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Two pairs of Art Deco bronze figural escutcheon plates, circa 1930, the figures modelled supporting the keyhole plates, 13.5cm. high; together with, a set of three silvered and gilt brass Art Deco door handles, 25cm. high

An Art Deco satinbirch dressing table and stool, circa 1930, the cupboard door enclosing a drawer and shelves

Provincial oak flat front corner cupboard, circa 1800, ogee moulded cornice over a recessed panel door opening to two shelves, 91cm

Edwardian mahogany and line inlaid bow front display cabinet, circa 1905, dentil cornice over a central bowed door with glass panel sides opening to two shelves, raised on tapered square section legs with spade toes, width 106cm, height 174cm

Oak Westminster chiming longcase clock, circa 1910-1920, the hood with barlyetwist columns flanking a silvered chapter ring with Roman numerals over a trunk with a single long door centred with a carved rosette over a raised panel base, height 185cm

Victorian Aesthetic period oak and ebonised buffet, circa 1880, fitted with a single long drawer over turned and ringed columns and a two door cupboard base, all with ebonised outlines, raised on short turned legs with pot castors, 110cm

Unusual mahogany campaign wash stand, fitted with two bevelled glass mirrors and a bank of drawers above a single long drawer, and a pulldown panel pot cupboard door, all raised on an open base with turned supports and bun feet, width 69cm, height 160cm

Victorian mahogany Dickens desk, circa 1860, fitted with eight small drawers to the back and centred with a single shelf over a slope front with later tooled leather inset, opening to reveal drawers and pigeonholes, fitted three frieze drawers over pedestals with three further drawers opposing a cupboard door with a three blind drawer front, all with turned wooden knobs, raised on a plinth base, width 150cm

Late Victorian mahogany music cabinet, circa 1890, pillar form with lift up lid over a single carved panel door, raised on cabriole legs, width 46cm

Victorian cast iron door stop in the form of a beetle, 26cm

North Italian carved oak door panel, early 18th Century, centred with a cherub mask within geometrically moulded field and bordered with egg and dart moulding, 72cm x 65cm, also another carved oak panel, English, late 17th Century, 9cm x 107cm (2)

Late George III mahogany apothecary's chest, circa 1810-1820, plain rectangular form with hinged lid opening to reveal a partitioned well, doors on either side opening to reveal bottle rack and small enclosed drawers opposing a further door and bottle rack

Oak flat front corner cupboard, 19th Century, fluted frieze over a moulded panel door, opening to two shelves, 106cm

J Grundy, Whalley - 8 Day Striking Oak Longcase Clock having square brass dial with calendar, swan neck cornice having inlaid mahogany and satinwood leaf motif, banding, boxing and stringing, panelled door flanked by half round reeded column supports on ogee feet, 2m 6cm high

A Victorian Mahogany Circular Washstand having marble top, bowed door enclosing shelf, 72cm high

AN 18th CENTURY OAK LIVERY CUPBOARD having carved scroll and leaf decoration, quartered panel single door flanked by various panels, on stile feet, 1m 64cm wide, 1m 71cm high

Mahogany storage cupboard, having panel door concealing three enclosed drawers and standing on bracket feet, 71cm high, 41cm wide, 41cm deep.

Late Victorian satinwood bedside cabinet, with ebonized reeded decoration, the top enclosed by a panelled door on plinth base. 75cm high x 39cm wide.

Victorian carved mahogany gentleman's wardrobe, with moulded projecting cornice, the central section fitted with sliding trays and 3 drawers below, enclosed by mirror panelled door, between scrolled corbels, flanked to. either side by cupboards enclosed by leaf decorated arched panelled doors on plinth base, 212cm high, 226 wide, 66cm deep

A Dutch delft blue and white calendar plate, 19th century, painted with a shepherd seated shearing sheep before an open cottage door and shepherdess beyond with sheep and goats with village church in the distance, marked 'Juny', 9.25" diameter

A George III mahogany and inlaid longcase clock, late 18th century, the arched hood with broken scroll pediment painted with scrollwork in verre eglomise style above an arched and pillared glazed door, enclosing a 14" white enamel dial with Roman numerals, subsidiary seconds and date dial and painted with roses in the corners and a rolling moon phase in the arch, eight day movement striking on a bell, between fluted pilasters and over a shaped top, three-quarter length trunk door with oval boxwood and ebony stringing, flanked by fluted pilasters over a further oval tablet, ogive and cushion moulding and inlaid panel base board, between canted angles, lacking feet, distressed, 90" high

An oak and mahogany crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above an arched trunk door, flanked by brass capped pilasters enclosing a 12" white painted enamel dial with Roman numerals and subsidiary seconds dial and date aperture and marked 'Unwin & Holt, Newark', gilt painted foliate corners and painted with a fisherman fishing by a weir in the arch, eight day movement striking on a bell above a canted top crossbanded full length trunk door, ogive moulding and ribbed baseboard on plinth base, restorations, 82" high

A George III oak cottage longcase clock, early 19th century, with shaped pediment and three brass eagle and ball finials above a square hood flanked by pilasters, enclosing a 12" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked 'Robert King, Fodden', painted with roses to the corners, 30 hour movement striking on a bell above an arched full length trunk door, ogive and cushion moulding and plain baseboard on plinth base, 80" high

A George III oak mahogany crossbanded and inlaid longcase clock, late 18th/early 19th century, with broken swan neck pediment above a square glazed door, flanked by brass capped pilasters, enclosing a 13" square enamel dial with arabic numerals, subsidiary seconds dial and date aperture, marked 'Owen Davies, Llanidloes', painted with gilt paterae in the corners, 30 hour movement, striking on a bell above a crossbanded trunk door with canted top corners, ogive moulding and plain baseboard with fan inlaid top corners raised on shaped apron and bracket feet, restorations, 82" high

An oak and mahogany crossbanded and inlaid cottage longcase clock, second quarter 19th century, the broken scroll swan neck pediment above an arched glazed door, flanked by fluted brass capped pilasters enclosing a 12" white painted arched enamel dial with Roman numerals and date aperture, marked 'Thomas William Hay, Shrewsbury', painted with flowers to the corners and a hunt in full cry to the arch, 30 hour movement, striking on a bell above an ogee arched top three-quarter length trunk door inlaid with a boxwood and harewood bird motif over a tablet, ogive and cushion moulding crossbanded base and deep plinth, distressed, 80" high.

An oak and mahogany cross banded corner cupboard, 19th century, the ogive cornice above a cross banded inset panel cupboard door enclosing three shaped shelves between canted angles on moulded plinth, 30.5" wide, 18" deep, 42.5" high

George II style burr walnut bracket clock, early 20th century, the arched top above a glazed door and a moulded plinth on 4 block feet, the arched brass dial with silvered chaptering and strike silent lever, the 3 train Garrard movement with anchor escapement and Westminster strike on 5 gongs, 30.3cm high.

George III mahogany domed top bracket clock, late 18th century, signed E. Livermore, London, surmounted a swing brass carrying handle, above an arched glazed door flanked by fretted brass side panels, above a moulded plinth, on 4 later block feet, the arched white painted dial with Roman hour numerals and silent/strike subsidiary dial to the arch, the twin fusee brass movement with anchor escapement, engraved back plate, striking on a bell, possibly associated, 41.5cm high to swing handle x 25.5cm wide, restored.

George III mahogany single pad top bracket clock, complete with original wall mounting bracket, the arched top surmounted by a swing brass handle, above a circular convex glass door and fretted brass panel, flanked by conforming side panels, on brass bracket feet, the circular white enamelled dial inscribed Henry Gratte, Kennington Lane, Surry, the twin fusee movement with anchor escapement striking on two bells, chip to dial, 39cm high.

Adam revival mahogany serpentine fronted corner cabinet, c1910, the raised back above a key fret fluted and paterae carved frieze, the single glazed door enclosing 3 floral silk trimmed fitted shelves, above a bead moulded panel, flanked by recessed pilasters with bell husk carving, on slender panelled sabre front legs, 73.5cm wide x 174.5cm high.

George III mahogany hanging corner cabinet, the dentil moulded cornice above an astragal glazed door enclosing 2 fitted shelves, on a moulded plinth, 89cm wide x 112.5cm high.

Edwardian walnut bookcase, the glazed top section fitted central door above writing slope fitted pigeon holes and drawers, between a pair of doors, the base fitted 3 short drawers, the central section fitted a pair of cupboard doors between 2 carved cupboard doors, approx 178cm wide.

Ipswich oak standing corner cupboard, with astragal glazed door above a panelled door, 67.5cm wide x 176cm high.

Sheraton Revival mahogany satinwood banded and marquetry inlaid display cabinet, stamped by Edwards & Roberts, circa 1905, of canted rectangular form, the upper section with broken swan-neck pediment above a central glazed door and side panels enclosing 2 adjustable shelves, the base fitted with a single cupboard door and a pair of panels with trophy inlay, above a solid shelf, on square tapered legs, 121.5cm wide x 214.5cm high, losses to veneer, panels slightly bowed, spade feet lacking.

A brass mounted wood coal scuttle and shovel rectangular form, the hinged door set with patinated metal roundel 36cm. high.

Two Aesthetic Movement door plates stamped in low relief with sunflowers 48cm. high.

Three bronze door plates designed by Thomas Jekyll, cast with panels of oriental flowers unmarked 29.5cm. high.

Edwardian boxwood strung mahogany display cabinet enclosed by astragal glazed door on reduced, square tapered legs, 120cm high x 61cm wide x 32cm deep.

Arts and Crafts oak 2 piece bedroom suite, wardrobe with projecting cornice over central mirror door flanked by stylised columns with stained glass panels beneath rivetted oxydised canopies, dressing chest fitted 4 drawers on stile feet, 215cm high x 145cm wide x 62cm deep, and 156cm high x 107cm wide x 53cm deep, respectively.

Arts and Crafts oak hall cupboard, projecting cornice over panelled door with oxydised copper strap hinges on plinth foot, 193cm high x 82cm wide x 46cm deep.

Late Victorian mahogany bedside cabinet enclosed by chamferred, panelled door on plinth foot, 75cm high x 37cm wide x 33cm deep

A Staffordshire pottery model of a cottage, with blue glazed roof, and coloured granitic decoration, the door flanked by two swans, 15. 2cm high (6"), circa 1860, and a Staffordshire porcelain small hexagonal model of a cottage with coloured granitic decoration, the mound base applied with flowers, 7cm high (2 3/4"), circa 1850

A pair of Copeland door finger plates, each painted in coloured enamels with flowers and leaves, the scroll moulded border picked out in gilt, 22.2cm long (8 3/4"), printed mark in green, and another, larger (some damage)

A coin-in-the-slot "Clement Garrett & Co. Improved Gold Changer", with cast body and decorative front door, featuring slots for sovereigns and half-sovereigns, two small drawers for change, and a supply of small circular change containers, with title cast into design on front of door and labelled internally with a plate for Garrett, painted serial number 5023, and another plate for George Salter & Co., overall height 36.8cm

Henry Harris Lines (1800-1889), Landscape with a countrywoman feeding chickens at the door of a thatched cottage, watercolour heightened with white, signed lower left, 23.5 x 32 cm

AN OAK WALL CLOCK dial: 11 1/4in. brass chapter ring, signed on the crescent Daniel Cornwell, Billericay, case: the hood flanked by reeded pillars beneath a broken arch pediment, waist door beneath, 55in. (140cm.) high

A MAHOGANY LONGCASE CLOCK dial: signed Willm. Lunan, Aberdeen, subsidiary alarm, case: the hood inlaid with satinwood, the trunk with a crossbanded door,flanked by quadrant pilasters, 78in. (198cm.) high

A MAHOGANY LONGCASE CLOCK dial: the 11 3/4 inch silvered chapter ring with subsidiary seconds ring and hour ring, signed Whiteside, Davies Street, London, striking on a gong, case: circular door with square hood with an arched top, waist door glazed, all with brass fillets, 78 1/2in. (200cm.) high

A GEORGE III OAK CORNER CUPBOARD with a swan neck pediment enclosed by a geometrically glazed door, 25in. (64cm.) wide

A VICTORIAN WALNUT SIDE CABINET with a serpentine front, the centre enclosed by a pair of panelled doors each inlaid with a floral spray on an ebonised ground, each side with a serpentine glazed door, all with ormolu mounts, 81 1/2in. (207cm.) wide

AN EDWARDIAN WALNUT SIDE CABINET inlaid with boxwood foliate lines, enclosed by a glazed door, 32 1/2in. (82cm.) wide

Thomas Pringle, Dalkeith, an early 19th Century mahogany longcase clock having a moulded swan neck cornice with brass orb and rosette ornament, pierced boxwood spandrels, the arched painted face with floral spray to arch and spandrel subsidiary second and date dials, eight-day movement, the glazed door flanked by fluted columns with boxwood strung case, crossbanded base on bracket feet. 2.13m.

John Barr, Port Glasgow, a Georgian mahogany longcase clock having moulded swan neck cornice carved rosettes with gilded centres, the arched brass face with main boss flanked by dolphin spandrels, silver chapter ring with eight-day movement, subsidiary second dial and date aperture with carved spandrels enclosed by glazed door flanked by columns, the trunk with moulded edge and shaped base. 2.17m. (See lot 386 for illustration).

Andrew Dickie, Stirling, a Georgian oak longcase clock having a moulded swan neck cornice with boxwood pierced fret ornament, the arched brass dial having a name boss flanked by dolphin spandrels, silver chapter ring with eight-day movement, subsidiary date and second dials and the cast gilded spandrels with bust cartouches enclosed by an arched glazed door flanked by columns, moulded edge trunk with panel door, the base with canted corners and shaped bracket feet, 207cm. (See lot 386 for illustration).

Edwardian mahogany corner cabinet having a moulded cornice, blind fret frieze and sides enclosed by an astragal glazed door with turned drop finials, 85cm.

Victorian walnut and floral marquetry credenza, the frieze decorated with flower sprays and thuya cross banding, the central cupboard enclosed by a panel door with floral inlay flanked by curved ormolu mounted inlaid columns, velvet lined cupboards enclosed by bowed doors, 1.47m

George III mahogany kneehole desk with rectangular moulded edge top fitted with a frieze drawer and central secret drawer above a recessed cupboard enclosed by a panel door raised on bracket feet, 80cm.

Edwardian inlaid mahogany wardrobe having a moulded dentil cornice, fitted interior enclosed by a mirrored door flanked by satinwood crossbanded doors, 1.92m.

Early 19th Century mahogany hanging corner cabinet with moulded cornice enclosed by reeded diamond glazed door, enclosing shelves and moulded base, 1.07m.

Softwood public telephone cabinet, the sides formed from three panel doors with padded interior having a glazed panel door also a roof and floor, approx. 215cm high x 90cm square.