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Victorian collage picture with foil and silkwork depicting Miss E Dennet as Undine Queen of the Waters in glazed mahogany frame, 26cm x 21cm

Fifteen Original Illustrations by Don Goulding for use on Airfix and Humbrol Model Kit Boxes, subjects include aircraft, military vehicles and a wagon, mixed media including body colour and collage, all mounted on card, various sizes.

LUNED RHYS PARRY mixed media oil collage - farmer, wife and tractor, 15 x 5

SIR KYFFIN WILLIAMS RA oil on canvas - a collage style depiction of the two Menai Bridges, 30 x 24 (Provenance: especially commissioned by Wales Gas in 2001 to celebrate the opening of the North Wales Gas Grid. The Board was apparently taken aback by the ingenuity of the painting, but disappointed as it had thought erroneously that the artist would have been able to depict the two bridges from the Straits in a conventional manner. The letter from the artist to the then owner illustrates Sir Kyffin's frustration at being unable to meet fully the criteria expected).

§ JOE TILSON (BRITISH, B. 1928), VOWEL, Screen-print with collage and fabric letters on wood, signed and dated 1970, numbered AP 8/10, 75cm x 48cm (29.5in x 19in)

Beryl Cook, O.B.E. (1926-2008), Mop Heads, signed B.Cook bottom right, further signed, inscribed with title and dated 1986 on the reverse, oil and string mop collage on board, 43 x 59.5cm. *With the Portal Gallery

BELDY. Pair of signed watercolours and collage on material, ballet scenes (2). 16" x 9 3/4" and 16" x 18".

A Pair of Bird Feather Collage Pictures, circa 1840, one depicting a little bustard and a chick near a tree, the other a ring ouzel and a large thrush-like bird perched in the branches of a tree, each with painted beak, legs and claws, the background in watercolours, in golden oak frames, the images 34.5cm by 41cm See illustration

SIR TERRY FROST R.A. Maquette IV Madron Woodcuts. Collage and acrylic on board. Signed to the reverse. 4 1/2 x 17ins. (See Illustration)

MARY FORD Orange, green and blue on red. Mixed media and collage. Signed. Signed, inscribed and dated 2001 to the reverse. 10 x 10ins.

MARY FORD Blue lemons and Godrevy Lighthouse. Mixed media and collage. Monogrammed. Signed, inscribed and dated 1998 to the reverse. 7 x 7ins.

MARY FORD Pears. Acrylic and collage. 29 x 29ins. (See illustration)

MARY FORD Cadmium yellow and lemon yellow. Acrylic and collage. Signed, inscribed and dated 2000 to the reverse. 30 x 15 1/2ins.

MARY FORD Cadmium orange No. I. Collage and mixed media. Signed, inscribed and dated 2000 to the reverse. 7 1/2 x 6 3/4ins. Together with an artist's proof by the same hand.

TONY O'MALLEY Orzola. Acrylic and collage. Signed, inscribed and dated 1988. 31 x 22ins. (See illustration)

A rare Victorian Entomological Collage of aprox 600 'pinned' specimen beetles in a rosewood case The beetles are South American (possibly Costa Rica) including two Harlequin Longhorn beetles; a large Rhinoceros (Elephant' beetle). The collection has been in the same family for over fifty years since it was acquired in Wales, 47cm x 62cm

A pair of woolwork pictures' woodland scenes' in lacquered frames t/w butterfly wing collage tray

Sir Terry Frost (1915-2003)Camberwell GreenSigned and dated 2003 and numbered 172/275Woodcut with aquatint and collage by Hugh Stoneman43 x 39.5cm; 17 x 151/2in++Good condition

WILLIAM GRANT MURRAY (SCOTTISH, 1877-1950), "Bryn-Gwas Farm, Cilonnen" (Gower), watercolour, signed with monogram and dated 1933. 13" x 19". (Lived Swansea, Principal of Swansea Collage of Arts & Crafts.

Joe Tilson (born 1928) - Screen print and photograph collage - "Four Elements", 17.75ins x 22ins, signed in pencil and dated September 1972 (unmounted and unframed).

(BOOK) FLOWERS OF THE HOLY LAND, an olive wood bound volume with parquetry inlay containing collage pictures incorporating dried flowers

Keith Burtonshaw three watercolours of East Anglia; Bridge of Sighs, Cambridge, Senate House Passage, and Kings Collage Cambridge, all signed. ; Purchased from the artist's estate. For a biography of Keith Burtonshaw see the first lot. 1521.50

19th century cut card collage of an elderly fortune teller, inscribed 'I on the cards, do plainly see a husband soon will be for thee', 19 x 11 cm, framed and glazed

A 19th century Bohemian octagonal shell collage glazed valentine, width 13 1/2ins.

MARY FEDDEN (b. 1915) BRITISH, White Bird. Signed Fedden '01. Watercolour. Collage. 9.5 x 11ins.

Ella Bergmann-Michel (1896-1971). Untitled. Ink . Signed, dated '22 and inscribed 'oB 134' lower right. 32cm x 45cm. Exhibited: Annely Juda Fine Art, London, The Russian Show- A commemoration, August - December 1983, No. 88 illustrated page 155; Annely Juda Fine Art, London, Ella Bergmann-Michel Collages and Drawings 1917- 1931, May - July 1884, No. 12 . Literature: Herta Wescher, Die Collage, Koeln, 1968. Visit www.dnfa.com for condition reports.

John Banting (1902-1972). L'Inconscient du Desire. Watercolour, gouache and collage. 50.5cm x 40cm. Visit www.dnfa.com for condition reports.

English School (20th century). Design for- 'You can be sure of Shell'. Gouache and collage on sketch board. 29cm x 52cm. Visit www.dnfa.com for condition reports.

Gerald Leet (1913-1998). Airship over the Cliffs. Oil on paper and collage laid on board. Unframed. 152cm x 122cm. Visit www.dnfa.com for condition reports.

Sir Peter Blake (b. 1932). Memories of Place- Paris, 2005. Collage and mixed media. Signed and Inscribed . 'Memories of Place. 'Paris'. . A walk through the Tuileries gardens . from Place de la Concorde . to the Louvre. Peter Blake' along lower edge. 32cm x 26cm. Exhibited: Waddington Galleries, London, Peter Blake 1-10 (Collages, Construction, Drawings & Sculpture) & The Marcel Duchamp Paintings, . 19 October - 12 November 2005, Catalogue No. 8a, page 46, reproduced pages 25 and 46, detail on the front cover. Memories of Place - Paris was one of a group of eight collages on this theme, exhibited in Blake's one man show at Waddington Galleries in 2005. . He presented the exhibition as a numerical ascent, with each of the ten groups consisting of the number of works that corresponded with its catalogue number. In the Memories of Place series (No. 8) he assembles sentinal memorabilia collected from eight walks in England, France and America. In one he looks back to a day trip to Brighton many years ago with his two little girls, whilst in another he has assembled the debris from around the rocks outside David Hockney's beach house in Los Angeles. Each work is accompanied by a short narration which invites us to share his experience more vividly. Peter Blake is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationship with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A walk through the Tuileries Gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Carroussel.. Visit www.dnfa.com for condition reports.

Three pencil drawings by Hans Ticha, framed, and a collage by Hans Ticha, inscribed with titles to the reverse and dated largest image 12.25 x 9 inches (31 x 23cm). (4)

CAMPBELL HEWITT, Banking, Industry and Communications, collage pictures, a set of three, each 94cm x 70cm

An early 20th Century English Arts and Crafts hand beaten copper inkwell, possibly Birmingham School, having a circular domed base with cylindrical body and domed cover decorated with stylised English rose motifs, unmarked, height 9.5cm. Provenance - From the estate of R. J. Emmerson - Art Master for Wolverhampton Collage of Art. ILLUSTRATED

Pamela Greenwood and Simone Sardett, a collage of three women at market, 54cm x 74cm, a wedding, fishermen and two further scenes, all stitch signed, wool, fabric, hessian (5) Pamela Greenwood studied under Bernard Leach at St. Ives. She subsequently moved to France and set up Manoir-Le-Leger pottery with Simone Sardett. Visit www.sworder.co.uk for larger image and condition reports.

Pamela Greenwood and Simone Sardett, A collage of two potters at work, representing Pamela Greenwood and Simone Sardett, 54cm x 65cm, together with six further collages of women, wool, fabric, hessian, all stitch signed (7) Pamela Greenwood studied under Bernard Leach at St. Ives and subsequently set up a pottery and fabric workshop with Simone Sardett - 'Manoir-St.-Leger' in France. Visit www.sworder.co.uk for larger image and condition reports.

Pamela Greenwood and Simone Sardett, a large collage of Jesus with a flock of sheep, 90cm x 170cm, together with a further six collages, subjects including milking and a sheep, all stitch signed by Pamela, Simone or both, wool, wool, fabric, hessian (7) Pamela Greenwood studied under Bernard Leach at St. Ives and subsequently set up a pottery and fabric workshop with Simone Sardett,- 'Manoir-St.-Leger' in France. Visit www.sworder.co.uk for larger image and condition reports.

Pamela Greenwood and Simone Sardett, a collage of Joseph leading a donkey with Mary and the baby Jesus, 115cm square, together with a further twelve religious scenes, all stitch signed, wool, fabric, hessian (13) Pamela Greenwood studied under Bernard Leach at St. Ives and subsequently set up a pottery and fabric workshop with Simone Sardett,- 'Manoir-St.-Leger' in France. Visit www.sworder.co.uk for larger image and condition reports.

A framed collage depicting a gathering of religious figures, 25" overall.

SIR TERRY FROST (BRITISH 1915-2003), UNTITLED, Mixed media and collage, 31cm x 38cm (12in x 15in)

An early 20th century postcard album containing a collection of 48 various WWI silk postcards together with two Cash's style cards, two plastic cards with floral collage decoration and a set of 12 French Petits Francais cards.

William Hunter Littlejohn ARSA RSW. RGI (b1929) Homage to John Maxwell Collage, 31x51cm Exhibited: Aitken Dott & Sons, July-August 1972

A George III sea shell collage depicting a basket of flowers, the flowerheads and leaves mounted on wire branches, contained in a mahogany and feather strung glazed display case, 53 x 53cm.

ARTHUR GIARDELLI (BORN 1911, LONDON), "Lost City", collage in wood, signed inscribed verso. 36" x 12".

Nissan Engel (b.1931), Rose Garden, Collage and mixed media, 48cm x 62cm.

EDNA D. BRIDGE, "Who cares?" Collage. Artist's label to the reverse. Together with a magnolia watercolour by Isobel Heath.

* Jean-Paul Cleren b.1940- Portrait of a lady head and shoulders; gouache and watercolour, signed, 72x54cm: together with one further mixed media collage picture by the same hand depicting a hand and a portrait combined, signed, 59x41cm: Dennis Cohen, late 20th century- Architectural interior study from the late 1960's; gouache and collage, signed, 20x37.5cm., (3), (unframed) (may be subject to Droit de Suite)

J Dunn, mid-late 20th century- Untitled abstract composition; oil on canvas, signed and dated 66, 90x100cm., (a/f): Chinese School late 20th century- Figures boating on a tranquil lake by a village; black and coloured ink on paper, with inscription and one seal, 59x60cm: A. Berman, late 20th/early 21st century- Landscape; mixed media and collage on board, signed, 121x151cm (may be subject to Droit de Suite) (3)

Unsigned acrylic and collage on canvas, modernist study of figures in a landscape 'Crossing The Bog, The Last Operation', see verso. 23.1/4" x 35.1/2"

INDISTINCTLY SIGNED AND DATED 75 IN PENCIL TO MARGIN, LIMITED EDITION (26/50), COLOURED LITHOGRAPH, A Paper Collage, 15" x 15"

A gilt framed and glazed collage of pressed dried flowers, including iris, pansy and fuscia, 24 x 37cm.

ATTRIBUTED TO BRYAN INGHAM. Unsigned, mixed media and collage on paper, modernist composition 'Cascin Ruasin'95', see gallery label verso. 27" x 23.1/4"

Ronald 'Ronnie' Kray (1933-1995) unframed oil on card with collage Muslim woman with a dove HM Prison Parkhurst stamps verso along with a poem "Friendship Is An Eternity Of Sorts..." signed, 27 x 18in.

Hiliary Feeney 6 1/4in. x 8 3/4in. (16 x 22.5cm) on board "Moving Through"-a study of four dancers-mixed media and collage Signed.

An album of postcards, Mable Lucie Attwell, a few real photos shipping, etc. Together with an oriental collage.

A good 19th century shell collage with intricate geometric and other bands, at the centre a floral spray, an outer band worked as flowers, many of the stamen with shells mounted on springs, the mahogany glazed case with inlaid escutcheon. 15 3/4ins. (See illustration)

Dahlias in vase, unframed and Canadian canoes on river, a winter scene, two tapestries and a collage of leaves

Still Life Collage, of pressed flowers and leaves, framed.

Christopher Wood RSW, Sea Flight, acrylic collage on board, 6in x 7 1/2in (15.2cm x 19cm)

"The Bramham Moor Hounds at Weeton Whin" limited edition signed colour proof by Alfred Munnings with blind scene stamp published Frost & Reed 1929; John Smiths aluminium can collage and a set of Waterloo cigar cards.

POLLY HOPE, Thu Stern, January 1987, riding a horse. Collage. 35 x 40ins.