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20th century | height: 43 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | The pair of painted majolica jugs probably come from the Italian region of Urbino, where this type of ceramic production was particularly developed during the High Renaissance. Works of this type are characterized by detailed figural rendering, richly decorated ornaments and mythological or biblical scenes, which are executed in the colorful colors typical of majolica. The sophistication of the shape stands out on these jugs, where the upper part is decorated with plastic figures of sea creatures, symbolizing the connection between man and nature. The body of the jugs is spherical and is covered with paintings that depict pastoral and hunting scenes, which corresponds to the artefact of the period for decoration inspired by everyday life and natural scenes. The sturdy and tall legs of the jugs are decorated with rich gold and blue motifs that emphasize the luxurious character of these artifacts. | condition: restored | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
Attributed to Frans Snyders' workshop (Antwerp 1579 - 1657)‘Hunting Scene'Oil on canvas. Relined. 203 x 216 cm.In the past, as the family informs us, the canvas was unfortunately cut to size on the right side in order to fit it in a new location. It is possible that the author's signature was in the lower right-hand corner, but it was lost when the canvas was cut to size. Amberes, 1579 - Amberes, 1657En 1593 entró en el taller de Pieter Brueghel el Joven, siendo también aprendiz de Hendrick van Balen. En 1602 ingresó como maestro en el Gremio de San Lucas y, poco después, realizó un viaje a Roma y a Milán, donde trabajó para el cardenal Federico Borromeo gracias a las recomendaciones de Jan Brueghel el Joven. De regreso a Amberes, en 1610, casó con Margarita de Vos, hermana del pintor Cornelis
Robert Mouseman Thompson (1876-1955): An English oak firescreen, with a tapestry hunting scene inset, and engraved '1938', a carved mouse on the top handle, 82 cm high x 51 cm wide, together with two 'Mouseman' carved oak ashtrays, 10 cm x 7.5 cm.Qty: 3Each item given as a gift by Robert Thompson himself, to the vendor's parents as a wedding gift in 1938. They lived locally to him and were friends.Screen with light surface wear and marks, commensurate with age. Structurally sound. The needlework is likely to be contemporary to the piece, given the provenance. Wear to the ashtrays.
A hardstone intaglio necklace, intaglios Roman, 1st-3rd century AD and later, set with a sequence of thirteen ancient Roman and 18th century intaglios, each in a gold collet setting, to a double back chain, the intaglios including: Hermes in profile and lady in profile, carnelian, both 18th century; Hercules tearing a youth from horseback, amethyst, 18th century; a nude warrior bearing arms, possibly Achilles, chrome chalcedony, 1st-3rd century AD; a young satyr with hunting stick (pedum), bloodstone, Roman, 1st-2nd century AD; the Nemean lion, carnelian, 1st-2nd century AD; two juxtaposed satyr masks, carnelian, 2nd-3rd century AD; an old satyr in profile, carnelian, 18th century; a charioteer in biga, carnelian, 2nd-3rd century AD; a figure of Victory seated on a cuirass holding a wreath, chrome chalcedony, 1st-2nd century AD; a seated lion, bloodstone, 18th century; a standing lion within an orlo etrusco border, carnelian, Late Etruscan/Italic 2nd-1st century BC; and Cupid kneeling with an offering before a statue of Priapus, Roman, 1st-2nd century AD, largest intaglio 1.2 x 1.8cm, necklace length 41cm
A QAJAR POLYCHROME-PAINTED LACQUERED PAPIER-MÂCHÉ CASKET WITH FATH 'ALI SHAH HUNTING Iran, 19th centuryOf rectangular shape, resting on four bracket feet with a gently stepped profile, polychrome-painted, gilt, and lacquered, the detachable lid with a central raised rectangular panel decorated with the renowned Qajar topos of Fath 'Ali Shah on his white steed hunting wild animals, followed by his sons and other attendants on horseback, the sides of the lid and casket with more hunting scenes of Qajar noblemen on horseback, characterised by their tall black Astrakhan fur kaj kolah hats, the interior plain, painted in green and red.13cm x 24cm x 16cm 13cm x 24cm x 16cm Qty: 1
A POLYCHROME-PAINTED LACQUERED PAPIER-MÂCHÉ LIDDED BOX Qajar Iran, 19th centuryOf flared cylindrical shape, resting on a flat, circular, red, black, and green-painted base, surmounted by a short, hemispherical, hinged lid with brass chainlets and lock, painted in polychromes, gold, and lacquered, the decorative figural repertoire in line with late Qajar productions but some figures' attires and tall turbans harking back at Zand models, the lid featuring an official announcement scene in a courtly setting with two Qajar princes joining their father on a balcony, underneath them four members of the court on each side attending the momentous event, the base with large, lobed medallions in-filled with typical Qajar hunting scenes, set against a deep red ground with gold stars and encased within stylised floral scrolls, the interior plain.20.5cm diameter and 18.5cm high 20.5cm diameter and 18.5cm high Qty: 1
A SET OF POLYCHROME-PAINTED, GILT AND LACQUERED NINETY-SIX MUGHAL GANJIFA PLAYING CARDS WITH LIDDED BOX Possibly Maharashtra, Central - Western India, 19th centuryComprising ninety-six (8 suits with 12 cards each) polychrome-painted, gilt and lacquered playing cards (ganjifa), each of rounded shape, illustrated with a variety of Indian subjects including enthroned Maharajas, riders on their steeds, acrobats, musicians, dancers, large celebrations, interiors, and banqueting scenes, as well as animals, set against alternating red, yellow, green and blue grounds, the reverse with a chequered grid with clusters of red dots filling the squares, fitted in a rectangular box with sliding lid, polychrome-painted, heightened with gold and lacquered, featuring courtly processions and hunting scenes on the sides, and a courtly interior scene with a crowned princess or queen standing in a white pavilion, in conversation with two male attendants, sprays of white flowers decorating the outer borders and edges of the box.each token 4.5cm diameterthe box 9.3cm x 18cm x 7.8cm The South Asian card game known as Ganjifa first reached India from Iran in the early 16th century and it has remained very popular in India, Pakistan, as well as Iran and Turkey until now. In Mughal times, each complete pack of ganjifa cards had to be eight-suited (Mughal ganjifa). These sets were then later replaced by the Dashavatara ganjifa set, in which each suit represents one of Vishnu's avatars. A complete example of ganjifa pack can be seen in the Ashmolean Museum Collection, Oxford (inv. no. EAX.2078). Qty: 1
A FIGURAL ZAND-STYLE ENGRAVED BRASS EWER AND BASE Qajar Iran, second half 19th centuryComprising a pyriform brass ewer with upward-turned rosette spout and sinuous handle, engraved with typical Zand revival decorative motifs including mythical, hunting, and banqueting scenes with animated figures and animals, all set against a dense floral ground; and an engraved brass base, a near match in style, with openwork lid in the centre, the curved rim decorated with roundels in-filled with a variety of figural scenes with dancers, kings, knights, and characters from the Persian literary epics.The ewer 39cm highThe base 26.5cm diam. and 12.5cm high The ewer 39cm high, the base 26.5cm diam. and 12.5cm high Qty: 2
A collection of nurses style belt buckles including Victorian silver two part buckle with raised and pierced scroll and angel decoration, London marks 1897; Continental silver two part buckle decorated with a hunting figure on horse-back chasing a stag; Edward VII two part buckle with pierced scroll decoration, Birmingham marks 1907; A silver plated waist belt with pierced decoration and a silver plated two part buckle (5)
A carved and painted group of fox hunting figures, comprising nine horses and riders, two ponies and riders and nine hounds, the largest 18cm highLady rider - Chip to foot/leg, crack to her neckMale riders - signs of wear/play worn, and evidence of glue Horses - signs of wear, play worn, paint rubbed, some bridles broken, some evidence of glue, general condition with age okHounds - play worn, painted rubbbed, general condition with age ok
ARR Lionel Dalhousie Robertson Edwards (1878-1966)Old Berkeley Huntsigned in pencil to lower right marginoffset lithograph in colours24.5cm x 36cmwith another signed offset lithographic hunting print by the same artist (2) Framed and glazed. Both prints are quite faded, with undulation to the sheets. The paper mounts are clearly foxed; these are inetgral to the artworks as they bear the artist's signature in both cases.
A 19th Century South German carved walnut musical cuckoo clock, likely Black Forest, surmounted by hunting dogs and with fruiting branches and birds around the dial, the base fitted a musical movement with a 24cm comb, 58cm wide, 23cm deep, 80cm highNot working. Both fusee going trains overwound and drums appear to be jammed. Both bellows with split leather and showing signs of later sellotape. Condition of woodwork on movement good. Musical movement operable with 24cm comb. All teeth appear in good condition. Playing six airs. Pendulum and keys present. Cuckoo with working wings. No sign of any woodworm.
Soft butt pad, chequered semi-pistol grip and forend, narrow ventilated top rib. Hunting scenes to action. Integrated barrel selector and safety. Weight, 6lbs 1oz, Chambers 2 3/4in , Choke 3/4, Imp Pull 13 3/4in, Barrels 26 3/4in FAA – Sect 2. Shotgun Certificate / RFD required to buy this item.Condition ReportM - B, F - B, W - C
Moulded, Vulcanite butt with hunting scene in the European-style, chequered straight grip and forend. Rib engraved 'G.W. HENDERSON LONDON.', the left barrel engraved 'CHOKE BORE'. blackened Damascus barrels. Rebounding hammers. Sideplates and action bright throughout, simply decorated with acanthus scrolls and dashed edging, the underlever also bright. Weight 6lb 12oz, Chambers 2 3/4, Choke 1/2, 1/4, Pull 14 3/4, Barrels 29 3/4" Reproved London 1985 Proof .720 Readings .720, .720 Walls 39, 37 FAA – Sect 2. Shotgun Certificate / RFD required to buy this item.Condition ReportS - B/C, F - B/C, W - B The action bright, engraving softened, extensive polishing. The finish to the barrels near complete, the stock, nicely figured, having been filled to the left hand side albeit sympathetically.
Ten framed prints and engravings, depicting English hunting scenes, including one example of an engraving by Alken, Slap at the Brook and a print published in the nineteenth century by Dickinson & Foster, 114 New Bond Street, entitled Topping a Stone Wall and Coming Well into the Next Field. (10 items)
A collection of mid twentieth-century and later ceramics, comprising of part dinner and tea services, to include a Royal Winton pitcher depicting a hunting party, a Wade Irish Porcelain trinket dish, and Royal Falcon Ware, amongst other cabinet pieces, together with a collection of 1960s Pilsner glassware, to include a pitcher, tumblers and shot glasses. (3 Boxes)
Five framed engravings, depicting hunting scenes, to include, two examples painted by Henry Alken and engraved by J Harris, The Sporting Sweep, 1833 and Turning the Man Boney Couldn't Turn, 1847, both published at the Eclipse Sporting Gallery, hosted by R Ackermann, H-36cm x 48m and three examples painted by Sheldon-Williams, engraved by C Hunt and published by JM Queen of 37 Great Marlborough Street, 1870, H-37cm x 49cm. (5 items)
A Royal Dux Bohemia ceramic figurine, depicting two hunting dogs with khaki green collars, 23 x 31cm. Condition:Overall, the sculpture would benefit from a clean.All ears/tails are intact with no signs of previous breakage.There is shelf wear to the base of the sculpture.There is a crack visible on the rump of the seated dog.
Hunting jackets x 7 to include: Five red jackets with velvet collars, lined with interior pouch pockets. Sleeve 25" (64cm), Shoulder 18" (46cm), Length from collar 34" (87cm), Chest 40" (102cm). Two black hunting jackets similar sizing. Three waistcoats. One pair of small jodpuhrs. Two riding hats - a Charles Owen young riders hat, CE marked PAS015 2011, black velvet together with a vintage patey/in hand Beagler, black velvet, size 7 1⁄4" (59cm) (13 items in the lot) All in used worn condition.
A large engraving depicting two hunting dogs, painted by Heywood Hardy, engraved by JB Pratt, entitled The Pick of the Pack, H-94cm x 94, together with three smaller, limited edition prints that are signed in pencil by the artists, to include, Your Turn, L Tindall, 92/850, Why Me?, Elizabeth Scrivener, 318/500, and Ready, Willing, Able, Judi Kent Pyrah, 181/295. (4 items)
HERMÈS, TWO SILK SCARVES Comprising: HERMÈS, LA CHASSE A TIR, A SILK SCARF The cream ground with green border, with ochre and black guns and pastoral hunting scene detail, signed Hermès, designed by Philippe Ledoux, with hand rolled and stitched edges Dimensions: 86 x 88.5cm HERMÈS, GIBIERS, A SILK SCARF The brown ground with russet border, with a still life of various game, signed Hermès, designed by Henri de Linares, with hand rolled and stitched edges Dimensions: 86 x 88.5cm Condition Report: Both have marks. the first scarf has a couple of small pulls Condition Report Disclaimer
HERMÈS, TWO SILK SCARVES Comprising: HERMÈS, LA CHASSE A TIR, A SILK SCARF The cream ground with blue border, with brown guns and pastoral hunting scene detail, signed Hermès, designed by Philippe Ledoux, with hand rolled and stitched edges Dimensions: 86 x 88.5cm HERMÈS, GIBIERS, A SILK SCARF The cream ground with olive green border, with a still life of various game, signed Hermès, designed by Henri de Linares, with hand rolled and stitched edges Dimensions: 86 x 88.5cm Condition Report: Both scarves have some marks, they both have a couple of small picks Condition Report Disclaimer
HERMÈS, LE LAISSER COURRE, A SILK SCARF The light blue ground with navy blue border, with brown tone hunting and hound head detail, signed Hermès, designed by Jane de Fougerolle, with hand rolled and stitched edges Dimensions: 88 x 89cm Condition Report: There are some marks and makeup marks to the scarf, no major picks or damage Condition Report Disclaimer
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71555 item(s)/page