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MARY FEDDEN (b. 1915) BRITISH Collage and watercolour, three hanging fruits. Signed and dated 1986. 9 x 7.5ins.

Victorian glass cased collage of butterflies

ALEXANDER INGLIS (20TH CENTURY) 'Soleymaniye, Istanbul', signed, watercolour/collage, 24 1/2" x 30".

A pair of feather/collage pictures of a perched Peacock and another Exotic Bird, 20” x 10”

Paul Harbutt, mid-late 20th century- Still life of bottles; oil on canvas, signed, 51x61.5cm: Trevor Halliday b.1939- "Black & White Drawing"; acrylic on paper, signed and dated 1970, 73x101cm. Provenance: with Nigel Greenwood Inc Ltd, according to label attached to the reverse of the frame: Kate Cooner, mid-late 20th century- "Tent Piece 1"; collage, signed, titled and dated October 1970 in pencil, 38x56cm: Hilary McWe, mid-late 20th century- "Drawing 1"; coloured pencil and gouache, bears label for Young Contemporaries attached to the reverse of the frame, 40.5x54cm., (4), (part unframed) (may be subject to Droit de Suite)

* Ian Tyson b.1933- "Tenebrae Series, 1999"; collage, bears label verso, 38.5x38.5cm: together with four other collages from the same suite each titled "Tenebrae Series 1999"; in matching black box frames: Julia Farrer b.1950- "Eagle Variations", collage, signed, titled and dated 13/3/96 in pencil, 43x60cm, together with two further collage examples each signed, titled and dated, by the same hand, (8) (may be subject to Droit de Suite)

Toer van Schayk, Dutch mid 20th century- Sketch for a staged photography for the ballet 'Monument for a Dead Boy'; pen and black ink and collage, signed, inscribed and dated 66, on irregular shaped piece of tissue thin paper now laid down, 36x34cm. Note: This ballet, chorography and libretto by van Dantzig, 1965 was the first 'modern' ballet role offered to the Russian dancer Rudolf Nureyev, 1938-1993

Peter Blake RA b.1932- "About Collage: Tourist Attraction"; lithograph printed in colours, signed and numbered 6/60 in pencil, full margins, with blind stamps, 51.3x42.2cm: Patrick Procktor RA 1936-2003- Still life; aquatint printed in colours, signed and numbered 26/100 in pencil, full margins, 65x50cm.,(2), (unframed) (may be subject to Droit de Suite)

COLLAGE PICTURE OF NEWTON ABBOT MARKET by Irene Came, 30cm x 44.5cm

PATRICIA DOUTHWAITE (SCOTTISH, 1939-2002) BOAT Signed and dated 1970, collage on paper 15cm x 21cm (6in x 8.25in) and another by the same hand, a pair (2)

TIRR, ARR abstract in 3-D, in cream, brown, black and blue, oil on canvas, 75cms x 69cms together with collage by the same hand, fabric on paper, watercolour, signed in pencil to lower right, 43.5cms x 27.5cms (2)

KAT KAMPMANN, GERMAN, b. 1909 “Collage”, abstract in shades of blue, grey, terracotta and umber, signed, titled and dated 1964 in pencil to lower right, 51cms x 36cms

KAT KAMPMANN, GERMAN, . b. 1909 “Collage”, abstract in shades of red, mauve and blue, signed, titled and dated 1964 in red crayon to lower right, 37cms x 50.5cms

B* WALSH, 1970s, textile wall panel of relief embroidery worked in a collage of fabrics, wools and threads in an organic design, aluminium frame, signed and dated (19) 75, 177cms square See illustration

Sir Terry Frost, RA (British, 1915-2003) Christmas Card V signed lower right "Terry Frost" mixed media and collage 14 x 18cm

A 19th century octagonal framed and glazed shell collage, with central circular medallion formed from various small exotic seashells, 38 cm diameter (ILLUSTRATED)

A stamp collage picture and one other picture.

Raja Ravi Varma (Indian, 1848-1906) Indian Princess, signed lower left in the print "Ravi Varma" bejewelled print with collage, 44 x 30cm

Edward Seago R.W.S. (1910-1974), Landscape, with gallery label - 'John Gibson, Glasgow' on verso, collage, 16 x 23.5cm.; 6.25 x 9.25in. * A very early, unusual work by Edward Seago probably dating to the early 30's.

MARGOT ROSENTHAL (GERMAN) Dusk. Collage on board. 14 x 11ins. Provenance: JOHN SLADE, ELY HOUSE, NEW HAVEN, CONNECTICUT

MARGOT ROSENTHAL (GERMAN) Orange collage. Signed on board. 9 x 12.5ins. Provenance: JOHN SLADE, ELY HOUSE, NEW HAVEN, CONNECTICUT

MARGOT ROSENTHAL (GERMAN) Grey blue collage. Signed on board. 15 x 19.5ins. Provenance: JOHN SLADE, ELY HOUSE, NEW HAVEN, CONNECTICUT

SIMON LAURIE R.S.W., R.G.I. (B. 1964) SCOTTISH. FLAME. Signed and dated '88, collage 25cm x 22cm (9.9in x 8.6in)

Abstract. Collage and mixed media. Initialled B.W. 7 x 9ins. Together with a second small collage.

TONY O'MALLEY Bahamas - grey and pink. Acrylic and collage on paper. Initialled and dated 1985. Newlyn Orion label to the reverse. 13 1/2 x 21 1/2ins. (See illustration)

SIR TERRY FROST R.A. Camberwell Green. Etching with woodcut collage. Signed, dated 2003, numbered 263 from an edition of 275. 18 x 19 1/2ins., unframed.

Coloured Print of a shipping scene and a modern collage framed Clock, quartz movement, (2).

EILEEN COOPER R.A. (B. 1953) ANGRY Charcoal and collage on paper, 1992 125cm x 80.5cm (49in x 31.75in) Provenance: Benjamin Rhodes Gallery, London

GILBERT AND GEORGE (B. 1943, B. 1942) WOODPECKER GUARD Signed and dated 1981, postcard collage 132cm x 93cm (52in x 36.5in) Provenance: Anthony d'Offay Gallery, London Exhibited: Crusade, Anthony D'Offay Gallery, London, 1982

IAN HOWARD (B. 1952) CAPSULA 2 Signed, titled and dated 1989 on verso, acrylic, gell, charcoal anc collage 82 x 57.5cm (32.25in x 22.75in)

HARRY SNOOK (CONTEMPORARY) UNTITLED Signed and dated 1986, mixed media and collage on paper 90cm x 126cm (35.5in x 49.5in)

RICHARD SMITH (B. 1931) UNTITLED Lithograph with collage, signed and dated 1970, numbered 49/75, published by Petersburgh Press Sheet size: 32.5cm x 68cm (12.75in x 26.75in) and another by the same hand (2)

RICHARD SMITH (B. 1931) UNTITLED Lithograph and collage, signed and dated 1970, numbered 49/75, published by Petersburgh Press Sheet size: 32.5 x 68cm (12.75in x 26.75in) and another by the same hand (2)

RICHARD SMITH (B. 1931) UNTITLED Lithograph and collage, signed and dated 1970, numbered 49/75, published by Petersburgh Press Sheet size: 32.5in x 68in (12.75in x 26.75in) and another by the same hand (2)

RICHARD KIDD (B. 1917) COMPOSITION Signed and dated 1990, mixed media and collage on paper 63cm x 85cm (24.75in x 33.5in) Provenance: Mayor Rowan Gallery, London

IAN MCKEEVER (B. 1946) HISTORY OF ROCKS Signed and dated 1987, oil and photographic collage on canvas 140cm x 106cm (55in x 41.75in) Provenance: Nigel Greenwood Gallery, London

*Julia Farrer b.1950- Composition; collage, a pair, each signed and dated 95 in pencil, 57x55cm, each, (2), (may be subject to Droit de Suite)

*Circle of Peter Rice b.1928- "Lady from the Sea, Hilda from Ibsen, P Whiteman"; gouache on green coloured paper, original costume design, inscribed, 69x35cm: Late 20th century school- Man in a kimono; watercolour, gouache and felt-tipped pen, signed indistinctly and numbered, bears attached notes with fabric samples to the reverse, 41.5x26.5cm: Mid-Late 20th century school- "Azucena"; costume design; mixed technique and collage on paper, signed indistinctly, 59x44cm., (3)

ALEXANDER INGLIS (20TH CENTURY) 'Soleymaniye, Istanbul, signed, watercolour/collage, 24 1/2" x 30".

Ron Bowen, American b.1939- "Back Lot/Front Line", 1986; collage, 34.2x55cm. Note: Ron Bowen. American artist, born 1939, studied at Pratt institute, NY (BFA,MFA) under Richard Lindner, Philip Perlstein, among others. Exhibited NY at Parsons, Graham Galleries, in UK at Willia m Jackson, Corr Fine Art and Art First galleries. 2 person, Barbican (1986) all in London, John Moores Liverpool, no's 9, 12. Exhibitions in Italy, Portugal. Taught Chelsea College of Art 71-78, Slade School 78-97, Studio Head, then Head, Undergraduate Painting. Author, Drawing Masterclass (Random House, 1992). Currently lives, works in Paris. (may be subject to Droit de Suite)

*Mick Moon b.1937- "Still"; monotype printed in colours with collage, signed and dated 94 in pencil, 54x40cm: together with one other similar montoype with collage in colours by the same hand, titled "Suppertime", signed and dated 94 in pencil, of irregular form, 49.2x42.5cm: Gwyther Irwin b.1931- "Over the Top"; screenprint in colours, signed, titled, inscribed A.P V and dated 1991 in pencil, 43.5x60cm. Provenance: with Waddington Graphics, London according to label attached to the reverse: Gordon House 1932-2005- "A Still Life at Millbank"; screenprint in colours, signed, titled and dated 80 in pencil, 58.2x74.5cm. Provenance: with L S Graphics according to label attached to the reverse, (4) (may be subject to Droit de Suite)

*A photographic colour collage of two female nudes, seated on a BMW R80S motorbike. Photograph pasted to board. (photograph poor condition). With a mount bearing a signature to the bottom right of 'Bob Carlos Clarke'.

Schwitters, abstract collage, signed in pencil and inscribed Kipling 47, 6 1/4" x 4 1/2", unframed

Poster, BR (WR) D/R 'Bath, The Georgian City'. Poster collage of the main tourist sites of England’s Historic City painted by Chris Watkiss. Poster is in excellent condition and is one of only a few D/R posters ever painted of this World Heritage City of Bath. It shows views of The Royal Crescent, The Royal Baths and Abbey and the famous museum and gardens at Claverton Down near to the University. Colours on the poster are vibrant and it would look good dry-mounted and framed.

Sir Terry Frost, RA (British, 1915-2003) Red and Black Circle signed lower right "Terry Frost '02" and numbered 35/75 collage and lithograph 42 x 41cm Provenance: Private collection, Cambridge

Chris Orr, RA (British, 20th Century) You' re off! Now begins the real excitement signed lower right "Chris Orr" collage and drawing 14 x 10cm

John Mills, ARCA, PPRBS, FRSA (British, 20th Century) Position of the Monument signed lower right "John Mills" watercolour and collage 39 x 30cm Will the Scale Work ? signed lower right "John Mills '04" watercolour with gold ink 35 x 25cm (for note see lot 359)

FLORIS VAN DEN BROECKE, 1969 'CHAIRPIECE', PROTOTYPE glass fibre reinforced polyester (GPR), upholstered in polyether foam and stretch Jersey wool Literature: '1000 Chairs' C. and P.Fiell, illus. p.514 Exhibited: Whitechapel Art Gallery, London 1974 Note: Jaak Floris van den Broecke, is ex Professor of Furniture Design at the Royal College of Art and ex Director of Design for Ercol Furniture. He is a Freeman of the City of London and a Liveryman of the Worshipful Company of Furniture Makers, Honorary Fellow of the Royal Collage of Art and a Fellow of the Royal Society of Arts. In 1969 Floris designed and produced three 'Chairpiece' works, two of which are of unknown whereabouts, if they still exist. This current lot is the only known example to have survived. In 1969 Floris wrote of 'Chairpiece': 'These platforms explore the same idea as the Super Ottoman, but are more directly related to the walls and floors of an interior. A seating shape simply graduates to a flat surface corresponding with the floor. This basic shape is manipulated in two more pieces: one where the seating shape rotates around the head and back rests, and one where it rotates aroud the foot end, thus becoming characteristic for a corner. By using more than one piece a seating landscape can be achieved.'

FRED BAIER, ENGLAND, CIRCA 1984 CABINET ON STAND burr ash and fiddled sycamore 61cm wide, 101cm high, 160cm long Note: Fred Baier was commissioned to design furniture for Raymond McGrath's' 1934 modernist house, St. Anne's Court, where a very similar cabinet can be seen. A graduate of the Royal Collage of Art, his works are in numerous international collections including the Victoria and Albert in London, the Crafts Council, London, Birmingham Museums and Art Gallery and the Carnegie Museum of Art, Pittsburgh.

M.H. Marching monkey's and Victorian lady with bats, monkey and hedgehogs, collage and watercolour, signed with initials, 12.5 x 10in (32 x 15.5cm) and another, oval with owl, moths and bettle playing a violin. (3)

Brian Benjamin mid-late 20th century- Untitled; collage, signed and dated 1961, 45x58cm: together with one other similar collage by the same hand, unsigned, 40x49.5cm., (2). Note: Brian Benjamin, architect, born circa 1936/37 worked for Tripe & Wakeham Architects, London, on Ministry of Defence contracts in Aden 1961-63 prior to The Aden Crisis during 1964-1967. (may be subject to Droit de Suite)

A 20th century Japanese painted collage of a bridge in a landscape, constructed out of photographs, mother of pearl, on painted paper, in a hardwood frame 58cm x 89cm

Raja Ravi Varma (Indian, 1848-1906) Indian Princess signed lower left in the print "Ravi Varma" bejewelled print with collage 44 x 30cm

A Victorian Berlin woolwork panel and a collage.

ALEXANDER INGLIS (20TH CENTURY) 'Soleymaniye, Istanbul, signed, watercolour/collage, 24 1/2" x 30".

A sporting feather collage, Cock Pheasant and Gun, mounted and framed, 20 x 15cm

Roger Keith 'Syd' Barrett, a mixed media collage of a lady, constructed from various strings and twines with a hat made from shells, the whole mounted on a cork oval, unsigned, 29cm high, Barrett was in therapy at a rehabilitation centre shortly after leaving Pink Floyd, during which time he attended daily craft workshops, it was in one of which sessions he produced this collage. Proceeds from the sale of this piece will benefit the blind

ROBERT A NELSON (1925-). Mixed media, paper collage, "Giant Pistol", marked imp 15, titled, signed and dated 1967, 76..5 x 57cm, unframed.

Samir Nanoo, Iraqi b.1944- Untitled abstract composition; mixed technique and collage on paper, signed and dated 91 in pencil, 20.7x29.5cm. Notes: See 'La Joie de Vivre'. Bilder und Collagen 1975-1995, forward by Dr Sabine Runde for illustrations of related works. This catalogue is availbale with the purchaser of this lot, see dept. together with a list of solo exhibitions spanning from 1984 to the present (may be subject to Droit de Suite)

The Following Six Lots are from the Studio of Berenice Sydney 1944-1983 Berenice Sydney born 1944 in Esher, Surrey. Studied at the Lycee Francais in London and attended the Central School of Art, before deciding to work independently and dedicating herself entirely to her work. In her Flood Street Studio in Chelsea, she abandoned the figurative representation for total abstraction where geometric forms alternate with with coloured rhythm. From the mid 1960s she began her work with woodcuts and engravings, later with screen printing and other techniques that led her towards a new particular way of representation In the early 1970s she continued to use canvas and etching on steel and copper in her Highgate studio, North London. With a strong involvement not only in her work but also in classical music, poetry and dance. Showing a long list of exhibitions ranging from 1968 until her early death in 1983, including shows in London, Paris, Barcelona and South America to include Drian Galleries, London Royal Institute Galleries Lumley Cazalet Gallery Bibliotheque Nationale, Paris Mostra m'Arte Multiple, Spain Memorial exhibition "Homage to Berenice Sydney" at the Edwin Engelberts, Galerie, Geneva along with many works in Universities and public collections Berenice Sydney died on May 18th 1983 Berenice Sydney 1944-1983- "British Education"; collage, inscribed verso, 76x56cm: together with three other collages by the same hand, depicting Marilyn Monroe and others, (4) (unframed)