We found 44528 price guide item(s) matching your search

A Thirty Hour Longcase Clock, B Rippin, Sewstern, the 11 inch white enamel dial with date crescent and foliate detail the spandrels, the movement striking a bell (lacking), the oak and mahogany crossbanded case with architectural hood and pointed arch headed door, 197cm high

A MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 30.5cm arched silvered dial signed Truscott, St. Austell, with subsidiary seconds and date aperture, the hood flanked by turned and twisted columns, the trunk enclosed by a crossbanded door, on bracket feet, height 219cm (86in.).

AN OAK EIGHT-DAY LONGCASE CLOCK, the 30cm brass dial signed Robt Parker, Derby, with subsidiary seconds, and date aperture, the hood with broken arch pediment, the case enclosed by an inlaid door, height 212cm (83.5in.).

A MAHOGANY AND OAK LONGCASE CLOCK, the 35cm painted dial signed Owen Jones, Festiniog, with subsidiary seconds, and date aperture, the hood with broken arch pediment, the trunk enclosed by a mahogany crossbanded door, on bracket feet, height 226cm (89in.).

AN OAK LONGCASE CLOCK dial: silvered with subsidiary seconds dial and calendar aperture, signed in the arch Chas. Lunan, Aberdeen, No. 637, the dial also engraved with a crest and motto, Spero In Deo Et Ipsefacit Hope in God and Inspiration, case: flanked by turned pillaster beneath an arched cornice, 78 3/4in. (200cm.)

A MAHOGANY LONGCASE CLOCK dial: painted with a scene of Britannia, subusidiay seconds dial and calendar crescent, phases of the moon to the arch, signed Edwd. Shepley, Manchester, case: the hood flanked by fluted pillars beneath an archetectural swan neck pediment, the tracery arched waist door flanked by cluster column pillasters, 96 1/2in. (245cm.) high

A MAHOGANY LONGCASE CLOCK dial: cream painted, signed Robert Dobel, Yeovil, case: inlaid with feather chequered stringing, the waist door flanked by fluted quadrants with metal caps and feet, 88in. (224cm.) high

A WALNUT FLORAL MARQUETRY LONGCASE CLOCK dial: silvered chapter ring, signed Daniel Le Count, London, subsidiary seconds ring and calendar aperture, case: the hood flankedy by spiral twist pillasters beneath a fret carved cornice, the waist door inlaid with a panel of floral sprays with dyed green leaves, 82in. (208cm.) high

A George III oak and mahogany crossbanded longcase clock, circa 1790, the broken scroll swan neck pediment above a brick work arch and glazed door flanked by fluted brass capped corinthian columns enclosing a 12" arched brass dial marked J Baddely, Albrighton, in the arch, with Roman numerals, subsidiary seconds dial and date aperture, foliate engraved corners, eight day movement striking on a bell above a double arched top crossbanded trunk door flanked by fluted corinthian quarter pilasters over an ogive moulding and oval tablet centred base board between canted angles and raised on bracket feet, 87" high.

A mahogany and boxwood strung longcase clock, Scottish, mid 19th century, the broken scroll pediment above an arched glazed door flanked by brass capped pilasters enclosing 13" arched white painted enamel dial marked Jaz Young, Dundee, with Roman numerals, subsidiary seconds dial and date dial, the arch painted with Highland lad and lass and their dog and the corners painted with maidens representing the seasons, with glazed side apertures, eight day movement striking on a bell above a rectangular bevelled trunk door flanked by fluted quarter pilasters over an ogive moulding and plain boxwood strung base board and raised on shaped, 84" high

An oak and mahogany crossbanded cottage longcase clock, circa 1830-40, the broken scroll pediment centred by a gilt brass urn finial between gilt brass flowerhead terminals above a square glazed door flanked by fluted brass capped pilasters enclosing a 12" white painted square enamelled dial with Roman numerals and date aperture painted with strawberries and thistles in the arch, 30 hour movement striking on a bell over a chequer strung mahogany frieze and ogee arched top crossbanded three quarter length trunk door centred by a lozenge motif over a further panel, ogive moulding and crossbanded base board, distressed, 80" high

An oak and mahogany crossbanded cottage longcase clock, early 19th century, Shropshire, the broken scroll pediment above a boxwood strung frieze over a square door flanked by inlaid square columns enclosing a 12" white painted enamel dial with Roman numerals and date aperture and painted with a bird in branches, florally painted corners, 30 hour movement striking on a bell, above a chequer strung frieze and shaped top, three quarter length crossbanded trunk door centred by a boxwood and harewood oval conch shell motif over an ogive moulding and crossbanded base board, distressed, 77" high

An oak and mahogany crossbanded boxwood and ebony strung longcase clock, second quarter 19th century, the broken scroll pediment with gilt brass terminals above an arched glazed door, between fluted brasss capped pilasters enclosing a 13" white painted arched enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked R Matthews, Oswestry, painted with a hare coursing scene, the corners painted with fruit cornucopiae, eight day movement striking on a bell above a boxwood and ebony inlaid mahogany frieze over a three quarter length crossbanded trunk door with concave top corners flanked by fluted brass capped quarter pilasters and plain based board on bracket feet, 87" high

An oak and mahogany crossbanded and inlaid longcase clock, first half 19th century, the broken scroll pediment with pressed brass thistle roundels and ball and spire finial above a boxwood and ebony inlaid arched glazed door flanked by fluted brass capped Corinthian columns enclosing a 12" white painted arched enamel dial with Arabic numerals, date aperture and marked Palmer, Loughborough, painted with a bird and rose painted corners and the figure of Ceres in the arch, 30 hour movement striking on a bell above a chequer strung mahogany frieze and ogee arch top crossbanded three quarter length trunk door centred by an oval inlaid Britannia motif between canted angles over a conforming strung base board and plinth, 87" high

An oak and mahogany crossbanded and boxwood strung cottage longcase clock, early 19th century, the ogive cornice above a square glazed door flanked by square columns enclosing a 12" white painted enamel dial with Roman numerals and marked D D Humphreys, Presteigne, above a date aperture, the corners painted with strawberries, 30 hour movement striking on a bell, above a mahogany frieze and ogee arch top crossbanded three quarter length trunk door over an ogive moulding and crossbanded base board, distressed, 76" high

An oak longcase clock, 18th century, with canted cornice and square hood enclosing a 10" square brass dial with Roman numerals and matted centre and mask pierced spandrels the dial marked 'Gil Bullock, Bps Castle' thirty hour movement striking on a bell above a full length narrow trunk door and reduced plinth, distressed, 80" high

A George III mahogany banded oak 30 hour longcase clock by Jones Alcester, the swan neck pediment over square dial painted spandrels and Roman numerals with date aperture case inlaid with conch motif on ogee feet, height 6ft 7ins

An early 19th century oak and mahogany 8 day longcase clock by Major, Cheltenham, the swan neck pediment over square dial painted spandrels, Roman numerals and date aperture over panelled door and bracket feet, 6ft 6ins (restored)

A George lll Oak Eight Day Longcase Clock, swan neck pediment, the case Mahogany and Rosewood crossbanded, canted pillars, the shell painted enamel dial with seconds dial and date aperture, Maker Stokes, Macclesfield, 87 ins.

A Mahogany Eight Day Longcase Clock, swan neck pediment, Rosewood crossbanded, leafage carved, turned pillars, the painted enamel dial with rolling moon mechanism, seconds dial and date aperture, Maker worn, Burslem, 91 ins high approx.

A George lll Oak Eight Day Longcase Clock, swan neck pediment, brass eagle finials, turned columns, conch shell marquetry inlaid, Mahogany crossbanded, painted enamel dial, gilt embellished, Maker R. Mitchell, Lane End, 93 ins.

A George lll Oak Eight Day Longcase Clock, swan neck pediment, floral painted, the case Mahogany crossbanded, fluted corners, on ogee bracket feet, painted enamel dial with Rolling Moon mechanism, seconds dial and date aperture, Maker William Nickisson, Newcastle, 85 ins.

A George ll Oak Eight Day Longcase Clock, moulded pediment, the brass dial with seconds dial and date aperture, Maker Watkin Owen, Llanrwst, 82 ins.

A Fine Dutch Marquetry Longcase Clock. The 13 inch brass dial having a painted moon roller in the arch above a silvered chapter ring engraved with foliate scrolls between the numerals. The matted centre incorporating a subsidiary seconds dial, calendar aperture and alarum, with a plaque inscribed W. Gib Rotterdam, ornamented with gilt spandrels to the corners. The caddy topped hood with shaped cavetto moulding centred by a carved parcel gilt crest and urn finial, and marquetried with trailing flowers; the dial flanked by gilded integral columns. The trunk having a shaped door with applied edge moulding, a carved scroll crest to the top and a glazed panel framed in a Rococo scrolling gilt metal cartouche with decorative figural mount, inlaid with flowers, a bird and a butterfly and flanked by chequer banded canted sides. The marquetried bombe base raised on lion paw feet, 98 ins (250 cms) overall in height.

A Georgian Oak Eight Day Longcase Clock. The 12 inch brass arched dial having a silvered chapter ring with subsidiary seconds ring and calendar aperture incorporated into the matted centre. The arched top centred by a convex silvered plaque inscribed Laurence Nutter Ramsey, and flanked by scrolling dolphin mounts with ornate spandrels to the corners and engraved bands of imbricated leaved to the borders. The pagoda hood surmounted by globe finials, with fluted integral columns flanking the hood door. The long dome topped trunk door edged in moulding. Standing 94 ins (239 cms) overall in height on a moulded base with bracket feet.

A Georgian Flame Mahogany Longcase Clock with eight day movement. The 13 inch brass dial having a painted moon roller, silvered chapter ring with subsidiary seconds and calendar dials to the centre, decorated with engraved scrolls and signed Atkinson Gateshead. The dome-topped hood with fret carved pediment surmounted by three carved and gilded urn finials, and having baluster columns flanking the dial. The trunk with a moulded arch-topped door inlaid with stringing. 96 ins (244 cms) overall height, standing on bracket feet.

George III mahogany longcase clock, the hood with broken arch moulding above blue and gilt painted glass panels, reeded Corinthian columns with brass capitals, the trunk with conforming pilasters and arch shaped door, the arch shaped painted dial with moon phase movement, subsidiary seconds dial signed James Lomax, Blackburn-eight day striking movement, 7'10" high

Thomas Mawkes, Chesterfield. A late 18th century longcase clock movement, the 31cm (12in) all brass dial with pierced spandrels, date aperture, seconds dial, outer minutes ring and the four-pillar movement striking on a bell, the associated oak case with canted fluted pilasters and carved with foliate scrolls, 219cm (86 1/4in) high overall.

A 20th century mahogany longcase clock, 'Paul Carroll', Oxford, fitted 8-day, quarter striking movement with a choice of chimes, the hood with broken pediment with turned urn and barley twist columns, brass dial and the trunk with a glazed door, 200cm (78 1/2in) high

A late George III oak longcase clock, by 'Webb of Hooking Norton', (sic Hook Norton, Oxfordshire), with a square brass dial, cast spandrels, Roman numerals, date aperture, 30 hour with anchor escapement, striking on a bell 197.5cm (77 3/4in) high.

Oak longcase clock, circa 1910, the hood with carved frieze over barley twist columns flanking a 10 1/2" brass dial, subsidiary seconds, eight day Westminster chiming movement, trunk with geometric moulded panels and fielded panel box base, stepped and raised on squat bun feet, height 84"

Walnut cased art deco 3 train longcase clock by Girod of France, having square dial with chrome numerals and Westminster chime. Stands 190cm

An 18th century 30 hour longcase clock movement with birdcage movement and 10" brass dial with a single hand signed Knight, Thaxted

An eight day longcase clock with a 13" brass arched dial, the arch embossed Tempus Fugit and with seconds hand and calendar signed James Wood, London contained in a mahogany case the hood with swan neck pediment and dentil moulding and reeded columns the trunk with wavy long door and reeded quarter columns recently restored 89" to finial

A mahogany eight day longcase clock with painted 13" arched dial signed Tenby having second dial and calendar, the swan neck pediment hood having turned columns above a panelled trunk door 6'11" tall

A 30 hour longcase clock with a painted 12" arched dial with calendar lacking hands contained in oak and mahogany case the hood with swan neck pediment the trunk with reeded columns 82" high

A large eight day three train longcase clock striking on six bells (two missing) with a 15" brass dial having second hand and calendar with silvered chapter ring the arch signed Marknick, London contained in a large walnut case the pagoda top with fretwork front and sides over the trunk with long door standing 10'11" tall

A 30 hour longcase clock with a replaced 10" dial contained in an oak cast 79" tall

A 19th Century Scottish mahogany longcase clock, the circular brass dial inscribed 'William Young, Dundee' with subsidiary second and date dials, the hood with an arched pediment, the trunk with a bowed door surmounted with an acanthus carved motif and flanked by scrolls, the base with an inlaid classical urn and on ogee bracket feet, 79in. (201cm) high.

A Georgian oak thirty-hour longcase clock with a square painted dial inscribed 'J.N.O. Warner, Evesham' with a date aperture, the spandrel painted to depict fruit, the hood with a moulded cornice and fret carved frieze, the trunk with a mahogany crossbanded door and base and on bracket feet, 83in. (211cm) high.

A MAHOGANY LONGCASE CLOCK dial: circular cream painted with subsidiary seconds ring, signed John Tuite of Mullingar, case: with an arched corned and panelled waist door, 77 1/4in. (196cm.) high

A MAHOGANY LONGCASE CLOCK dial: cream painted, subsidiary seconds ring and calendar crescent, signed Warry, Bristol, the arch painted with a harbour scene and a moveable man o'war attached to pendulum, case: the hood with ebonised fluted pillars with ormolu corinthian capitals beneath a swan neck pediment, the waist door flanked by matching pillars, 88in. (224cm.) high++Seconds hand missing, dial with some re-painting

AN OAK LONGCASE CLOCK dial: cream painted, subsidiary seconds dial and calendar dial, signed Thos. Horsefell, Stockport, floral painted spandrels and arch, hood: flanked by rectangular reeded pillasters beneath a swan neck pediment, shaped waist door also crossbanded and flanked by reed square pillasters, 86in. (219cm.) high ++Tired

AN OAK LONGCASE CLOCK dial: cream painted, subsidiary seconds ring and calendar crescent, a bowl of flowers to the arch, signed G Lefever, Wisbeach, case: hood flanked by reeded pillars, the waist door flanked by reeded chamfered corners, 84in. (214cm.) high ++Movement possibly associated

A MAHOGANY LONGCASE CLOCK dial: cream painted with subsidiary seconds ring and calendar crescent, signed W. Sully, Langport, a riverside scene to the arch, case: the arched hood flanked by spiral twist pillars, the waist door also with spiral twist pillars, 80in. (203cm.) ++Restorations

Thomas Ross, Hull early 19th century mahogany longcase clock, the shaped top hood with central finial and plush upholstered panel, arched moulded cornice and glazed door flanked by turned tapered fluted columns with brass Corinthian capitals, the painted dial with ship automaton to the arch, a subsidiary second dial and aperture and eight day movement, the trunk with a shaped top door abovefluted canted corners and a crossbanded boxwood strung base with bracket feet, 2.36m high

Edwardian mahogany satinwood crossbanded and marquetry inlaid longcase clock, the broken arch hood with swan neck pediment above an arched and bevelled glass door and conforming plinth base. The gilded brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and chime silent selector in the arch. The three train movement with anchor escapement striking and chiming on gongs

A George III carved oak longcase clock, by Thomas Mankes, Chesterfield, the thirty hour movement with a 26cm engraved brass dial, and subsidiary seconds dial

Philip Avenell, Farnham, 5 Pillar Movement 8 Day Striking Longcase Clock having arched brass dial with raised fish figurehead and scroll decoration with calendar and seconds dial in oak case having arched door with glass circular panel, 30cm dial, (movement completely overhauled)

A late George III mahogany longcase clock, Barry Bolton, the hood with swan neck pediment and decorated with gilt painted urn, swag and foliage, the arch glazed door with reeded side columns, the trunk door with shaped top and quarter reeded column sides, on square base, the 14in arch painted dial with phase of moon and figure spandrels and Arabic numerals, with date and seconds indicators, the eight day movement striking on a single bell, {242cm (95in) high}

A George III oak longcase clock, Richard Coles Buckingham, the hood with glazed door and trunk, with one long moulded edge door and rectangular base, the 11in square brass dial with Roman and Arabic numerals and seconds aperture, the thirty hour movement striking on a single bell, {188cm (74in)}

A 19th Century French Comptoise longcase clock by Favreau of Airvault, the 9.5ins embossed gilt brass dial centred with enamelled dial with date dial to the eight day striking movement, with bold embossed brass pendulum front, contained in grained wood and gilt decorated case with bulbous body and angled plinth, 90ins high

An 19th Century stripped pine longcase clock by William Sonning of Brandon (Suffolk), the 12ins brass square dial with wide chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day movement striking on a bell, contained in case with deep moulded cornice and plain turned columns to hood, plain trunk door, 79ins high

Late 18th Century oak 30 hour longcase clock, square dial painted spandrels and arabic numerals signed Strickland Tenterden.

George III 30-hour longcase clock, the 12' enamelled dial painted ewes and lambs, with broken swan neck hood, on mahogany crossbanded oak trunk 6'8'.

A LONGCASE CLOCK by T Humphries Barnard Castle, the eight day movement having arched dial painted with a maiden and a dog on a path the spandrels with various buildings, secondary dials, in mahogany and crossbanded case with rosewood inlay, scrolled pediment on baluster columns, arched door flanked by quarter columns, panel base and bracket feet, 89" high.

A LONGCASE CLOCK by Thomas Snow of Otley, the eight day movement with arched dial gilded with scrolling foliage centred by an urn, secondary dials, in oak and mahogany case, crossbanded with floral marquetry patera, scrolled pediment with brass finials on fluted columns, arched door, stamped T Westmorland Leeds, flanked by fluted quarter columns, panel base and bracket feet, 92" high.

A LONGCASE CLOCK by Richard Rowe London, the eight day movement with arched brass dial, rocking Father Time figure in the arch, secondary dials and calendar aperture, in green lacquered chinoiserie case with caddy top, on turned pilasters, arched door, panel base and moulded plinth, gilded with figure scenes, foliage and trellis panels, 91 1/4" high.

A LONGCASE CLOCK, the three train four pillar movement chiming the quarters, chased arched brass dial with silvered chapter ring, Westminster, Whittington and St Michael chimes, in mahogany case with arched cornice on turned quarter columns, glazed door, panel base on plinth, 20th century, 78" high.

A GILT METAL AND LEATHER MANTEL CLOCK by the British United Clock Company modelled as a longcase clock, the spring movement with gilt metal and enamel dial, turned finial on pierced and domed top, foliate edging and pierced bracket feet, 11 3/4" high.