We found 255302 price guide item(s) matching your search

A 19th Century Brass Door Stop, of half bell shape (lead filled), with plain cylinder stem, the finial as a grasping hand, (34cm high)

A Double Weight "Vienna" Wall Clock, of typical design with vase silhouette pediment with half round finials, over a 6 1/4 inch white enamel annular dial, stained beechwood split pilaster door and gadrooned incurved terminal, (115cm long) (restored)

A George III Mahogany and Brass-Mounted Longcase Clock, signed Benj'n Ward, London, circa 1780, the pagoda top hood with brass ball and spire finials, centred by a pierced sound fret, brass top fluted columns, pierced glazed side panels, break arch door with moulded surrounds, the plinth with quatreform moulded panel, 12 inch brass dial with foliate spandrels to the a Roman and Arabic silvered chapter ring, silvered centre field, signed "Benj'n Ward, London", with date aperture and subsidiary seconds, strike/silent in the arch, five pillar movement with anchor escapement, rack strike on bell, (252cm high)

An Oak White Dial Eight Day Longcase Clock, signed John Winstanley, Holywell, circa 1820, arched trunk door with central shell motif, (later) feet, swan neck pediment with central finial, 13 inch square painted white dial with painted floral decoration, date aperture, subsidiary seconds, with falseplate to the four pillar movement, anchor escapement, rack strike on bell, (210cm high)

A Marquetry Eight Day Longcase Clock, the case with profuse bird and floral marquetry, the trunk door with central lenticle, (later) bracket feet, the caddy top with floral marquetry, 12 inch square brass dial, silvered chapter ring, matted centre with subsidiary seconds, date aperture, four pillar movement with anchor escapement, rack striking on bell, movement and dial associated, (244cm high)

An Early 20th Century Eight Day Three-Train Longcase Clock, the 12 3/8 inch silvered and gilt dial with elaborate piercing with seconds and subsidiaries for chime/silent and selection of three chimes in the arch, the substantial movement with dead beat and maintaining power, pendulum with steel rod and zinc bob, chiming and striking on nine tubes, in a mahogany case with astragal glazed door and break arched hood, upon panelled base, (217cm)

A Victorian Mahogany Eight Day Longcase Clock, the plinth with moulding upon bracket feet, arched trunk door flanked by reeded sides, the hood with swan neck pediment and surrounded by bell finials, 14 inch painted white circular dial, Roman numerals, subsidiary seconds, four pillar movement with anchor escapement, rack strike on bell, (223cm high)

A George III Mahogany Eight Day Longcase Clock, signed Benjamin Grant, London, the plinth with rectangular moulded panel, arched door with moulded surrounds flanked by brass capped reeded columns, the hood with pagoda top surmounted by ball and eagle finials, brass capped and fluted columns, 12 inch brass dial, chapter ring with Arabic and Roman numerals, matted centre with a brass plaque signed Benjn Grant, London, subsidiary seconds dial, date aperture, the arched chapter ring and aperture for lunar scale, five pillar movement with anchor escapement, rack strike on a bell, (250cm high)

A George III Mahogany Longcase Clock, signed Jas Cawson, Liverpool, circa 1780, inlaid case on shaped bracket feet, rectangular panel to the plinth, shell motifs, flame veneered shaped trunk door flanked by reeded inset columns, hood with swan neck pediment above glass insets, reeded columns, 13 inch brass dial, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds, inner date ring with corresponding central date hand, the painted arch with automaton rocking ship, four pillar movement with anchor escapement, rack strike on a bell, (240cm high)

A Victorian Ebony, Ebonized and Brass Mounted Credenza, of bowed breakfront form, the top with gilt-metal rim over a central door with an oval inlaid hardstone panel, between brass-fluted columns, flanked by bowed glazed cupboards enclosing shelves, on a shaped plinth, (114cm by 174cm by 54cm)

An Oak Hutch, of pegged boarded construction, having a panelled door enclosing shelves between stiles carved with flutes, rosettes and guilloches, on sledge feet, (101cm by 86cm by 49cm)

An 18th Century Joined Oak Cupboard, of narrow proportions, with a panelled door enclosing shelves over a boarded door also enclosing shelves, (204cm by 40cm by 26cm)

A Victorian Figured Walnut Davenport, with a lidded pen and stationery compartment above the leather-lined slope, enclosing a fitted bird's eye maple interior, raised on inlaid pillars, the panelled base having a door to one side enclosing four drawers, on a sledge base and castors

A Mahogany and Painted Display Cabinet, of waved serpentine form, with a moulded cornice and swagged frieze over a central glazed door enclosing shaped shelves, the sides also glazed, the base with three painted panels enclosing a cupboard, on square tapered legs with club feet, (183cm by 130cm by 42cm)

A George Mahogany Hanging Corner Cupboard, the dentilled cornice and plain frieze over a panelled door inlaid with a conch, enclosing shaped shelves, between canted stiles, (97cm by 70cm by 40cm)

A Victorian Mahogany Breakfront Wardrobe, having a central mirrored door enclosing hanging space between arched panel doors enclosing hanging space to one side and trays and drawers to the other, on a plinth with castors, (214cm by 201cm by 71cm)

A 19th century mahogany hanging corner cupboard, the cornice with broken swan neck pediment above a single glazed door.

A Victorian walnut whatnot cabinet, the shaped cresting with vase decoration above a rectangular shelf with cut corners, on turned supports, above a cabinet base with glazed door on turned legs and castors, 56 cms wide.

An 18th century oak longcase clock, the hood with broken swan neck pediment and Ionic columns above an arched trunk door and box base, the brass dial with strike silent ring to the arch and seconds subsidiary dial with Roman and Arabic numerals, bearing a plaque 'John Robinson, Westminster', the 30 hour movement, striking on a bell.

A Victorian mahogany longcase clock, the arched hood above a short trunk door and rope twist columns, above a box base and bracket feet, the arched dial painted with a landscape scene to the top and castle spandrels with Roman numerals, inscribed 'David Thomas, Sea Queen', with an eight day movement.

A 19th century mahogany longcase clock, the moulded cornice above a short trunk door and box base, on square legs, the 36 cms dial painted with a young girl and rabbit to the arch, inscribed Cheetham, Pudsey, the eight day movement striking on a bell.

A 19th century satin walnut longcase clock, the broken swan neck pediment above a long trunk door, box base and bracket feet, the 31 cms dial with moonphase to the arch, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell.

A walnut cased Vienna regulator type wall clock, the cresting rail above a long glass door and caddy base, the circular dial with Roman numerals, striking on a gong.

Early 19th Century mahogany cased mantel clock, pagoda top over arched glazed door and painted dial on ogee bracket feet, 30 day striking on a bell, 40x22cm wide.

A cast iron door stop, modelled as Wellington, on stepped rectangular base.

An Art Deco rosewood side cabinet, with central glazed door with metal ribbon fretwork, over a single drawer with two cupboard drawers flanked by doors, 140x135cms.

*A 19th century rosewood hanging corner cupboard, the dentil moulded cornice over a single mirrored door, enclosing serpentine shaped shelves. 90x70cm.

A pair of Edwardian mahogany pot cupboards, of cylindrical form, the plain tops over a single door cupboards with channel moulding throughout, raised on a flushed pedestal and quatrefoil base with brass caps and castors (81x37cm, (2).

A late George III mahogany corner cabinet , the moulded cornice over a single glazed door with lozenge shaped glazing bars and enclosing serpentine shaped shelves, the base with a single drawer frieze and a panelled door, upon bracket feet, 215x80cm.

A George III mahogany side cabinet , the dentil moulded cornice over an astragal glazed door, enclosing adjustable shelves, upon a base of two panelled doors, raised on shaped bracket feet, 185x82cm.

A 19th century mahogany sideboard inlaid with boxwood stringing, the kneehole frieze with a shallow centre drawer flanked by a cellaret drawer and a cupboard door, on tapering square legs with spade feet, 91x122cm.

A mid 19th century mahogany two door wardrobe, the ogee moulded cornice over two panelled and fielded doors, raised on bracket feet (193 x 110).

A Victorian ebonised and ormolu mounted credenza, the frieze with oval porcelain floral plaques and brass inlay, the central glazed door flanked by glazed door flanked by glazed quadrant doors, enclosing velvet lined shelves, raised on shaped plinth base, 110x174cm.

An Edwardian mahogany and satinwood banded cabinet, the divided interior with adjustable shelves enclosed by glazed astragal door with foliage carving, 4ft 10.75in (149.2cm) high.

A pair of Victorian mahogany bedside cupboards, the three quarter gallery top above a shelf, enclosed by a rectangular panel door to a plinth, 15in (38cm) wide. (2)

A late Victorian rosewood veneered, simulated and marquetry inlaid cabinet, the part mirrored back (one plate later) with a central glazed door, above a drawer and cupboard doors, on turned feet, 4ft 6in (137.2cm) wide, 7ft 3.5in (222cm) high.

A 19th century mahogany hanging corner cupboard, the astragal glazed door with inlaid stringing, enclosed replaced shelves, 28.5in (72.3cm) wide.

A late George III style serpentine front sideboard, mahogany veneered and inlaid stringing, the central frieze drawer above a shaped apron flanked by a cupboard door with false drawer fronts and two drawers on square tapering legs to spade feet, 5ft 6.5in (168. 5cm) wide.

A George III mahogany hanging corner cupboard, the swan neck pediment with carved florets, above shaped shelves enclosed by a panel door with outline mouldings, 30.25in (76.8cm) wide.

An early Victorian breakfront sideboard, mahogany veneered, having a deep cellaret drawer to the right side, the left side with a drawer and cupboard door, later lion mask ring handles, 5ft 9.25in (176cm) wide.

Six coloured engravings after George Morland. A Visit to the Boarding School; No.XII The Public House Door; The Sportsman's Return; Evening or the Post Boy's Return; Feeding the Pigs; a stable scene, all with verre eglomise mounts. (6)

A 19th century West Country oak and crossbanded long case clock, the 8 day movement striking on a bell to a 12in square painted dial with subsidiary seconds dial and date aperture inscribed J. Weare, Wincanton, the glazed hood with a swan neck pediment and turned columns the waist door flanked by canted corners, the base with a raised panel, on bracket feet, 6ft 10.5in (209.5cm) high.

An oak cased longcase clock, the 30 hour striking movement to an 11. 25in square painted dial inscribed Dawson, Thorp above date aperture, the hood with a pediment (inj) above a waist door and plinth base (inj) 6ft 7in (200.7cm) high.

An oak and mahogany veneered longcase clock, the 30 hour striking movement to an arched brass dial, with date aperture and engraved a bird within foliage, the lunette inscribed Worswick Lancaster, above a painted townscape, the hood with turned columns above a triple arched waist door, the base on bracket feet, 7ft 6in (228.6cm) high.

A mahogany longcase clock, the 8 day movement striking on a bell to a brass arched dial with a silvered chapter ring, seconds dial and date aperture, the boss inscribed Jno. Rowning, Newmarket, cast spandrels, the hood with an urn finial arched trunk door to a shaped base, 7ft 3in (221cm) high.

A mahogany longcase clock, the 8 day movement striking on a bell to an arched brass dial, with silvered chapter ring, subsidiary seconds dial and date aperture, the arch boss engraved a figure of Father Time and inscribed Tempus Fugit, the hood with a pagoda front top, reeded columns, arched waist door to reeded sides, the framed base to a shaped apron, 7ft 1.5in (217.2cm) high.

George III mahogany and ormolu mounted bracket clock, by William Fox, London, the domed top with square platform applied with a pierced brass gallery, above an arched glazed door flanked by scroll and leaf cast fretwork panels, on a moulded plinth and four leaf cast scrolled feet, the seven inch arched and silvered brass dial with Roman hour numerals and Arabic minute numerals to the chapter ring and a strike silent dial to the arch, the twin train movement with single winding hole, inverted anchor escapement mounted with a bell, engraved back plate and pull repeat, 45cm high x 31.5cm wide.

Art Nouveau floral inlaid mahogany music cabinet with a rising top and glazed door, on bracket feet, 102cm high x 48cm wide x 41cm deep.

George III oak and mahogany hanging corner cupboard, the moulded top over a single panelled door and 1 small and 2 dummy drawers. 104cm high x 76cm wide x 43cm deep.

Victorian mahogany bedside cupboard with single door, on plinth foot, 74cm high x 46cm wide x 40cm deep.

George III design mahogany drop flap bedside pot cupboard, with single panelled door on square tapered legs, 82cm high x 86cm wide x 36cm deep.

Victorian inlaid rosewood chiffonier, circa 1880, the upper part of a central glazed door flanked by open shelves and pierced lattice panels on a base with serpentine front central door and open side shelves, inlaid with rococo panels in coloured woods and ivory, raised on carved cabriole legs. Width 120cms 47".

Oak corner cupboard, early 19th century, the single panel door with applied mouldings and inlaid lozenge with canted sides and moulded cornice. Width 80 cms 32"

Sheraton style mahogany serpentine sideboard, the low back and banded top over a central short drawer and kneehole drawer flanked on either side by a cupboard door, raised on square section tapering legs. Length 183cms 72".

Oak enclosed dresser base, 1730 - 1750, the planked top with ogee moulding over seven short drawers with chamfered edging and pierced brass plates, a central fielded, shaped panel door, the central drawer revealing two secret drawers raised on stiles. Length 182cms 72" (Some restoration to the drawer bottoms)

Walnut small corner cupboard, mid 18th century, the fielded panel door inlaid with a pair of hearts, later H brass hinges, under a moulded cornice, with painted interior. Width 59cms 23".

Late Victorian mahogany music cabinet, raised mirror back with carved swan neck pediment over a glazed, part panelled door, enclosing shaped shelves on turned feet, 140cm high x 48cm wide x 37cm deep

A mahogany standing corner cupboard, with dentil cornice above shelves enclosed by an arched glazed door, on bracket feet, 171cm high (67.25")

An Edwardian mahogany and satinwood banded wardrobe with a mirrored and panelled door, on plinth base

A George III oak corner wall cupboard, with shelves enclosed by an arched panelled door, 112cm high (44.25")