We found 13335 price guide item(s) matching your search
There are 13335 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
Lot 589
ALIGHIERO BOETTIContatore 1967Serigraphie mit Collage auf Karton. Verso signiert. Nicht nummeriert, Exemplar außerhalb der Auflage von 123 num. Ex. Edition ED912, Mailand (mit Prägestempel). 43,7 x 62,5 cm.(Erhaltungsmängel. Etwas fleckig und berieben sowie teils mit leichten Kratz- und Stauchspuren, stellenweise leicht gewellt, verso angeschmutzt und mit Montagespuren.)
Lot 1166
DANIEL SPOERRITableau Piège 1973Multiple, Faltobjekt mit Collage aus mit Farboffset bedrucktem Karton und Zündholz, außen mit Leinen bezogen und in Permanentschreiber mit den Nummern 1-4 versehen. Signiert und datiert. Ex. 89/600. Edition Ars Viva, Mailand. 68,5 x 68,5 x 15 cm (aufgeklappt).
Lot 724
MAX ERNSTvademekum mobile - ihr seid gewarnt 1971Farb-Photolithographie auf Velin, nach einer Collage von 1919/20. Signiert. Ex. 2/99. 43,7 x 48,8 cm (50,8 x 69,8 cm). Spies/Leppien A 36 A.(Alters- sowie Falt- und Stauchspuren; Mittelfalz, verso mit Papierhautverletzungen; in den Rändern etwas fleckig.)
Lot 1174
CURT STENVERTAngriff 1971Objektkasten mit Spielzeug-Flakgeschütz, montiert auf Offset-Collage. Unterseite mit Schablone beschriftet, datiert und betitelt sowie mit der Werknummer '545' versehen, zusätzlich handschriftlich signiert 'Curt Stenvert fecit'. Ca. 21,5 x 11,7 x 4,2 cm.(Leichte Altersspuren.)
Lot 372
A Victorian folk art watercolour, beadwork and sand collage, third quarter of the 19th century, of a castle flying the Royal Navy's White Ensign,38 x 47cm, framed and glazedCondition ReportSome cockling to the linen ground. A few beaded strands loose. Small irregularities consistent with its manufacture. A loss to the frame's top edge. Some separation to corners. Hanging string in good order.
Lot 167
LUCIO FONTANA, LUCIO (Rosario/ Argentina 1899 - 1968 Comabbio), Attribué à « Concetto spaziale ». Sculpture en plexiglass troué et collage d’une feuille d’argent. Signée au dos « F.Fontana » à la mine de fer. Porte l’étiquette de l’éditeur Ages Arti Grafiche in Torino. Dimensions : 19,5 x 19 x 3 cm.
Lot 520
A collection of autographed rugby union memorabilia, to include: a signed photograph of Gareth Edwards, 46 x 40cms; a Sale Sharks strip, signed by Sébastien Chabal, framed and mounted, 72 x 59cms and a collage of the Rugby World Cup 2003 winning squad, signed by Martin Johnson, 77 x 57cms. (3)
Lot 157
Denise Zygadlo Bound, 2024 Paper-cut collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Denise Zygadlo is a visual artist/performance exploring cloth in all its forms and the memories and associations it holds. Working mainly with photocopied images transferred onto cloth and paper-cut collages and detailed drawings. Education 1973-1976 BA in Printed Textiles, Winchester Art School Solo Exhibitions 2012 Involutus Memet, Gatehouse of Fleet Museum, Galloway, Scotland 2014 Wrap, Gracefield Arts Centre, Dumfries, Scotland 2020 Kept Cloth, Arusha Gallery, Edinburgh, Scotland Group Exhibitions 2025 Upland, Kirkcudbright Galleries, Kirkcudbright, Scotland 2024 SSA Annual, Royal Scottish Academy, Edinburgh, Scotland Threads, Old Gala House, Galashiels, Scotland Awards 2012 Development, VACMA 2014 Performance, Creative Scotland Gallery Representation Arusha Gallery, Edinburgh Statement about AOAP Submitted Artwork A series of four paper-cut collages on the theme of 'bound' in its various forms. Using colour and ties to connect each to the other. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 288
Jo Chate Warrior 2, 2025 Tempera gouache on inkjet print Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jo Chate is a contemporary artist who transforms moments and phenomena from everyday life to create complex, enigmatic paintings. Her way of working is exploratory; embracing dualities which result in connections and complexities that are not easily definable. The paintings ultimately become the site of transformation, refracting and colliding experiences with future recollections. Alongside working on paintings, Jo Chate is experimental with collage, photography and painting on prints. Working this way has become part of her process to defamiliarise the familiar, to absorb and change until the final image evolves incorporating elements of the original. Education 2002-2004 MA in Fine Art Painting, Royal College of Art, London, UK 1999-2002 BA Fine Art, 1st class, Kingston University, Kingston, UK 1998-1999 Foundation Diploma, City & Guilds, London, UK Solo Exhibitions 2024 OUTLIERS, Q&C Gallery, Cambridge UK 2017 NOTES FROM THE WHITE BOOK, The Perfume Factory, London, UK 2012 ANGELIS DEFENSA, Vicoli Poli, Spoleto, Italy Group Exhibitions 2025 DISTURB THE LOGIC, TondoCosmic, London UK 2024 LIGHT IT UP: WINTER MENAGERIE, TondoCosmic, London, UK MICROSTORIA, Polarraum, Hamburg, Germany GOTH IN A LANDSCAPE, Museum Galleries, Aberystwyth School of Art, Wales, UK UNDONE, TondoCosmic, London, UK YOU ARE THE CIRCLE, Excelsior, London, UK THIS YEAR'S MODEL 2024 PART II, Studio 1.1, London, UK RADICAL RESIDENCY VIII 2024 EXHIBITION, Unit 1 Gallery, London, UK 2023 OPEN04, Excelsior, London, UK CUSTARD SPLITS, SET London, UK THIS YEAR'S MODEL 2023 PART III, Studio 1.1, London, UK SIDE STEP, SET London, UK 2022 WOMXN - FAIR ART FAIR CURATED II Unit 1 Gallery, London, UK Public Collections The Royal College of Art, London, UK Statement about AOAP Submitted Artwork Three mixed media works from the mannequin series; two are paint on digital prints of mannequins originally seen in shop windows. In 'Warrior 2' she becomes a she warrior in a post-apocalyptic world, flanked by her skeleton partner and child. In the second card, the mannequins emerge from the darkness, human but not human, part AI. The third postcard 'Line up' - three headless mannequins in a row, one blue. These works challenge traditional depictions of the female form from the perspective of a female artist. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 41
Jazz Grant Motorist, 2025 Acrylic and collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jazz is a visual artist who mainly works with mixed media processes with a focus on non-digital collage artwork and stop motion animation. Exploring the realm of memory construction, she considers the abundant and chaotic processes of accessing and preserving historical and contemporary information. Education 2013-2016 Fashion Design, University of the Arts London Solo Exhibitions 2025 Smoke Forgets The Earth, Vision Curate, UK Group Exhibitions 2025 Video Club, Harlesden High St, London 2024 Twisted Bodies, Opera Gallery, NYC, New York Post Human VI, Marylebone Square, London Smoke Forgets The Earth, VC Projects/VisionCurate, London The Whole World Smiles with You, Opera Gallery, London Voyeur, The Space Between, HBH Gallery, London Black Star, Strada Gallery, NYC 2023 Small Hours, Alice Black Gallery, London Book of HOV, Brooklyn Public Library, NYC 2022 On Love, Home by Ronan Mckenzie, London Before Anyone Else, Burberry Shipstore, London The Harder They Come, Kingston, JA 2021 BALLS, J Hammond Projects/OOF, London Cutting at Lemons for Freckles, Rear Sq Gallery, Norwich Mushrooms, Rue Turenne, Paris 2020 Nearness, Brixton, London Gallery Representation Vision Curate (London, UK) Statement about AOAP Submitted Artwork Motorist, Industrial Landscape, and The Street investigate an abstraction of frozen moments in film. Looking to evoke a dream-scape reminiscent of a faded memory through combining the immediately recognizable images with more loose shapes and free-flowing forms. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 104
Xin Chen Little by Little my Nights got Better 01, 2024 Oil pastel and varnish on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Xin Chen is a Nottingham-based Chinese visual artist whose work spans ceramics, drawing, and collage. Her practice is marked by a playful engagement with physical and visual materials. Xin's intuitive process results in spontaneous pieces that explore the balance and mystery of the universe. Her practice investigates the relationships between nature and humankind, the subconscious and the cosmic, revealing unexpected discoveries and connections related to her childhood memories. Education 2023-2025 MFA in Fine Art, Nottingham Trent University, Nottingham, UK Solo Exhibitions 2019 108 Pattern Project, Shuxia Gallery, Chengdu, China Group Exhibitions 2024 The Last Horror Show, BACKLIT Gallery, Nottingham, UK BACKLIT Gallery Members Show, Nottingham, UK Frames Exhibition, Nottingham Contemporary, UK 2022 The Year of Tiger Exhibition, Shanghai Library, Shanghai, China Awards 2023 Merit Award, Hii Illustration International Competition 2022 Merit Award, Hii Illustration International Competition Statement about AOAP Submitted Artwork Little by Little, My Nights Got Better 1,2 depicts wild elephants wandering in the urban environment, exploring the relationship between nature and humankind. I used childlike and innocent combinations of colours and forms to convey a sense of playfulness and naivety. The compositions reflect my fascination with the juxtaposition of the organic and the constructed, raising questions about coexistence and harmony. What does it mean for wild animals to enter human spaces? Are we getting better? You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 477
Alma Haser MS, 2024 Photographic print on paper Signed COA 10 x 15cm (3¾ x 5¾ in.) About Born in 1989 into an artistic family in the Black Forest, Germany, Alma Haser is now based in SouthEast England. She is known for her complex and meticulously constructed portraiture, which are influenced by her creativity and her background in fine art. Alma creates striking work that catches the eye and captivates the mind. Expanding the dimensions of traditional portrait photography, Alma takes her photographs further by using inventive paper-folding techniques, collage and mixed media to create layers of intrigue around her subjects; manipulating her portraits into futuristic paper sculptures and blurring the distinctions between two-dimensional and three-dimensional imagery. Since having children her work has evolved and adapted to the time constraints she now faces. With that in mind, she uses techniques that are therapeutic and meditative, such as needle work and fabrics. Alma has won many awards for her work, including Magenta Foundation's Bright Spark Award for her Cosmic Surgery series (also the basis of a successful self-published book project). Her piece The Ventriloquist won forth prize for the Taylor Wessing Portrait Prize at the National Portrait Gallery. Alma also won the PDN Photo Annual Award for her Eureka Effect series. Her work has been exhibited worldwide. Alma's current projects include Within 15 Minutes, a series delving into her fascination with identical twins, they're genetics and how to distinguish them using jigsaw puzzles. She's also been working on her Pseudo series; an exploration of what is real and what is manufactured, through using her unique paper collage layering and re-photographing techniques. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 265
Lee Maelzer Swimming, 2024 Collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lee Maelzer was born in London born and lives and works in London and North West Sutherland. She studied at Central St Martins College of Art and Design and the Royal College of Art. Since 2005 she has had twelve solo exhibitions and has exhibited widely in group shows in the UK. Her work has also been exhibited internationally, including: The Netherlands, USA, Cyprus, Spain, Czech Republic, Finland, Mexico, Tunisia, Switzerland, China, Austria, Germany, Sweden, Greece, Italy, France and Estonia. She received the Bryan Robertson Trust Award, 2019, The Abbey Fellowship at The British School at Rome, 2004, participated twice in Bloomberg ARTFutures, was shortlisted for the East London Painting Prize, the Celeste Art Prize, twice shortlisted for the John Moores Painting Prize and has been exhibited in the Royal Academy Summer Exhibition five times. Residencies include: Girne American University Funded Residency, Kyrenia, Cyprus (2018); Artistic Crossing, Tunis, Tunisia (2016); Directional Forces, Psarades, Greece (2016 & 2015); Aldeburgh Beach Lookout Project, Aldeburgh, UK (2013); JOYA residency, Los Gasquez, Spain (2010); Deviant Art Festival, Trollhattan, Sweden (2007); Storefront Artists' Project, Pittsfield, Massachusetts, (2007); Abbey Fellowship, British School at Rome, Italy, (2004); Arts Council of England Fellowship, Colima, Mexico, (2002). Permanent collections include: Zabludowicz Collection; David Roberts Collection; Queen Mary University, London, The University of the Arts Collection; Frank Cohen Collection; Calvert 22; Hudson Valley Community College and extensive private collections. Features and publications include: The Age of Collage, vol 3: contemporary collage in modern art; Le Document, Issue 37; The Moth magazine, Issue 36; Vox Pop television feature 06.05.2018; AMBIT 223; Turps Magazine, Issue Thirteen: Geraldine Swayne interviews Lee Maelzer; Resonance FM: VENUS RISING with artist Lee Maelzer, a series of 8 conversations about women and art, presented by Sharon Gal. She is a senior lecturer in fine art at the University of East London. Other lecturing posts include BA Hons courses at Central St Martins College of Art, Winchester College of Art and City and Guilds of London Art School, visiting lecturer at Loughborough College of Art BA and on the MA at the Royal Academy Schools and the University for the Creative Arts, Farnham. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 155
Denise Zygadlo Duty Bound, 2024 Paper-cut collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Denise Zygadlo is a visual artist/performance exploring cloth in all its forms and the memories and associations it holds. Working mainly with photocopied images transferred onto cloth and paper-cut collages and detailed drawings. Education 1973-1976 BA in Printed Textiles, Winchester Art School Solo Exhibitions 2012 Involutus Memet, Gatehouse of Fleet Museum, Galloway, Scotland 2014 Wrap, Gracefield Arts Centre, Dumfries, Scotland 2020 Kept Cloth, Arusha Gallery, Edinburgh, Scotland Group Exhibitions 2025 Upland, Kirkcudbright Galleries, Kirkcudbright, Scotland 2024 SSA Annual, Royal Scottish Academy, Edinburgh, Scotland Threads, Old Gala House, Galashiels, Scotland Awards 2012 Development, VACMA 2014 Performance, Creative Scotland Gallery Representation Arusha Gallery, Edinburgh Statement about AOAP Submitted Artwork A series of four paper-cut collages on the theme of 'bound' in its various forms. Using colour and ties to connect each to the other. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 444
Lily Kemp Blue Dream, 2025 Acrylic gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About With an underlying interest in exploring narratives touching on the fluidity of gender and identities; Lily Kemp's paintings explore escapism, storytelling, the act of dressing up and playing out imagined roles. Drawing from a range of visual references and written sources, through the process of collage she interweaves figures and images from popular culture alongside found images of landscapes and her own personal photographs. Looking in part at the relationships between popular culture, gender norms and our sense of self. More specifically at our relationship with fashion, how the way we choose to present ourselves can be considered an extension of ourselves and a way of exploring our identities outside of socially constructed binary categorisations. The sense of scale in Lily's paintings is often distorted and exaggerated with an interchangeable indistinct relationship between her figures and the space surrounding them, her landscapes seeming to breathe a life of their own. Scenes are often hyper idealised and fantastical; her figures living within these imagined worlds and dream like realities which are both familiar, yet also border on the performative and theatrical. Education 2016 - 2019 BA Fine Art Painting, University of the Arts London, London 2015 - 2016 Foundation Diploma in Art and Design, University of the Arts London, London Solo and Duo Exhibitions 2024 Inner Voyage Out (duo show with Minyoung Kim), Over the Influence, Hong Kong 2023 Taking flight, Taymour Grahne Projects, London 2022 Cry me a river, Galeria Duarte Sequeira, Seoul Selected Group Exhibitions and Art Fairs 2024 International Women's Day Auction, Art on a Postcard, London New Now, Guts Gallery, London 2023 Duo presentation with Over the Influence at Kiaf Seoul 2022 Group presentation with Galeria Duarte Sequeira at Art Busan Intimacy, Taymour Grahne Projects, London What Now?, PM/AM gallery, London Assemble, V.O Curations, London 2021 Confluence of Tongues, Grove Collective, London Solo presentation with Galeria Duarte Sequeira at ARCO Madrid Bloomberg New Contemporaries 2020, South London Gallery, London Get a load of this, Daniel Raphael Gallery, London 2020 Bloomberg New Contemporaries 2020 Digital Platform That's How The Light Gets In, AucArt Virtual Gallery The Recent Graduates Exhibition, The Battersea Spring Affordable Art Fair, London Herstory - Women in Art, Maddox Gallery, London The Signature Art Prize, Bankside Hotel, London 2019 The Clyde & Co Art Award, St Botolph Building, London The Woon Foundation Painting & Sculpture Prize, Gallery North, Newcastle upon Tyne BA Degree Show, Wimbledon College of Arts, London Everyday Forms, Four Corners Gallery, London For Love or Money, Copeland Gallery, London 2017 Spilt Milk, Pop up venue, London 2016 Foundation Show, Camberwell College of Arts, London 2015 Young Art, Royal College of Art, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 39
Jazz Grant The Street, 2025 Acrylic and collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jazz is a visual artist who mainly works with mixed media processes with a focus on non-digital collage artwork and stop motion animation. Exploring the realm of memory construction, she considers the abundant and chaotic processes of accessing and preserving historical and contemporary information. Education 2013-2016 Fashion Design, University of the Arts London Solo Exhibitions 2025 Smoke Forgets The Earth, Vision Curate, UK Group Exhibitions 2025 Video Club, Harlesden High St, London 2024 Twisted Bodies, Opera Gallery, NYC, New York Post Human VI, Marylebone Square, London Smoke Forgets The Earth, VC Projects/VisionCurate, London The Whole World Smiles with You, Opera Gallery, London Voyeur, The Space Between, HBH Gallery, London Black Star, Strada Gallery, NYC 2023 Small Hours, Alice Black Gallery, London Book of HOV, Brooklyn Public Library, NYC 2022 On Love, Home by Ronan Mckenzie, London Before Anyone Else, Burberry Shipstore, London The Harder They Come, Kingston, JA 2021 BALLS, J Hammond Projects/OOF, London Cutting at Lemons for Freckles, Rear Sq Gallery, Norwich Mushrooms, Rue Turenne, Paris 2020 Nearness, Brixton, London Gallery Representation Vision Curate (London, UK) Statement about AOAP Submitted Artwork Motorist, Industrial Landscape, and The Street investigate an abstraction of frozen moments in film. Looking to evoke a dream-scape reminiscent of a faded memory through combining the immediately recognizable images with more loose shapes and free-flowing forms. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 156
Denise Zygadlo Homeward Bound, 2024 Paper-cut collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Denise Zygadlo is a visual artist/performance exploring cloth in all its forms and the memories and associations it holds. Working mainly with photocopied images transferred onto cloth and paper-cut collages and detailed drawings. Education 1973-1976 BA in Printed Textiles, Winchester Art School Solo Exhibitions 2012 Involutus Memet, Gatehouse of Fleet Museum, Galloway, Scotland 2014 Wrap, Gracefield Arts Centre, Dumfries, Scotland 2020 Kept Cloth, Arusha Gallery, Edinburgh, Scotland Group Exhibitions 2025 Upland, Kirkcudbright Galleries, Kirkcudbright, Scotland 2024 SSA Annual, Royal Scottish Academy, Edinburgh, Scotland Threads, Old Gala House, Galashiels, Scotland Awards 2012 Development, VACMA 2014 Performance, Creative Scotland Gallery Representation Arusha Gallery, Edinburgh Statement about AOAP Submitted Artwork A series of four paper-cut collages on the theme of 'bound' in its various forms. Using colour and ties to connect each to the other. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 60
Maureen Grayson Sandy Heath, Hampstead 2, 2024 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Maureen Grayson is a London-based artist specialising in mixed media abstraction. Her work delves into the captivating interplay between natural phenomena and the ever-evolving landscape. Inspired by the dynamic shifts in light, temperature, and season, she is continually mesmerised by the volatile effects these elements have on our surroundings. Utilising a variety of substrates including wood panels, canvas, and paper, she embraces the versatility of mixed media to bring her vision to life. A fascination for the ancient trees and ponds on Hampstead Heath has been the inspiration for a series of tactile works incorporating thread, collage, and fibres. Solo Exhibitions 2020 The Space Beyond, OmniDe Gallery, Hampstead, London, UK 2023 Open Studio/Artist Spotlight Month, OmniDe Gallery, Hampstead, London, UK Group Exhibitions 2023/2024 Rotating Group Show 2023/24, OmniDe, Hampstead, London, UK 2024 International Women's Day Group Show, CasildART, 32 Connaught Street, Connaught Village, London W2 2AF Natura Exhibition, Art from Heart, Daku Coffee House Gallery, Kensington, London, UK Hampstead Art Fair Open/Picture the Heath, Hampstead, London, UK SMart Network Charity 24th Anniversary Group Show, Cyphermunk House, City of London Women In Art Prize Finalist's Exhibition, The Roundhouse, Camden, London, UK Zebra One Gallery, Perrin's Court, Hampstead, London, UK The ING Discerning Eye, Mall Galleries, London, UK Awards 2024 Winner of Picture the Heath, Hampstead Art Fair, London, UK HSoA Abstract Painting Award, Women In Art Prize, Camden, London, UK Statement about AOAP Submitted Artwork Two mixed media abstract landscapes inspired by The Sandy Heath, Hampstead Woods. In each work, I have used layers of collage and strands of thread/fibres to suggest the textures of the ancient gnarled trees reflecting into the wetland areas. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 186
Maayan Sophia Weisstub Fertility, 2024 Digital collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Maayan Sophia Weisstub is a multidisciplinary artist based in the United Kingdom. A graduate of the Royal College of Art, Maayan's work has been exhibited in renowned museums and galleries internationally, including Christie's, Omer Tiroche Gallery, Saatchi Gallery, Museum of the Home in London, and Pavlov's Dog Gallery in Berlin. Maayan has been recognized as a shortlisted finalist for the Robert Walters Group UK New Artist of the Year Award and the John Ruskin Art Prize. Her work has garnered attention in prominent publications such as WhiteHot Magazine, Kaltblut Magazine, Hyperallergic Magazine, White Paper By Magazine, and many more. Education 2019-2021 Royal College of Art, MA Information Experience Design Solo Exhibitions 2024 Mama Salon, London, United Kingdom 2022 Poum Gallery, Lyon, France 2021 Mnḗmē, Omer Tiroche Gallery, London, United Kingdom 2019 Alliance House, Jerusalem, Israel Group Exhibitions 2024 Bath Society of Artists Annual Exhibition, Victoria Gallery, Bath, UK Art Bellow, Regent's Park Tube Station, London, United Kingdom Summer Exhibition, Green & Stone Gallery, London, United Kingdom Essential Structures, Gerald Moore Gallery, London, United Kingdom John Ruskin Art Prize, Trinity Buoy Wharf, London, United Kingdom Art on Postcard, The Bomb Factory, London, United Kingdom 2023 Women in Art Prize, Roundhouse, London, United Kingdom Tom of Finland Festival, The Standard, London, United Kingdom The Self-Portrait Prize Online Exhibition, Artsy No Future, No Cry, Galeria Alfaia, Loule, Portugal No Future, No Cry, Centro Cultural De Lagos, Lagos, Portugal Fetish, Mama, London, United Kingdom 2022 Marianne Brandt Award, Industrial Museum, Chemnitz, Germany Tom of Finland Festival, Second Home, London, United Kingdom Art on Postcard x Go with Yamo, Koppel X, London, United Kingdom Next at Christie's, London, United Kingdom Brixton Art Prize, The Department Store, London, United Kingdom Sleep, Museum of the Home, London, United Kingdom Beit Kandinof Gallery, Jaffa, Israel 2021 Robert Walters Group UK New Artist of the Year Award, Online Gallery, London, United Kingdom Robert Walters Group UK New Artist of the Year Award, Saatchi Gallery, London, United Kingdom Beep Beep, Menier Gallery, London, United Kingdom Beyond the Frame, Horse Hospital, London, United Kingdom Awards 2024 Shortlisted, John Ruskin Art Prize 2023 Finalist, Women in Art Prize 2022 Nominated, Marianne Brandt Award Shortlisted, Zealous Amplify Shortlisted, Brixton Art Prize Outset Contemporary Art Fund 2021 Global Talent Visa UK Shortlisted, Robert Walters Group UK New Artist of the Year Award Public Collections Tom of Finland Collection (Los Angeles, United States of America) Statement about AOAP Submitted Artwork The feminine embodies the essence of creation, transformation, and the intricate dance of existence, with the potential of the mother as its core. It carries the profound ability to give life, shape new worlds, and nurture them with care and resilience. The egg, an ancient symbol of fertility, represents the embryonic potential from which life emerges, while its connection to the breast signifies not only life-giving sustenance but also the enduring strength of the maternal force in nurturing and protection. Together, these symbols reflect the sacred cycle of birth, growth, sustenance, and renewal. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 266
Lee Maelzer Table and Cosmos, 2024 Collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lee Maelzer was born in London born and lives and works in London and North West Sutherland. She studied at Central St Martins College of Art and Design and the Royal College of Art. Since 2005 she has had twelve solo exhibitions and has exhibited widely in group shows in the UK. Her work has also been exhibited internationally, including: The Netherlands, USA, Cyprus, Spain, Czech Republic, Finland, Mexico, Tunisia, Switzerland, China, Austria, Germany, Sweden, Greece, Italy, France and Estonia. She received the Bryan Robertson Trust Award, 2019, The Abbey Fellowship at The British School at Rome, 2004, participated twice in Bloomberg ARTFutures, was shortlisted for the East London Painting Prize, the Celeste Art Prize, twice shortlisted for the John Moores Painting Prize and has been exhibited in the Royal Academy Summer Exhibition five times. Residencies include: Girne American University Funded Residency, Kyrenia, Cyprus (2018); Artistic Crossing, Tunis, Tunisia (2016); Directional Forces, Psarades, Greece (2016 & 2015); Aldeburgh Beach Lookout Project, Aldeburgh, UK (2013); JOYA residency, Los Gasquez, Spain (2010); Deviant Art Festival, Trollhattan, Sweden (2007); Storefront Artists' Project, Pittsfield, Massachusetts, (2007); Abbey Fellowship, British School at Rome, Italy, (2004); Arts Council of England Fellowship, Colima, Mexico, (2002). Permanent collections include: Zabludowicz Collection; David Roberts Collection; Queen Mary University, London, The University of the Arts Collection; Frank Cohen Collection; Calvert 22; Hudson Valley Community College and extensive private collections. Features and publications include: The Age of Collage, vol 3: contemporary collage in modern art; Le Document, Issue 37; The Moth magazine, Issue 36; Vox Pop television feature 06.05.2018; AMBIT 223; Turps Magazine, Issue Thirteen: Geraldine Swayne interviews Lee Maelzer; Resonance FM: VENUS RISING with artist Lee Maelzer, a series of 8 conversations about women and art, presented by Sharon Gal. She is a senior lecturer in fine art at the University of East London. Other lecturing posts include BA Hons courses at Central St Martins College of Art, Winchester College of Art and City and Guilds of London Art School, visiting lecturer at Loughborough College of Art BA and on the MA at the Royal Academy Schools and the University for the Creative Arts, Farnham. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 75
Julie Cassels Looking Back - Rewoven Series - After Vuillard - Red Rust, 2023 Composite Photograph Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Julie Cassels is a multidisciplinary artist whose work often has historical references, with a particular interest in the aesthetics of textiles and clothing, as they occur in all aspects of daily life. Her work is inspired by the depiction of fabric in all art forms, throughout art history, along with its interpretation and relevance. As a perpetual analyst, she reflects on the individuality of seeing and visual perception, illuminating them with work that encompasses video installation, photographic collage, digitally reconstructed objects, and low-relief mixed media canvasses. Education 2004 - 2005 MA at Manchester Metropolitan University in Textiles/Fashion 2001 - 2004 BA Visual Arts (Hons) Degree at Salford University. (First) 2000 - 2001 BTEC Arts Foundation Course, South Trafford College, (Dist) Solo Exhibitions 2021 We View Things Differently Now, Rogue Studios Project Space, Manchester, UK Group Exhibitions 2025 Return to the Sea, Seafront Gallery, Worthing Women in Art Prize, Roundhouse, Chalk Farm Rd, London NW1 8EH Ventriloquism, The Whitaker, Haslingden Rd, Rossendale, BB4 6RE Rogue Women 3, Rogue Studios Project Space, Manchester Air Gallery Open, Rogue Studios, 4 Barrass St, Manchester, M11 1WP Shutter Hub Yearbook 2024, online exhibition A Small Space World Tour, multiple venues A Room of One's Own, Irving Gallery, 28 Essex St, Oxford, OX4 3AW A Small Space, Square Feet Architects, 95 Bell St, London, NW1 6TL 2024 To the Sea, St Gilles Croix de Vie, France Bury Open, Bury Art Museum, Moss Street, Bury, BL9 0DR Spark Philosophy Retreat, Crawfordsburn Inn, Northern Ireland Live With It, Mura MA Art Space, 15 Stockport Rd, Marple, SK6 6BD A Small Space, Dezrez Projects, 285 Deansgate, M3 4EW A Small Space, Old Town General Store, Stockport, SK1 1NE Shape Exhibition, Gallery of Photography, Glasgow G1 1UG Comme Ca Art X Awol Studios Exhibition, Comme Ca Gallery, Manchester Rogue Women 2, Rogue Studios Project Space, Manchester Warrington Contemporary Open Exhibition, Warrington Museum and Art Gallery 2022 Shutter Hub Everyday Delight 2022, online exhibition Shutter Hub Yearbook 2022, online exhibition Bodfa Continuum, Plas Bodfa, Llangoed, Anglesey, Wales Manchester Open 2022, Home, Manchester, M15 4FN Postcards from Europe, Art at Arb, University of Cambridge, CB3 9DT 2021 Starting Space, Virtual Gallery Space, Artsteps and @ThePhotoEdge We View Things Differently Now, Rogue Studios Project Space, Manchester Shutter Hub Yearbook 2021, online exhibition Auckland Festival of Photography, Auckland, New Zealand In Manchester, Saul Hay Gallery, Manchester Awards 2024 Finalist Women in Art Prize 2021 Arts Council England DYCP Grant 2019 Greater Manchester Arts Prize runner-up 2015 Waterside 1-0 micro commission Statement about AOAP Submitted Artwork The two Looking Back - Rewoven works are composite photographs in a new series looking at the history of tapestry used as a backdrop for decoration and warmth. They reference works by the painter Edouard Vuillard who created complex layers and collages of textiles, reminding critics of the woolly reverse side of a tapestry. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 40
Jazz Grant Industrial Landscape, 2025 Acrylic and collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jazz is a visual artist who mainly works with mixed media processes with a focus on non-digital collage artwork and stop motion animation. Exploring the realm of memory construction, she considers the abundant and chaotic processes of accessing and preserving historical and contemporary information. Education 2013-2016 Fashion Design, University of the Arts London Solo Exhibitions 2025 Smoke Forgets The Earth, Vision Curate, UK Group Exhibitions 2025 Video Club, Harlesden High St, London 2024 Twisted Bodies, Opera Gallery, NYC, New York Post Human VI, Marylebone Square, London Smoke Forgets The Earth, VC Projects/VisionCurate, London The Whole World Smiles with You, Opera Gallery, London Voyeur, The Space Between, HBH Gallery, London Black Star, Strada Gallery, NYC 2023 Small Hours, Alice Black Gallery, London Book of HOV, Brooklyn Public Library, NYC 2022 On Love, Home by Ronan Mckenzie, London Before Anyone Else, Burberry Shipstore, London The Harder They Come, Kingston, JA 2021 BALLS, J Hammond Projects/OOF, London Cutting at Lemons for Freckles, Rear Sq Gallery, Norwich Mushrooms, Rue Turenne, Paris 2020 Nearness, Brixton, London Gallery Representation Vision Curate (London, UK) Statement about AOAP Submitted Artwork Motorist, Industrial Landscape, and The Street investigate an abstraction of frozen moments in film. Looking to evoke a dream-scape reminiscent of a faded memory through combining the immediately recognizable images with more loose shapes and free-flowing forms. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 334
Kadiatou Ware Muso I, 2024 Water-based ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kadiatou Ware is a Brooklyn-based artist born in Mali and raised in Gabon. Her practice is grounded in Denbaw Gaari, which means "mothers thread" in Bambara, and examines the complexities of genetic memory through maternal connections using acrylic, and bogolan collage. Education 2018 BA in International Studies, The City College of New York, New York, USA Solo Exhibitions 2021 TAAMA, The Old American Can Factory, Brooklyn, NY, USA Group Exhibitions 2024 In Community With The Land, Resorts World New York City, Queens, NY, USA Every Woman Biennial, La Mama Galleria, New York, NY, USA 2023 Ancestral Nourishment, Jamaica Center for Arts and Learning, Queens, NY, USA Summer Group Exhibition, Kente Royal Gallery, Harlem, NY, USA Inner World, Ely Center of Contemporary Art, Virtual Exhibition 2022 In Spring, The Gallery by MUI, Virtual Exhibition What's Your Black?, Heath Gallery, Harlem, NY, USA 2021 Femininity Defined, Black Girls Who Paint, Virtual Exhibition Connections, Roaring Artist Gallery, Virtual Exhibition TRAJET, BGX Gallery, Seaport District, NY Statement About AOAP Submitted Artwork MUSO I and MUSO II. Both artworks explore themes of femininity, nature and resilience while acknowledging the complexities of surviving in a world that is ever changing. In both artworks, I use water-based ink on textured paper to symbolize the roughness of our world. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 445
Lily Kemp A quiet stillness, 2025 Acrylic gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About With an underlying interest in exploring narratives touching on the fluidity of gender and identities; Lily Kemp's paintings explore escapism, storytelling, the act of dressing up and playing out imagined roles. Drawing from a range of visual references and written sources, through the process of collage she interweaves figures and images from popular culture alongside found images of landscapes and her own personal photographs. Looking in part at the relationships between popular culture, gender norms and our sense of self. More specifically at our relationship with fashion, how the way we choose to present ourselves can be considered an extension of ourselves and a way of exploring our identities outside of socially constructed binary categorisations. The sense of scale in Lily's paintings is often distorted and exaggerated with an interchangeable indistinct relationship between her figures and the space surrounding them, her landscapes seeming to breathe a life of their own. Scenes are often hyper idealised and fantastical; her figures living within these imagined worlds and dream like realities which are both familiar, yet also border on the performative and theatrical. Education 2016 - 2019 BA Fine Art Painting, University of the Arts London, London 2015 - 2016 Foundation Diploma in Art and Design, University of the Arts London, London Solo and Duo Exhibitions 2024 Inner Voyage Out (duo show with Minyoung Kim), Over the Influence, Hong Kong 2023 Taking flight, Taymour Grahne Projects, London 2022 Cry me a river, Galeria Duarte Sequeira, Seoul Selected Group Exhibitions and Art Fairs 2024 International Women's Day Auction, Art on a Postcard, London New Now, Guts Gallery, London 2023 Duo presentation with Over the Influence at Kiaf Seoul 2022 Group presentation with Galeria Duarte Sequeira at Art Busan Intimacy, Taymour Grahne Projects, London What Now?, PM/AM gallery, London Assemble, V.O Curations, London 2021 Confluence of Tongues, Grove Collective, London Solo presentation with Galeria Duarte Sequeira at ARCO Madrid Bloomberg New Contemporaries 2020, South London Gallery, London Get a load of this, Daniel Raphael Gallery, London 2020 Bloomberg New Contemporaries 2020 Digital Platform That's How The Light Gets In, AucArt Virtual Gallery The Recent Graduates Exhibition, The Battersea Spring Affordable Art Fair, London Herstory - Women in Art, Maddox Gallery, London The Signature Art Prize, Bankside Hotel, London 2019 The Clyde & Co Art Award, St Botolph Building, London The Woon Foundation Painting & Sculpture Prize, Gallery North, Newcastle upon Tyne BA Degree Show, Wimbledon College of Arts, London Everyday Forms, Four Corners Gallery, London For Love or Money, Copeland Gallery, London 2017 Spilt Milk, Pop up venue, London 2016 Foundation Show, Camberwell College of Arts, London 2015 Young Art, Royal College of Art, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 158
Denise Zygadlo Cloth Bound, 2024 Paper-cut collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Denise Zygadlo is a visual artist/performance exploring cloth in all its forms and the memories and associations it holds. Working mainly with photocopied images transferred onto cloth and paper-cut collages and detailed drawings. Education 1973-1976 BA in Printed Textiles, Winchester Art School Solo Exhibitions 2012 Involutus Memet, Gatehouse of Fleet Museum, Galloway, Scotland 2014 Wrap, Gracefield Arts Centre, Dumfries, Scotland 2020 Kept Cloth, Arusha Gallery, Edinburgh, Scotland Group Exhibitions 2025 Upland, Kirkcudbright Galleries, Kirkcudbright, Scotland 2024 SSA Annual, Royal Scottish Academy, Edinburgh, Scotland Threads, Old Gala House, Galashiels, Scotland Awards 2012 Development, VACMA 2014 Performance, Creative Scotland Gallery Representation Arusha Gallery, Edinburgh Statement about AOAP Submitted Artwork A series of four paper-cut collages on the theme of 'bound' in its various forms. Using colour and ties to connect each to the other. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 291
Andrea Curtis Succulent 3, 2025 Acrylic, collage, and mono print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Andrea Curtis is a lifelong artist with a passion for colour and an incredible sense of creative flair that she has been bringing into her work as an artist, designer and consultant for the last 30yrs.A Masters in Printmaking, a Degree in Textile design and a 30 yr career in art, design and business make Andrea well placed to support her clients in the work she does today transforming interiors and teaching colour workshops to students and professional peers. Completing comprehensive 121 mentoring with the creator of Colour Psychology, Angela Wright, added an in depth understanding of colour psychology to her already impressive skill set which underpins much of her work. From her early days running a successful design business designing and creating homewares for John Lewis; to teaching about colour and art in schools and collages; to painting murals and installations for some of the top retailers in UK and New Zealand; Andrea's experience puts her amongst the true heavyweights in her field. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 105
Xin Chen Little by Little my Nights got Better 02, 2024 Oil pastel and varnish on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Xin Chen is a Nottingham-based Chinese visual artist whose work spans ceramics, drawing, and collage. Her practice is marked by a playful engagement with physical and visual materials. Xin's intuitive process results in spontaneous pieces that explore the balance and mystery of the universe. Her practice investigates the relationships between nature and humankind, the subconscious and the cosmic, revealing unexpected discoveries and connections related to her childhood memories. Education 2023-2025 MFA in Fine Art, Nottingham Trent University, Nottingham, UK Solo Exhibitions 2019 108 Pattern Project, Shuxia Gallery, Chengdu, China Group Exhibitions 2024 The Last Horror Show, BACKLIT Gallery, Nottingham, UK BACKLIT Gallery Members Show, Nottingham, UK Frames Exhibition, Nottingham Contemporary, UK 2022 The Year of Tiger Exhibition, Shanghai Library, Shanghai, China Awards 2023 Merit Award, Hii Illustration International Competition 2022 Merit Award, Hii Illustration International Competition Statement about AOAP Submitted Artwork Little by Little, My Nights Got Better 1,2 depicts wild elephants wandering in the urban environment, exploring the relationship between nature and humankind. I used childlike and innocent combinations of colours and forms to convey a sense of playfulness and naivety. The compositions reflect my fascination with the juxtaposition of the organic and the constructed, raising questions about coexistence and harmony. What does it mean for wild animals to enter human spaces? Are we getting better? You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 76
Julie Cassels Looking Back - Rewoven Series - After Vuillard - Blue Grey, 2023 Composite Photograph Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Julie Cassels is a multidisciplinary artist whose work often has historical references, with a particular interest in the aesthetics of textiles and clothing, as they occur in all aspects of daily life. Her work is inspired by the depiction of fabric in all art forms, throughout art history, along with its interpretation and relevance. As a perpetual analyst, she reflects on the individuality of seeing and visual perception, illuminating them with work that encompasses video installation, photographic collage, digitally reconstructed objects, and low-relief mixed media canvasses. Education 2004 - 2005 MA at Manchester Metropolitan University in Textiles/Fashion 2001 - 2004 BA Visual Arts (Hons) Degree at Salford University. (First) 2000 - 2001 BTEC Arts Foundation Course, South Trafford College, (Dist) Solo Exhibitions 2021 We View Things Differently Now, Rogue Studios Project Space, Manchester, UK Group Exhibitions 2025 Return to the Sea, Seafront Gallery, Worthing Women in Art Prize, Roundhouse, Chalk Farm Rd, London NW1 8EH Ventriloquism, The Whitaker, Haslingden Rd, Rossendale, BB4 6RE Rogue Women 3, Rogue Studios Project Space, Manchester Air Gallery Open, Rogue Studios, 4 Barrass St, Manchester, M11 1WP Shutter Hub Yearbook 2024, online exhibition A Small Space World Tour, multiple venues A Room of One's Own, Irving Gallery, 28 Essex St, Oxford, OX4 3AW A Small Space, Square Feet Architects, 95 Bell St, London, NW1 6TL 2024 To the Sea, St Gilles Croix de Vie, France Bury Open, Bury Art Museum, Moss Street, Bury, BL9 0DR Spark Philosophy Retreat, Crawfordsburn Inn, Northern Ireland Live With It, Mura MA Art Space, 15 Stockport Rd, Marple, SK6 6BD A Small Space, Dezrez Projects, 285 Deansgate, M3 4EW A Small Space, Old Town General Store, Stockport, SK1 1NE Shape Exhibition, Gallery of Photography, Glasgow G1 1UG Comme Ca Art X Awol Studios Exhibition, Comme Ca Gallery, Manchester Rogue Women 2, Rogue Studios Project Space, Manchester Warrington Contemporary Open Exhibition, Warrington Museum and Art Gallery 2022 Shutter Hub Everyday Delight 2022, online exhibition Shutter Hub Yearbook 2022, online exhibition Bodfa Continuum, Plas Bodfa, Llangoed, Anglesey, Wales Manchester Open 2022, Home, Manchester, M15 4FN Postcards from Europe, Art at Arb, University of Cambridge, CB3 9DT 2021 Starting Space, Virtual Gallery Space, Artsteps and @ThePhotoEdge We View Things Differently Now, Rogue Studios Project Space, Manchester Shutter Hub Yearbook 2021, online exhibition Auckland Festival of Photography, Auckland, New Zealand In Manchester, Saul Hay Gallery, Manchester Awards 2024 Finalist Women in Art Prize 2021 Arts Council England DYCP Grant 2019 Greater Manchester Arts Prize runner-up 2015 Waterside 1-0 micro commission Statement about AOAP Submitted Artwork The two Looking Back - Rewoven works are composite photographs in a new series looking at the history of tapestry used as a backdrop for decoration and warmth. They reference works by the painter Edouard Vuillard who created complex layers and collages of textiles, reminding critics of the woolly reverse side of a tapestry. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 59
Maureen Grayson Sandy Heath, Hampstead 1, 2024 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Maureen Grayson is a London-based artist specialising in mixed media abstraction. Her work delves into the captivating interplay between natural phenomena and the ever-evolving landscape. Inspired by the dynamic shifts in light, temperature, and season, she is continually mesmerised by the volatile effects these elements have on our surroundings. Utilising a variety of substrates including wood panels, canvas, and paper, she embraces the versatility of mixed media to bring her vision to life. A fascination for the ancient trees and ponds on Hampstead Heath has been the inspiration for a series of tactile works incorporating thread, collage, and fibres. Solo Exhibitions 2020 The Space Beyond, OmniDe Gallery, Hampstead, London, UK 2023 Open Studio/Artist Spotlight Month, OmniDe Gallery, Hampstead, London, UK Group Exhibitions 2023/2024 Rotating Group Show 2023/24, OmniDe, Hampstead, London, UK 2024 International Women's Day Group Show, CasildART, 32 Connaught Street, Connaught Village, London W2 2AF Natura Exhibition, Art from Heart, Daku Coffee House Gallery, Kensington, London, UK Hampstead Art Fair Open/Picture the Heath, Hampstead, London, UK SMart Network Charity 24th Anniversary Group Show, Cyphermunk House, City of London Women In Art Prize Finalist's Exhibition, The Roundhouse, Camden, London, UK Zebra One Gallery, Perrin's Court, Hampstead, London, UK The ING Discerning Eye, Mall Galleries, London, UK Awards 2024 Winner of Picture the Heath, Hampstead Art Fair, London, UK HSoA Abstract Painting Award, Women In Art Prize, Camden, London, UK Statement about AOAP Submitted Artwork Two mixed media abstract landscapes inspired by The Sandy Heath, Hampstead Woods. In each work, I have used layers of collage and strands of thread/fibres to suggest the textures of the ancient gnarled trees reflecting into the wetland areas. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 290
Andrea Curtis Succulent 2, 2025 Acrylic, collage, and mono print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Andrea Curtis is a lifelong artist with a passion for colour and an incredible sense of creative flair that she has been bringing into her work as an artist, designer and consultant for the last 30yrs.A Masters in Printmaking, a Degree in Textile design and a 30 yr career in art, design and business make Andrea well placed to support her clients in the work she does today transforming interiors and teaching colour workshops to students and professional peers. Completing comprehensive 121 mentoring with the creator of Colour Psychology, Angela Wright, added an in depth understanding of colour psychology to her already impressive skill set which underpins much of her work. From her early days running a successful design business designing and creating homewares for John Lewis; to teaching about colour and art in schools and collages; to painting murals and installations for some of the top retailers in UK and New Zealand; Andrea's experience puts her amongst the true heavyweights in her field. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 53
COLLAGE OF LACE DOILIES, HANDKERCHIEFS & GLOVES, labelled Campbells Dresses & Blouses, The Perth Dye Works, 82 x 110cmsComments: Framed and glazed, staining and discolouration, frame damagedProvenance: The Cornelia Bayley Collection from Plas Teg, an important Jacobean house in Flintshire, North Wales Plas Teg: Once in a Generation Welsh House Clearance — Rogers Jones CoNote: the auction lots are contained in a warehouse near Wrexham. Viewing can be arranged by appointment by calling Richard Hughes on 07593 181017. Purchased lots require collection by appointment once invoices are settled and strictly within ten days (maximum) from the auction date. Purchases which are not collected by this time will incur a charge of £50 per item per day. Please note that most HGV vehicles can enter the warehouse for convenient collection, but we do not offer assistance for heavy and large objects, please be prepared.
Lot 43
* ALLY THOMPSON (SCOTTISH 1955 - 2016), THE IMMOVABLE SAILOR mixed media collage on board, signed, titled and dated 2010 versoframed and under glassimage size 17cm x 15cm, overall size 51cm x 49cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
Lot 68
* CHRISTOPHER WOOD RSW RGI PPSSA, WINTER'S GRASP oil on board, signed, titled and dated 2004 versoframed and under glass image size 46cm x 51cm, overall size 59cm x 64cm Artist's label versoLabel verso: Manor House Gallery, Chipping NortonNote: Christopher Wood trained at Edinburgh College of Art, graduating with an Honours degree in Drawing & Painting in 1984. He has been a full-time professional artist since his first one-man exhibition in Edinburgh 1987. Inspired by the artist’s coastal environment near his home in Dunbar, Wood’s palette is infused with the reflection and absorption of light to be found in ever changing elements of Scottish land and seascape. Wood has won numerous prestigious awards. “My work encompasses landscape, seascape and abstraction, using oils, acrylics, collage and mixed media. My working practice is intuitive and improvisational - an approach which fosters the unexpected. Through the processes of painting, of layering and scraping, of looking and reacting, the work finds its own identity, with a purpose, history and a voice of its own. I endeavour to leave enough room for the viewer to engage with my work through the lens of their own experience." He is a Past-President of the Society of Scottish Artists, an elected member of the Royal Scottish Society of Painters in Watercolour and an elected member of the Royal Glasgow Institute of the Fine Arts. Collections include: HM King Charles, the Bank of Scotland; Aberdeen Asset Management; United Distillers; Edinburgh University; Lennox Lewis; The Demarco European Foundation; MacRoberts Solicitors; Premier Property Group; Phoenix Equity Partners and many other private and corporate collections around the world.
Lot 81
* CHRISTOPHER WOOD RSW PAI PPSSA, THE DIM CLOUD THE DIM CLOUD THAT DOTH THE WORLD ENFOLD HATH LESS THE CHARACTERS OF DARK AND COLD THAN WARMTH AND LIGHT ASLEEPoil on canvas, signed, titled and dated 1995 versoframedimage size 46cm x 51cm, overall size 67cm x 72cmLabel verso: The Gatehouse Gallery, Glasgow.Note: Christopher Wood trained at Edinburgh College of Art, graduating with an Honours degree in Drawing & Painting in 1984. He has been a full-time professional artist since his first one-man exhibition in Edinburgh 1987. Inspired by the artist’s coastal environment near his home in Dunbar, Wood’s palette is infused with the reflection and absorption of light to be found in ever changing elements of Scottish land and seascape. Wood has won numerous prestigious awards. “My work encompasses landscape, seascape and abstraction, using oils, acrylics, collage and mixed media. My working practice is intuitive and improvisational - an approach which fosters the unexpected. Through the processes of painting, of layering and scraping, of looking and reacting, the work finds its own identity, with a purpose, history and a voice of its own. I endeavour to leave enough room for the viewer to engage with my work through the lens of their own experience." He is a Past-President of the Society of Scottish Artists, an elected member of the Royal Scottish Society of Painters in Watercolour and an elected member of the Royal Glasgow Institute of the Fine Arts. Collections include: HM King Charles, the Bank of Scotland; Aberdeen Asset Management; United Distillers; Edinburgh University; Lennox Lewis; The Demarco European Foundation; MacRoberts Solicitors; Premier Property Group; Phoenix Equity Partners and many other private and corporate collections around the world.
Lot 93
* PHILIP REEVES RSA PRSW RGI RE (SCOTTISH 1931 - 2017), SECULAR TRIPTYCH limited edition aquatint on paper, signed, titled and numbered 3/10framed and under glasssheet size 69cm x 49cm, overall size 78cm x 55cm Note: Philip Reeves studied at the Cheltenham School of Art and at the Royal College of Art, London before being appointed lecturer at Glasgow School of Art in 1954. In 1967 he founded Edinburgh Printmakers, and was made Head of Printmaking at Glasgow School of Art in 1970, during which time he honed his skill, and expanded his media to include collage and construction. He has been extensively exhibited nationally with collections in the City Art Centre, the Royal Scottish Academy and the V&A Museum. His work can be found in many public, corporate and private collections in the UK.
Lot 84
* PHILIP REEVES RSA PRSW RGI RE (SCOTTISH 1931 - 2017), PARKING SPACE limited edition aquatint on paper, signed, titled and numbered 23/50framed and under glassimage size 38cm x 67cm, overall size 56cm x 76cm Note: Philip Reeves studied at the Cheltenham School of Art and at the Royal College of Art, London before being appointed lecturer at Glasgow School of Art in 1954. In 1967 he founded Edinburgh Printmakers, and was made Head of Printmaking at Glasgow School of Art in 1970, during which time he honed his skill, and expanded his media to include collage and construction. He has been extensively exhibited nationally with collections in the City Art Centre, the Royal Scottish Academy and the V&A Museum. His work can be found in many public, corporate and private collections in the UK.
Lot 46
* ALLY THOMPSON (SCOTTISH 1955 - 2016), DEFENCE OF ALBION mixed media collage on board, signed, titled and dated 2010 versoframed and under glassimage size 18cm x 22cm, overall size 52cm x 57cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
Lot 48
* ALLY THOMPSON (SCOTTISH 1955 - 2016), SHORELINE WITH EROTIC STRUCTURES mixed media collage on board, signed, titled and dated 2010 versoframed and under glassimage size 18cm x 22cm, overall size 53cm x 57cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
Lot 225
λ JOHN BAINBRIDGE COPNALL (BRITISH 1928-2007) UNTITLED, 1983 Oil, mixed media and collage on canvas Signed and dated 83 (verso) 223 x 169cm (87¾ x 66½ in.) UnframedProvenance: Mark Barrow Fine Art, London (acquired directly from the artist) Private Collection, London Sale, Rosebery's, London, 25 May 2021, lot 117 Private Collection, Wiltshire
Lot 179
λ TERRY FROST (BRITISH 1915-2003) SUDDEN IMPLUSE Mixed media and collage Signed and dated 02 (lower right) 38 x 37.5cm (14¾ x 14¾ in.)Provenance: Temple Gallery, Birmingham Condition Report: Unexamined out of glazed frame. Some fraying to the extreme edges of the board most notable along the upper and right hand edge. A crease to the red circular section of collage and glue residue but this is consistent with artist's intent. Overall the work appears to be in good original condition. Condition Report Disclaimer
Lot 52
DORA CARRINGTON (BRITISH 1893-1932) BEWIGGED MUSICIAN Oil, ink and silver foil on glass 19 x 15cm (7¼ x 5¾ in.)Provenance: Upper Grosvenor Galleries, London Barbara Bagenal, Private Collection Thence by descent to Michael and Alison Bagenal The Bloomsbury Workshop, London Exhibited: London, Barbican Art Gallery, 1984, no. 83 (lent by Barbara Bagenal) Condition Report: Unexamined out of glazed frame. The work appears to be in good original condition commensurate with age and consistent with Carrington's tinsel pictures. The work is a reverse glass painting and collage. The backboard is visible to the upper left corner but this is likely consistent with artist's intent. It is possible that the glue used to attach the foil and pieces of collage has yellowed over time.Condition Report Disclaimer
Lot 304
* Farthing (Stephen, 1950-). The Home of the British Army, 1987, mixed media including collage on card, signed, titled and dated in pen to lower edge, card size 34.5 x 50.5 cm (13 1/2 x 20 ins), unframed, together with other prints and drawings by various artists associated with the Ruskin School of Art, Oxford, including Maria Chevska 'Complicity', Betsy Tyler Bell, Jean Lodge, Kevin Slingsby, Marion Thomson, and David BrownQTY: (11)
Loading...