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A rare chinoiserie porcelain and hardstone intaglio fob seal pendant, possibly Chelsea or St. James's, 1750s, designed as a seated man wearing a Chinese-style hat and robe, modelled in glazed and enamelled soft paste porcelain, mounted in gold, the base set with a carnelian intaglio depicting a goat, height 3.1cm
Collection of Late Victorian - early 20th century hat pins and Art Deco hair decorations, the hat pins: two with simulated pearls and paste finials, two 'baroque pearl' and paste examples and two with turquoise and paste finials and various Art Deco sequin and beadwork hair combs and accessories
Lincoln Bennett top hat, with adjustable inner rim, in fitted leather hat box, initialled R.E.G.C. 44, approximately 20cm long by 16.5cm across internally, 14cm external height.Condition ReportThe external silk appears to be in good condition. There is a tiny bit of wear around the rim on the top on a very small section on close inspection.
Two vintage top hats, one with the royal crest stamped inside and the other labelled Scott & Co hatters to HM the King, Old Bond Street Piccadilly within a vintage top hat box, both 20cm x 16cm inside, approx. 15-16cm tall.Condition ReportBoth have some wear to them, particularly to the top of the hats. One has significant wear around the top rim.
Gwen John (1876-1939) Gouache Woman wearing a green cloche hat, 1920’s, from an exhibition June/July 2021, catalogue no.25, signed, Browse & Derby label verso, 12cm x 11cm From the collection of the late Maurice Costley Gwen John was born in Wales and studied at the Slade followed by the Academie Carmen in Paris. During her years in Paris, John met most of the leading artists of the day, including Rodin for whom she modelled. John exhibited her work for the first time at the New English Art Club in 1900. Her paintings, although there are some still lifes, are mostly sensitive portraits of lone females, usually anonymous. John lived and worked mostly in Paris. Her reputation during her lifetime was overshadowed by that of her brother, as well as by her relationship with Rodin. However since her death, her reputation has been redeemed and in some circles she is thought of as the more talented of the two Johns. Her pictures are held in many public collections including the Tate and the National Museum of Wales.
A group of three Derby porcelain figures late 18th century, comprising a shepherdess, a woman playing the lute with a swan at her feet, and a lady with a watering can, standing by a fountain,23cm high (3)Condition ReportShepherdess) Restoration to the neck. A loose piece that rattles. Losses to the hat. Lady with a lute) Losses to the encrusted flowers. Large cracks to the base. Restoration to the arm. Lady with a watering can) The watering can is missing its handle. Losses to her hat. Restoration to the arm.
3, WW1 DUO SETS AWARDED TO PTE A MACDONALD CAMERONS, PTE W PEARCE S STAFF R, GNR F TAYLOR R A , ARTILLERY REGIMENT HAT BADGE, SINGLE SILVER WW1 MEDAL AWARDED TO SPR J MOORE R E, SINGLE WW1 MEDAL AWARDED TO HARRY NICHOLLS, WW1 MERCHANT MARINE MEDAL AWARDED TO HARRY NICHOLLS, SPECIAL CONSTABULARY POLICE MEDAL AWARDED TO ARCHIBALD MACDONALD (SOME PAPERWORK) Condition
A Bernard Rooke curved bottle-shaped table lamp, 1970s, of irregular tapering form and decorated with incised and embossed geometric motifs over a textured ground, seal to base, 36cm high; together with a 1970s Louis Hudson rectangular stoneware flower vase, similarly decorated with an arrangement of incised geometric emblems, seal to base, 20cm high and an unsigned partially glazed stoneware totem, modelled as a figure wearing a fish form hat and necklace, 19cm high (3)Provenance: The Collection of Lord Myners, former Chairman of the Board of Trustees at the TateAll three pieces are in good condition, free from damage or repair.
LÁSZLÓ BÁRÓ MEDNYANSZKY (HUNGARIAN 1852-1919) MAN IN A BLUE HAT Watercolour and pencil Signed (lower right) 25.5 x 18.5cm (10 x 7¼ in.)Provenance: Abbott and Holder, London Condition Report: The sheet is slightly discoloured and there are a few spots of foxing to the background. Otherwise, appears to be in good condition. Unexamined out of glazed frame.Condition Report Disclaimer
A near pair of Meissen style figures of musicians, he carrying bagpipes and she a hurdy-gurdy, late 19th Century, crossed batons marks, 28cm highThe man - chipped to end of bagpipes (piece present but detached), one mouth piece chipped and lacking, minor chipping to edge of hat and applied flowers, his right foot restored, bottle in his pocket restored, minor footrim chipping to base.The woman - restoration to the edge of her apron, cracked and restored through her instrument, left arm, and waist, the blue bow at her waist is restored and the enamels have been retouched, she also cracked and restored through shoes and ankles, the base has been cracked across and repaired in several sections
Two Meissen figures of Turks, circa 1750, the decoration later, modelled by J F Eberlein, one of an officer and the other of a lady, later enamelled in floral costume and detailed in gilding, 15.5cm high.The turbanned Turk - chipping to staff in right hand, tip of plume to turban is lacking and has been gilt, edge of coat cracked off and restuck with associated chip, chip to small left finger, minubte chipping to left hand fingers.Female Turk - with chipping to tip of left hand fingers, to the tip of her nose, to the implement (flag?) in her right hand, regilt chip to her hat, regilt chip to front corner of base, small chip to the orange sash.
A full-dress uniform for a Consul-General, comprising coatee with gold and silver embroidery to the collar, cuffs and pocket flaps, a bicorn hat with treble bullion silver loop, trousers and cloak, two swordsBy descent from Sir Alexander Byres Hutcheon K.B.E., C.M.G (1891-1956) Head of the Consular Department, Foreign Office, 1938-1943; Inspector-General, 1943-1947; Foreign Office Inspector, 1947-1950The whole outfit accords with the Dress worn at Court Regulations of 1929Some small holes to the inside red lining of the cloak but seems fairly minor. Yes the gloves etc are included
A group of five Art Deco porcelain items, c.1930, comprising:a Robj inkwell, formed as a plinth with three steps, the cover as a nude figure, printed mark 'Robj Paris Made in France',11cm wide13cm deep12.8cm high, andfour German porcelain boxes and covers,the first formed as a lady in a yellow dress, holding playing cards with a cat at her feet, 22.5cm high,the second modelled as a seated lady holding a fan, 10.3cm wide,the third modelled as a seated lady with a tennis racket, 16cm high, andthe fourth modelled as a seated lady with a conical hat, 14.5cm high (5)Condition ReportRobj) Small nibbles to the edge of the foot rim.Card player) Very small flat chip to the upper edge of the base where the lids sits.Conical hat) Small nibble to the top of the hat.General) All with wear, slight losses, and rubbing to the gilding and enamelling throughout.
Victorian mahogany hall stand, central rectangular pillar supporting four projecting branches with turned hat and coat hooks, lower stick and umbrella stand on turned supports with metal drip tray, skirted base on compressed bun feet Dimensions: Height: 193cm Length/Width: 72cm Depth/Diameter: 24cm
Set of mid 20th century bagpipes, with McLeod chanter, Royal Stuart cover, tassels, ribbons and spare accessories, contained within a wooden carry case, together with a Scarborough Highland Pipe Band uniform, comprising black highland dress jacket, Royal Stuart kilt, Glen Garry hat, Swinging Six sporren, Sgian Dubh knife, piper's dirk with knife and fork, etc
Hunting jackets x 7 to include: Five red jackets with velvet collars, lined with interior pouch pockets. Sleeve 25" (64cm), Shoulder 18" (46cm), Length from collar 34" (87cm), Chest 40" (102cm). Two black hunting jackets similar sizing. Three waistcoats. One pair of small jodpuhrs. Two riding hats - a Charles Owen young riders hat, CE marked PAS015 2011, black velvet together with a vintage patey/in hand Beagler, black velvet, size 7 1⁄4" (59cm) (13 items in the lot) All in used worn condition.
A COLLECTION OF FOUR LATE 18TH/EARLY 19TH CENTURY GLASS SCENT BOTTLES The first with blue facetted glass bottle with gold floral lattice strapwork and two decorative oval panels one with a basket of flowers and a hat, the other with a boars head and hunting horn and crossed spears, unmarked; the second with a flattened circular glass bottle overlain with pierced C-scroll decoration with cherub detail, the neck of the bottle with white enamelled band stating Dieu Vous Benit, unmarked; together with two further scent bottles Dimensions: first 6.9cm high; second 6.2cm high Condition Report: As found, all items have damage and some have repairNo.1 - Chips to the collar, no stopper, piece of strapwork missingNo. 2 - Losses to the overlayNo. 3 - Stopper stuck within the body, repairs to the overlayNo. 4 - Slight play to the hinge, cork stopper stuck into the bodyCondition Report Disclaimer
AFTER WILLIAM HOGARTH THE LADY'S LAST STAKE Oil on canvas 87.5 x 102.5cm (34¼ x 40¼ in.) In a Kentian frame The Lady's Last Stake was originally entitled Piquet: or Virtue in Danger and was one of Hogarth's last works. It depicts a domestic scene with a man and a woman who have been gambling on the card game piquet. The woman has lost her fortune to the army officer, and he offers to play one more game. If she wins, he will return her assets, including the money and jewels in his tricorne hat; but if she loses, she must accept him as her lover. She clasps the edge of a fire screen as she considers his offer and make a fateful decision: to be ruined financially, or morally.The details in the interior are rich in symbolism. These include a small dog, representing faithfulness, which is hiding under the table. There is a painting of a Penitent Magdalene over the fireplace. The mantelpiece bears a clock with the usual figure of Father Time replaced by Cupid , but still carrying a scythe. The cards are being burned in the fire.The painting is a copy of after the original in the Albright-Knox Art Gallery, Buffalo, New York.Provenance: The Hon. Claude J. Yorke, and thence by descent Literature: The Connoisseur, May 1965, p.6Illustrated: The Connoisseur, May 1965, p.6 Condition Report: Condition report available upon requestCondition Report Disclaimer
ROYAL EQUERRY'S UNIFORMS OF THE HON. ALEXANDER GRANTHAM YORKE (B.1847-1911) THIRD QUARTER 19TH CENTURY Comprising a scarlet tunic with blue facings and gold embroidery, blue trousers with gold lace, a blue frock coat with mourning bands, a great coat, a cocked hat with gold embroidered loop, a crimson and gold dress sash, a dress waist belt and sling, a pair of brass spurs and two uniform trunks, one labelled for Manning & Co, London. Provenance:The Hon. Alexander Grantham Yorke, and thence by descent Prior to becoming the groom in waiting to Queen Victoria, The Hon. Alexander Yorke was an equerry to H.R.H The Duke of Albany between 1874-1884 Condition Report: Condition is worn, signs of long term storage, evidence of moth throughout. For the scarlet tunic, colour remains good overall. Buttons and braiding all present. The exterior black braiding on the blue frock coat is fraying. all buttons present. Tailored holes for epaulettes to shoulders. Lining intact. Great coat with some evidence of moth mainly to lining. All buttons appear to be present. Hat somewhat worn with button and lining intact. Large moth-hole to rear of trousers.Chest size 34-36" approximately Bicorne circumference 50cm approximatelyCondition Report Disclaimer
A fox fur jacket with sateen lining together with a similar fox fur hat and various tails CONDITION REPORTS The jacket - at the cuffs and along the base of the jacket there are a couple of areas where the fur goes in. Unknown if this is wear or whether the fur was originally slightly shorter in those areas. There are some stains to the lining. Otherwise general wear and tear conducive with age and use - see images for more details
An Edwardian mahogany and satinwood strung tub chair with upholstered back and seat on square tapered legs 56 cm wide x 50 cm deep x 85.5 cm high together with a 1930s oak and barley twist decorated hall mirror/hat and coat rack, 89 cm wide x 55 cm deep CONDITION REPORTS The chair has some signs of moth/insect damage to the upholstery and the upholstery is generally in need of a clean. Some minor knocks and bumps etc to the framework. There is a small split to the wood on the left hand side of the chair on the back corner and there is damage to the underside of the top rail on the back. The coat rack has some losses to the varnish, signs of old paint to the back. Both have general wear and tear conducive with age and use - see images for more details.
A box containing seven pairs of ladies shoes comprising one pair of Manolo Blahnik strapped shoes with stiletto heels, size 39, one pair of Tod's loafers / driving shoes, size 38, one pair of Miss KG platform shoes, size 39, one pair of Kurt Geiger for Carvela zipped ankle boots with wedge heel, size 39, one pair of French Sole by Jane Winkworth black suede flat shoes, size 39, one pair of LK Bennett black suede flat shoes with cut out detail, size 39, with box and a pair of LK Bennett black suede evening shoes with satin and diamante detail, size 38.5, with box, together with a gentleman's black fedora hat by Herbert Johnson, 13 Old Burlington Street London and another black felt fedora hat from Herbert Johnson, size 7¼ together with two burgundy leather over night holdalls
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104336 item(s)/page