Matchbox Superfast Group of 10 x Mid 1970's to Early 1980's Issue Commercial & Farm Vehicles - Including 36d Refuse Truck; 40b Bedford Horse Box - matt black base, complete with horses attached to sprue; 2 x 45c Kenworth Aerodyne Tractor Unit - both are light amber windows, chrome Lesney base - (1) white body with brown & blue stripe tampo print; (2) red body with dark navy blue & white stripe tampo print; 2 x 46c Ford Tractor - both are pale yellow interior, bare metal base - (1) blue body with "Ford" grille, black hubs; (2) metallic green body with out "Ford" grille, yellow hubs; 2 x 50b Articulated Truck - both are purple windws, double arrow design trailer axle clip - (1) trailer with yellow & blue chevron label; (2) without label; 2 x 65b Airport Coach - both are pale yellow interior - (1) darker shade blue body with Lufthansa labels, clear windows; (2) lighter shade blue body with "Fly Concorde" labels, amber windows - Excellent to Mint in Fair worn but still complete to Excellent Boxes. (10)
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Matchbox Superfast 3 x 74c Cougar Villager Station Wagon Made in Bulgaria Issues - all are clear windows, silver painted Bulgaria base, dot-dash wheels - (1) blue body with lighter blue plastic tailgate, lemon yellow interior - Near Mint to Mint unboxed; (2) metallic blue bodywith grey-blue plastic tailgate, pale yellow interior; (3) green body with lime green plastic tailgate, pale yellow interior - Good to Good Plus unboxed, with some playwear to the last 2 models; and 74e Fiat Abarth - RAF blue body, clear windows, black interior, black plastic Bulgaria base, 5-arch wheels - Good Plus unboxed with some paint blistering to roof & trunk. (4)
An Asprey & Co Ltd. (retailer) silver and guilloche enamel cigarette case and lighter set, the cigarette case by Henry Clifford Davis, Birmingham 1951, the sunburst white guilloche enamel front polychrome painted with flowers and with silver stringing, with engine turned back and gilt washed interior, stamped "Asprey, London", 10.3cm x 8.5cm (gross weight 172.0g), together with a silver and guilloche enamel Ronson lighter, one side similarly decorated in sunburst white guilloche enamel with polychrome painted flowers, the verso with panel of engine turned white guilloche enamel, stamped "Asprey, London" to one short side, chrome top and base stamped "Ronson", the base "Brit.Pat.621570". (2)
A group of small silver including a George V capstan inkwell, Birmingham, 1924, base diameter 14cm, two cigarette cases, a vesta case, a five bar toast rack, a commemorative dish, mounted glass toilet jar, a matchbook case, a salt, two napkin rings, three spoons, a hunter pocket watch and a cased set of four corn on the cob holders, J.B. Chatterley & Sons Ltd, Birmingham, 1968, weighable silver 18.2oz, together with a silver plated Dunhill lighter and an Indian white metal goblet. Condition - poor to fair to good
A collection of various copper wares to include military issue pan. Condition - fair Pair of stockpots 28cm diameter; handles stamped 11; dovetailed construction; no damage seen. Rectangular dish with hinged handles; stamped underside A & N CSL (Army & Navy Cooperative Society Limited) and the feint number 2. Circular dish lighter-weight metal. Long, rectangular dish with lacquered finish.
A BOX OF ASSORTED ITEMS, to include a pair of gold filled knot earrings, an imitation pearl necklace fitted with a white metal clasp, a small selection of white metal jewellery, some stamped 925, approximate gross weight 21.2 grams, together with an assortment of costume jewellery, jewellery boxes a 'Colibri' lighter and a fish serving set fitted with antler handles
2015 KTM 1050 Adventure ABS, 1050cc. Registration number VX15 LAE. VIN number VBKV43409FM924913. Engine number 0560600508.Sold with the V5C, MOT until May 2025, three keys, original service book and folder, tool kit, datatag.The 1050 is actually a slimmed down 1190 Adventure and as such comes with a smaller capacity version of the LC8 engine, as well as ride-by-wire and a new chassis aimed at making the bike lighter and easier going than the 1190.The 1050 may only make 94hp, but it is still a remarkably rapid bike when it comes to getting from A to B. It's one of those machines that's so relaxed to ride you end up stroking along rather faster than you should be. The chassis is agile enough to handle bends at pace and a high speed becomes maintained without really noticing. While the suspension is certainly set on the soft side, this suits the 1050's character as a day-to-day bike.LAE was sold to John Payne of Monmouth by AMS Motorcycles and serviced by them at 587, 2,965. It was then serviced at 4,788 miles in 2021 and 5,125 miles in 2002 when it was sold to our vendor by Premier Bikes of Didcot for £6,950. At some point it has had a KTM XC1 mapping undertaken. The current MOT was undertaken at 5,282 miles. This two owner, low mileage machine, is consigned from a deceased estate. The vendor maintained the bike to a high standard and it is a testament to his care and attention to detail that it presents so well.
LATE 90'S ERCOL DINING SUITE comprising, Windsor medium extending dining table model 1157, 73 (h) x 151 (2009 extended) (w) x 92cms (d), four Windsor dining chairs model 877 with seat cushion, 889cms (h), 'light finish', gold tree button badge (5)Provenance: private collection CardiffComments: no significant condition issues, very minor and barely noticeable light scratches to table top, butterfly extensions slightly lighter
Matchbox Superfast group of Cars (1)14a Iso Grifo - lighter shade blue, bare metal base, 5-spoke wide wheels; (2) 32a Maserati Bora with lime green base; (3) 39c Rolls Royce Silver Shadow (4) 54b Ford Capri - orange body, matt black bonnet (5) 59b Mercury Park Lane Fire Chief Car - early Fire Chief hood & shield door labels,, 5-spoke wide wheels (6) 51E Pontiac Firebird SE - red body with tan interior, silver base - Excellent to Near Mint in Fair to Excellent Plus boxes. (6)
Matchbox King Size group of Cars (1) K21 Mercury Cougar - metallic gold, red interior, chrome hubs with black plastic tyres (2) K24 Lamborghini Miura - metallic red, ivory interior, black plastic engine cover (3) Similar but lighter shade metallic red - Excellent Plus to Near Mint in Fair to Good type F boxes - complete but with scuffs. (3)
Matchbox Regular Wheels 47b Commer Ice-Cream Van "Lyons Maid" pair (1) Stannard Code 8 - blue body (darker shade), white interior with type A tall man and type B left hand brace, gloss black clip-fit base, 24-tread black plastic wheels, type B roof decal, type A side decals (2) Unlisted - similar but lighter shade of blue & cream interior - Excellent, both have rust marks to axles in Excellent type D2 box printed by Pembroke Abbey & Good Plus type D4 box. (2)
A set of two Michael Kors leather tote bags featuring a stylish two-tone design. Each bag measures 13.5"L x 10.5"H and has a structured silhouette with a spacious interior, dual leather handles with silver-tone hardware, and an exterior Michael Kors logo. One bag is in a combination of cream and gray, while the other is solid gray.Dimensions: See DescriptionCondition: Age related wear. The bags show signs of wear consistent with use but remain in good condition. Some staining on the lighter bag.
Voyages.- Slocum (Joshua) Sailing Alone Around the World, first edition, association copy with signed presentation inscription from the author "To 'Alan Erric', a friend who had a kindly encouraging word for the struggling skipper when the breakers seemed close aboard | Joshua Slocum | Boston March 31st 1900" on front free endpaper, illustrations, some light marginal toning, browning to pp.120-121 and slightly lighter to pp.264-265, otherwise mostly clean, original decorative cloth, spine faded, light surface marks, extremities lightly rubbed, else an excellent and bright example, 8vo, New York, 1900. *** Rare association copy of this classic of nautical literature. Sailing Alone Around the World is the superb narrative of the first single-handed circumnavigation of the globe and the "justly admired record of [Slocum's] seamanship, character, and navigational skill" (ANB).In 1892, he was given the Spray, a small weather-beaten 37-foot oyster sloop designed for coastal sailing. After rebuilding the sloop, Slocum left Boston in 1895 for his three-year solo voyage.In Chapter X, he shields from a storm and gets the Spray into a snug nook in Port Angosto, still 60 miles short of his next destination towards Cape Pillar and the Pacific. Laden with tallow and salvaged cargo, he just escapes from a brush with the native Feugians and gets out of his anchorage, though not before drifting around - namely the eponymous dedicatee of the inscription – Alan Erric Island. The eponymous Alan Erric is not mentioned in detail, but alluded to only as an acquaintance: “I named it Alan Erric Island, after a worthy literary friend whom I had met in strange by−places” – p.132. A rare association inscription and link to this maritime literary cornerstone.
CHARLES JOHN NOKE FOR ROYAL DOULTON, DESPAIR 'The Old Woman' (formerly known as Despair), a very rare figure decorated in flambé and Sung glaze, c.1913Note: Very few examples known, similar figure noted on page 165 of 'The Royal Doulton Figures Book' by Eyles, Dennis and Irvine (Third Version)11cm high Overall, in good condition, with some small areas of age. In particular, there is a small area on the clasped hands which show slightly lighter in strong lighting, which can be seen in the first image. It is unclear whether this is a varation in the glaze, as it does not show any cracking or crazing.
HERBERT THOMAS DICKSEE RE (BRITISH 1862 - 1942), ETCHING 'OH FOR THE TOUCH OF A VANISHED HAND' etching on paper, framed and behind glass, mounted with lighter wood to the frame, and adorned with a bone plaque stating 'OH FOR THE TOUCH OF A VANISHED HAND', relating to the forlorn expression of the Irish Wolfhound, clutching a much loved owner's glove50cm x 82cm Overall, good condition for the age of the lot. A good amount of surface dust etc to the frame and glass. Bone plaque in good conditon, and framing appears to be sound.
A traditional lighter with a leather pocket and added metal and brass elements, with embossed, debossed decorations and a central turquoise. In the lower area, there is a thick metal plate, in the shape of an axe with angled edges, designed to be rubbed with a stone or other metal to generate sparks. Qing Dynasty (1644-1912) or later. Size: 7 x 2.2 x 13.5 cmWeight: 164 g
An Art Deco styptor and gold mounted minaudière by Van Cleef & Arpels, circa 1935, of rectangular form with engine-turned decoration throughout, and agate set sprung thumbpiece, the fitted interior with mirrored lid, and containing compartments for lipstick, powder, a lighter and an unassociated silver and gold inset square compact hallmarked for Birmingham 1948, signed ‘LA MINAUDIÈRE FOR VAN CLEEF & ARPELS’, and to the inner rim ‘SPECIALLY MADE FOR ASPREY’, stamped ‘STYPTOR’, with original Asprey black velvet and watered silk-lined slip case/handbag, dimensions 15.2 x 12.5cm. £500-£700 --- Condition Report Agate thumbpiece a replacement and solder evident - was likely originally diamond-set. Slight wear evident to the exterior. Comb present. Powder compact (unassociated) by Mappin and Webb.
A REGENCY ROSEWOOD AND UPHOLSTERED LIBRARY ARMCHAIR IN THE MANNER OF GILLOWS, CIRCA 1820 97cm high, 70cm wide, 67cm deep Condition Report: Overall there are some scratches, marks, chips, knocks and abrasions consistent with age and use.The upholstery is slightly lighter in reality that is suggested by the catalogue image. The upholstery is a slightly stiff tufted moquette/velvet, with later braiding and though intact it shows signs of wear and indented lines of the underlying frame. The frame under the upholstery and undercloth have not been inspected.A solid library armchair.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
A BEAUVAIS AMUSEMENTS CHAMPÊTRES TAPESTRY AFTER JEAN BAPTISTE OUDRY FRENCH, CIRCA 1780 Woven with Oudry's design 'La Main Chaude' ("Hot Cockles"), figures in a wooded landscape beside a stream and stone folly, an open landscape with chateau visible in the distance, a shepherdess and her flock on the opposite bank, within a scrolling bold acanthus frame border approximately 300cm high, 397cm wide The design for this tapestry panel belonged to a series of "amusements champêtres" devised by Oudry (1686-1755) with one stage of his composition preserved in a drawing in the Stockholm National Museum (No. 2890 / I863). The scene features a game of "hot cockles" where a blindfolded person bent over with his head in the lap of a woman. The other players slapped him on the hand that is tucked behind his back, and he had to guess who it is. When the person guesses correctly who slapped him, that person takes his place. The game is depicted in a contemporary painting (1767-1773) by Fragonard (National Gallery of Art, Washington, 1946.7.6). A version of this tapestry is held in the Harvard Art Museum (1953.114). Condition Report: With wear, marks, repairs and sun fading as per age, handling, use, and cleaning. The whole with a slightly brown tint but retaining some of the more fragile lighter colour tones. Numerous areas of stitch repairs- but with some fragility resulting in some open areas with backing visible. Backing fairly modern. May benefit from remedial conservation prior to installation in domestic setting. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A PAIR OF ITALIAN BLUE AND WHITE PAINTED ARMCHAIRS VENETIAN, MID 18TH CENTURY Upholstered in ochre velvet minor difference in height, the tallest 101cm high, 73cm wide, 56cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.Observations include: the colour slightly lighter somehow than the catalogue images suggest; later painted with a distressed finish; the upholstery with signs of age and wear; some loose joints and some repair to these areas, itis difficult to discern under the layers of paint the extent of any repairs and later wood etc; there is evidence of old worm; some later blocking to the corners of the seat rails.A decorative pair of appealing armchairs.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
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