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Click here to subscribeA Late 18th Century/Early 19th Century Bracket Clock, the convex painted dial with Roman numerals, and four opening door to the front, the 8 day twin fusee movement with anchor escapement and applied cartouche on the back plate signed Robt Bowers CHESTER, in a mahogany dome top case, the carrying handle on a single pad top (pad missing), fish scale side frets, and ogee bracket feet, 44 cm
A 19th Century Regulator Longcase Clock, the circular silvered dial signed "SIMMONS COLEMAN Stt LONDON" with subsidiary dials the hours and seconds, and minute markings around the circumference, the substantial heavy plated five pillar movement with deadbeat escapement and maintaining power, the steel pendulum supported from a brass holding bracket mounted on the case back board, in a mahogany case, the hood with shallow dome top, the trunk door with a bevelled glass panel, on a plinth base, 197 cm
AN EARLY 20TH-CENTURY WALNUT-CASED SPRUNG-DRIVEN VIENNA WALL CLOCK, the surmount having a ceramic prancing horse above a shell and twin urns on reeded half-columns, the arched door between well-turned and reeded half-columns with ribbed oviform pendants, the enamelled dial having Roman numerals with red dividers framing an Art Nouveau-style flower-decorated brass centre, the movement striking the half hours on a coiled gong, 139cm, (54.7in) high
AN EARLY 20TH-CENTURY FRUITWOOD-CASED SPRING-DRIVEN VIENNA WALL CLOCK having a prancing horse surmount (repaired) between turned finials, the arched door between reeded half columns, above turned pendants, the white-enamelled dial with Roman numerals framing a crossed arrows motif, the five-bar compensating pendulum with enamelled bob, 86.5cm, (34in) high
A LATE 19TH/EARLY 20TH-CENTURY BLACK FOREST/SWISS CARVED CUCKOO CLOCK of architectural form, the "tiled" roof with vine carved front surmount by a carved cuckoo, above a door concealing the operative cuckoo itself, the dial with blackletter Roman numerals between further carved vines and a carved fence, the movement sounding on the half hours (single "cuckoo") and the hours, the cuckoo emerging at each occasion, the double-fusee movement stamped G.H.S., 55cms, (21.7in) high
AN EARLY 20TH-CENTURY ORMOLU-MOUNTED WALNUT-CASED DOUBLE FUSEE MANTEL OR BRACKET-CLOCK having a humped top with cast vase of flowers above foliage and four flambeau finials, the bevelled door between canted front and rear corners all with fluted pilasters, brass capitals and terminals, the sides with foliate and lattice piercing, the rear door with quatrefoil piercing, the silvered dial, having Roman hours and Arabic minutes, inscribed "J. Dwerryhouse, 52 Castle St. Liverpool" beneath subsidiary silvered Slow/Fast regulator, all within foliate cast spandrels, the regulator movement, chiming on two coiled gongs, stamped "49/ LENZKIRCH/ AGU/ 1 Million/ 324372", the dial backplate inscribed in pencil "Sept 1926/ Derryhouse", 39cm, (15.3in) high, with key
Jos. Kirk, Skegby, (unrecorded Baillie) AN OAK-CASED 8-DAY LONG-CASE CLOCK having a dentil "broken" architectural pediment with central brass ball-and-spire ornament, the associated square glazed door between columns with brass capitals, on a shaped trunk door, plain base and bracket feet, the hour-striking movement having a silvered chapter ring with Roman hours and Arabic minutes, inscribed "Jos.Kirk, Skegby", framing a silvered seconds ring and a calendar aperture (present but loose) to the matted centre, the spandrels cast with opposing cherubs holding coronets, 203cm, (80in) high (sold with two weights, pendulum and key)
Thomas Yeates I Penrith, (1791-1865) AN EARLY TO MID 19TH-CENTURY MAHOGANY CROSSBANDED OAK-CASED 30-HOUR LONG-CASE CLOCK having a flat-topped hood with square door between turned columns, on a twin-arched trunk door between canted corners, and a plain base (no feet), the painted square dial having Roman numerals framing inscribed maker's name and a crescent-form date aperture, the spandrels painted with gilt flowers, 197cm, (77.5in) high (sold with weight and pendulum)
A 20TH-CENTURY OAK-CASED "GRANDMOTHER" CLOCK having a humped top on an arch-glazed door, plain trunk and base with block feet, the brass dial having a silvered "Tempus Fugit" medallion above a silvered chapter ring with Roman hours and Arabic minutes, framing a matted centre, the three-train quarter- striking movement, chiming on six gongs, stamped "MALLER A.S./FOREIGN" and numbered 295444, 166.5cm, (65.5in) high
George Dobbie, Falkirk, (fl.c.1821-1850) A SECOND QUARTER 19TH-CENTURY MAHOGANY-CASED BRASS-DIALLED 8-DAY LONG-CASE CLOCK, No. 684, the hood having a swan-neck pediment with segmented disc termi- nals, above blue cloth-backed foliate-pierced fretwork, the arch-glazed door between fluted columns with cast capitals, the shaped trunk door with pine cone surmount between fluted quadrants with cast capitals, on a plain base, (lacking feet), the arched dial inscribed and numbered, flanked by hippocamps above Roman hours and Arabic minutes, framing subsidiary seconds dial and date aperture, amidst finely engraved foliate scrollwork, 214cm, (84.25in) high
Thomas Yeates I, Penrith A LATE GEORGIAN MAHOGANY-CROSSBANDED OAK-CASED 30-HOUR LONG-CASE CLOCK having a flat-topped hood with square door between turned columns, the arched trunk door between canted corners, above a further panel and a plain base (lacking feet), the square white-painted dial having Roman numerals framing inscribed maker's name "Thos Yeates", plus "J.Bailey" (unrecorded by Penfold - owner/retailer?) and a painted anthemion motif below a crescent-form date aperture, the spandrels painted with tulips, gilt-enriched, 204cm, (80.3in) high (sold with weight and pendulum)
A GOOD EARLY VICTORIAN OAK AND MAHOGANY-CASED 8-DAY LONG-CASE CLOCK, the hood having a swan-neck pediment above crossbanding and an arched door between well-turned columns, the triple-arched crossbanded door centred by a lozenge with peacock or asiatic pheasant inlay, between further turned and partially- ebonised columns, above a further lozenge inlaid panel, the base similarly inlaid within circular and re-entrant square crossbanding and canted corners on ogee bracket feet, the hour-striking movement having a rolling moon mechanism painted with a sailing ship and a country house, a lunar calendar above, the dial having Roman numerals framing subsidiary seconds and date dials flaking inscription "John Bill, Bakewell" (unrecorded by Baillie), the spandrels painted with figures, animals and landscapes, emblematic of the four continents (Amercian, Africa, Asia, Europe), 228cm, (89.75in) high (sold with two weights, pendulum, key and winder)
A STAINED PINE CORNER CUPBOARD having a pointed pediment above a narrow arched door deeply carved with a bearded figure emblematic of Time, holding a scythe and hourglass, standing on an orb inscribed "Tempus Fugit", the door enclosing shelves, 51cm x 37cm x 85cm high, (20in x 14.5in x 33.5in)
AN EARLY 20TH-CENTURY "VERNIS MARTIN"-STYLE MUSIC CUPBOARD, having a superstructure with "swan neck" pediment painted with rose swags, ribbons and musical instruments, above similarly decorated twin cupboard doors, on a rectangular top with large cupboard beneath, enclosing a shelf, the door painted with a scene of pokerwork, the sides painted with a cherub musician and a fairy listening on carved aprons and cabriole legs, 58.5cm x 43.5cm x 139.5cm high, (23in x 17in x 55in)
A GEORGE III INLAID MAHOGANY HANGING CORNER CABINET having a moulded cornice above an ebony and boxwood "dogtooth" frieze centred by a rectangular panel within stringing, the glazed door with boxwood-strung overlapping navette tracery above a boxwood-strung panel, between similarly-strung sides, 77cm x 52cm x 118.5cm, (30.3in x 20.5in x 46.6in)
AN ART NOUVEAU OAK WARDROBE having a stepped overhanging top, with five pale grey "bull's eye" glass panels above a bevelled rectangular mirror, opening on good stylised plant-form copper hinges with whiplash stems, to reveal hanging space, above a drawer with similar door handles, on four spreading legs, 102.5cm x 63cm x 211cm high, (40.3in x 24.8in x 83in)
A japanned cabinet on stand, with Oriental figures in landscapes in gilt on a red ground with borders painted to simulate burr wood, the panelled fall enclosing a door and seven drawers, the stand in George III style with a frieze drawer, straight chamfered legs and an 'X' stretcher, 108 high x 38 deep x 51cm wide, (the painted decoration worn especially to the top)
A japanned cabinet on gilt gesso stand, painted with Oriental figures and insects in landscapes in gilt on a black ground, with brass hinges and bindings, the doors enclosing an arrangement of drawers around a central door, the base in mid 18th century style with acanthus on cabriole legs with hoof feet, 154 high x 47 deep x 87cm wide
An Art Nouveau mahogany bowfronted cabinet with boxwood stringing, mother-of-pearl and abalone inlay, by Shapland and Petter, Barnstaple, the arched glazed door flanked by convex glazed panels, open shelves and panelled doors, the base with brackets and slats on straight legs with block feet, 191 high x 40.5 deep x 112cm wide
An Art Nouveau oak hall stand with patinated metal mounts, the planked top above a panelled door, a stepped recess with arched top containing a mirror and two drawers flanked by coat hooks, the umbrella stand lower section with shaped supports and a metal drip tray on tapering end supports, 197 high x 38 deep x 92cm wide
A late 19th century oak wardrobe by Maple & Co in the form of a house, the roof-shaped cornice with stylised eaves above a mirrored door with decorative hinges and a latch type handle, flanked by turquoise stained glass leaded panels, on a tapering base with a drawer and bracket feet, stamped RD. 368612, with ivorine label 'From Maple & Co Limited, London & Paris', 220 high x 65.5 deep x 138cm wide
A late 19th century stained oak dresser by Liberty, the raised back with a central beaded glass door by James Powell, the sections of the glass roundel with pontils, with hammered copper decorative hinges, flanked by arched pierced panels and shelves, the base with two drawers above a central recess and two panelled doors on shaped block feet, with a red paper label 'Liberty & Co, 5390', stamped Rd No 22, Rd No 223062, 202 high x 66 deep x 182cm wide
A pair of Austrian rosewood, boxwood strung and mother-of-pearl inlaid book cabinets, the tops with bevelled glass doors with brass glazing bars enclosing a stained birds eye maple interior, the lower sections with one panelled door and a plinth base, 207 high x 30 deep x 86cm wide, (previously adapted to fit a recess)