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Postcard collection of over 350 postcards, predominantly of Indian interest to include Lucknow, Bombay Dancing Girls, Bangalore, Amon Temple, Cook's Rest House, Ceylon, Hindu Tailor, Beaters & Bison, Calcutta, Tiger Caves, Mysore, School Boys and Master, Tea Pluckers, Agra Railway Station, Cloth Stampers, Naga Peoples, Dehli, Tamil Girl, Cowdung Sellers, Singhalese Lace Makers, Fakir, Betel Seller, Veddahs Wildmen of Ceylon, Dhobies at Work, Kandyan Lady, Hindu Mahrayya Priests, Tapping Rubber Trees, Poona, Tom Tom Beaters, Snake Charmer with Mongoose, Monkey Trainer, Indian Gymnastics, Carts Loading Cotton Bales, Hunting Cheetah, Marwaree Woman, Elephant Stuckiing Timber, Radiya Woman, Hindoo Barber, Nautch Party, Hindu Marriage, Feeding the Poor on the Calcutta Maiden, Cloth Stampers, etc.

A late Victorian satinwood framed three-fold draught screen, one side inset with printed fabric hunting scenes, height 152.5cm, width 183cm.

W.J. Shayer: a ribbed framed circular image coloured hunting print entitled 'Run to Earth' - engraved by E.G. Hester

An old copper and brass hunting horn

Two sets of bellows, two hunting horns, a wooden horse yoke and a fencing foil

An early 18th century style walnut and burr elm wall mirror. Circa 1900, with a shaped crest above a primative hunting scene oil painting above a rectangular plate, height 97cm, width 42.5cmThe plate has a little foxing.There is a small veneer chip on the edge and a few typical splits on the moulding, please see the additional images.

Peake, Mervyn (illus.) & Carroll, Lewis, pseud. Charles Lutwidge Dodgson. 1941 The Hunting of the Snark, an Agony in Eight Fits. Publ. Chatto & Windus. First edition, first impression with Peake's illustrations. Publisher's orig. full cloth binding with unclipped dust wrapper, age toned & discoloured with spine significantly chipped resulting in loss to the tail of 1" and 2" to the centre of the spine. Contemp. ownership inscription to ffep, binding strained, some age-toning to leaves. Peake's Gothic illustrations proved so popular that this work was later published in a Zodiac Book edition. 8vo.

This auction lot features a Victor duck decoy and two painted duck figures, showcasing craftsmanship and attention to detail. The Victor decoy, marked with the distinctive Victor Animal Trap Company logo and made in Lititz, Pennsylvania, is an iconic example of vintage hunting accessories. Accompanied by two duck figures painted in realistic color schemes, this trio celebrates waterfowl artistry. The largest piece in the set measures 6.25 inches in height. Ideal for collectors of sporting memorabilia or nature-inspired decor.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear. As is. One of the unmarked ducks is missing an eye.

FRANK SOUTHGATE PRINT OF HUNTING SCENE, FRAMED

COLLECTION OF PRINTS, HUNTING & SPORTING

Pair of life-size heavy cast iron garden Hunting dogsDimensions: Height: 75cm  Length/Width: 90cm  Depth/Diameter: 25cm

Two framed sets of hunting prints after Henry Aken etc. (12)

ARTHUR BATT (1846-1911) Terriers rabbit hunting, oil on board, signed and dated 1901 8.75" x 11.5" (22cm x 29.5cm)

EDWARD BENJAMIN HERBERTE (1857-1893) Hunting scene, riders and dogs gathering at the start, oil on panel, signed and dated 1889, 8.5" x 11.5" (22cm x 29cm)

Elsmore Cashmore Clown puzzle jug, circa 1879, height 24.5cm; also a Minton green stoneware moulded Silenus jug, height 21.5cm; another Minton relief moulded china jug, height 18cm; and a Victorian drab stoneware hunting jug, height 22cm (4) (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).

An Imperial German Hunting Dirk, the 39.5cm single edge steel blade with spear point, etched with martial trophies and scrolling foliage, by E & F Hörster, Solingen, the nickel plated hilt with deer hoof quillons to the recurving crossguard, with melon fluted pommel cap and staghorn grip applied with three nickel plated acorns, th eblack leather scabbard with nickel plated mounts and a later black leather frog stamped 1943, 57cmFine grey pitting to blade, otherwise in good clean condition.

A Trench Knife, the 22cm fullered steel blade originally from a bayonet, with wood grip; an Acier Superieur Garanti Hunting/Trench Knife, with 10cm double edge steel blade, steel recurving crossguard, deer's foot hilt and leather scabbard; a Pocket Knife, the aluminium hilt formed as a North African tribesman wearing a fez, with leather scabbard (3)

Heyde - Solids made prior to 1945 by Georg Heyde of Dresden, Germany - 50mm Mounted Hunt Figures, comprising: Hunting Vignette - Mounted Huntsman Holding Cap & Crop Mounted on a Prancing Horse with an Integrally Moulded Hound to Horse`s Foreleg. Some minor paint chipping otherwise generally Very Good overall. Scarce Example

Beswick China Hunting Group to include: equestrian figure of a Huntsman on horse with black cap, red jacket and black boots on Beswick naturalistic oval stand, impressed marks No. 6, girl on pony, in skewbald (patchwork pattern gloss finish), together with a collection of Foxhounds and two Foxes. (15) (B.P. 21% + VAT)

19th century Welsh oak and mahogany eight day long case clock, the arched painted face marked J Lehman, Swansea. Having broken swan neck pediment to the hood above arched aperture, moulded supports flanking cross banded and shaped waist door on a panelled base. The arched face with Roman numerals, seconds dial and date aperture, painted with Scotsman hunting to the arch, with stags and hounds to the spandrels. Two train movement, strikes on one bell. (B.P. 21% + VAT) Includes weights and pendulum.

Large Beswick China hunting group to include: Huntsman on Horseback with black cap and red jacket, boy on Palomino pony with black cap and green jacket, together with a collection of Foxhounds, one Fox and a John Beswick Beagle figurine. (16) (B.P. 21% + VAT)

ANNA MILLER (1959-1999) *ARR*  White Shirt Oil painting on canvas, signed and dated 1996 verso, 121cm x 75cm, frame 125cm x 79cm. Label verso 'The Hunting Art Prices 1997 National Art Competition'.

Selection of ceramics comprising a ceramic stirrup cup modelled as a dog, 11.5cm overall, a Staffordshire model of a lion, unmarked, 8cm high x 7cm wide, a Staffordshire inkwell model of a hunting dog and rabbit, marked to the base, 11.5cm overall x 8.5cm high and a pair of Staffordshire pheasants with polychrome painted decoration, 14.5cm high (5) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

A George V silver mounted cut glass hunting flask of tapering cylindrical form with rotating hinged lid, Birmingham 1913 by John Yates & Son, height 25.3cm, within original fitted leather case.

Fox Hunting set 4 plates Thomas Sutherland (1785-1838) after Henry Alken (1784-1851) aquatint engravings, hand coloured 23x34cm. published 1824 by Thomas Mclean- original glass mounts 

A hunting knife with horn handle and embossed leather holster 36cmL

WILLIAM MORRIS (BRITISH 1834–1896) 'VINE AND ACANTHUS' EMBROIDERED PANEL, CIRCA 1890 coloured silks reserved on an unbleached linen ground, and lined with original printed cotton ‘Bird’ fabric by Morris & Co., later mounted and framed 169.2cm x 233cm (66 ½in x 99 ¾in) (frame size 181cm x 246cm (71 ¼in x 96 ¾in)) John and Joan Collins, Portobello Road, LondonAdrian J. Tilbrook and Dan Klein, LondonJohn Scott Collection Exhibited: The Fine Art Society, London Architect-Designers from Pugin to Voysey; The John Scott Collection , 3rd-25th June 2015, no. 84Literature: Morris & Company: Arras Tapestries, Wall-Papers, Fabrics, Furniture, Upholstery and Decoration, catalogue, circa 1910-12, p.24, where an identical design illustrated (half)Morris B. J. Victorian Embroidery: An Authoritative Guide, New York 1962, p.109Parry L. (ed.) William Morris, London 1996, p. 384The original design and cartoon for the tapestry are in the V&A; collection, accession numbers E.45-1940 and E.2472-1932Morris’ fascination with textiles was lifelong. This design is likely to have been partially inspired by the 16th century French and Flemish verdure tapestries he admired at Queen Elizabeth’s Hunting Lodge in Epping Forest as a child. In 1854 he visited France and was exposed to medieval ecclesiastical designs as well as observing weaving techniques in the Parisian Gobelins Works. As was characteristic of Morris, he personally sought to understand the physical making process, reportedly picking apart pieces to ‘puzzle out the tricks of the loom’.Despite his early enthusiasm for the medium, it was not until 1877 that Morris made his first official foray into tapestry weaving with ‘Acanthus and Vine’. This venture was once more prompted by his desire to understand Arras tapestry, studying it through making. Morris accordingly set up a haute-lisse, or horizontal loom, in his Kelmscott Manor bedroom, and spent 516 hours from May-September of 1879 completing it. This was not a seamless process, Morris himself renaming the piece ‘Cabbage and Vine’ following a distortion of the Acanthus leaves during production! The finished piece remains in the collection at Kelmscott, later being transposed to embroidery form.In the decades preceding the making of ‘Acanthus and Vine’, the status of embroidery as an artform was much diminished. The craft required a minimal and shrinking skill level, comprising repetitive stitch types and designs copied from kits. The founding of the Royal School of Art Needlework in 1872 aimed to improve the reputation of secular embroidery, with William Morris as one of the principle supporting designers. Morris’ opinions towards textiles foreshadowed principles of the Arts & Crafts Society, not established for another thirty years. He supported a return to traditional techniques, reacting against the stagnant designs and garish colour palettes of contemporary pieces. In the years prior to the making of ‘Acanthus and Vine’, not only did he become sole manager and proprietor of Morris & Co., but his work was influenced firstly by the opening of the South Kensington Museum (later the V&A;) and secondly his association with dyer Thomas Wardle. The former saw him inspired by sources as various as Indian textiles and traditional crewelwork, whilst the latter enabled him to work closely with a practitioner experienced in natural vegetable dyes. In ‘Acanthus and Vine’ sweeping arches of foliage envelope thoughtfully placed pairs of birds and plump bunches of grapes, all showcasing Morris’ love of gardening and his ornithological fascination. The colours are naturalistic, and the stitches lie flat to the fabric, allowing the subject to shine, rather than the materials themselves. For Morris, design elements had to serve a purpose within the pattern, birds needing to relate to the foliage rather than being a dominating feature. Thus, this embroidery retains the realism Morris prized, and his sentiment that ornamental art should primarily remind us of ‘the outward face of the earth’.

SIR EDWIN LUTYENS (BRITISH 1869-1944) SIDE TABLE, 1902 oak, with brass fittings, made by William Skull & Son Ltd., High Wycombe 81cm high, 124cm wide, 48.5cm deep (32in high, 48 ¾in wide, 19 ¼in deep) Edward Hudson, Deanery Garden, BerkshireWith John Ashton Beer Sir Edwin Lutyens is renowned for his architectural achievements, including Castle Drogo, Little Thakeham, and Campion Hall, as well as his role in designing war memorials for the Imperial War Graves Commission and planning New Delhi. Yet his influence extended to furniture design, where he applied the same meticulous attention to detail and craftsmanship that defined his architectural work.Growing up in the Surrey countryside, Lutyens developed a keen interest in architecture from a young age, spending his childhood sketching buildings and honing his drawing skills. Although illness kept him from public school, his early immersion in construction influenced his later career. By the age of twenty, he had established his own practice in London, combining his architectural knowledge with an intuitive understanding of proportions and spatial relationships that would later shape his furniture designs.Lutyens’ furniture is noted for its eclecticism, drawing inspiration from historical styles but always adapting them in his own distinctive way. While he drew from historical references, he never replicated designs verbatim; instead, he adapted and subtly altered proportions and details to suit his own vision. For example, Lutyens had a particular aversion to "dead proportions," often opting for slight adjustments to standard measurements—either slightly more or less than a half or quarter proportion.The side table offered here was conceived as part of the interior scheme for Deanery Garden in Sonning, Berkshire, a ‘quintessential’ Lutyens property built 1899-1901. The illustrated scale plans of the furniture include annotations naming Edward Hudson, editor of Country Life and Lutyens’ good friend, for whom he designed Deanery Garden. Also mentioned is ‘Skull’, referencing the furniture workshop Walter Skull and Sons Ltd in High Wycombe, commissioned to complete the piece. The design for the set of ladderback chairs after Lutyens offered here is also featured on this sheet.The table’s frieze and drop handles echo 17th and 18th century furniture, influenced by Lutyens' “furniture hunting” with Edward Hudson at Lindisfarne Castle. The bulbous legs, reminiscent of 16th-century refectory tables, are executed with a lighter touch, while the delicately arched stretchers at the base blend 17th-century elements with the Arts & Crafts style, seen also in the work of Sir Robert Lorimer. These adaptations showcase Lutyens’ skill in merging historical references with his modern sensibility and his ability to work closely with craftsmen like Skull allowed him to create furniture that was both aesthetically refined and technically sophisticated.

Randolf Caldecott, after, a set of four humorous hunting prints, 20cm x 29cm, late 19th century, later framed

A collection of various sporting ephemera to include copper hunting horn (AF), leather 12 bore cartridge belt, leather trimmed canvas gun sleeve, two pairs of ear defenders, TMU torch, leather covered hip flask with pewter cup, leather cased set of four EPNS beakers, a Taumalit collapsible mug in leather case, plastic shotgun stock extension, a pair of military style binoculars, sheath knife and a pair of leather covered book ends and a black belt with horsehead buckle

19TH CENTURY ENGLISH SCHOOL IN THE MANNER OF HENRY ALKEN set of four hunting coloured engravings housed in verre eglomise frames, image size 41 cm x 55 cm, including frame 54 cm x 67.5 cm together with 19TH CENTURY ENGLISH SCHOOL IN THE MANNER OF GEORGE MORLAND "Figures with horse and cart and game bird quarry" housed in a verre eglomise frame, image size 39 cm x 52 cm, including frame 59 cm x 72 cm (5)

An 18th Century Vauxhall salt glazed stoneware mug of large proportions, the white metal rim inscribed "Mr Carter Eastham 1730", the main body decorated with white metal engraved oval medallion engraved "JAC 1783" with central portrait of Queen Anne flanked by two guards with pole axes amongst trees, a stag hunting party in the foreground with plain reeded loop handle (with 19th Century stapled repairs throughout and metal banding to the handle), 14.9 cm diameter at rim by 22.5 cm high CONDITION REPORTS As per description several areas of cracking and repair with early stapled repairs particularly around the handle area with metal strengthening of banding in four places to the the handle. Handle connected to the main body with staple, other larger and smaller staples almost throughout. Some signs of wear and tear throughout, otherwise conducive with age and use, particularly to the base. See images for further details,

One volume R E EGERTON WARBURTON "Hunting Songs", illustrated by Lionel Edwards, published Constable & Co Ltd, London 1925, tooled and gilded cloth board bound, together with another WILL H OGILVIE "A Handful of Leather", illustrated by Lionel Edwards, published Constable & Co. Ltd 1928, tooled and gilded cloth board bound and one volume LIONEL EDWARDS "My Hunting Sketchbook", published Eyre & Spottiswoode Ltd, London 1928, cloth board bound with paper label

A box of assorted china, glass, copper warming pan, hunting horn, various other glasses, a pair of B&O speakers etc

A collection of various Victorian and later nursery china including transfer decorated mugs "Pig - top", "A grandmother's gift", "A post boy", "Fruit gathering", "The House that Jack built", "Hunting the wild horse", "Tell Tale Tit your tongue shall be slit; and all the dogs in the town shall have a little bit", Lord Nelson Pottery "Widecombe Fair" jug, three over-sized mugs decorated with Dutch children, Royal Doulton jug "Bathing in the sea", Ridgeways beaker "Uncle Tom Cobleigh and all", Delphine Crown China "Jack and Jill went up the hill" mug, etc., etc.

Two resin Shooting Hunting Figures, a bronze effect gentleman shooting - #35cn tall and a sitting dog figure

3x Pairs of Fishing Hunting Trousers, to include Sherwood cotton size 38, two pairs of Deer Trex trousers sizes 36" and 30"

Thirteen Fishing and Shooting Books to include Walton's Delight 1961 George Brennand, At The Tail of the Weir 1984 Patrick Chalmers, Debrett's Salmon Stories 1983 Jack Chance, Incredible Fishing Stories 1994 Shaun Morey, Great Angling Disasters 2017 Tom Quinn (signed), Big Fish in Foreign Waters 1991 Tony Davies-Patrick Leon Hoogendijk, Ian Botham on Fishing 2008, Rough Shooting 1991 Mike Swan, Gundogs Training and Field Trials 1998 P.R.A Moxon, The Great Salmon Rivers of Scotland 1980 John Ashley Cooper, The Big Shots Edwardian Shooting Parties 1977 Jonathan Garnier Ruffer, Tales from the Water's Edge 1991 Tom Quinn, The Art of Coarse Fishing Specimen Hunting 1993 John Bailey good condition with some small wear/tear to dust jackets, marks, additional writing

Orvis Cotton Fishing /Hunting Jacket, with belt multi pockets, in good clean light used condition size XL

Fishing Accessories, a mixed lot of fishing items to include a telescopic Shakespeare rod with an Intrepid Rimfly reel, leather and canvas fishing belt, Laksen cap with bug mesh, 4 fishing and hunting ties, a camouflage hood, Icebehr neoprene socks, size L, rubber waterproof waders size L

Deerhunter & Runarkop Hunting Shooting Jackets, the Deerhunetr jacket size 58 3 XL, in good used condition, with a tweed Runarkop jacket with detachable hood, size 46

A 9ct gold half hunting case crown wind pocket watch with 4cm enamel Arabic dial. Gross weight 70gm

After C Lorraine Smith. A set of eight hunting prints engraved by Jukes. 20.5 x 24cm each

Mixed lot to include one tea caddy, one plated hunting brooch, two Queen Victoria silver crowns (1890/1895) and a Norma patent four colour pen in box

A late 19th/ early 20th century Indian copper and brass tiger hunting horn, 43cm

A COPPER ELECTROTYPE OVAL JEWELLERY CASKET, late 19th century, cast with medieval hunting and feasting scenes, the hinged cover opening to reveal a turquoise silk lined interior, with brass frame and feet, 4 1/2" x 3 1/2" x 3 1/2", together with a similar French oblong casket, stamped T & E Paris, 11 3/4" wide (2) (Est. plus 24% premium inc. VAT)Condition Report: The hinge to the oval casket is damaged and the interior has water marks and other signs of use. The rectangular casket is missing its feet and the interior silk has numerous losses.

THREE VINTAGE FRAMED HUNTING PRINTS

A COLLECTION OF VINTAGE PENKNIVES AND HUNTING KNIVES

A Smiths brown Bakelite cased mantel clock, the paper dial bearing Arabic numerals depicting a hunting scene, key wind, with alarm, 13cm high.

Charming Royal Doulton Rough Haired Terrier figurine, model HN1014, designed by Frederick Daws. Issued from 1931 to 1985, this piece stands 3.75"H and is adorned in white, black, and brown hues. The figurine is paired with its original green Royal Doulton box measuring 7.25"L x 6.5"W x 3"H. A beloved breed developed by fox hunting enthusiasts in England, the rough-haired terrier was bred to chase foxes into their burrows, and their short, docked tails often served as practical handles. Terriers are celebrated for their intelligence, loyalty, and playful spirit, qualities that shine through in this delightful piece.Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Elegant Beswick England equestrian figurine featuring a huntsman on a white horse, meticulously hand-painted with fine details. The rider is dressed in traditional hunting attire, including a black jacket, beige breeches, and black riding boots, while the horse is depicted with a chestnut-colored bridle and saddle. The high-gloss glaze enhances the lifelike realism of the sculpture. The underside bears the Beswick England backstamp, confirming its authenticity as a piece from the esteemed Beswick equestrian series, which is highly regarded among collectors of fine English ceramics. This lot includes a Royal Doulton box, though the piece itself is of Beswick manufacture, reflecting Royal Doulton's later acquisition of the brand. Issued: 20th centuryDimensions: 8.75"HCountry of Origin: EnglandCondition: Age related wear.

Black hunting coat labelled 'Parr & Co of Leicester', a morning coat in navy blue and a gent's dressing gown in black printed with green stags with tie belt (3) 

Zulu 19th century ceremonial/hunting spear, feather blade with two prongs at base and reversed barbs on shank, triangular haft with circles carved on all three sides, wire binding at both ends of haft and small 4cm spear head at grip end, overall length 87cm, extremely fine.

Range of knives to include Indian waved blade dagger in sheath, African carved wooden knife with head to handle, Stiletto style knife & two others. Also large collectable hunting knife with Wolves to blade. (6)

A Victorian Silver Plated Hunting Flask of Conical Form with Screw Cap and Drinking Cup by Elkington & Co., with Heraldic Anchor and Fist Device Surmounted by Banner Inscribed "SPES" (Hope), 25.5cm high

Antique percussion cap pistol (converted), together with a 19th Century German hunting knife

Pair of small 19th Century miniature oil paintings on wooden panels, hunting scenes, signed H.S., 9 x 14cm, gilt framedBoth are in good condition, no major damage or paint loss

Set of four framed coloured prints, hunting scenes after Blinks, in a single frame, 32 x 120cm overall

Donald Ayres, 20th Century oil on canvas, hunting scene, signed, 50 x 76cm, gilt framedIn good condition, no damages or problems.

19th Century brass heart shaped tobacco box, engraved to the cover with a hunting scene