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Magnificent collection of ceramics that includes a figural dish of a woman playing a harp, a bunny shaped plate, a shamrock decorated round spill vase, a shamrock decorated pillar shaped vase, a shamrock decorated basketweave vase, a sleeping puppy jewelry box, a shamrock decorated island vase, and a harp sculpture. Belleek backstamp on all items. Largest item measures 8.25"H x 4.25" dia. and smallest item measures 4"H x 2.25" dia. Issued: 20th centuryDimensions: See DescriptionManufacturer: BelleekCountry of Origin: IrelandCondition: Age related wear.

A modern ceramic sculpture by Nica-Art of conch shell form in the ancient Central American Nicaraguan style with figural motif decoration - sold with detail label

AFRICAN CARVED HARDWOOD FIGURAL SCULPTURE, ALONG WITH TWO FURTHER the other two also figuralthe largest 58cm highQty: 3

Five figural metal sculptures: a Copenhagen sculpture, signed Edvard Eriksen R.A, an Art Nouveau style bronze of a female figure stamped and dated, an enamelled figure of a musical Pierrot, another of a male figure and a small art Deco style dancer, tallest 33cm. Condition - two damaged

A group of four mid-century abstract figural sculpture maquettes

Paire de grands groupes en bronze doré et bronze patiné de Graux Marly sur un dessin de Charles-Hippolyte Buhot, représentant des porteuses d'eau, seconde moitié du XIXe siècleA pair of gilt and patinated bronze large groups of water carriers by Graux Marly Foundry, based on a design by Louis-Charles-Hippolyte Buhot, second half of the 19th CenturyThe standing figures, with jewelled necklace, draped dress and headdress, carrying on their shoulder a twin-handled Egyptian style vase with engraved decoration, on a wicker pattern circular base, each base signed and inscribed 'GRAUX MARLY FT DE BRONZES A PARIS' and 'CH BUHOT SCULP', 29cm wide, 136cm high (11in wide, 53 1/2in high) Footnotes:ProvenancePrivate Italian noble collection. Louis-Charles-Hippolyte Buhot (1815-1865) was born in Paris and studied under the French sculptor and medalist David d'Angers. Buhot entered the Ecole des Beaux Arts at the age of seventeen, and soon exhibited regularly at the Paris Salon from 1837 until the year he died in 1865, and produced numerous portrait medallions, busts and statuettes, including, Sara the Bather (1851), Hope feeding the Chimera (1855) and Jupiter and Hebe (1865).Jules Graux-Marly operated a small foundry known as Graux-Marly Frères. Based at 8, rue du Parc-Royal in Paris, the foundry was well-respected for producing high quality figurative sculptures and decorative ornaments. It won a bronze medal at the Exposition Universelle in 1849 and a first-class medal for the bronzes d'art et d'ameublement in 1855. The activity of the foundry was later continued by his sons.Orientalism was a long standing subject of fascination for Westerners, with depictions of exoticism from far away places and cultures. Opposed to the neo-classicism movement, orientalism was popularized in 19th century sculpture by interpretations of exotic figural scenes, tropical birds and animals and lavishly dressed exotic figures. There was a real interest in ethnography, in the unknown. The production of these 19th century pieces showed the latest manufacturing technical advances, resulting in the highest possible quality wares. An identical single sculpture was sold Christie's King Street, 19th Century Furniture, Sculpture and Works of Art sale, 19 March 2008, lot 183, for £42,500 (incl. premium). While a pair of related candelabra torchères of monumental proportions, attributed to the same Parisian foundry Graux-Marly, depicting a couple of exotic draped and jewelled hunters holding on their shoulders children carrying aloft the crystal or ormolu palm-tree shaped bouquet, sold Christie's, 22 November 2022, 'The Exceptional sale', lot 34, €113,400 (incl. premium). A second similar pair of 24-light candelabra-torchères was acquired at the Paris Exposition Universelle in 1855 by the Emperor Napoleon III, and later entered the collections of the château de Compiègne on 18th November, 1858 (inventory number C16525 (inv. of 1855), C470c (inv. of 1894)).This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com

AFTER THE ANTIQUE- A LARGE AND RARE WHITE MARBLE FIGURAL GROUP OF CUPID AND PSYCHE ROMAN, 18TH CENTURY On a Breccia Africana and white marble column, the column being ancient Roman group 136cm high, 232cm high overall This intimate marble group of Cupid and Psyche embracing is after the Roman model excavated on the Aventine Hill in 1749, and which was gifted by Pope Benedict XIV to the Capitoline Museum in the following year. Its subject has traditionally been identified as Cupid and Psyche, a theme that had long been familiar to artists and antiquarians from ancient reliefs, sarcophagi, intaglios, and free-standing statues, such as the one discovered at Santo Stefano Rotondo in 1666, in the possession of the Medici Grand Dukes since the late 17th century. As Haskell and Penny note in Taste and the Antique, it was the Capitoline statue's "sentiment that most appealed to both travellers and scholars - 'the first burst of youthful loveliness', the 'innocent fondness', the 'virginal' and ingenuous gesture of Psyche" (p. 190). The story of the young lovers, which originates in the 2nd century A.D. novel Metamorphoses by Apuleius, tells of how Venus' divine son Cupid fell in love with the mortal princess Psyche, and the obstacles she had to overcome to be reunited with him. In the 18th century, the composition was popularised by small scale reproductions in bronze, such as those by the Zoffoli workshop in Rome, and other media, such as Wedgwood intaglio and Sèvres porcelain. The present marble, which matches in material and size the Capitoline original and stands on a beautifully striated marble column, speaks of a more ambitious commission, either from an Italian patron or a Grand Tourist, intended for a stately palazzo or townhouse, or a grand country residence. Literature: F. Haskell and N. Penny, Taste and the Antique, the Lure of Classical Sculpture, 1500-1900, London, 1981, pp. 189-191.

CONTEMPORARY SCHOOL FIGURAL GROUP SCULPTURE, in bronze, 43cm H x 33cm x 29cm.

A substantial c19th French cast bronze figural plaque sculpture or relief in the c17th style depicting a battle scene with a rider on horseback with a sword amongst soldiers on foot measuring 36 cm by 47 cm in a original black ebonised frame, indistinctly signed to top left hand side the condition is excellent with little sign of use or wear, the bronze has lovely patina and is of substantial weight, the bronze measures 36 cm by 47 cm, with outer frame measuring 57 cm by 68 cm, an attractive decorative piece

FOUR BOXES AND LOOSE ORNAMENTAL CERAMICS, to include a pair of Beswick 1378-6 Wally Dogs ceramic spaniel, a Beswick Siamese cat 1559, Beswick lioness and lion figurine, vintage Chinese cat teapot, Trentham art ware Donkey, 15 figures, a Royal Doulton figurine from the Enchantment collection 'Serenade' HN2753, Alfretta Proclain 'a bird in the hand' figurine, two glass paperweights, a figural sculpture of a couple playing chess, a selection of sea shells, large posy bowl ornament by Royal Doulton, etc. (sd/af), (4 boxes + loose)

CHARLES-AUGUSTE FRAIKIN (BELGIAN 1817-1893) A RARE MARBLE FIGURAL GROUP 'THE CRADLE OF LOVE' MID 19TH CENTURY Carrara marble, sleeping child on shell set on a triform base with carved dolphins, signed, on a painted simulated marble octagonal pedestal Group 65cm high, 79cm wide, 130.5cm high overall  Provenance: Possibly the 4th Earl of Craven and thence by descent Literature: Edward MacDermott, "Routledge's Guide to the Crystal Palace and Park at Sydenham", G. Routledge & Company, 1854. PP.146. Musee Fraikin De Herenthals : Offert Par L'artiste A Sa Ville Natale L'an 1891 : Catalogue De La Galerie 1891, publ. L. Bongaerts-Verbeeck Herenthals. The Belgian sculptor Charles-Auguste Fraikin (1817-1893) was born in Herentals in Belgium. After a difficult childhood and an early career training to be an apothecary. he re-devoted his life instead to the study and production of sculture under Pierre Puyenbroeck. Just 6 months after enrolling in the Académie royale des beaux-arts Brussels he won the internal competition for sculpture and more public success followed swiftly. In 1845 at the Salon de Bruxelles the Queen of the Belgians recommended his work "L'Amour captif" to King Leopold I and Royal commissions followed. The museum at Herentals devoted to his life and work was established by a bequest in his will- leaving the entirety of the plaster casts from his studio. In the gallery guide from 1891 the museum discusses this particular work: "No 11 Amour au Berceau". It recounts how the work came into being after a public lottery in 1850- won by Dr Lombard from Liege. Versions of it were also executed in various materials including, notably, for M. le Baron de Rotschild a Paris. One of Fraikin's first public exhibitions of this composition was at the Great Exhibition of 1851 where his work was highlighted in Routledge's Guide in the description of the "French and Italian Modern Sculpture Court". His work was noted as being "graceful and delicate in the extreme" and being especially worthy of attention from visitors: "M. Fraikin of Brussels, a sculptor who possesses as great a reputation among his fellow artists in Belgium as with amateurs and the public in general... "L'amour au Berceau" or "Cupid in his cradle" "Psyche" and a "Roman peasant woman" are works also by M Fraikin which will appeal to the sympathies of visitors of all age". Exhibiting another version of this work at the 1855 l'Exposition Universelle in Paris he was rewarded with the patronage of Empress Eugenie, who had the group placed into her bedroom at the Tuileries Palace. Sadly, that example was lost in the Tuileries fire in 1871. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. With old damages and losses to all fingers and some toes- some of which have had repairs but some of which are now missing (just one loose finger with auctioneer). Natural flaws and inclusions- notably areas of darker veining to body and shell- flaw above signature which does not seem to carry through to underside of shell. Some infill to natural small spots which look to be from manufacture. Paint and contact marks around rear right hand. Dirt to recesses. Stem with dolphins largely good- small edge chips to lower edge. Wooden supporting base with dirt + shrinkage faults, rubbing + wear. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A pair of gilt resin sculptures depicting choral angels, H-39cm, together with eight further examples of resin sculpture and figural table lamps, in the Neoclassical style. (11 items)

A pair of Blackamoor candlesticks of figural form, 39cms tall together with an evolution of the Chicken sculpture

Akin Fakeye (b.1936  ) Iroko wood figural sculpture, approx 128 cms h, signed to the base.  Provenance: Property of a lady, private collection of West African Art Birmingham.

Southeast Asian carved stone figural sculpture affixed to a wooden base, possibly depicting Shiva. With a tag tied to the waist of the figure, secured with a stamped metal seal.(Incl. base) height: 34 in x width: 10 in x depth: 7 in. Weight: approx. 50 lbs.Condition: There are no major breaks, chips, or losses. Light wear and dust gathered throughout.

An assortment of Tribal art. Including Pacific and Zulu examples, a Mori box, woven bowl, engraved sticks, a figural sculpture and more

AFTER THE ANTIQUE, A BRONZE FIGURAL GROUP OF THE DANCING FAUN WITH THE INFANT BACCHUS ITALIAN, LATE 19TH CENTURY 70cm high, base 29cm wide The Roman marble statue of a faun with the infant Bacchus was discovered in the forum in Rome and was first recorded in the collection of the Farnese family. In the later eighteenth century, the sculpture was sent to Naples and today is in the collection of the Museo Archeologico Nazionale in Naples (Inv. 6022; Naples 1989, II, pp. 156-57, no. 19). Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Paler patination to extremities of figures and detailing from handling and prior dusting/cleaning. Some green spot stains- engrained dirt to recesses. Stress faults to his right arm, left of his torso- inside of child's leg etc which look mostly to be from casting. Slightly sticky surface in some areas- bolt heads to underside consistent but slightly 'domestic' suggesting they may have been replaced Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. With weathering - colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning Condition Report Disclaimer

ROBERT ELLIOTT (b.1938) A 2004 Raku stoneware figural sculpture - 'Maya Maize God Yum Caax'. Details verso with impressed seals in Mayan script giving the artists name and date made. 38cm high x 23cm width x 15cm depth.

R Flint - 20th century carved wooden figural sculpture of a nude female, signed

A bronze figural sculpture, modern,modelled as a female dancer on a white marble plinth base22cm high including base

Tribal Art: carved rosewood Makonde family tree totem figural sculpture

An Art Deco style silvered metal figural sculpture of Diana the Huntress and a leopard, late 20th Century, standing on a black marble base, 64cm high x 87cm wide x 13cm deep

Gilt Figural; Mantle Clock, wooden deity carving, Austin sculpture of a maiden, etc.

Star Wars items to include The Phantom Menace Darth Maul Rubiks Cube x 2, 6 x Hasbro Episode I figurines, Obi-Wan Kenobi, Qui-Gon Jinn x 2, Anakin Skywalker, Darth Maul x 2, Star Wars Figural Mug, C-3PO, Anakin Miniature Sculpture Puzzles, Movie Teaser Poster Puzzle (unopened), a Darth Vader novelty telephone, Darth Maul Electronic Toothbrush Holder and 3 other electronic boxed figures to include Darth Maul, Qui-Gon Jinn and Obi-Wan Kenobi.

A GROUP OF EGYPTIAN THEMED COLLECTABLES, comprising Cow Parade 'Tutancowmon' no 9126 and 'Egyptian Princess' no 9140 (the latter having a few tiny chips), a Pacific Giftware 'Anubis' figure, height 22cm, Summit Collection 'Horus' and cat figures, a Franklin Mint 'The Royal Sarcophagus' replica with certificate (base loose), and two scarab beetle figures, together with a possibly Native American figural ceramic sculpture, indistinctly signed to base, height 12.5cm (9 + certificate) (Condition Report: generally good condition, obvious specific damage as stated)

Richard MacDonald (American, b. 1946). Large bronze sculpture titled "Red Dress, Half Life," from the "Joie de Vivre" series depicting a half life-size ballerina perched delicately on the tip of her toes. A radiant smile lights up her face and she seems to spin gracefully as the fabric of her dress swishes around her. Signed and dated 2001 along the base. From an edition of 90. With a wooden plinth.Provenance: The collection of Clint & Mary Ann Jurgens, Minnesota.Walt and Vi Jurgens, Clint’s parents, began supporting Sullivan Hills, a Lutheran summer camp near their farm in Gurley, Nebraska, 50 years ago. The camp generously welcomes all children of the area with financial help and love. We are directing the proceeds of this sale to the administrators of the camp, Nebraska Lutheran Outdoor Ministries. Find out more at www.nlom.org.Lot Essay:Richard MacDonald's sculptures celebrate the beauty and physicality of the human form. He was classically trained at Art Center College in Pasanda, California. Following the great sculptural masters such as Auguste Rodin and Gian Lorenzo Bernini, he adds a contemporary element to his figural creations. His ability to focus on how the body can be manipulated has led to his work with Cirque du Soleil, MGM, and the Olympic Games.His process involves making a clay "sketch" or maquette of his work. These quarter-size models are the basis for his half life to life-size works. He then utilizes the famously painstaking Lost Wax method in which his work will become first a wax model and then a bronze sculpture.(Including base) Height: 60 in x width: 30 in x depth: 22 1/2 in. Weight (without wooden base): 198 lbs 6 oz.Condition: There are no bends, breaks, losses, or restorations. Light dust/debris gathered in the recessed areas of the work. Light wear to the wooden base.

Bronze sculpture art nouveau style letter opener / paper knife with the handle cast as a figural head, signed 'Loder' on back possibly circa 1890-1910 approx 27cm long

An African Carved Ebony Figural Sculpture, c. 66cm high

A BRONZE FIGURAL SCULPTURE, male figure stamped 'CS 2/24' to back of left leg, height 25cm (1) (Condition Report: both feet and one arm are squared bronze bars which possibly fitted into something, some areas of Verdigris, otherwise appears ok)

Alfred Boucher (French, 1850-1934): A patinated bronze figural group of 'Au But (The Finishing Line)'The three semi-clad male athletes stretching towards a finishing line, on naturalistic base, signed A BOUCHER, the rear with Siot foundry pastille, raised on a contemporary swept rouge marble oval plinth, 33.5cm high, 41.5cm wide, 20.5cm deepFootnotes:The initial conception in plaster (entitled 'Les Coureurs') won a first class medal at the Paris Salon of 1886, and was praised for its original composition and the technical prowess required to create a dynamic yet perfectly balanced arrangement with each figure supported by just one leg. The French state then commissioned a life-size, bronze version. The cast was exhibited the following year and then stayed in the Luxembourg Gardens, Paris, until it was destroyed during the Nazi occupation.A comparable model was sold at Bonhams, New Bond Street, London, Sculpture & Early Works of Art, 22nd April, 2009, lot 105.For further information on this lot please visit Bonhams.com

A rare pair of late 16th century carved alabaster tomb figures or 'Kneelers' depicting a nobleman and a ladyProbably English, circa 1590Their upturned faces above elaborate ruffs, the nobleman clad in armour, with flowing hair and short beard, his hands clasped in prayer, the lady with serene expression wearing a cap and clad in a wide farthingale skirt holding an open book, the gentleman, 43cm high, 19cm wide, 26cm deep, the lady, 40cm high, 24cm wide, 26cm deep (2 )Footnotes:Perhaps one of the most characteristic types of English ecclesiastical sculpture in the late 16th and early 17th century, 'Kneeler's' were tomb memorials usually modelled as figures of kneeling and praying knights or merchants and ladies or their family members.The tradition of these distinctive figures in England and Wales is probably derived from the custom of 'Pleurants' or 'Weepers' prevalent in the Burgundy region of France. Originating in the earlier Medieval period, figures at first tended to be modelled in flat relief and were often displayed under the framework of decorative canopies. However by the mid-15th century they had become three dimensional sculpted forms carved in marble, alabaster or stone rather than cast in bronze with the male and female subjects either depicted singularly or extending to the surviving family and children praying for their departed loved ones.Standard figural depictions from this later period are typically modelled freestanding, kneeling on cushions or sometimes before prayer desks clad in elaborate costumes often with exaggerated ruff collars. Male figures depicted as merchants were usually clad in long flowing or cleric-like robes whereas those depicted as knights were usually fully or semi-clad in plate armour sometimes with cloaks. Female figures were usually depicted wearing a cap or hat and later in the 16th century their farthingale skirts and sometimes their sleeves became exaggeratedly wider. However both sets of figures would always be depicted with a full round or fan-like half ruffs. Male and female figures depicting husband and wife were often positioned to face each and children might also be depicted in miniature either as a separate group or with the figures themselves, the boys with their father and the girls with their mother. As with much early sculpture, figures would have originally been painted in bright colours although this polychrome decoration, often retouched over time usually has mostly or completely worn away. In addition figures may also have also been subject to the ravages of time and accidental damage with many often becoming detached from their original placings so that today these examples are near impossible to identify whether they depict the deceased or their family members. For a pair of comparable carved stone 'kneeler' tomb figures dated to the early 17th century and possibly of Cornish origin, see Dreweattts, Newbury, Berkshire, Robert Kime: The Personal Collection (Day 1), Contents from Warwick Square, London, 4th October 2023, lot 278.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Marc Alikaswa (1928 – 2008): 'Man + Bear', a Canadian Inuit carved stone sculpture, 35 x 15cms high.Note: Marc Alikaswa (1928 – 2008) worked mostly from Arviat, Nunavut, and gained international recognition for his abstract figural sculptures. His work is included in major collections including The British Museum.Provenance: Originally purchased from the Inuit Gallery of Vancouver Ltd, in June 1985.

Bronze sculpture art nouveau style letter opener / paper knife with the handle cast as a figural head, signed 'Loder' on back possibly circa 1890-1910 approx 27cm long

Pierre-Adrien Graillon (French, 19th century), a terracotta figural sculpture, young fisherman, signed "Graillon" and stamped "Dieppe", H25cmGenerally good overall condition, some visible surface chips particularly around the base, the top edge of his cap and some chips to the back of his right trouser leg and column, and general surface wear

Seven Border Fine Arts sculptures of mice, including Mouse and Apple Core, Happy Days, and Family Life WW16, some with stands, together with a further figural sculpture of a mouse. (8)

Two Iban (Malaysia) tapestry wall-hangings, worked with figures, to/w a small carved wood shield with glass bead hangings, a carved wood sculpture with figural handle, a Borneo Sapeh (boat lute) and a Chinese parasol (6)

AFTER PAUL DUBOIS (1830-1887); A Large Patinated Bronze Figural Sculpture of Saint Jean Baptiste, signed P. Dubois, Rome, 1861, foundry mark for F. Barbedienne, 80cm high.

RON LYON RESIN FIGURAL SCULPTURE, modelled as two figures, signed17cm high

Helene Van Domigen (Netherlands, born 1948), a brutalist abstract figural Raku pottery sculpture, with impressed maker's marks HvD, H47cm

A wooden garden figural sculpture (H52cm)

Hans Blatter (Contemporary, likely German/Austrian) Abstract Figural Sculpture Dated 1990, textured finish, incised signature to base interior.37cm highGeneral surface wear, some manufacturing imperfections, but no damage to note

Veronese Art Deco style figural sculpture - 24.5cm high

A small collection of silver and jewellery to include; a tall Eastern figural sculpture, ornately designed with twisted area to columned centre, marked SILVER, approx. 20.2cm high, a sterling silver thimble, an Eversharp sterling silver pencil, a white metal thimble, an EPNS pepper pot (no cover), along with two pairs of celluloid Scottie dog cufflinks, a gilt metal filigree ship brooch, a paste set heart shaped brooch and a double 1909 foreign coin set brooch. (1 bag) Weight of figure approx. 208.9 grams (6.7ozt) Further details: figure has broken and missing hand, some misshapen areas, tarnishing, wear, general wear to all items, tarnishing.

AFTER THE ANTIQUE- A BRONZE FIGURAL GROUP OF CLOTHO AND ATROPOS MID 19TH CENTURY The two Fates depicted spinning yarn, mounted on giallo marble base 23.5cm high, bases 35.5 cm wide, 16.5cm deep This work depicts Clotho and Atropos, who, along with Lachesis, make up the Three Fates in Greek and Roman mythology. The design is based on a Classical sculpture of ancient Greece, which originally formed part of the East pediment of the Parthenon, and is now housed in the British Museum, London Condition Report: Some paler patina to raised areas from handling, marks, knocks and scratches as per age, handling, use, and cleaning. Slight movement between individual cast areas. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Helene Van Dongen (Netherlands, born 1948), a brutalist abstract figural Raku sculpture, with impressed maker's marks HvD, H31cmGood overall condition, no signs of repair, generally crazed and light signs of wear only

AFTER HENRY MOORE: A FIGURAL SCULPTURE, 22cm HSome damage.

After Manuel Francisco Vidal (Spanish, b. 1953)"Claudia", a pensive, nude woman sat atop lavish gilt-enriched, amethyst fabric, with her arms draped over crossed legs, eyes cast downwards and long hair flowing down her back, cold-cast bronze sculpture mounted to an oval marble base, signed "VIDAL" on plaque and within sculpture, height 37 cm [Vidal created dynamic, figural sculptures, almost dance-like in movement. Love and beauty are key themes in his work.]

After Manuel Francisco Vidal (Spanish, b. 1953)A sultry depiction of a woman in a flowing dress, head cast back and eyes shut, perched atop a jagged stone rock, cold-cast bronze sculpture mounted to an oval marble base, signed "VIDAL" on plaque and within sculpture, height 35 cm [Vidal created dynamic, figural sculptures, almost dance-like in movement. Love and beauty are key themes in his work.]

Vezhdi Rashidov (b. 1951), Bulgarian A patinated bronze figural sculpture of a single-legged figure mounted on a rectangular marble base Provenance: Pierre Rouve Dimensions: 15.5 in. (H) x 14 in. (W)

A Large Contemporary Carved Hardwood Figural Sculpture, signed to the base, WITOLD G KAWALEC and dated MCMLXXXV (1985), 88cm tallWitold G KawalecBirth17 November 1922 - Wilnowo, Warminsko-Mazurskie, PolandDeath24 December 2003 - Exeter, Devon, England

Stalking figural sculpture on wood base.  Dimensions: 10"L x 1.25"W x 3"HCondition: Age related wear. Missing tooth.

A 20th Century bronze effect figural sculpture, in the Art Nouveau style, measuring 47cm tall

Vivian Stanshall (1943-1995) British, founding member of the Bonzo Dog Doo-Dah Band, a carved-wood figural sculpture, green-painted, 56 cm high. Qty: 2 This lot, along with all others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall

Birth of Helium Three bronze figural sculpture together with quantity of large plaster pre casts etc., H: 58 cm, not available for in house postage

A life size figural plaster sculpture of a man carrying a goat 1956/7 by Mary Milner Dickins. This work was the award winning sculpture for The Prix de Rome. Height 184cm, width 94cm depth 72cm

A carved Zimbabwean Shona stone figural sculpture. Height 13cm, together with a carved woood figure, height 11cm, and a carved wood mask, height 61.5cm.

Tom Greenshields limited edition figural sculpture, Anya with Book, 152/350, no cracks or chips, L: 50 cm. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

A selection of interesting items, including a Classical Roman style relief bronze cup, H17cm, a patinated bronze sculpture of a sheep, some Vintage wooden dominos in associated case, a Vintage pewter lamp with Medieval knight sculpture, an Oriental softwood figural lamp, etc

An iron pyrites and emerald? crystal figural geode sculpture, 14cm

A LAMP BASE, SCULPTURE AND LAMP SHADE, comprising a bronzed and coloured resin figural sculpture, depicting a male figure lifting a female figure aloft, possibly the base of a clock or lamp, height 60.5cm, a modern figural lamp with holders for two bulbs, approximate height 75cm, and a frosted glass lampshade (3) (Condition Report: generally ok, sculpture is clearly missing clock?, scratches and chips to hair and fabric, lamp base has flaking paint, lamp untested)