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An Elizabethan style wall hanging depicting a hunting scene

AN EARLY 20TH CENTURY SILVER HUNTING HORN, tapering horn with detachable mouth piece, full length 31cm, hallmarked Chester 1907, rubbed unclear makers mark, approximate gross weight 43.0 grams 1.38 ozt (condition report: general light wear, small dinks, would benefit from a gentle clean and polish)

A BOXED ELIZABETH II COMMEMORATIVE JUBILEE SILVER HUNTING HORN, hallmarked 'Barrowclift Silvercraft' Sheffield 1977, length 22.5cm, approximate gross weight 3.20 ozt, 99.6 grams, together with a fitted case, a letter of correspondence and information sheet (condition report: general light wear, overall condition good)

A finely crafted Beswick porcelain figurine depicting a huntsman on horseback, model 1501. The figure features a rider dressed in a traditional red hunting coat, beige jodhpurs, and black riding boots, mounted on a beautifully detailed brown horse with a white blaze. The figurine is finished in a high-gloss glaze, enhancing the intricate sculptural details. The base bears the Beswick England backstamp, confirming its authenticity.Issued: 20th centuryDimensions: 8.5"HCountry of Origin: EnglandCondition: Age related wear.

This finely crafted sample porcelain figurine captures a dynamic hunting scene, featuring a greyhound in mid-chase after a hare. The sculptor has meticulously detailed the musculature and movement of the greyhound, as well as the swift motion of the hare, conveying a sense of urgency and action. The underside of the porcelain base features a backstamp and is marked SAMPLE. The figurine is on an elegant wooden base, enhancing its display appeal.Issued: 20th centuryDimensions: 18"L x 5.75"HCountry of Origin: EnglandCondition: Age related wear.

German Hunting Knife c.1900, clipped back blade 16.5cms (point refinished) steel crosspiece with ball finials, natural staghorn grip with nickel mounts, in its leather sheath with belt loop. Good condition

ELEPHANT AND BRONZE FIGURE OF AN INDIAN GENTLEMAN. (QTY). along with a ornately pierced and foliate decorated octagonal tray, a pair of brass vases adorned with hunting scenes, two boxes, miniature picture, a brass oil lamp of dipa lukshmi on an elephant a small Persian Griffin head bronze jug and a brass elephant candlestick. Figure 22cm H, 26cm L x 16cm H vases 29cm H. Tray 36cm W.

HUNTING SCENE VASES. A pair, green glazed ceramic, 38cm H x 21cm W. (2).

Ca. AD 1 - 100.A fragment of a terra sigillata bowl with relief decoration. The central register features a repeating pattern of floral rosettes and circular motifs interwoven with scrolling tendrils. Within the tendrils, a hunting scene is depicted, showing a dog chasing a hare. Below, narrow beaded borders flank a prominent ridge, separating the decorated band from the lower section with vertical fluting. The rim is slightly everted with a stepped profile.For similar see: Christie's, Live Auction 22758, Works of Art of the Mougins Museuam of Classic art, Online, Lot. 186.Size: 160mm x 90mm; Weight: 87.8gProvenance: Private UK collection, acquired on the US art market, pre-2000.

Three framed prints to include Driving a Tiger out of the Jungle, Hunting a Hog Deer and Shooters Coming by Surprise Upon a Tiger, framed under glass, 56 x 46cm including frame (3)

18th century coffee cups to include a Chantilly blue and white cup painted with blue sprigs and a Chantilly beaker with a floral spray in coloured enamels, both with hunting horn factory mark, Sevres coffee cup with floral spray bouquet and scalloped rim and an early 19th century Nantgarw coffee cup, (4) Provenance: The Maisels Collection of British Ceramics

Framed Watercolour of Houghton Mill, Fox Hunting Watercolour in Gilt Gesso Frame and assorted Pictures

H. M. Lendis, rural landscape with cottages and a young girl, water colour, three hunting scene prints and three other signed engravings

A collection of hunting related postcards and a fox hunting jug

Botanical watercolours and other original works to include June Everett, pair mezzotints, hunting prints etc

A brass fire companion stand and fire irons featuring a hunting theme

Follower of Charles Towne (British, 1763–1840) A pair of portraits of hunting dogs Oil on panel From the personal collection of Mandy-Rice Davies (1944-2014) To be sold without reserve  Dimensions: (Frame) 12.75 in. (H) x 15.5 in. (W) (Panel) 8 in. (H) x 10.25 in. (W)

A mixed lot To include: [a] British, 19th Century A pair of hunting scenes Oil on board [b] Charles Joseph Hullmandel (British, 1789-1850) The Aquaduct of Cairo Inscribed 'On Stone by J. C. Bourne from a Drawing by Rob. Hay Esq' (lower left), 'Printed by C Hullmandel' (lower centre), 'THE AQUADUCT OF CAIRO AND PART OF MASR-EL-ATEE KAH FROM THE ISLAND OF ER RODAH' (lower right) Inscribed and dated on glazing 'PRESENTED TO LORD SELSDON BY MEMBERS OF COMET 26 MARCH 1986' [c] Frank Harding (British, 1935-1990) Blackfriars Bridge Etching on paper Signed and titled lower margin [d] British 20th Century Near Barmouth, North Wales Watercolour on paper Signed 'Lee L' (?) lower left Inscribed 'near Barmouth, North Wales, 13' (verso) Property of a Lady To be sold without reserve Dimensions: [a] (Frame) 12 in. (H) x 29.75 in. (W) (Board) 9.25 in. (H) x 27 in. (W) [b] (Frame): 18 in. (H) x 25.5 in. (W) (Image): 10.5 in. (H) x 18.5 in. (W) [c] (Frame) 15 in. (H) x 22.25 in. (W) (Paper) 13 in. (H) x 20.25 in. (W) [d] (Frame) 16.5 in. (H) x 20.75 in. (W) (Paper) 9 in. (H) x 13.5 (W)

An Antique Victorian silver-topped 18ct gold diamond and enamel hunting stickpin, modelled as a horse and rider, with a separate sliding fox fastener, each set with rose and single-cut diamonds, unmarked mount tests as 18ct, horse 13.8mm, overall 5cm, 5.3g . Condition Report:Horse is lacking 1 diamond, enamel has several small chips and has been overpainted, otherwise no damage, unmarked but tests as 18ct

A Brampton Stoneware Large Tankard, the shaped brown ground applied with a hunting scene, trees and figures, copper rim, 18cm high; A Doulton Lambeth Stoneware Beaker, with hallmarked silver collar, applied with Bacchus mask and inscribed 'The Best', impressed marks, 11cm high and two Doulton harvest jugs, one with silver collar. (4)Large tankard with some cracks and one small chip to body, one area of loss to copper rim. One small chip to rim of one jug.

Two reconstituted stone plinths, one moulded with a wreath, the other a hunting horn, 53cm high x 42cm square and 53cm high x 50cm square (2)

A Zulu Throwing Spear, Assegai, C.1870, 41cms steel blade, lion hunting spear blade 106cm and another spear, (3)Note: You must be over 18 to purchase this item. Collection must be made in person or by arrangement with a delivery company that provides an age verification service. We do not provide a shipping service for bladed items.

A Persian Kashmir rug with hunting scenes, silk on cotton, 20th C.187 x 122 cm

Emile Désiré Lienard (1842-?): Hunting dog with pheasant, brown patinated bronzeH 55 - L 73 - D 28 cm

Jean Bulio (1827-1911): The goddess of the hunt Diana with one of her hunting dogs, brown patinated bronzeH 65 cm

Henry Schouten (1857-1927): Dogs while hunting, oil on canvasWork: 100 x 73,5 cm Frame: 131 x 104 cm

A Persian Qom (Qum/Ghom) rug with a hunting scene, wool on silk, 20th C.220 x 137 cm

Hippolyte François Moreau (1832-1927): Hunter with his hunting dog, brown patinated bronze on a marble base, 20th C.H 165,5 cm (incl. the stand) Ref.:- P. Kjellberg, Les bronzes du XIXe siecle, Paris, 1989, pp. 508-510.

Pierre-Jules Mene (1810-1879): Hunting dog, gilt bronze on an onyx marble base, foundry mark 'Susse Freres Paris'H 9 - L 17,5 - D 8 cm (with base) H 7 - L 13,5 - D 5,5 cm (without base) Ref.: - P. Kjellberg, Les bronzes du XIXe siecle, Paris, 1989, pp. 469-486.

AFTER ANTOINE-LOUIS BARYE, GILT BRONZE DOG FIGURE, LATE 19TH / EARLY 20TH CENTURY modelled as a gun or hunting dog seated, signed "BARYE. FilS"20cm high

Ledray Tactical 500 Gun Light, in case, BSA 250 bar PCP Stirrup pump (no hose), Bisley air rifle cleaning kit, targets and an assortment of hunting and shooting books, including Hunting with Air Rifles by Matthew Manning, Practical Pest Control George Hogg & Ferrets D. Brian Plummer.

Frank Vernon Martin (1921 - 2005)"Amazone", a study of a woman on horseback flanked by three hunting dogs, advancing through a dense forest, drypoint, artist's proof, signed in graphite, in contemporary ebonised frame under glass, 23 cm x 29 cm overall[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]

Two metal figures of Ganesh, other figures, a set of four brass hunting horn candlesticks a Precolumbian taste terracotta figure, a mask, a pottery head, etc.

A 19th century leather hunting/cartridge bag with fitted metal interior and contents, 'The Victor' embossed label

A Victorian chromolithograph of a hunting dog, 15 x 20.5cm and three 19th century hunting prints

A box of various brass and copper including hunting horn, trivet, candlesticks, hand bell etc.

A 19th century leather hunting/cartridge bag wtih impressed name to reverse

A collection of brass including oriental box, copper hunting horn, horse brasses etc.

A pair of Victorian cast silver napkin rings, decorated in relief with a hunting scene, featuring a stang and hounds, Wakeley & Wheeler, London 1899, diameter 4.8cm, combined weight 139g/4.46ozt approx (2)

Glassware to include a large glass jug with silver plated mount and handle, height 32cm, a clear glass decanter with spherical stopper, jars, preserve pots, sugar caster, knife rests, a miniature three-piece cruet set, vintage shot glasses with hunting scenes, a Caithness paperweight, a large acid green vase with flared rim, etc.

A quantity of vinyl LPs to include Peter Cetera 'Solitude/Solitaire', Gerry Rafferty 'North and South', Ozzy Osbourne 'Bark at the Moon', Bon Jovi '7800° Fahrenheit', Ozzy Osbourne 'The Ultimate Sin', Starship 'Knee Deep in the Hoopla', Journey 'Raised on Radio', Mr. Mister 'Welcome to the Real World', Meat Loaf 'Blind Before I Stop', Pat Benatar 'Seven the Hard Way', Van Morrison 'No Guru, No Method, No Teacher', Alice Cooper 'Constrictor', Styx 'Cornerstone', Tears for Fears 'The Hurting', Bonnie Tyler 'Secret Dreams and Forbidden Fire', Madonna 'The First Album', The Rolling Stones 'Emotional Rescue', with two posters, Blue Oyster Cult 'Cultosaurus Erectus', Elton John 'Jump Up', Bon Jovi 'Slippery When Wet', Magnum 'Marauder', The Alan Parsons Project 'Ammonia Avenue', Genesis 'Abacab', Dire Straits 'Love over Gold', Eric Clapton 'Money and Cigarettes', Kim Wilde 'Water on Glass', ACDC 'Who Made Who', Mr. Mister 'I Wear the Face', Eurythmics 'Revenge', George Benson 'While the City Sleeps...', A-ha 'Hunting High and Low', Sting 'The Dream of the Turtles', Icehouse 'Man of Colours', The The 'Infected', Alice Cooper 'Special Forces', Meat Loaf self-titled album, Warren Zevon 'The Envoy', Eurythmics 'Touch Dance', Mike Oldfield 'Ommadawn', Kool & The Gang 'Emergency', David Essex 'All the Fun of the Fair', Jackson Browne 'Lives in the Balance', The Tubes 'Outside Inside', Journey 'Departure', Rainbow 'Straight Between the Eyes', Van Morrison 'Beautiful Vision', 'Toto IV', Bryan Adams 'Cuts Like a Knife', Talking Heads 'Stop Making Sense', Eric Clapton 'Behind the Sun', Tom Petty and the Heartbreakers 'Southern Accent', ZZ Top 'Afterburner', Bryan Adams 'Reckless', Southside Johnny & The Asbury Jukes 'Love is a Sacrifice', Supertramp '...Famous Last Words...', Dan Hartman 'Relight My Fire', Kevin Rowland and Dexys Midnight Runners 'Too-Rye-Ay', the Steve Miller Band 'Abracadabra', etc.

2 x hand painted Islamic pictures depicting polo & hunting in Persian Khātam frames - largest 23cm x 15.5cm

Hunting theme qty of porcelain dinner / teaware ~ Regency, F R Gray & Sons (Aldridge) etc ~ largest oval platter 41cm across

Edward VII vesta case cast with duck hunting scene to both sides, makers mark indistinct HC, Birmingham 1903

Victorian combination vinaigrette-scent bottle in the form of a hunting horn on suspension chain, by Samson Mordan, London 1874, 1ozt 34gmCondition Report: wear to the internal gilding. light wear and scratching overall, no obvious faults.

Jacques d‘Arthois (1613 – 1686) und Peeter Bout (1658 – 1719), zug.BERGIGE LANDSCHAFT MIT REISENDEN UND JAGDGESELLSCHAFTÖl auf Holz.74 x 105,5 cm.In dekorativem teilvergoldeten Holzrahmen.In bergiger, teils sandiger Landschaft zwei beladene, von Pferden gezogene Planwagen auf einem schmalen Weg, während rechtsseitig, unmittelbar vor einer Anhöhe, eine elegante Jagdgesellschaft mit Hunden und einem Treiber unterwegs ist. In der Mitte des Hintergrunds erstreckt sich eine weite Landschaft mit einer Kirche in diffusem, türkisfarbenem Licht, deren Turm in den hohen, weiß-grauen Himmel mit wenig fliegenden Vögeln ragt. Qualitätvolle, harmonische Malerei in überwiegend beige-braunen und grau-weißen Farbtönen. Anmerkung: Der Maler und Radierer Peeter Bout war als Staffagemaler für mehrere andere Künstler tätig, so auch bei dem vorliegenden Gemälde für Jaques d‘Artois. (1431591) (18)Jacques d’Arthois (1613 – 1686) and Pieter Bout (1658 – 1719), attributedMOUNTAIN LANDSCAPE WITH TRAVELLERS AND HUNTING PARTY Oil on panel.74 x 105.5 cm.Notes: The painter and etcher Pieter Bout worked as a staffage painter for several other artists, including Jacques d’Artois as is the case in the present painting.

Giovanni Antonio Guardi, 1698/99 – 1760GemäldepaarAUFBRUCH ZUR JAGDsowieRAST BEI DER JAGDÖl auf Leinwand.23 x 33 cm.Beigegeben eine Expertise von Dario Succi, Gorizia, vom 28. Februar 1997, in Kopie.Der Malstil des Italieners unterscheidet sich völlig von dem holländischer oder deutscher Meister bei der Behandlung derartiger Jagdszenen. Guardi hat bewusst auf akribische Details verzichtet, um stattdessen das Wesentliche in den Vordergrund zu rücken: die dynamischen Bewegungen und die subtilen Lichtstimmungen, die seine Werke durchdringen. Damit kommt der Zeitverlauf der Handlungen in diesen Darstellungen in jedem Detail zur Wirkung. Auch versteht es Guardi hier, das Weiß des Schimmels mit Wolkenbildungen farbkompositorisch in Verbindung zu setzen, anders als etwa der Holländer Wouwerman. Guardi verzichtet hier auch auf detaillierte Wiedergabe etwa des Bauernhauses in der „Rast“, wohingegen die Aufmerksamkeit weit mehr auf das Herumspringen der Hunde gerichtet ist. Auch im Gegenstück, das den „Aufbruch zur Jagd“ zeigt, liegt alle Spannung in der Spontanität der hoch- und vorspringenden Pferde. Das Gesamtwerk des Malers zeigt, dass er sich weit mehr als seine venezianischen Kollegen neben der Vedute auch den figürlichen Szenerien gewidmet hat. Hierin war er ein Meister in der Wiedergabe des flüchtigen Augenblicks. Dies zeigen auch seine Bilder religiöser Themen.Literatur:Antonio Morassi, Guardi, Bd. II., Venedig 1973, Abb. 161-162. Neuauflage 1984. (14116614) (11)Giovanni Antonio Guardi,1698/99 – 1760A pair of paintingsSETTING OFF THE HUNTandRESTING WHILE HUNTINGOil on canvas.23 x 33 cm.Accompanied by an expert’s report by Dario Succi, Gorizia, dated 28 February 1997, in copy. Literature:Antonio Morassi, Guardi, Venice 1973, vol. II. ill. 161, 162, new edition 1984.

Three graduating mid 19th century Victorian caneware lidded game dishes by Copeland / Wedgwood. Each featuring prey finial, two with birds & one with rabbied, woven edges, and relief scenes of hunting dogs, strung birds and grapes. The largest signed Wedgwood, the smallest Copeland (with historic damage & repair. Each complete with removeable central warming dish.Largest measures approx. 15cm x 24cm x 16cm.

Paranormal interest. A collection of vintage reference books on British ghosts and spectres. The lot to include A Bottomless Grave and Other Victorian Tales of Terror ed. Hugh Lamb, Ghosts of Cornwall by Peter Underwood, Burke & Hare - The Year of the Ghouls by Brian Bailey, The Maul and the Pear Tree - The Ratcliffe Highway Murders 1811 by T. A. Critchley & P. D. James, Haunted Houses by Joseph Braddock, Haunted Churches of England - Ghosts Ancient and Modern by Graham J. McEwarn, Witchcraft out of the Shadowsds by Leo Ruickbie, A Natural History of Ghosts - 500 Years of Hunting for Proof by Roger Clarke, Haunted Britain by Anthony D. Hippisley Coxe, The Encyclopaedia of Ghosts and Spirits by John and Anne Spencer, and Britain's Haunted Heritage by J. A. Brooks. Those issued in smart dust wrappers, a spooky collection. 8vo.

Authentic signed index card featuring the autograph of Matt Damon, the Academy Award-winning actor, producer, and screenwriter known for his roles in Good Will Hunting, The Bourne Identity series, The Martian, and Saving Private Ryan. Damon's career has spanned decades, making him one of Hollywood's most recognizable and acclaimed talents. This signature comes with a Certificate of Authenticity (COA), ensuring its legitimacy for collectors and fans alike.Issued: 20th centuryDimensions: 10"LCondition: Age related wear.

John Shinnors (B.1950) Fox Hunting Sheep Oil on canvas, 91.5 x 113cm (36 x 44½") SignedShinnors delights in moments of visual ambiguity and confusion, something he traces back to a moment when, having established himself as a virtuoso painter of magic realist compositions, he became dissatisfied. One morning at a fishmongers he was transfixed by the sight of mackerel laid out on a tray, translated into an abstract arrangement of pattern, light and contrast. It was as though he was really seeing them for the first time. The idea of the familiar, tangible world transformed into a complex pictorial abstraction, while retaining the power of the source image, stayed with him.In this work we have a birds-eye view of the pictorial plane. The fox ‘pencil like’ in appearance, lays waiting, as the sheep traverse across the top part of the canvas, while his palette is typically monochromatic. He did not set out with the aim of becoming a professional artist. His attendance at Limerick School of Art could be described as casual - though the school was then overseen by Jack Donovan, an exemplary influence. After time spent wandering in England he returned to Limerick and taught art for a while. His early, highly realist style was usurped by the sudden realization that a painting could be more than a representation as such, that it could enshrine that magical, inexplicable moment of "dynamic interaction." A master of a monochromatic palette, endlessly inventive with a distinctive visual wit, he's never looked back since.

Beguelin Houriet. A gold and enamel hunting cased watch, circa 1860. Movement: jewelled lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, hinged covers, engine-turned, blue, black and white enamel decoration, gold signed cuvette, no. 19231. Signed: cuvette signed Beguelin Houriet, Tramelan. Dimensions: diameter 41.5m. Accessories: fitted presentation case, gold plated fob chain £1,200-£1,800 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Property of Captain James Keaton Latty. Captain Lacey was born in 1846 in Quebec. He received the Canada General Service Medal in 1903. Condition Report Movement: running at the time of cataloguing. Dial: small crack to the edge between VI & VII. Case: slight dents, scuffs throughout, some losses to the enamel. Gross weight: 56gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Swiss. A gold hunting cased keyless watch, 1926. Movement: lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 9ct gold, gold cuvette, hinged back, Chester hallmark for 1926, maker’s mark BB, no. 3178. Signed: unsigned. Dimensions: diameter 49mm. £400-£600 --- Condition Report Movement: running at the time of cataloguing. Dial: in good condition. Case: scuffs throughout, indentations to both covers. Gross weight: 84.4gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

J. R. & W. Laing. A gold hunting cased keyless watch with stop/start slide, 1905. Movement: gilded three quarter plate, lever escapement, no. 154088. Dial: white enamel, Roman numerals, centre seconds, outer minute track. Case: 18ct gold, cover with engraved monogram, crest to the rear cover, gold cuvette with inscription, stop/start slide to the band. Signed: dial and movement signed J. R. & W. Laing, chronometer makers to the Admiralty. 10 Gordon St. & 53 & 55 Brunswick St. Glasgow. Dimensions: diameter 53mm. £1,000-£1,500 --- Condition Report Movement: running at the time of cataloguing, stop/start slide not working. Dial: hairline cracks to the chapter ring and the centre of the dial. Case: scuffs throughout and wear to the engraving. Inscribed - Presented to Mr Andrew P. Hamilton on the occasion of his marriage by the members of ‘The lodge of Glasgow St. John No. 3 Bis’ As a mark of esteem and in appreciation of his services to the lodge as secretary 26th June 1906. Crest inscribed - Non Deficit Alter. Gross weight: 137.2gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Swiss. A gold half hunting cased wriswatch, 1910. Movement: jewelled lever escapement. Dial: white enamel, Arabic numerals. Case: 12ct gold, hinged back, cover with glazed aperture and black enamel Arabic numerals, gold cuvette with inscription, back with engraved initials, no.116372, maker’s mark A.L, Glasgow import mark for 1910. Signed: unsigned. Dimensions: diameter 31mm. Together with a later gilt metal expanding bracelet. £100-£150 --- Condition Report Movement: running at the time of cataloguing. Dial: cracks. Case: scuffs throughout, some enamel lacking to the numerals on the cover. Cuvette inscribed - 27 August 1917. Gross weight: 32.3gms Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Sir John Bennett Ltd, London. A gold half hunting cased keyless watch, circa 1900. Movement: gilded three quarter plate, lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, glazed aperture, black enamel Roman numerals, engraved floral and foliate decoration, blank cartouche to case back. Signed: dial, movement and cuvette. Dimensions: diameter 34.5mm. £400-£600 --- Condition Report Movement: not running, balance not rotating. Dial: in good condition. Case: lacking glass to dial. Light scuffs. Gross weight: 36.8gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Swiss. A gold hunting cased keyless watch, circa 1900. Movement: jewelled lever escapement. Dial: white enamel dial, Roman numerals. Case: 18ct gold, gold cuvette with engraved inscription, hinged covers with engraved monograms. Signed: unsigned. Dimensions: diameter 33.5mm. £600-£800 --- Condition Report Movement: running at the time of cataloguing. Dial: in good condition. Case: scuffs throughout, missing bow. Cuvette inscribed - June 25th 1902. Gross weight: 33.4gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Group of five Inuit or indigenous Canadian First Nations carved soapstone sculptures. One depicting two turning whales, three depicting figures hunting, and one depicting a goose or waterfowl. The three hunting figures with "Eskimo Art Canada" igloo stickers affixed to the underside. One hunting figure holding up a seal by Samwillie Quarak (Great Whale River/Kuujjuaraapik, b. 1942). All figures signed with syllabics or disc numbers along the underside.Height ranges from 3 1/4 in to 7 1/2 in; width ranges from 3 1/4 in to 8 in; depth ranges from 1 1/2 in to 8 in.Condition: To most of the carvings, there are no major breaks or losses. There are some small chips along high points including the fins of the dolphin and the apex of the tallest figure. There is a loss to the beak or bill of the waterfowl carving. Some scratches throughout. Light wear to the undersides.

RAOUL MILLAIS (BRITISH, 1901-1999)Hunting signed and dated 'Raoul Millais 46' (lower right) oil on panel 25 x 30.5cm ARR Provenance Fine Art Society, New Bond Street, London; Private collection, UKCondition ReportPanel very slightly bowed outwards; paint surface in good, clean condition; no sign of retouching under ultraviolet light; held in a painted frame with chips to paint work.

A GOOD LATE 16TH/EARLY 17TH CENTURY CARVED TOP RAIL. Carved with cherubs playing musical instruments at each end together with cherubs hunting wolves throughout the panel, and with a lunette lower frieze, 187cm wide. *CR Good and deep carving, nice colour and patina, general marks and wear, scuffs.