CHARLES-AUGUSTE FRAIKIN (BELGIAN 1817-1893) A RARE MARBLE FIGURAL GROUP 'THE CRADLE OF LOVE' MID 19TH CENTURY Carrara marble, sleeping child on shell set on a triform base with carved dolphins, signed, on a painted simulated marble octagonal pedestal Group 65cm high, 79cm wide, 130.5cm high overall Provenance: Possibly the 4th Earl of Craven and thence by descent Literature: Edward MacDermott, "Routledge's Guide to the Crystal Palace and Park at Sydenham", G. Routledge & Company, 1854. PP.146. Musee Fraikin De Herenthals : Offert Par L'artiste A Sa Ville Natale L'an 1891 : Catalogue De La Galerie 1891, publ. L. Bongaerts-Verbeeck Herenthals. The Belgian sculptor Charles-Auguste Fraikin (1817-1893) was born in Herentals in Belgium. After a difficult childhood and an early career training to be an apothecary. he re-devoted his life instead to the study and production of sculture under Pierre Puyenbroeck. Just 6 months after enrolling in the Académie royale des beaux-arts Brussels he won the internal competition for sculpture and more public success followed swiftly. In 1845 at the Salon de Bruxelles the Queen of the Belgians recommended his work "L'Amour captif" to King Leopold I and Royal commissions followed. The museum at Herentals devoted to his life and work was established by a bequest in his will- leaving the entirety of the plaster casts from his studio. In the gallery guide from 1891 the museum discusses this particular work: "No 11 Amour au Berceau". It recounts how the work came into being after a public lottery in 1850- won by Dr Lombard from Liege. Versions of it were also executed in various materials including, notably, for M. le Baron de Rotschild a Paris. One of Fraikin's first public exhibitions of this composition was at the Great Exhibition of 1851 where his work was highlighted in Routledge's Guide in the description of the "French and Italian Modern Sculpture Court". His work was noted as being "graceful and delicate in the extreme" and being especially worthy of attention from visitors: "M. Fraikin of Brussels, a sculptor who possesses as great a reputation among his fellow artists in Belgium as with amateurs and the public in general... "L'amour au Berceau" or "Cupid in his cradle" "Psyche" and a "Roman peasant woman" are works also by M Fraikin which will appeal to the sympathies of visitors of all age". Exhibiting another version of this work at the 1855 l'Exposition Universelle in Paris he was rewarded with the patronage of Empress Eugenie, who had the group placed into her bedroom at the Tuileries Palace. Sadly, that example was lost in the Tuileries fire in 1871. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. With old damages and losses to all fingers and some toes- some of which have had repairs but some of which are now missing (just one loose finger with auctioneer). Natural flaws and inclusions- notably areas of darker veining to body and shell- flaw above signature which does not seem to carry through to underside of shell. Some infill to natural small spots which look to be from manufacture. Paint and contact marks around rear right hand. Dirt to recesses. Stem with dolphins largely good- small edge chips to lower edge. Wooden supporting base with dirt + shrinkage faults, rubbing + wear. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
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Southeast Asian carved stone figural sculpture affixed to a wooden base, possibly depicting Shiva. With a tag tied to the waist of the figure, secured with a stamped metal seal.(Incl. base) height: 34 in x width: 10 in x depth: 7 in. Weight: approx. 50 lbs.Condition: There are no major breaks, chips, or losses. Light wear and dust gathered throughout.
AFTER THE ANTIQUE, A BRONZE FIGURAL GROUP OF THE DANCING FAUN WITH THE INFANT BACCHUS ITALIAN, LATE 19TH CENTURY 70cm high, base 29cm wide The Roman marble statue of a faun with the infant Bacchus was discovered in the forum in Rome and was first recorded in the collection of the Farnese family. In the later eighteenth century, the sculpture was sent to Naples and today is in the collection of the Museo Archeologico Nazionale in Naples (Inv. 6022; Naples 1989, II, pp. 156-57, no. 19). Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Paler patination to extremities of figures and detailing from handling and prior dusting/cleaning. Some green spot stains- engrained dirt to recesses. Stress faults to his right arm, left of his torso- inside of child's leg etc which look mostly to be from casting. Slightly sticky surface in some areas- bolt heads to underside consistent but slightly 'domestic' suggesting they may have been replaced Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. With weathering - colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning Condition Report Disclaimer
Star Wars items to include The Phantom Menace Darth Maul Rubiks Cube x 2, 6 x Hasbro Episode I figurines, Obi-Wan Kenobi, Qui-Gon Jinn x 2, Anakin Skywalker, Darth Maul x 2, Star Wars Figural Mug, C-3PO, Anakin Miniature Sculpture Puzzles, Movie Teaser Poster Puzzle (unopened), a Darth Vader novelty telephone, Darth Maul Electronic Toothbrush Holder and 3 other electronic boxed figures to include Darth Maul, Qui-Gon Jinn and Obi-Wan Kenobi.
A GROUP OF EGYPTIAN THEMED COLLECTABLES, comprising Cow Parade 'Tutancowmon' no 9126 and 'Egyptian Princess' no 9140 (the latter having a few tiny chips), a Pacific Giftware 'Anubis' figure, height 22cm, Summit Collection 'Horus' and cat figures, a Franklin Mint 'The Royal Sarcophagus' replica with certificate (base loose), and two scarab beetle figures, together with a possibly Native American figural ceramic sculpture, indistinctly signed to base, height 12.5cm (9 + certificate) (Condition Report: generally good condition, obvious specific damage as stated)
Richard MacDonald (American, b. 1946). Large bronze sculpture titled "Red Dress, Half Life," from the "Joie de Vivre" series depicting a half life-size ballerina perched delicately on the tip of her toes. A radiant smile lights up her face and she seems to spin gracefully as the fabric of her dress swishes around her. Signed and dated 2001 along the base. From an edition of 90. With a wooden plinth.Provenance: The collection of Clint & Mary Ann Jurgens, Minnesota.Walt and Vi Jurgens, Clint’s parents, began supporting Sullivan Hills, a Lutheran summer camp near their farm in Gurley, Nebraska, 50 years ago. The camp generously welcomes all children of the area with financial help and love. We are directing the proceeds of this sale to the administrators of the camp, Nebraska Lutheran Outdoor Ministries. Find out more at www.nlom.org.Lot Essay:Richard MacDonald's sculptures celebrate the beauty and physicality of the human form. He was classically trained at Art Center College in Pasanda, California. Following the great sculptural masters such as Auguste Rodin and Gian Lorenzo Bernini, he adds a contemporary element to his figural creations. His ability to focus on how the body can be manipulated has led to his work with Cirque du Soleil, MGM, and the Olympic Games.His process involves making a clay "sketch" or maquette of his work. These quarter-size models are the basis for his half life to life-size works. He then utilizes the famously painstaking Lost Wax method in which his work will become first a wax model and then a bronze sculpture.(Including base) Height: 60 in x width: 30 in x depth: 22 1/2 in. Weight (without wooden base): 198 lbs 6 oz.Condition: There are no bends, breaks, losses, or restorations. Light dust/debris gathered in the recessed areas of the work. Light wear to the wooden base.
Alfred Boucher (French, 1850-1934): A patinated bronze figural group of 'Au But (The Finishing Line)'The three semi-clad male athletes stretching towards a finishing line, on naturalistic base, signed A BOUCHER, the rear with Siot foundry pastille, raised on a contemporary swept rouge marble oval plinth, 33.5cm high, 41.5cm wide, 20.5cm deepFootnotes:The initial conception in plaster (entitled 'Les Coureurs') won a first class medal at the Paris Salon of 1886, and was praised for its original composition and the technical prowess required to create a dynamic yet perfectly balanced arrangement with each figure supported by just one leg. The French state then commissioned a life-size, bronze version. The cast was exhibited the following year and then stayed in the Luxembourg Gardens, Paris, until it was destroyed during the Nazi occupation.A comparable model was sold at Bonhams, New Bond Street, London, Sculpture & Early Works of Art, 22nd April, 2009, lot 105.For further information on this lot please visit Bonhams.com
A rare pair of late 16th century carved alabaster tomb figures or 'Kneelers' depicting a nobleman and a ladyProbably English, circa 1590Their upturned faces above elaborate ruffs, the nobleman clad in armour, with flowing hair and short beard, his hands clasped in prayer, the lady with serene expression wearing a cap and clad in a wide farthingale skirt holding an open book, the gentleman, 43cm high, 19cm wide, 26cm deep, the lady, 40cm high, 24cm wide, 26cm deep (2 )Footnotes:Perhaps one of the most characteristic types of English ecclesiastical sculpture in the late 16th and early 17th century, 'Kneeler's' were tomb memorials usually modelled as figures of kneeling and praying knights or merchants and ladies or their family members.The tradition of these distinctive figures in England and Wales is probably derived from the custom of 'Pleurants' or 'Weepers' prevalent in the Burgundy region of France. Originating in the earlier Medieval period, figures at first tended to be modelled in flat relief and were often displayed under the framework of decorative canopies. However by the mid-15th century they had become three dimensional sculpted forms carved in marble, alabaster or stone rather than cast in bronze with the male and female subjects either depicted singularly or extending to the surviving family and children praying for their departed loved ones.Standard figural depictions from this later period are typically modelled freestanding, kneeling on cushions or sometimes before prayer desks clad in elaborate costumes often with exaggerated ruff collars. Male figures depicted as merchants were usually clad in long flowing or cleric-like robes whereas those depicted as knights were usually fully or semi-clad in plate armour sometimes with cloaks. Female figures were usually depicted wearing a cap or hat and later in the 16th century their farthingale skirts and sometimes their sleeves became exaggeratedly wider. However both sets of figures would always be depicted with a full round or fan-like half ruffs. Male and female figures depicting husband and wife were often positioned to face each and children might also be depicted in miniature either as a separate group or with the figures themselves, the boys with their father and the girls with their mother. As with much early sculpture, figures would have originally been painted in bright colours although this polychrome decoration, often retouched over time usually has mostly or completely worn away. In addition figures may also have also been subject to the ravages of time and accidental damage with many often becoming detached from their original placings so that today these examples are near impossible to identify whether they depict the deceased or their family members. For a pair of comparable carved stone 'kneeler' tomb figures dated to the early 17th century and possibly of Cornish origin, see Dreweattts, Newbury, Berkshire, Robert Kime: The Personal Collection (Day 1), Contents from Warwick Square, London, 4th October 2023, lot 278.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Marc Alikaswa (1928 – 2008): 'Man + Bear', a Canadian Inuit carved stone sculpture, 35 x 15cms high.Note: Marc Alikaswa (1928 – 2008) worked mostly from Arviat, Nunavut, and gained international recognition for his abstract figural sculptures. His work is included in major collections including The British Museum.Provenance: Originally purchased from the Inuit Gallery of Vancouver Ltd, in June 1985.
Pierre-Adrien Graillon (French, 19th century), a terracotta figural sculpture, young fisherman, signed "Graillon" and stamped "Dieppe", H25cmGenerally good overall condition, some visible surface chips particularly around the base, the top edge of his cap and some chips to the back of his right trouser leg and column, and general surface wear
A small collection of silver and jewellery to include; a tall Eastern figural sculpture, ornately designed with twisted area to columned centre, marked SILVER, approx. 20.2cm high, a sterling silver thimble, an Eversharp sterling silver pencil, a white metal thimble, an EPNS pepper pot (no cover), along with two pairs of celluloid Scottie dog cufflinks, a gilt metal filigree ship brooch, a paste set heart shaped brooch and a double 1909 foreign coin set brooch. (1 bag) Weight of figure approx. 208.9 grams (6.7ozt) Further details: figure has broken and missing hand, some misshapen areas, tarnishing, wear, general wear to all items, tarnishing.
AFTER THE ANTIQUE- A BRONZE FIGURAL GROUP OF CLOTHO AND ATROPOS MID 19TH CENTURY The two Fates depicted spinning yarn, mounted on giallo marble base 23.5cm high, bases 35.5 cm wide, 16.5cm deep This work depicts Clotho and Atropos, who, along with Lachesis, make up the Three Fates in Greek and Roman mythology. The design is based on a Classical sculpture of ancient Greece, which originally formed part of the East pediment of the Parthenon, and is now housed in the British Museum, London Condition Report: Some paler patina to raised areas from handling, marks, knocks and scratches as per age, handling, use, and cleaning. Slight movement between individual cast areas. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
After Manuel Francisco Vidal (Spanish, b. 1953)"Claudia", a pensive, nude woman sat atop lavish gilt-enriched, amethyst fabric, with her arms draped over crossed legs, eyes cast downwards and long hair flowing down her back, cold-cast bronze sculpture mounted to an oval marble base, signed "VIDAL" on plaque and within sculpture, height 37 cm [Vidal created dynamic, figural sculptures, almost dance-like in movement. Love and beauty are key themes in his work.]
After Manuel Francisco Vidal (Spanish, b. 1953)A sultry depiction of a woman in a flowing dress, head cast back and eyes shut, perched atop a jagged stone rock, cold-cast bronze sculpture mounted to an oval marble base, signed "VIDAL" on plaque and within sculpture, height 35 cm [Vidal created dynamic, figural sculptures, almost dance-like in movement. Love and beauty are key themes in his work.]
Vivian Stanshall (1943-1995) British, founding member of the Bonzo Dog Doo-Dah Band, a carved-wood figural sculpture, green-painted, 56 cm high. Qty: 2 This lot, along with all others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall
A LAMP BASE, SCULPTURE AND LAMP SHADE, comprising a bronzed and coloured resin figural sculpture, depicting a male figure lifting a female figure aloft, possibly the base of a clock or lamp, height 60.5cm, a modern figural lamp with holders for two bulbs, approximate height 75cm, and a frosted glass lampshade (3) (Condition Report: generally ok, sculpture is clearly missing clock?, scratches and chips to hair and fabric, lamp base has flaking paint, lamp untested)
George Kyeyune (1962-) Figural abstract signed and dated 'KYEYUNE 96' (lower right) oil on canvas 65 x 96cm Known as an artist, sculptor and professor, Dr George Kyeyune is today considered one of the foremost painters of everyday life in his native Uganda. Born into a large, traditional Ugandan family in 1962, Kyeyune’s aptitude and enthusiasm for art was evidence early in his childhood – he recalls using the coarse ground as a canvas and drawing pictures on the floor just after it had rained. Upon his graduation in 1981, Kyeyune enrolled at the prestigious Margaret Trowell School of Fine Arts, before obtaining a master’s degree in sculpture from the Maharaja Sayajirao University of Baroda, India and later, from 1999, studying for his PhD in Art History at the School of Oriental and African Studies, having been awarded a scholarship from the Commonwealth Scholarship Commission.Rendered in a typically muddy and organic palette of earthy reds and terrestrial browns, the present lot is characteristic of Kyeyune’s artistic language, which is celebrated for its immediacy and informality.
Gilt bronze and carved alabaster sculpture modeled as two lovers, a knight and a lady. The two figures stand on a bronze base that is mounted on a marble block. Germany impressed to base. Schmidt signed on the bottom edge of figural lady. RM impressed foundry marked. Artist: Erich Schmidt-KestnerIssued: c. 1920Dimensions: 8"L x 5.25"W x 17.5"HCondition: Age related wear. Restored nose, hand, and foot; lady has been remounted to base.
A late 15th century carved and polychromed wood figural relief depicting the departure of the MagiFlemish or Lower RhenishThe elaborately dressed kings all seated on horseback, their steeds with plumed bridles and bell hung tack, standing on a naturalistic humped base and raised on a later moulded rectangular plinth, 108cm high overall, 73cm wide and 24cm deepFootnotes:ProvenancePurchased by St John Brodrick, Earl of Midleton.Inherited by George Brodrick.Thence by descent to the current owner, Sir Robert Corbett, KCVO,CB.George St John Brodrick, 2nd Earl of Midleton purchased the present lot to form part of his extensive art collection in 1925. The piece was then inhereted by George Brodrick. He was educated first at Eton and then joined the Irish Guards from Cambridge. He served with distinction in Palestine before the onset of WWII and in the Norwegian campaign in the early days of the War. Here he was mentioned in despatches for gallant and distinguished conduct. He married Mhari Gourlay in the Guards Chapel in 1940. Retiring as a Captain and decorated with an MBE at the end of the War, he later moved to Dunley Manor in Hampshire. The Three Wise Men came here with him and stood in the hall until his death in 2003. When George Brodrick died in 2003, he left the statue to a close family and Irish Guards friend, Sir Robert Corbett, in his will.It is interesting to note that throughout the late 15th century, works such as the present lot, were produced in large numbers for the open market. Subjects such as the Infancy of Christ or the Passion had the most 'mass appeal' so became a huge part of the fabric of artistic production in the Low Countries. Between 1380-1550 specifically, carved wooden altarpieces became a major art industry in the South Netherlands. With their rich polychrome, and heightened realism, for many they seemed to bridge the gap between sculpture and painting.It was not until the late medieval period that the representation of one of the Magi as a Black King became more widespread. In the present lot, it is interesting that the Black Magus is leading the other Kings on their decorated steeds -typically in Adoration scenes, he would be furthest from Christ and not the most prominent (an example of this can be found in Jusutus of Ghent's Adoration scene (active ca. 1460-1480). Around the third century, writers interpreted the Magi as three kings based on the number of gifts they brought to the infant Christ. Later they were given the names Caspar, Melchior and Balthazar. It was in the eighth century that an author (only known as Pseudo Bede) spoke of a 'dark, fully bearded king called Balthazar' LiteratureP.Williamson, Netherlandish Sculpture, 1450-1550, V & A Publications, 2002.L.F.Jacobs, Early Netherlandish Carved Altarpieces, 1380-1550 Medieval Tastes and Mass Marketing, Cambridge University Press, 1998.For further information on this lot please visit Bonhams.com
Bruno Zach (Austrian, 1891-1945): A patinated bronze Orientalist figural group of 'The Slave Trader'circa 1920the crouching seated male figure clad in draped robes and headdress beside a nude maiden covering her modesty, her coiffure arranged in a stylised upswept chignon, standing on a draped platform, raised on a canted integral base, signed Zack within the cast to the rear left corner and with foundry monogram to the front left corner, mounted on a corresponding verde antico marble plinth, 70cm high overallFootnotes:Bruno Zach was an Austrian art deco sculptor of Ukrainian birth who worked in the early-to-mid 20th century. His output included a wide repertoire of genre subject although he is perhaps best known for his erotic sculptures of young women.LiteratureSee V. Arwas 'Art Deco Sculpture', Academy Editions/St Martins Press, 1992, p. 228 for a a similar study.Zachs work was cast by several foundries including Argentor of Vienna, Bergmann and Altmann AG.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Marble figural study of a male torso, mounted upon a wooden plinth, 17" high overall; together with a decorative resin bust head and shoulder sculpture, pair of turned treen candlesticks, tall crackle glaze vase, 19.5" high, another vase and group of three square glass bottles within a metal trough
Lladro glazed Spanish porcelain figurine sculpture. A figural group study with young women, children, and a dog, playing in a verdant tableau. This item has a base included which measures: 15.75"L x 9"W x 1.5"H. Signed by artist. Lladro backstamp. Artist: Salvador DebonIssued: 1995Dimensions: 14.5"L x 14"W x 7"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
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