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Click here to subscribeMusical Automaton Clown Playing Lute by Lambert, Paris, c. 1900 With paper-mâché head, painted insects on the cheeks and chin, fixed brown glass eyes, two-color mohair topknot, bisque hands holding inlaid mother-of-pearl lute with bone neck and carved pegs (one missing), on velvet-covered base with single-air going-barrel movement driving four cams with five levers that cause the musician to strum with his right hand while raising the neck of the instrument in his left, leaning back and forth on his stool, crossing one leg and then lifting both together, bending his head in concentration, looking left and right as though to survey his audience, and then saucily sticking out his tongue. Dressed in painted cream satin suit with blue latticework bolero jacket, height 23 in. (58 cm), (face retouched), with brass LB key and stop/start. - Literature: Bailly, "Automata, the Golden Age", pp 181, 351. - A very handsome example of a classic Lambert automaton with a complex series of motions.Please Watch & Listen on: Youtube.com/AuctionTeamBreker Musik-Puppenautomat "Lautespielender Clown" von Lambert, um 1900 Lambert, Paris. Kopf aus Papiermaché, gemalte Insekten auf Wangen und Kinn, feststehende braune Glasaugen, zweifarbige Perücke mit Haarknoten, Hände aus Biskuitporzellan, fein gearbeitete Laute mit Perlmuttintarsien, Stimmwirbel aus Bein, 1 Wirbel fehlt, Seidenkleidung, Bolero-Jacke mit Streifen. Auf samtbezogenem Holzsockel. Federwerk, Walzenspielwerk und Mechanik im Sockel. Der Clown zupft mit seiner rechten Hand über die Laute, lehnt sich auf dem Stuhl vor und zurück, überkreuzt die Beine und hebt sie an, schaut rechts und links und streckt die Zunge heraus. Gesamthöhe 58 cm, mit "LB"-Schlüssel und Starthebel. - Literatur: Bailly: "Automata, the Golden Age", S. 181 und 351. - Ein sehr attraktiver Lambert-Automat mit einer komplizierten Abfolge von Bewegungen!Please Watch & Listen on: Youtube.com/AuctionTeamBreker Condition: (2/2) Starting Price: €6000
Musical Automaton Clown Playing Lute by Vichy, c. 1900 With character head modeled as a smiling man with upturned nose, brown glass eyes and articulated eyelids (without leather), seated on the back of a chair containing two-air going-barrel movement driving four cams that cause figure to turn and nod his head, blink, strum and lift and cross his right leg, in sequined black and gold satin costume decorated with musical motifs, height 23 in. (58 cm), (professionally redressed in antique fabrics to an original pattern), with Vichy key and "acorn" stop/start. - A beautifully modeled automaton by Vichy, in good working order.Please Watch & Listen on: Youtube.com/AuctionTeamBreker Musik-Puppenautomat "Lautespielender Clown" von Vichy, um 1900 Charakterkopf, fein modelliert als lächelnder Mann mit Stupsnase, mit braunen Glasaugen und beweglichen Augenlidern (ohne Leder). Die Figur sitzt auf der Lehne eines Stuhls, in dem sich das Federwerk für das Walzenspielwerk (2 Melodien) und die Bewegungen befindet. Im mit Pailletten besetzten schwarz-goldenem Satin-Kostüm, dekoriert mit musikalischen Motiven (Kleidung mit alten Stoffen nach Originalmuster professionell ergänzt), Höhe 58 cm, mit Vichy-Schlüssel und eichelförmigem Starthebel. - Der Clown dreht seinen Kopf und nickt, blinzelt mit den Augen, zupft die Laute und hebt sein rechtes Bein an. Ein ausdrucksstarker Vichy-Automat in gut funktionierendem Zustand.Please Watch & Listen on: Youtube.com/AuctionTeamBreker Condition: () Starting Price: €6500
GEORGE-ARTHUR JACQUIN OIL/CANVAS OF DANCING SCENE - George-Arthur Jacquin (FRENCH, 1851) oil painting on canvas depicting a scene of three women and a man in a parlor room playing the lute and piano with two people dancing. Signed lower right "G. Jacquin" to lower right. Holds plaque to lower center with "G. Jacquin". Authenticity guaranteed. Gilded scrolled frame. Measures 16" height x 24" width + 4 1/4" mat & frame (40.6cm x 60.9cm + 10.7cm).
A serpentine fronted black marble and malachite inlaid mantel clock, late 19th century, unsigned, the moulded top surmounted with a bronze group modelled as a classical woman playing a lute, seated on a stool with hoof legs, above a circular marble dial with gilt Roman numerals and an eight day movement with outside count wheel, striking on a steel bell, raised on a conforming plinth, 20.5” (52cms) h x 17.5” (45cms). (1)
Jean Marchand, a gold, enamel and paste set verge pocket watch, no.19067, circa 1770, the two piece case with rose cut paste bezel, the back with bands of enamel and paste set decoration, to a central oval cartouche with lute, sword and basket, the white enamel dial with black Roman numerals, outer Arabic minutes track, and Louis XV hands set with paste, the verge fusee movement with waisted pillars, pierced and engraved bridged balance cock, brass three armed balance with polished end piece, and Tompion styled regulator disc, the case 37mm diameter
A silver cigarette box, Berhold Muller, Birmingham 1899, the front embossed with a lute player serenading two young ladies, the reverse embossed with a country house landscape, the plain polished hinged cover opening to reveal silver gilt interior, 9.5cm wide, weight 3oz, together with a shallow silver dish, Emile Viner, Sheffield 1936, 14.5cm diameter, weight 4.4oz (2) For details of the condition of this lot please contact the auctioneer.
A collection of five 9 carat gold charms, comprising: a fish with a cultured pearl to its mouth, a cat, a profile of Nefertiti, a lute and a blunderbuss; with a Maltese Cross, stamped `9.C`; and an initial C, stamped `9ct`; 8.3g gross; an owl with blue paste eyes, stamped `585` to the jump ring; and a dolphin charm, stamped `585`; 3.2g gross
A 19thC horn snuff box (AF), a Victorian paper maché snuff box, a pewter engraved snuff box, a small silver snuff box bears London Hallmark, four base metal snuff boxes, a small modern hardwood snuff box, a cloisonné modern box, a Vogue vanities compact and a faux tortoiseshell miniature lute.
A 20th Century French white marble and gilt metal clock garniture, the clock with eight day movement striking on a bell, the circular white enamel dial painted with Arabic numerals and flower garlands, the drum case surmounted with a quiver, bow and a foliate branch above a glazed door flanked by scrolls, raised on four reeded columns and a crescent shaped base applied with a lute, on turned feet, height approx 45cm, with a mask and sunburst pendulum, together with a pair of matching five light four scroll branch candelabra.
A 19TH CENTURY CONTINENTAL GILT BRASS AND COPPER CLOCK GARNITURE, the clock with an eight day movement, striking on a gong, the enamelled dial with Arabic numerals and pierced gilt metal roundel to the centre, above a small aneroid barometer with circular dial, the architecturally inspired case having a domed top with lute and floral cresting, cast and pierced overall with foliate scrolls, the sides with mask panels, on a bracket foot, the associated three light candelabra on leafy scroll supports, on square bases with bracket foot, the clock 50cm high, the candelabra 29cm high. See illustration
A small group of Staffordshire porcelain figures early to mid-19th century, including a busker standing holding a lute, a group depicting two figures seated on a settee, a seated lady with lute, lute repaired and a small model cottage with garden, damaged, together with a pottery flatback figure of a musician, 4in. to 6in. (10cm. to 15cm.) high. (5)
A PEARLWARE ARBOUR GROUP, early 19th century, modelled as two pairs of musician groups, one female playing a lute, the other a triangle beside their male companions on naturalistically moulded rockwork beside a stream and swan, the arbour with applied shredded clay, all on a canted oblong dark brown base with blue herringbone type border, 7 3/4" high, base 8" x 4" (Illustrated)
A matched set of Meissen porcelain groups allegorical of the seasons and modelled after the originals by Johann Joachim Kaendler, Spring modelled as a couple with a garland before a cage, nest of chicks and a basket of flowers, Summer as a garlanded lass playing a lute besides a lad seated on a sheaf of corn, Autumn with a bare foot piper with a female companion placing a garland of fruiting vine upon a goat and Winter with a lad seated on a sledge of firewood, his female companion warming her hands on a brazier, each on oval bases, blue crossed swords, incised G.91, G.92, G.93 and G.94 respectively, 16.5 cm high, some minor professional restoration. (4)
J.C. Cailly, Paris, a bronze and ormolu mantel clock having an eight-day duration movement striking the hours and half-hours on a bell, with an outside countwheel and silk suspension, the silvered dial having black Roman numerals and blued steel moon hands, the bronze case in the form of a rocky outcrop, with a figure of a minstrel playing a lute seated above, the base with an ormolu acanthus leaf moulded decoration to the edge and an applied classical moulding to the front, all standing on decorative winged feet, height: 38.5cm. * J.C. Cailly is recorded as working in Paris circa 1840.
Framed & Some Glazed Items inc. oil on board, watercolours, prints, R. Pankhurst country scene of horses & cottage & snowy town scene, Sanlat-la Maison De La Boctie, Honfleur, Le Clocher St. Catherine, interior scene of man playing lute serenading female, pair watercolours by J. Belyard-Bought dated 1991, print Canterbury Cathedral & mountain scene (9)
A BERGMAN OF AUSTRIA COLD PAINTED BRONZE TABLE LAMP BASE, cast as a female playing a lute, seated cross legged, on rugs on a camel beneath a tasselled tent structure, and being lead by her male companion bearing a rifle and sword, painted in shades of red, blue, green and cream, 14 1/2" high, 10 1/2" wide, fixed onto a later base, marked "B" in shield