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Click here to subscribeEdward Light of London, (1747-1832), a Regency harp lute, with black lacquered body, decorated in gilt with fleur de lys, fruiting vines and a lute, inset with pierced gilt roundel, with twelve strings, inscribed above the finger board 477, Light, Foley Place, London, 80cm long. Visit www.sworder.co.uk for larger image and condition reports.
Michael Thomas Harpsichord (c1969). Early French, double-manual, 2 x 8ft, 1 x 4ft registers, buff to first 8ft, compass FF to f3, lute stop, Peau de Buffle, shove coupler, wooden jacks, real quill/leather plectra, keyboard having blackwood naturals and ivory-topped sharps. Finished in natural pine case with cedar lids.
A Royal Dux Bohemia Art Nouveau Figural Centrepiece Bowl, early 20th century, modelled as a large sea shell on the side of which sits a young woman holding a lute, another young woman attempts to haul herself up from a crashing sea wave pedestal enriched with arum lilies, in typical subdued colours and gilt throughout, 44cm high See illustration
Property formerly in the collection of Friedrich-Werner Graf von der Schulenburg (1875-1944), see introduction to lots 13 to 19 and lots 198 and 199, A FINE PAIR OF 28 BORE SILESIAN LONG WHEEL-LOCK HOLSTER PISTOLS, TESCHEN, CIRCA 1640-60, each with tapering barrel punched and engraved with sprays of foliage at the breech, muzzle and over the median (light surface rust and patination), stamped on the left of the breech with a proof mark, probably Suhl, slender breech tang decorated en suite, strongly bevelled lock retained by three side nails, with flush-fitting external wheel retained by a gilt-brass bracket pierced and engraved with the Imperial Double Eagle, sliding pan-cover filed with diagonal fluting at the rear, gilt-brass button release chiselled with a cherubic head, close-fitting dog with internal spring, the lower portion filed with diagonal fluting en suite with the pan-cover, fruitwood full stock profusely inlaid with staghorn tendrils and pellets enriched with mother-of-pearl rondels (the stocks with minor repairs, inlay with small losses), including rabbits being pursued by hounds over the fore-end, marine monsters, a cherub playing a lute opposite the lock, doghead tendrils about the tang, a scroll incorporating a bird-of-prey's head about the trigger, and a bird-of-prey on each side of the butt, all within segmental lines, the butt encircled by a slender steel band and inlaid with an expanded flowerhead in mother-of- pearl (one missing), steel mounts comprising trigger-guard with very slender terminal and a single ramrod-pipe each punched with scrolls en suite with the barrel, engraved staghorn rear ramrod-pipe (one missing), and engraved staghorn fore-end cap, and steel-tipped wooden ramrod, perhaps the original, 67cm; 26 3/8in, (2), These pistols are distinguished from other Teschen examples of this period by their more refined streamlined locks incorporating partly enclosed wheels and dogs, and also by the high quality of the inlays on the stocks.
A Dresden porcelain figure group of two cherubs, late 19th Century, one playing a lute the other holding a bow, raised on a scroll moulded naturalistic base, underglaze blue mark to base (minor faults and restoration) together with a 20th Century Sitzendorf porcelain Chelsea style figure of a gallant with a recumbent sheep.
A Russian silver-gilt and cloisonné enamel tea-glass holder, probably Moscow, 1908-1917. apparently unmarked, decorated with a medieval lute-player and a bird amidst elaborate scrolling foliage on a pale blue ground, and with the interlaced initials AO, the flared foot with bud and foliate scrolls, 9.5cm high, 7cm deep. Provenance: Christie’s New York, The Greenfield Collection of Russian Enamels, 20th October 1998, lot 220. Provenance: Christie's New York, The Greenfield Collection of Russian Enamels, 20th October 1998, lot 220
A limited edition commissioned crystal sculpture made by Jane Webster for the Pye Television Awards. The curved and rounded rectangular body falling to an integral stand set to a further carved and shaped wooden base, the whole copper wheel engraved with a stylised figure in flowing robes playing a lute within shaped borders. The whole set to a hinged double door presentation box, height 23.5cm.
Six course ebony Lute by Stephen Barber and Sandi Harris after the original by Georg Gerle, with eleven ribs and holly spacers and similarly veneered neck and peg box with additional bone inlay, fitted with heart-shaped ebony and pernambuco pegs, dated 2001, with hard case 70cm long Illustrated
A Victorian rosewood framed fire screen, the fretwork carved pediment over a central tapestry panel depicting a man playing lute to a young girl, a bearded gentleman below polishing helmet, a dog at his side, flanked by open barley twist pillars to Gothic style cup and cover supports united by an open barley twist stretcher to splayed moulded scroll feet, 72 cm wide (ILLUSTRATED)
a Meissen Porcelain Figural Mantel Clock Case, circa 1875, as a scantily clad infant reading from an open book flanked by a drum clock case (face and mechanism now lacking, and replaced by 18ct gold fob watch, complete with key), surmounted by puce drapes supporting symbols of the arts, including lute, French horn, artist's palette, victory wreath, and a marble bust, upon a shaped rectangular plinth with leaf and entrelac detail, in colours and gilt throughout, crossed swords mark in underglaze blue (double erased), 22cm high See illustration
A set of twelve Limited Edition Royal Doulton 'Lady Musician' figurines, modelled by Peggy Davies, comprising of 'Dulcimer' HN 2798, No. 660; 'Lute' HN 2431, No. 147; 'Harp' HN 2482, No. 663; 'Flute' HN 2483, No. 674; 'Cymbals' HN 2699, No. 638; 'Cello' HN 2331, No. 728; 'Viola D'Amore' HN 2797, No. 407; 'Violin' HN 2432, No. 613; 'Virginals' HN 2427, No. 708; 'Hurdy-Gurdy' HN 2796, No. 647; 'French Horn' HN 2795, No. 601; 'Chitarrone' HN 2700, No. 496, green factory marks to bases, together with individual certificates, (12).