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Lot 327
Carole MCDOWALL (1944) Unnamed Collage Mixed media and oil on canvas, signed and titled, Royal West of England Academy label verso, 153cm x 160cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Lot 81
watercolour on paper, signed, titled and inscribed (White Eared Pheasant, Red Panda, Polar and Dead Fish) mounted, framed and under glass image size 55cm x 45cm, overall size 79cm x 67cm Note: Glasgow School of Art graduate Janice Gray’s highly decorative, amusing and beautifully observed works combine birds, animals, fruit, handbags, high-heeled shoes, teacups with witty writing commenting various aspects and foibles of her real and imagined menagerie of animal characters and her collection of props. A long time observer and lover of animals, Janice worked for a period as Artist in Residence at Edinburgh Zoo. “I tend to choose my subject (usually animal) for their decorative quality which can be explored through the medium of watercolour and collage. I don’t normally know what the finished painting is going to look like, I don’t plan or do any preliminary sketches, I suppose it is a bit hit or miss! I like to start with one object then add as necessary, sometimes there is a link but normally there isn’t. The unlikely collections of objects in my work makes people think, making up their own links. I love to hear how differently my work is interpreted. My paintings are often described as ‘quirky’ which I like, as life is all too often a bit of a downer, so I enjoy creating daft paintings which can make people a wee bit cheerier!”
Lot 11
* COLIN BROWN, DRAGONFLY mixed media on board, signed, titled and dated 2005 versoframed and under glassimage size 60cm x 60cm, overall size 63cm x 63cmNote: Colin Brown is a fine artist and former graduate of Duncan of Jordanstone, Dundee who has lived and exhibited in Europe for several years. He is now based in Stonehaven in northeast Scotland. After graduating, a John Kinross Scholarship awarded by the Royal Scottish Academy enabled him to spend four months in Florence. In 1988 he established a studio in Glasgow, where he began practicing as a full-time artist. He also spent four years in Dusseldorf painting and exhibiting with several German galleries. Colin Brown’s practice draws upon a range of media, particularly acrylic paint and collage. His work draws upon human histories, random and specific mark-making, urban imagery, and a mix of handwriting and printed script to explore the spirit of modern society. Brown has developed a strong international profile with regular solo and group exhibitions worldwide, including major solo shows in Hanover (1998), London (2010) and Singapore (2013). His work has received a number of awards, most notably an Artists Grant from the Pollock-Krasner Foundation, New York in 1996.
Lot 100
* JONATHAN HOOD (SCOTTISH b. 1957), DANCERS oil on board, signed, titled and dated 2006 versoframedimage size 48cm x 46cm, overall size 65cm x 62cm Note: Jonathan Hood was born in 1957 in Edinburgh, and grew up in Fife and Tayside. He was artistically trained at Duncan of Jordanstone College of Art, Dundee and at the Ecole des Beaux Arts, Paris. Jonathan became a full time painter in 1986, mostly working in watercolour and collage. He is a keen art teacher, regularly running children’s workshops as well as adult night-classes. In 2006, he conducted a collage and painting workshop in Morgan Academy, Dundee for the Racial Equality Commission enabling 2 school pupils to reach the final. Since 2006, Jonathan has also run the WASPS studio open weekend in Dundee. Currently, Jonathan is working mostly in oil, using bright colours and painting on board. He has been exhibiting regularly in galleries around the UK, and in Holland, France and Italy. Jonathan uses dramatic blocks of colour to create depth and texture within his works. His clever compositions create narratives through the interaction between figures, and the addition of carefully selected props to be interpreted by the viewer. It is a testament to his artistic skill that he can convey strong emotion with only the simplest of brushstrokes to represent facial features.
Lot 280
ENRICO BAJ (Milano 1924-Vergiate 2003). Mask in wood, acrylics and collage entitled "KULLAB". 1994. Published in Enrico Baj. Opere dal 1951 al 2001. Introductory texts by Gabriele Huber and others; critical anthology edited by Domenico Pertocoli. Skira 2001, p. 200. 48x15x8 cm approx. ENRICO BAJ (Milano 1924-Vergiate 2003). Maschera in legni, acrilici e collage intitolata "KULLAB". 1994. Pubblicata in Enrico Baj. Opere dal 1951 al 2001. Testi introduttivi di Gabriele Huber ed altri; antologia critica a cura di Domenico Pertocoli. Skira 2001, p. 200. 48x15x8 cm ca.
Lot 88
San Francisco: Upper Playground, 2007. This fantastic book showcases artworks from Date Farmers, the collaborative duo of Armando Lerma and Carlos Ramirez, known for their vibrant mixed-media works that blend painting and collage, drawing inspiration from their Coachella Valley surroundings and exploring themes of culture, identity, and the Latino experience. ISBN: 0977885429. Artist: Armando Lerma and Carlos Ramirez (Date Farmers)Issued: 2007Dimensions: 6.25"L x 8.5"HManufacturer: Upper PlaygroundCountry of Origin: San Francisco, CaliforniaCondition: Fine condition.
Lot 38
Undone (2009) by Colombian born/Miami Based artist Juana Meneses is a captivatingly chilling gouache and watercolor collage on cotton fiber bristol paper, titled Undone, depicting a car crash pile-up with fire and smoke, while two dogs stand nearby. Artist signature, title, and date on verso. Strathmore 500 Bristol blindstamp on lower left corner. Housed in a white shadowbox with a white background. Artwork dimensions: 15.5"L x 23"H. Frame dimensions: 19.5"L x 1.5"W x 26.5"H. Artist: Juana Meneses (Colombia 20th Century)Issued: 2009Dimensions: See DescriptionCondition: Age related wear.
Lot 160
Seven small gesso boards each featuring two cut out halves of black and white photographs, placed together to depict a connection between two figures. These pieces were featured at the Mixed Connections group show at Space Mountain Gallery in Miami, FL, 2017. Richard Vergez is a Cuban-American visual and intermedia artist born in Philadelphia, PA, who lived and worked in New York with the Brooklyn Collage Collective and currently resides in South Florida. Each board measures: 5"L x 7"H. Artist: Richard Vergez (Cuban/American, 20th century)Issued: 2016Dimensions: See DescriptionCondition: Age related wear.
Lot 21
Original mixed media collage by Miami-based recording artist Dino Felipe who works with a variety of media and creates most of his own album covers. Entitled Amo Nia, Felipe combines photo clips with paint and glitter on a partially ripped canvas. Signature and date on lower right: Dino Felipe 2013. Artist: Dino Felipe (Cuban/American b. 1978)Issued: 2013Dimensions: 11"L x 14"H x 0.75"WCountry of Origin: Cuba/United StatesCondition: Age related wear.
Lot 72
Titles include: Refuse (Reuse): Good everyday design from reused and recycled materials; Over 56 Flyers Plus More by Sam Ryser and Eugene terry (2006 - 2013); Marilyn Gottlieb-Roberts Light Ambulant Photographs; Collage, The Monumental Picture by New Museum, Merrell (2007); Eye on Europe: Prints, Books, & Multiples/1960 to Now by the Museum of Modern Art (2006). The dimensions of the collection measures: 9.75''L x 2.75''W x 11.25''H. Issued: 20th century - 21st centuryDimensions: See DescriptionCondition: Very good condition.
Lot 745
A selection of small, framed and glazed, 19th century artworks. Usigned and undated collage-style dog portrait, made by layering scrap fabric and watercolour paintings. 16cm x 13cm approx. Usigned and undated watercolour on paper depicting a boating party punting beside a woodland cove. 30cm x 37cm approx. Graphite on paper drawing of a cottage exterior, with fields and a river in the background. Signed James Ashton, 1846. 25cm x 29cm approx. Unsigned and undated, card mounted, oil on paper landscape scene depicting farmland, country houses, and a church spire in the background. 20cm x 22cm approx. All artwork presented framed and glazed.
Lot 375
Shepard Fairey (American, b.1970) 'Warhol Collage' (silver)screenprint in colours, based on a 1982 photograph of Andy Warhol by Karen Bystedt, signed with initials by both artists and dated '23' in pencil l.r., numbered '174/300', published by Obey Giant on cream Speckletone papersheet 61 x 44cm, unframedCondition ReportSlight undulations to the sheet. Appears to be in otherwise good condition.
Lot 374
Shepard Fairey (American, b.1970) 'Warhol Collage' (colour)screenprint in colours, based on a 1982 photograph of Andy Warhol by Karen Bystedt, signed with initials by both artists and dated '23' in pencil l.r., numbered '174/300', published by Obey Giant on cream Speckletone papersheet 61 x 44cm, unframedCondition ReportLight cockling to the sheet however presents well overall.
Lot 359
Horst Antes (Heppenheim 1936). Kopf und Webmuster. 1968. Aquarell, Collage und Radierung/Papier/Papier. 36,5 x 23,5 cm. R. u. sign. Antes und dat. 19.2.68, unter Passepartout und Glas gerahmt, ungeöffnet. - Deutscher Bildhauer, Maler und Graphiker. A. studierte 1957-59 an der Karlsruher Akademie bei HAP Grieshaber und war Stipendiat der Villa Romana in Florenz und der Villa Massimo in Rom. Ab 1967 hatte er eine Professur in Karlsruhe inne, 1983 wurde er Mitglied der Freien Akademie der Künste in Hamburg. A. stellte mehrfach auf der Documenta aus und erhielt zahlreiche Auszeichnungen, darunter das Bundesverdienstkreuz und den Großen Preis der Biennale von Sao Paolo. Mus.: Frankfurt (Städel), München (Neue Pinakothek), Köln (Mus. Ludwig), Hannover (Sprengel-Mus.) u.a.
Lot 326
Vladimir Nemukhin, NeunÖl und Collage aus Spielkarten auf Leinwand 100 x 100 cm. Mit Atelierleiste gerahmt. In Kyrillisch signiert und datiert 'V. Nemukhin 89'. Rückseitig auf der Leinwand in Kyrillisch signiert, datiert und betitelt 'Neun V. Nemukhin 1989'. - Mit Atelier- und leichten Altersspuren.ProvenienzGalerie Meißner, Hamburg (mit rückseitigem Aufkleber); Galerie Bargera, Köln; Privatsammlung, Schweiz
Lot 331
Martial Raysse, Ohne TitelCollage: Schwanendaunen, Farbserigraphie und Karton auf Unterlagenkarton 41 x 36,5 cm. Unter Glas gerahmt. Rückseitig auf dem Unterlagenkarton auf dem Editionsaufkleber signiert. Exemplar außerhalb der Auflage von 100 nummerierten Exemplaren. Aus der Folge: Edition Original I. Edition Hans Möller, Hofhaus Presse, Düsseldorf (mit rückseitigem Editionsaufkleber). - Mit geringfügigen Altersspuren.
Lot 329
Enrico Baj, MilitareAcryl und Collage auf bedrucktem Stoff 92 x 73 cm. Mit Atelierleiste gerahmt. Signiert 'Baj'. - Mit Atelier- und leichten Altersspuren.Enrico Crispolti u.a., Catalogo generale delle opere di Baj 1972-1996, Mailand 1997, WVZ-Nr. 1185A (abgebildet auf S.469 mit abweichenden Maßangaben)ProvenienzPrivatsammlung, Nordrhein-Westfalen
Lot 33
Hermann Glöckner, Sechszackiger Stern in GoldTafel. Collage, Tempera, Asphaltlack und Ritzung auf Pappe, lackiert. 49,3 x 34,5 cm. Unten links geritzt signiert 'Glöckner', oben links geprägt monogrammiert 'G', im unteren rechten Bereich geprägt datiert 'XXXII'. Rückseitig mit den Negativnummern '145/5' und '150/4b' in Weiß.Dittrich/Mayer/Schmidt 45ProvenienzPrivatbesitz Rheinland (1974 direkt vom Künstler erhalten)In den objekthaften Tafeln, die seit 1930 entstehen, beschreitet Hermann Glöckner einen neuartigen, höchst individuellen Weg. In außergewöhnlichen Materialexperimenten und einer intuitiven Formfindung erreicht er eigenständige Abstraktionsprozesse und leistet damit einen bedeutenden Beitrag zur konstruktiv-konkreten Kunst.Bei dieser prachtvollen, frühen Tafel handelt es sich um die erste Fassung des „Sechszackigen Sterns“; die zweite Fassung, im selben Jahr entstanden, befindet sich in der Sammlung des Dresdner Kupferstich-Kabinetts. Das Sternenmotiv geht auf eine Formfindung zurück, die Glöckner bereits 1930 als sechsfach gebrochenen Strahl in einer seiner ersten Tafeln ausformulierte (vgl. Dittrich/Mayer/Schmidt 3). Es bleibt eines der wichtigsten Motive Glöckners und dominiert auch die in den Folgejahren entstehenden Tafelwerke. Die faszinierende Wirkung des hier angebotenen Werkes resultiert in besonderem Maße aus der Strahlkraft und optischen Tiefe des verwendeten Goldpapiers. Geprägt, geritzt und mit Lack überzogen erfährt das Material eine Veredelung, die an ein kostbares antikes Metallobjekt erinnert. Der körperhafte Charakter von Glöckners Tafeln ist grundsätzlich ohne Rahmung konzipiert und bezieht auch eine Gestaltung der Rückseite mit ein, im vorliegenden Fall ein aufgezogener violetter Papierbogen. Sie bilden handwerklich wie künstlerisch eine ästhetische Einheit und haben als solche einen Ursprung in der mittelalterlichen Ikonenmalerei – ein Verweis, der im Goldgrund dieser Tafel besonders augenfällig wird.
Lot 5018
Alfred Tolmer: 'Mise en Page. The Theory and Practice of Lay-Out', London, The Studio Ltd, 1931, 1st edition, 16 off text illustrated plates in art deco style complete, including after Fernand Léger, Marie Laurencin, Georges Braque and Marcelin Peynet, all are mounted on tabs, except one which is among the sheets of the notebook, made on various supports, and printed according to different techniques, including those of collage and stencil, plus numerous black & white illustrations, photomontages etc accented with blue in the text, layout and photomontages by Louis Caillaud, text drafted by Jean Selz, in English with French translation, 4to, original cloth backed black and yellow boards lettered in silver, original slipcase.
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