftsmanship, reflecting both aesthetic and collectible value.

Grahame (Kenneth) The Wind in the Willows, one of 80 deluxe editions signed by the illustrator in pencil, from a total limitation of 200, illustrations by Angel Dominguez, prospectus loosely inserted, 2016 § Kipling (Rudyard) The Jungle Book, one of 200 copies signed by the illustrator in pencil, illustrations by Lute Vink, 2015 § Barrie (J.M.) Peter Pan, one of 200 copies signed by the illustrator in pencil, illustrations by Steve Hutton, 2015, many illustrations colour and full-page, original morocco, gilt, g.e., housed in original cloth drop-back boxes, gilt, Books Illustrated Ltd., 4to (3)

A mixed lot of ceramic figures, to include Arthur Bowker, 'Lancelot', a Staffordshire figurine of a man playing a lute, continental bisque porcelain figure of a mother and two children, Stratford pottery toby jug, a Goldscheider boy with a violin (AF), 22cmH

A Chinese blue and white porcelain model of a Pipa lute, decorated with a five claw dragon and lotus flowers, bearing seven character signature, length 31cm, and a Chinese celadon model of a horse on plinth (2).

THREE LLADRO WOODLAND SCENE FIGURINESconsisting of a girl and boy sitting on rocks, with the boy playing the lute; a boy relaxed, sitting back against a log; and a girl sitting on a tree trunk, holding a basket of flowers and feeding two squirrels, the tallest 25cm high (3)

A beautifully detailed Coalport bone china figurine titled Jane Seymour, HN3349. This figurine is part of a limited edition of 9,500, with this example numbered 2273. It portrays Jane Seymour, the third wife of King Henry VIII, elegantly dressed in a richly detailed Tudor gown with intricate patterns, jewelry, and a flowing cape. Beside her, a side table holds a small pot, while a lute rests against it, enhancing the historical theme. The base is fully marked with the Coalport backstamp, confirming authenticity.Issued: 1991Dimensions: 9.25"HCountry of Origin: EnglandCondition: Age related wear.

A pair of very large Royal Dux figural vases, modelled in relief as a Moorish musiciain with a lute and a female water carrier, beside palm trunks with mango and bananas, 96cm high

This exquisite Lladro porcelain figurine titled Troubador showcases a romantic musician playing a lute. The figurine features intricate detailing, from the musician's flowing tunic to the delicately crafted lute strings. Hand-painted with soft, muted tones, it reflects the timeless elegance and artistry Lladro is known for. The underside bears the iconic Lladro stamp.Artist: Antonio BallesterIssued: 1976 - 1981Dimensions: 15"L x 16"HCountry of Origin: SpainCondition: Age related wear.

An Edwardian mahogany twin handled tea tray. Kidney shaped with inlaid details including flowers and a lute to the centre, L58cm

A Bairstow Manor Pottery Jester figure - holding a lute, 18cm high, together with two further pig figures 'School Boy' and 'Footballer'. (3)

An Eastern 12 string lute/oud, with makers label to inside - total length 84cm (in need of restringing)

Herbert Wilson Foster (act 1872-1917), watercolour on paper, Nude with Lute, signed in pencil lower right, 20.2cm x 26.7cm. Foster was well-known as a painter and art teacher, teaching Laura and Harold Knight at the Nottingham School of Art. He was also well-known as a porcelain artist and worked at Mintons from 1872. He worked at one point on the tile panels in the Victoria and Albert Museum. This is probably a design for Mintons. Provenance – from the collection of his nephew

Sitzende Pierrette mit Laute. Wiener Manufaktur Friedrich Goldscheider. Stempelmarke GS 24, ca. 1922. Am Sockel signiert "Thomasch". Modell-Nr. 5030 114 1. Entwurf: Wilhelm THOMASCH (1893-1964), ca. 1922. Fayence, farbig staffiert. H 34,5 cm. Linke Hand und Fußspitze sowie Halskrause minimal bestoßen. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 10:19 Uhr (CET)Sitting pierrette with lute. Vienna manufactory Friedrich Goldscheider. Stamp mark GS 24, ca. 1922. Signed "Thomasch" on the base. Model no. 5030 114 1. design: Wilhelm THOMASCH (1893-1964), ca. 1922. Faience, color painted. H 34.5 cm. Left hand and toe as well as ruff minimally bumped. Call time 28 | Feb. 2025 | presumably 10:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Paar Gärtnerkinder. 18.-19. Jahrhundert. Höhe: 11 cm. Meissen-Modelle von Joachim Kaendler 1750-1760, "Knabe mit Oboe", "Mädchen mit Laute", farbig bemalt, gold staffiert. Unglasierter Boden, Pressmarke, undeutliche Blaumarke am Sockel. Mädchen: Sockel von unten, Hutkrempe, Schleifen, Blüten, Lautenwirbel bestoßen, Knabe: Korb fehlt, Hutkrempe, Schleifen, Oboe bestoßen. * Partnerauktion Bergmann. Literatur : Bergmann (2017) Katalog-Nr. 3250, 3251. Provenienz : Hessischer Privatnachlass. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 14:28 Uhr (CET)Pair of gardener's children. 18th-19th century. Height: 11 cm. Meissen models by Joachim Kaendler 1750-1760, "Boy with oboe", "Girl with lute", color painted, gold painted. Unglazed base, impressed mark, indistinct blue mark on the base. Girl: base from below, hat brim, bows, flowers, lute peg chipped, boy: basket missing, hat brim, bows, oboe chipped. * Partner auction Bergmann. Literature : Bergmann (2017) catalog no. 3250, 3251. Provenance : Hessian private estate. Call time 28 | Feb. 2025 | probably 14:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

TSCHECH, Will(1891 Düsseldorf - 1975 ebd.) Das Duett mit einem VogelÖl/Leinwand. Links signiert. 55 x 45 cm. Gerahmt : 65 x 55 cm (Goldrahmen); 1,8 kg. In Spitzwegmanier gemalter junger Mann beim Laute spielen und Singen vor einem Vogelkäfig. Leichte Altersspuren. Deutscher Landschafts-, Genre-, Porträt- und Stilllebenmaler, studierte an der Akademie Düsseldorf. Literatur : Vollmer. Aufrufzeit 01. | März 2025 | voraussichtlich 15:10 Uhr (CET) TSCHECH, Will(1891 Düsseldorf - 1975 ibid.) The Duet with a BirdOil/canvas. Signed on the left. 55 x 45 cm. Framed : 65 x 55 cm (gold frame); 1.8 kg. Joung man painted in the Spitzweg manner playing the lute and singing in front of a birdcage. Slight traces of age. German landscape, genre, portrait and still life painter, studied at the Düsseldorf Academy. Literature : Vollmer. Call time 01 | March 2025 | probably 15:10 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Junge Dame beim Stimmen der LauteÖl/Leinwand. Unsigniert. Ende 19. Jh. 46,5 x 37 cm. Gerahmt : 57,5 x 47,5 cm (Goldstuckrahmen); 2 kg. Die junge Frau in einem weißen Kleid mit dem Instrument auf dem Schoß im Zimmer. Leinwand doubliert. Aufrufzeit 01. | März 2025 | voraussichtlich 15:21 Uhr (CET) Young lady tuning the luteOil/canvas. Unsigned. Late 19th century 46.5 x 37 cm. Framed : 57.5 x 47.5 cm (gold stucco frame); 2 kg. The young woman in a white dress with the instrument on her lap in the room. Doubled canvas. Call time 01 | March 2025 | probably 15:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRENZ, Alexander(1861 Rheydt - 1941 Düsseldorf) Minnesänger im SchlossgartenÖl/Holz. Links unten signiert. (19)08. 36,5 x 54 cm. Gerahmt : 50 x 68 cm (Goldrahmen); 2,5 kg. Blühender Garten mit Brunnen und dem sich nähernden jungen Mann mit der Laute. Minimale Altersspuren. Deutscher Maler und Grafiker des Symbolismus und der Moderne in Düsseldorf, Meisterschüler von Janssen an der Akademie ebd., Privatschüler Lenbachs in München. Tätig auch in Berlin, Rom, Capri, Rapallo, Köln und Bonn. Literatur : Thieme/Becker. Aufrufzeit 01. | März 2025 | voraussichtlich 15:33 Uhr (CET) FRENZ, Alexander(1861 Rheydt - 1941 Düsseldorf) Minnesinger in the castle gardenOil/wood. Signed lower left. (19)08. 36.5 x 54 cm. Framed : 50 x 68 cm (gold frame); 2.5 kg. Flowering garden with fountain and the approaching young man with the lute. Minimal traces of age. German painter and graphic artist of Symbolism and Modernism in Düsseldorf, master pupil of Janssen at the academy ibid, private pupil of Lenbach in Munich. Also active in Berlin, Rome, Capri, Rapallo, Cologne and Bonn. Literature : Thieme/Becker. Aufrufzeit 01. | March 2025 | probably 15:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A Continental blue printed pottery bullet shaped vase, decorated in transfer print with scenes of figures with lute or mandolins, within geometric borders, indistinct printed mark to underside, possibly Royal Bonn, 32cm high.

An old French Clarinet made Jerome Thibouville Lamy, an Oscar Schmidt Autoharp in a carry case and an old lute

A rare and striking Royal Doulton figurine, presented in an exclusive colorway variation. This captivating ceramic sculpture features a jester deep in thought, his hand resting on his chin as he contemplates with an enigmatic expression. The figure is adorned in a vibrant and glossy harlequin outfit, combining green, black, and pink, contrasted by a cream-colored base. His dramatic attire, complete with a belled jester hat, a slung lute, and a travel bag, embodies the spirit of the classic court entertainer. Royal Doulton is renowned for its masterful ceramic figurines, and this unique colorway adds a distinctive charm to the already sought-after Point Jack design. The detailed hand painting and high-gloss finish showcase the brand's commitment to artistry and craftsmanship. Royal Doulton backstamp. Artist: C.J. NokeDimensions: 16"HCountry of Origin: EnglandCondition: Age related wear.

THEATRE: A matched set of four Staffordshire Figures, all Inkwells or Quill Holders, dressed as Turks,  all seated, with turbans, one plucking a lute, possibly made as portraits of stage actors, 12cm high (4).

Two vintage Spelter figures one lady playing a harp the other playing a lute overall height approximately 16 inches tall, as found

AFTER GERRIT DOU. 'The Lute Player', a late 19th Century oil on canvas. 22.5" x 19" (57 x 48cms)

A lot of various silver, including miniature cannon and lute, 20th century, up to 10x

A GROUP FIVE SOAPSTONE CARVINGS OF BOYS One example in transparent grey stone modelled as two boys taking fish from a basket, an opaque yellow toned carving of a boy crouched under lotus pad, another yellow toned example modelled as boy holding a peach, a small semi-transparent boy playing a pipa (lute), and a double gourd form snuff bottle with a boy climbing the side 4cm to 8.5cm high Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Adrien Etienne GAUDEZ (1845-1902), bronze sculpture Girl with lute, signedAdrien Etienne GAUDEZ (1845-1902), bronzen sculptuur Meisje met luit, getekendH 73 cm

Very finely sculpted bronze of the vain lute player with mirror, signedZeer fijn gesculpteerd brons van de ijdele luitspeler met spiegel, getekend24 x 17 x 9 cm

Pair of Royal Dux figures, modelled as a boy carrying pails of water and a lady playing a lute, H25cm

Peter Nuttall (British, 1943-2011) Court jester playing the lutesigned and dated 19(81) lower rightink and watercolour53 x 41cm

A Sitzendorf figural group, late 19th century, modelled as an 18th century lady and gentleman, she standing on a bridge while he retrieves her shoe from a stream, printed maker's mark to base, 22cm high; with a Sitzendorf figural group modelled as a courting couple, the lady seated holding a notebook, the gentleman standing holding his hat, underglaze blue maker's mark, 23.5cm high; and a further Sitzendorf figural group modelled as a lady with a lute seated with a cherub, 13.5cm high (at fault) (3)

A Royal Worcester porcelain figure by James Hadley, early 20th century, modelled as a lady in blue dress playing a lute, shape number H143, puce printed maker's mark for 1920 to underside, 31cm high; with a Royal Worcester figure modelled as a Welshman, shape number 1875, puce printed maker's mark to underside, 17.5cm high (2) CONDITION REPORT:Both figures show minor surface wear throughout and minor rubbing to the gilt highlights, but no obvious chips, cracks, crazing or evidence of restoration.

NEGRI, Cesare. Nuove inventioni di balli. Milano, Bordone, 1604Folio, mm. 326x225. Full brown leather binding with gilt decorations impressed on the covers and spine. Pages [8, including plate with Portrait], 296, [4]. Some numbering errors, as reported on the last page of the text. Pages 207-208 in facsimile. Woodcut initials, headpieces and tailpieces. Illustrated vignette with printer’s device on the Title Page, Portrait of the Author outside the text on a full page, 57 full-page plates in the text within borders [out of 58], all engraved in copper. The plate on page 208 is missing; the facsimile reproduction is inserted. Some traces of wear, generally a good copy. Very rare work, magnificently illustrated. The most important treatise on the history of dance, music and costumes of the 17th century. The most important treatise on the history of dance, music and costumes of the 17th century. The volume, dedicated to Philip III of Spain, is adorned with a full-page portrait of the author Cesare de Negri, included in only a few copies, and by 58 superb full-page prints of ballets, dancers, accompanied by well-known music, drawn by Giovan Mauro della Rovere, known as “il Fiamminghino”, and engraved by Leon Pallavicino. Many illustrations are signed as designed by (I.) M(auro) R(overe), and all are signed as engraved by L(eon) P(alavicino), apart from that on p.149, which is unsigned. The work is divided into three parts: the first names all the most famous dancers of the time, and describes the sumptuous dance parties held in Milan; the second part describes the dance techniques, while the third describes the evolution of ballet from a scenic and musical point of view. In this third part appear the names of the knights and ladies, belonging to the high Milanese aristocracy. From p. 117 onwards the text contains many passages of music for the lute. The title-page vignette shows the printer's device, with the motto 'Velascus Crescit Occulto'.This publication is largely a reprint of the work first published in Milan in 1602 under the title ‘Le Gratie d'Amore’, but with a new title-page and a number of small emendations to the text.Cesare Negri, a Milanese, founded a dance academy here in 1554 and was one of the most important dancers and choreographers of the time.Brunet, IV, 34 and ‘Supplement’ II, 13; Cicognara, n. 1725; Fétis, VI, 295; Eitner, VII, 166; Hoepli, Cento libri preziosi; Beaumont p. 132.

J Sands (20th century): oil on canvas, Spanish lute player, dated '22, overall 36 x 46cm. Not available for in-house P&P

A Royal Dux Porcelain Figural Centrepiece, of a maiden playing a lute between two large shells, 35cm highHead broken of and restored. Gilt loss. Some minor edge flakes but free from chips and cracks.

A Naples (Real Fabbrica Ferdinandea) cup, c.1785-90, the flared tin-glazed cup painted with the cyclops Polyphemus seated with a lute, receiving the letter from Galatea via a putto riding a dolphin, within a gilt flowerhead border and grapevine swags, titled in red to the inside rim, crowned RF monogram mark, 6.7cm high.The painting is taken from a fresco uncovered in Herculaneum and published in Le Pitture Antiche D'Ercolano, published between 1762 and 1779. The fresco, from the 1st century, is now in the National Archaeological Museum in Naples.  

A rare pair of Enoch Wood figures of musicians, c.1800-10, both seated, he playing the flute with his score resting in his lap, she playing the lute with a small dog on her lap, seated on high-backed chairs and raised on shaped rectangular bases, some restoration, 14.6cm. (2) Provenance: a private collection from Wiltshire.

Two vintage boudoir dolls and a Heubach 320 painted bisque doll: (1) Heubach 320 painted bisque doll, with five piece composition body, 20"/51cm; (2) Composition boudoir doll, cloth elongated body, playing a lute, clockwork musical movement with integral key, 19.5"/50cm; (3) Cloth boudoir doll, auburn wig, elongated body, 27"/69cm; some wear and tear throughout; (3).

Classic onyx column clock with bronze-colored metal lute player on top, vase ornaments and enameled dial with domed glass door, movement back marked F.G, 54 cm high, 37 cm wide, with 2 vase-shaped coupes, 34 cm high (pendulum missing)