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Lot 297
* COLIN BROWN "Route B" Acrylic & collage Signed. Titled verso & dated 1999 16.5in x 23.5in (42cm x 59.5cm) Usual gallery price £1500 Note. Colin Brown was famously awarded a major grant in 1996 by the Pollock-Krasner Foundation, New York (Jackson Pollock & Lee Krasner). He is represented by Panter & Hall, London and has exhibited widely in the USA, Europe & the UK.
Lot 621
George Smart: A Cut-Felt Collage Picture of Old Bright The Postman, early 19th century, worked in cloth and velvet with a village postman and his donkey before a painted scene, inscribed on the mile post 2 Mile from Twell 1837, 27cm by 20cm, on the reverse applied with original black and white engraved label G.Smart Maker of Cloth & Velvet Figures, Frant, Near Tunbridge Wells, the whole in bird`s eye maple veneered frame See illustration, George Smart (d.1846) was a tailor of Frant near Tunbridge Wells, who was well known for these individual pictures of local characters which were popular with tourists visiting the Regency spa of Royal Tunbridge Wells. Other well known subjects by this artist included the Earthstopper and the Goosewoman.
Lot 381
DEREK CARRUTHERS (1935- BRITISH) Choices; surreal study of a female nude on a staircase, an assault rifle propped against a door frame, oil and collage on canvas onto board, the rifle moulded and applied in relief, signed lower right, in a wood effect frame inscribed `Art is an illusion to... an illusion of...`, signed, titled and dated 1986 verso, the canvas 84 x 101cms, overall 117 x 132cms.
Lot 382
DEREK CARRUTHERS (1935- BRITISH)Surreal room study of a bird in a cage, an office chair in relief, reflected in a mirror leaning against a wall, oil and collage on canvas, onto board, signed lower right, in a wood effect frame inscribed `Art is an illusion to... an illusion of...`, the canvas 84 x 101cms, overall 117 x 132cms.
Lot 531
Richard Hamilton (b.1922) marcel duchamp offset lithograph printed in colours 1970 with a collage of silver metalized polyester and applied clear polyester on wove paper the full sheet with text as published in good condition sheet 800 x 600mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Lot 603
Joe Tilson (b.1928) ho chi minh silkscreen printed in colours with collage 1970 signed titled and dated in pencil numbered 39/70 Printed by Chris Prater at Kelpra Editions and published by Marlborough Graphics London on wove paper with full margins in good condition apart from minor creases at extreme edges of sheet 1020 x 700mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Lot 260
* Christo (1935-). Wrapped Walkways: (Project for St. Stephen`s Green Park in Dublin), 1983, colour lithograph and white cloth collage, on Arches paper, signed, dated, and numbered 54/100 in pencil to top right, 71 x 112cm (28 x 44ins), framed and glazed. Artist`s Resale Rights apply to this lot. (1)
Lot 914
Patrick Prockor RA 1936-2003- Orchids; lithograph in colours, signed and numbered 8/150 in pencil, 77x57cm: Richard Beer b.1928- "West Pier at Brighton"; lithograph in colours, signed, titled and numbered 2/150 in pencil: Terrence Millington b.1942- Fireplace; etching with aquatint, signed, numbered 20/60 and dated 74 in pencil: Alan MacKenzie-Robinson, late 20th century- Two waistcoats and a suit; lithograph in colours, signed and numbered 77/150 in pencil: de Sanctis, European late 20th century- Standing surreal figure; etching in colours, signed, numbered 1/15 and dated 75 in pencil: Lawrence Mynott b.1954- Flowers in a vase; lithograph in colours, signed and numbered 28/150 in pencil: Richard Walker b.1954- Portrait; coloured crayon and collage, signed and dated 77 in pencil: together with a other artists prints, reproductions and watercolours by and after different hands, all late 20th century, (a lot), (unframed)
![[Doyle, Charles Altamount]. An album of 49 original illustrations thought to be by Charles Altamount Doyle, c. 1868-76, inclu](http://lot-images.atgmedia.com/SR/10121/2772175/317.JPG)
Lot 317
[Doyle, Charles Altamount]. An album of 49 original illustrations thought to be by Charles Altamount Doyle, c. 1868-76, including series of 25 illustrations entitled The seasons, a series of 6 illustrations entitled The story of the wonderful pig that was (to have been) sent to Miss Juilet Reeves as a Christmas gift, a poem and illustration entitled Miss [Antoinette] Stirling ode to the very young gentleman who showed her such devoted attention at a small tea party, a collage of David Livingstone [ink with pasted on engraving of character`s face], an ink sketch of a meeting held in Committee Room No. 1 at the House of Commons on 31st March 1876 [discussing the Caledonian Railway], a series of 5 illustrations entitled A song about tea, an ink sketch of an evening service on Good Friday 1876 at St. Ann`s in Soho, ink illustrations in the majority pasted onto leaves, various sizes from 10 by11.5cm (at smallest) to 15 by 20cm (at largest), contemporary cloth gilt, rubbed at edges. Note: Charles Altamount Doyle [1832-1893], artist and illustrator, was the father of the author Arthur Conan Doyle. Born in England in 1832 he grew up in artistic surroundings: his father, John Doyle, was the famous political cartoonist "HB" while his older brother, Richard Doyle, was a prominent illustrator. Charles was unable to make a living from his work and in 1849 he moved to Edinburgh to join the Scottish Office of Works as an architectural draughtsman. Charles suffered from depression and alcoholism throughout his life, having a great effect on his physical and mental health. In June 1876 Charles lost his job at the Scottish Office and in 1881 he was committed to a mental institution. Charles would go on to spend the remaining 12 years of his life in various institutions. It was during this period that Charles produced some of his most significant work, with distinctive fantasical and macabre themes. This album contains various ink stektches from his final years at the Scottish office, including a sketch of a House of Commons meeting regarding the Caledonian Railway in 1876 that Charles attended in his role at the Office of Works. Other illustrations included various short series all captioned in his distinctive block letters [for comparison see The Doyle Diary, published in 1978]
Lot 1832
A group of assorted 20th century pictures and prints, including an ink nude study signed O.Beguel `64, a small etching of an embracing couple, a grey collage landscape, a composition signed V.Guiro, an aquatint of a still life with coffee pot indistinctly signed, and a head study of a girl. (5)
Lot 366
PIETRO PSAIER (1936-2004) ITALIAN, LAST STOP USA, MIXED MEDIA PHOTO COLLAGE. Pietro Psaier design for proposed village voice Greenwich Village magazine, rejected to photographic release of copyright. Signed Pietro Psaier. 32 x 28 inches. Exhibited: Shocking Art Show, Galleria Brussels, 1978.
Lot 439
PIETRO PSAIER (1936-2004) ITALIAN, REAL TENNIS. A PLAY ON WORDS, INCORPORATING VIVIEN WESTWOOD/MCLAREN AND PSAIER. Real tennis collage proof made with poppy flower handmade paper with English & Spanish tennis terms. Signed Pietro Psaier. 25 x 25 inches. Provenance: Exhibited at Soho NY Gallery, Greenwich Gallery, Chelsea Hotel.
Lot 728
Anne Schwegmann-Fielding, late 20th/early 21st century- "Sunflowers 1"; watercolour and collage, signed with initials, bears inscription on the mount, 57x19.5cm: Arabella Howell, late 20th/early 21st century- "Estates"; acrylic on paper: Nicholas Barnham b.1939- "Trees at Kilninian Mill"; watercolour, signed. titled and dated 1978. Provenance: with the Thackeray Gallery, London, according to label attached to the reverse of the frame: Virginia Horlley, late 20th/early 21st century- "Healing Arts, Isle of Wight"; acrylic on board: Olivia Brown, late 20th/early 21st century- "Geoffrey"; gouache: Claire Johnson- "Unity"; watercolour: Chloe Langlois, late 20th/early 21st century- "Lucy"; acrylic on paper, (7) (may be subject to Droit de Suite)
Lot 729
Emma Twigger, late 20th/early 21st century- "The Past Still Speaks"; acrylic, egg tempera on paper, 29x27cm: Garry Calderwood- "A Wee Dram before Bedtime"; pastel: Richard Kitson, late 20th/early 21st century- "My Yorkshire"; watercolour: June Lloyd, late 20th/early 21st century- "Mad Cows and Englishmen"; mixed media and collage: Nicola Hamilton, late 20th/early 21st century- "Belfast"; acrylic, wax and charcoal: Phillomena Allen, late 20th/early 21st century- "The London Underground"; acrylic on paper: James Leighton, late 20th/early 21st century- "Info Freak"; oil and acrylic on paper: John Caldwell, late 20th/early 21st century- "Saturday Afternoon in Guildford"; pastel: David Eland, late 20th/early 21st century- "People on Pavement"; oil on paper, (9). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 730
Pat Lambshire, late 20th/early 21st century- "Still life"; gouache , pastel and collage, 33.5x33cm: June Lloyd- Jones- "Asters"; oil on canvas board, signed with monogram: June Lloyd-Jones- "Sweetpeas"; oil on canvas board, signed: Lynn Breeze- "I Made a Birthday Card"; pen and black ink and watercolour, two, in shared mount and frame, signed twice in pencil: Lynn Breeze- "Black Drop"; pen and black ink and watercolour, two, in shared mount and frame, signed twice in pencil: Lynn Breeze- "I Made Flowers"; pen and black ink and watercolour, signed in pencil: Ann Carol Sutherland- "All The Summer Isles"; gouache and collage, signed and dated 1984 in pencil. Provenance: with The Mercury Gallery, London, according to label attached to the reverse of the frame: Laura de la Mare- "Still Life with Mackerel on a Plate"; gouache and acrylic on paper, all the above artists late 20th/early 21st century, (9). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 756
* Jirí Kolár, Czech 1914-2002- Age of Innocence; collage/froissage, signed and dated 79, 31x24cm: Note: Jirí Kolár's first exhibitions were in 1937, and in these exhibitions he displayed his collages. In 1960's he put painting and poetry together but he gradually fully turned to experimenting in visual art. In his work he used a scalpel to cut pictures out of magazines. He produced colours in his collages by gluing on printed papers. His collages were intended to influence the viewer's outlook on life; to raise the viewer's level of consciousness. He develop new techniques of collage, see, confrontage, Froissage and rollage. Provenane; ex lot 418 , 24 Febuary, 1988, Sothebys.
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