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A George III oak 8-day longcase clock, the 12 inch square dial with silvered Roman chapter ring, subsidiary seconds and date aperture, signed Stephen Wilmshurst, Basingstoke, 7ft 2ins

An early 18th century 8-day longcase clock movement with 10inch square brass dial with silvered Roman chapter ring and date aperture, signed Joseph Knibb, Londini, with later arch signed John Monkhouse, London, and 20th century Dutch style floral marquetry and walnut case, 8ft 5ins

A George III oak 8-day longcase clock, the arched brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, signed Tho Hall, Rumsey, 7ft

An early 19th century mahogany 8-day longcase clock, the arched painted dial with moonphase, subsidiary seconds and date aperture, signed J.Balling, Wells, 7ft 3ins

An early 19th century strung mahogany 8 day longcase clock, the painted arched dial with moonphase subsidiary seconds and date dials, signed G.H. Timings, Dudley, 7ft.7ins.

A 1930's dark oak longcase clock with traditional square brass dial and three train German movement, glazed trunk door with bevelled panes, 6ft.9ins.

An oak and mahogany crossbanded cottage longcase clock, early 19th century, the broken scroll pediment surmounted by three eagle and ball brass finials and with flowerhead terminals over a square glazed trunk door flanked by fluted brass capped pilasters enclosing a 12" painted enamel dial with date aperture and marked William Walker, Shrewsbury, Roman numerals and painted with an exotic bird to the centre and floral corners, 30 hour movement striking on a bell above a three quarter length pointed arch trunk door centred by a lozenge motif and flanked by fluted brass capped quarter pilasters over a panel and bevelled moulding and conforming base board, feet lacking, 77" high.

A George III oak mahogany crossbanded and inlaid longcase clock, circa 1800, the broken scroll pediment with flowerhead gilt brass terminals over an arched glazed chequer strung door, flanked by fluted brass capped pilasters enclosing a 13" painted enamel dial with Arabic numerals, subsidiary seconds dial and date aperture and marked J A Shipley, Derby, rolling moon phase in the arch, eight day movement striking on a bell, above a lozenge bordered mahogany frieze, crossbanded shaped top, three quarter length trunk door centred by a boxwood and harewood conch shell motif, flanked by fluted quarter pilasters, over an ebony strung panel, ogive moulding and raised base board between canted angles and raised on ogee bracket feet, 89" high

A Victorian mahogany crossbanded longcase clock, mid 19th century, the broken scroll pediment above an arched glazed door applied with wrythen reeded half columns and flanked by wrythen columns enclosing 14" white painted arched enamel dial with subsidiary seconds dial and date aperture and marked indistinctly Richard Owen? Holyhead, painted with rustic housing to the corners and a shepherd and his dog in the arch, 8 day movement striking on a bell above a short trunk door flanked by wrythen reeded half pilasters over a tablet, ogive moulding and base board between canted angles, distressed, 89" high

A George III oak longcase clock, circa 1790, the broken scroll pediment above a vert eglemise foliate painted frieze and glazed square trunk door flanked by turned pilasters enclosing a 13" brass dial with Roman numerals, moon phase aperture and date aperture and marked Standring, Bolton, foliate cast spandrels, 8 day movement striking on a bell, over a shaped top, full length trunk door, flanked by, quarter pilasters, above an ogive moulding and plain base board with canted sides and raised on bracket feet, distressed, 85" high

A George III oak longcase clock, circa 1770, the ogive cornice above a square glazed door, flanked by turned pilasters and enclosing a 12" square brass dial with silvered chapter ring and Roman numerals, date aperture below a circular aperture engraved James Monkhouse, Carlisle, foliate cast pierced spandrels, 30 hour movement striking on a bell, a shaped top full length trunk door flanked by fluted quarter pilasters over an ogive moulding and plain base board with canted angles and raised on shaped bracket feet, 83" high

A 1930s oak cased chiming eight day longcase clock with exposed pendulum above a single cupboard

A quantity of clock parts including three brass longcase weights

A stained pine swan neck pediment eight day longcase clock with 13" arched brass dial having second hand and calendar signed Alln Hon IRVINE flanked by reeded columns above a shaped trunk door and reeded quarter columns on replacement feet 7'1" tall

An oak mahogany crossbanded eight day longcase clock with painted 12" arched dial with moths to each quarter, the shaped hood having reeded columns above a canted trunk door 7' tall

A Georgian stained pine 30 hour longcase clock the 12" brass engraved dial having roman and arabic numerals and calendar date, signed Richardson, Hexham the hood having column supports above a dentil moulding and a shaped trunk door flanked by fluted columns all raised on bracket feet height 6'8"

An oak eight day longcase clock with a 12" brass dial having second dial and calendar signed T Tantum of Losco the one piece hood having a broken arch pediment and turned columns over a shaped trunk door 7' tall

A 19th Century oak and mahogany crossbanded longcase clock, the arched painted dial inscribed 'J. Little, Annan' with subsidiary second and date dials, the arch depicting an allegorical scene, the spandrels churches, the hood with a swan-neck pediment and cylindrical columns, 87in. (221cm) high.

A 19th Century mahogany eight-day longcase clock, the arch brass dial inscribed 'J. Reed, Brampton', the hood with a swan-neck pediment, the trunk with a shaped door and turned columns.

A 19th century oak longcase clock, moulded swan neck pediment with urn finial, above an arched brass dial with painted moon phase and cast spandrels, the silver chapter ring with black Roman and Arabic five minute division numerals, the milled centre with subsidiary seconds and date dials inscribed 'Iohn Watson', moulded arched door on plain base, shaped apron and bracket feet

A late 18th century oak longcase clock with caddy top, above a square brass dial with cast spandrels, the silvered chapter ring with black Roman numerals and subsidiary five minute divisions, the milled centre with calendar aperture, inscribed 'Tho.s Higdon East Pennard', rectangular long door, the whole later profusely carved with lunettes, Yorkshire rose and scrolls, on bracket feet

An early 19th century oak longcase clock, the later hood with swan neck pediment and brass eagle and ball finial, arched dial painted with a study of Melrose Abbey and with black Roman numerals, inscribed 'M. & J. Spiegelhalter', Malton, stepped arched moulded door within mahogany canted angles, crossbanded plinth base, shaped apron and bracket feet, 30 hour movement striking on a bell

An early 19th century pine longcase clock, square hood with stepped moulded cornice and plain frieze, square brass dial with black Roman and five minute Arabic numerals within cast spandrels, the milled centre with draught turned detail and calendar aperture inscribed 'Stonehouse Whitby', stepped arched door, on a skirted base, the whole chinoiserie decorated

An early 19th century mahogany longcase clock, the hood with pierced swan neck cresting, brass eagle and ball finial, on ring turned brass capped supports, the arched dial painted with rural scenes, black Arabic numerals and fifteen divisions, subsidiary seconds and date dials, inscribed 'D. Robinson Newcastle', the arched door enclosed by canted angles, the whole outlined with boxwood

A 19th century mahogany crossbanded oak longcase clock with arched swan neck pediment on ring turned columns, the arched painted dial with moon phase and animal spandrels, black Roman numerals, subsidiary seconds dial and calendar aperture, inscribed 'G. Slater Burslem', serpentine door inlaid with specimen wood vase of flowers, enclosed by reeded quarter columns, the panel base

An early 19th century oak longcase clock, swan neck pediment with triple brass eagle and ball finials on reeded tapering columns, the arched dial painted with a ship above shell spandrels, black Roman numerals with subsidiary seconds dial and calendar aperture, shaped crossbanded door enclosed by reeded canted angles, plain base with shaped apron and bracket feet, 8 day movement

A 19th century oak longcase clock with a square brass dial inscribed 'Will Porthouse Penrith' supporting a 30 hour striking movement, (case missing 2 back feet, dial matched), dial 9" diameter (23cm)

A George III oak and mahogany crossbanded longcase clock, the brass dial with Arabic and Roman numerals, subsidiary calendar and seconds dial, 8 day movement with 4 pillars. 78" (199cm)

An unusual modern mahogany 'tide' longcase clock by G. H. Bell, 1971 in the manner of J. Ferguson, London, 1780, Roman numerals, inscribed on face 'The moon's age, the time of her southing and time of high water at London Bridge'

A longcase clock, the square brass dial with a single hand and matted centre engraved 'Stephen Wilmshurst Basingstoke', supporting a 30 hour 'birdcage' movement in a later case, dial 9 1/2" diameter (24cm), case 83" high (211cm)

AN 18TH CENTURY WALNUT LONGCASE CLOCK having an eight day movement with arched brass dial embossed spandrels and second hand, signed Godfrey of Kidderminster, the case with holly and ebony line inlay, arched panel door and on bracket feet, 89"high.

John Hodges, London; a George III japanned longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the arched brass dial with silvered chapter ring, Roman numerals and Arabic five minute divisions with subsidiary seconds dial and date aperture, 'strike/silent' ring within the arch, the case gilt with Chinoiserie panels reserved on a black ground, the hood with two doric pillars with brass capitals supporting an open fret frieze within a domed entablature, surmounted with a stepped pediment, height 247cm (97in) (some restoration to the case).

A black-japanned longcase clock, the eight-day two-train movement with anchor escapement, and rack-strike on a bell, the brass arched dial with silvered chapter ring, Roman numerals, Arabic five miniute divisions and subsiduary seconds and date dials, inscribed Thomas Reynolds OXON, the arch with 'strike/silent' dial, the case gilt with Chinoiserie vignettes, the shaped door applied with a printed panel of a music lesson, the domed hood with three gilt ball finials, height 240cm.

A carved oak longcase clock, the five pillar, eight day movement with anchor escapement and rack strike on a bell, the 12 inch brass and silvered dial engraved with a cottage and a keep, within a silvered chapter ring with Roman numerals and Arabic five minute divisions, within foliate spandrels and with subsidiary seconds dial, the arch with oval boss inscribed Thos. Hall ROMSEY, the case carved allover with stylised foliage.

A 19th century oak and mahogany longcase clock, the thirty hour movement with anchor escapement and striking on a bell, the arched and painted dial with Roman numerals and spandrels of bowls of fruit, the arch painted with a shooting scene, the plain case with shaped door, the hood with broken pediment, height 208cm (some damage and repairs to the hood).

An oak longcase clock, the eight day two-train movement with anchor escapement and count- wheel strike on a bell, the 10 inch brass dial with silvered chapter ring and Roman numerals, date aperture, subsidiary seconds dial, within putto head spandrels, plain case, the hood with plain pilasters and flat pediment, 198cm high (lacks second hand).

A mahogany longcase clock; the eight day two-train movement with anchor escapement and rackstrike on a bell, the arched dial painted in black with scrolling foliage, with subsidiary seconds and date dials, within a silvered chapter ring with Roman numerals, inscribed Edm. Wills, Salisbury, the plain case with shaped door, the hood with broken pediment, height 234cm, the case circa 1800.

A mahogany longcase clock, the eight day movement with anchor escapement and rack strike on a bell, the silvered dial with Roman numerals and subsidiary 'strike/silent' dial, inscribed Tony Dunlop London, the case with domed hood, 221cm high.

W Bullock, Bath; a George III mahogany longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the painted dial with Roman numerals and Arabic five minute divisions, about subsidiary seconds and date dials, the plain case line inlaid, the hood with broken pediment, height 214cm.

A 19th century oak longcase clock, the eight day movement with anchor escapementand rack strike on a bell, the arched brass 12in. dial with Roman numerals and foliate spandrels, inscribed within the arch ROSS EPWORTH, the case with fluted pillasters, the hood with broken pediment and an anthemion finial, 214cm high (the hood lacks glazed door).

An oak dresser with an integral longcase clock by Winstanley, Ashburn; the clock with an eight-day four pillar, two train movement with anchor escapement striking on a bell, the 33cm round brass dial signed, and with Roman and Arabic numerals and date aperture, the dresser with a dentil cornice an arched hood with spirally turned columns and convex glass, flanked by open shelves, the base with three drawers, a shaped apron and cabriole legs with pad feet, 212 high x 186cm wide.

A MID 19TH CENTURY WELSH TUNBRIDGEWARE INLAID MAHOGANY LONGCASE CLOCK with two train, eight day movement, the painted dial with revolving phases of the moon within the arch, the spandrels with architectural paintings, with roman numerals, seconds dial and calendar aperture, inscribed "I M Moses & Son, Swansea", the hood with swan neck pediment and baluster turned angle pillars, the trunk with short shaped door and angle pillars, the base on bracket feet. Dial Width 14". Width 19"

An Early 19th Century Oak Longcase Clock, the thirty hour movement having a square painted dial with arabic numerals, seconds dial and calendar aperture, inscribed with illegible makers name ".......Porth", the hood with swan neck pediment and fluted angle pillars, the trunk with long rectangular door and canted angles, the base plain. Dial Width 11.5". Width 13.5". Height 83". Lacking feet

A SCOTTISH LONGCASE CLOCK, c.1850, mahogany strung case, the dial spandrels painted with Scottish figure scenes and name 'J. Brown & Sons, Kilmarnock', eight day bellstrike, height 235cm

A George III mahogany and boxwood inlaid and crossbanded longcase clock, late 18th century, the broken scroll swan neck pediment applied with stamped brass urn terminals, over foliate gilt painted glass panels, above an arched glazed door flanked by fluted gilt brass capped pilasters, enclosing a white painted 13" enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked R. Webster, Salop, gilded foliate corners and rolling moon phase with galleon and pastoral scene in the arch, 8 day movement striking on a bell above a fluted frieze centred by a boxwood oval patera over a shaped top crossbanded trunk door flanked by fluted quarter columns above an ogive moulding and crossbanded base board between canted angles, lacking feet, distressed, 86" high

A George III mahogany and inlaid longcase clock, circa 1800, the broken scroll pediment with replacement gilt brass paterae over a dentil moulding and open foliate fretwork border over a blind fretwork frieze and further dentil moulding and chevron strung arched glazed door, flanked by ropetwist gilt brass capped corinthian columns and glazed sides, enclosing a 14" arched silvered dial marked Thos Nevill, Bristol, within an engraved garland and below clouds holding Mercury, the Winged Messenger aloft, the corners engraved with figural representatives of the seasons, the dial with roman numerals, brass hands and replaced seconds hand, date aperture and a later painted rolling moon phase in the arch, engraved "High water at Bristol Key" the five pillar 8 day movement with dead beat escapement striking on a bell and with Nevill maintaining power above a dentil moulded and blind fret carved frieze and elaborately shaped door flanked by fluted gilt brass capped corinthian quarter columns over a cushion moulding and shaped base board between blind fret carved canted angles and raised on later ogee bracket feet, with restorations, 103" high

A walnut and boxwood inlaid longcase clock, the case 20th century, the movement 18th century, with pierced gallery caddy top boxwood inlaid with flowers above an arched glazed door applied with half round gilded columns, enclosing a 12" arched brass dial with roman numeral chapter ring, subsidiary seconds dial and calendar dial and moon phase in the arch, crown and cherub pierced spandrels, dolphin spandrels in the arch, three train musical movement playing on a carillion of eight graduated bells and a striking bell, above a rectangular cockbeaded trunk door inlaid with shell urn and foliate motifs, over a cushion moulding, the base board inlaid with a boxwood conch shell motif and raised on a plinth and bracket feet, 93" high

A Regency oak cottage longcase clock, early 19th century, the arched hood and glazed door flanked by two brass capped pilasters enclosing a 12" white painted enamel dial marked I. Bright with roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and a rose spray in the arch, 8 day movement striking on a bell, with glazed side windows above an arched top trunk door, concave moulding and plain baseboard and plinth, restorations, 81" high

A George III mahogany satinwood, boxwood and harewood inlaid longcase clock, late 18th century, the caddy top surmounted by three brass eagle and ball finials, the frieze incised with a pen work leaf motif above boxwood and harewood foliate corners over a glazed door flanked by square boxwood strung tapering columns and enclosing a 13" brass dial with silvered chapter ring, roman numerals and subsidiary seconds dial and marked Martin, Crosby with an engraved diaper centre and foliate pierced spandrels with a painted rolling moon phase in the arch, 8 day movement striking on a bell above a cockbeaded and chequer strung trunk door centred by a boxwood and harewood conch shell motif between satinwood canted angles over an ogive and cushion moulding and conforming base board with fan bracket corners and raised on later ogee bracket feet, restorations, 84 high

A mahogany longcase clock, second quarter 19th century, the brokem scroll pediment above an arched glazed door flanked by turned mirrored baluster columns enclosing a 13" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and gilt painted flowers in the corners and eagle in the arch with the Latin motto 'Tempus fugit', eight day movement striking on a bell above a crossbanded frieze and shaped top crossbanded three quarter length trunk door flanked by canted half baluster columns over a cushion moulding and crossbanded base board and on bracket feet, some damage and restoration, 90" high

A George III oak and mahogany crossbanded and inlaid longcase clock, late 18th century, the broken scroll swan neck pediment centred by a gilt brass eagle and ball finial and with stamped brass terminals, above an arched glazed door with tapering square side columns enclosing a 12" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked W Edwards, Bishop's Castle, florally painted corners and rolling moon phase in the arch, eight day movement striking on a bell above an ogive moulding and ogee arched top, trunk door centred by a boxwood and harewood conch shell motif over a further moulding and crossbanded base board, distressed, 85" high

A George III mahogany longcase clock, late 18th century, the blind fret carved and arched hood with broken scroll swan neck pediment and floral terminals above an arched cushion moulded glazed door flanked by simulated bamboo pilasters enclosing a white painted 14" enamel dial with roman numerals, subsidiary seconds dial and marked F Wood, Bollington, the corners painted with rustic housing, rolling moon phase in the arch, eight day movement striking on a bell, above a Greek key moulding and blind fret carved frieze and triple ogee arch top trunk door flanked by fluted quarter pilasters on blind fret carved half columns over an ogive moulding and raised base board between reeded angles, lacking feet, the case possibly Gillows, 94" high

A 19th century mahogany longcase clock with moulded swan neck cornice, the arched glazed door enclosing a painted face with scenes of the four continents, the eight day movement with subsidiary second dial, painted spandrels, the trunk with cross banded door, the base similarly inlaid, raised on bun feet.

Late George III mahogany longcase clock with moulded swan neck cornice and arched glazed door flanked by inlaid tapered columns with brass capitals. The 8 day movement with a moon phase, the brass face with inlaid scroll decoration, subsidiary date dial and cast spandrels, the trunk with a cross banded door with paterae inlay, the base similarly inlaid with quarter paterae.

Georgian style oak longcase clock with arched moulded cornice flanked by spiral columns, moulded front case with brass and silver face, musical chiming movement, 194cm.

AN EARLY 19TH CENTURY MAHOGANY THIRTY HOUR LONGCASE CLOCK having a white painted dial, shell decoration, signed W Morris, East Bourn, subsiduary dials and Roman numerals, the case with break arch pediment, ball finial, panel door and bracket feet, 81"high.

A GEORGE III OAK LONGCASE CLOCK with arched painted dial signed William Preddy of Langport with bobbing sailing ship mechanism, date aperture and seconds dial, eight day movement, the case with crossbanded decoration, arched hood, urn finials and panel door, 88"high.

A Mid 18th Century Blue & Gilt Lacquered Longcase Clock, with eight day movement, the brass dial with painted circular plaque within arch and with baroque spandrels, with roman numerals and brass centre inscribed "John Westoby, Londini Fecit", the rectangular hood with integral angle pillars (lacking capitals and plinths) the trunk with long arched door decorated with chinoiserie, buildings, figures etc.. Lacking dome and plinth. Dial Width 11". Width 13". Height 79".

An Early 19th Century Mahogany Longcase Clock, with eight day movement, the arched painted dial with arabic numrals and calendar aperture inscribed "Wainwright, Nottingham", the arched hood with swan neck pediment and turned angle pillars, the trunk having a long shaped door with oval central panel between canted angles, the base with similar oval panel. Dial Width 12". Width 14". Height 93".

An 18th century walnut longcase clock. The arched brass dial with strike/silent and seconds dials, a calendar aperture and plaque engraved 'Jn. Fladgate London', supporting an 8 day 5 pillar striking movement, dial 12" diameter (30cm), case 7' 9" high (236cm)