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Click here to subscribeDuke, Modern British School, late 20th century- Moored vessels in a tranquil harbour; oil on canvas board, signed, 41x51.5cm: Didier Moreau- 'Enlacement'; etching with aquatint, signed, titled and numbered IV/XX in pencil: together with a still life composition in collage, a pen and ink and wash study of ruins by different hands, and a reproduction print after Aubrey Beardsleyvs5
WILLIAM SPOONER (Publisher), 'Spooners Transformation number 12', lithograph with hand colouring, 6" x 4 3/4"; an engraving of the Worms Head in Tenby Bay, by William Daniel; a view of Clifton Suspension Bridge, a pair of chromolithographs of birds nests, three engraving of tigers, framed in two; an engraving 'South Wales'; a small collage picture; and one further engraving 'British Roses'. (10).
Michael Tain- 'Fishing Boats'; oil on canvas, signed, and signed, titled and dated 1965 verso, 35x45.2cm. Provenance: with John Whibley Gallery, 60 George Street, W1, according to label on the reverse: together with a mixed media picture by David Plithger (?), signed and dated 1984, verso, and a collage by David Hazelwood, signed and dated '81, various sizes, (3)
A Set of Three Continental Collage Panels, early 19th century, rectangular, depicting a young bonnetted woman cleaning a long handled pan, a cuirassier, and a labourer carrying a sack, each composed of silk and card panels to form their clothes with 'cut-out' facial detail and headgear, against stylized landscape backgrounds detailed in gouache, framed, 26.5cm by 20.5cm
19th Century Collage. - Picnic at Holyhead, mother and infant with a dog, set in relief before a view of Holyhead harbour, the sea-wall under construction and S.S. Great Eastern in the background, watercolour over wood-engraving, paper and card, with patterned fabric, 395 x 340mm. overall, set in contemporary veneer frame with braid fillet, 1880s.