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Lot 844
Carlo J Ponteval, Latin American/Spanish mid 20th century- "Os Caes Ladram mas a Caravana Passa"; mixed media, string, collage, signed and inscribed on the reverse, in a glazed box frame, 26x54cm: Faiga Ostrower b.1920- Untitled abstract composition; screenprint in colours, signed, numbered 26/130 and dated 74 in pencil: Lurdes, mid 20th century- Abstract in blue; lithograph in colours, signed, numbered 16/22 and dated 1960 in pencil: together with four further watercolours, prints and collage of abstract subjects by different hands, all circa 1960`s/1970`s, various hands, (7)
Lot 926
Ron Bowen, American b.1939- "Animal Acts", c.1986; collage on paper laid down on panel, 150x94cm., (unframed). Note: Ron Bowen. American artist, born 1939, studied at Pratt institute, NY (BFA,MFA) under Richard Lindner, Philip Perlstein, among others. Exhibited at Parsons Graham Galleries, New York; William Jackson Gallery, London; Corr Fine Art , London; Art First Galleries, London; Concourse Gallery, The Barbican, London, 1986; John Moores Liverpool Exhibitions 9 & 12. Exhibitions in Italy, Portugal. Taught Chelsea College of Art 1971-78, Slade School 1978-97, Studio Head, then Head, Undergraduate Painting. Author, Drawing Masterclass (Random House, 1992). Currently lives, works in Paris. (may be subject to Droit de Suite)
Lot 140
English School 19th Century An album containing 31 sheets of studies of butterflies moths and caterpillars some on branches with blossom Some inscribed: Small tortoiseshell; Wall butterfly; Fritillary x2; Brimstone; Comma; Swallow-tail; Clouded yellow; 6 spot burnet; The ringlet; Painted lady; Red admiral; Hummingbird hawkmoth; Tiger moth; Magpie; Crimson underwing All watercolour with collage of butterfly wings 29 bound in a red morocco leather album and 2 loose sheets Various sizes from 22 x 19cm; 81/2 x 71/2 in and smaller (31) + + Mostly in very good condition with some spots of yellowing to the paper in a few places
Lot 157
Hans Ticha (German b. 1940) Five original illustrations of Newts from Karel Èapek’s book ‘Der Krieg mit den Molchen’ published by Aufbau-Verlag Berlin und Weimar 1987 with a boxed edition of the book 5 three signed and two dated 1980 All gouache two with collage Three approx 31 x 22.5cm; 12 x 8in and two 18.25 x 13.5cm; 7 1/4 x 5 1/4 in and smaller (6) These illustrations are from the chapter Stufe um Stufe zur Zivilisation + + Pictures good condition; minor scuffs to green box otherwise good
Lot 145
Victor Anton "BL Y R WH 1": ABSTRACT COMPOSITION signed inscribed with title and dated 1966 on the reverse collage on white acrylic sheet 61 x 75.5cms; 24 x 29 3/4in., unframed. NB: Victor Anton (1909-1980) was born in Worthing, Sussex. He took up sculpting in 1949 and working in a Constructivist style he was a member of Groupe Espace in the 1950`s.
Lot 297
* COLIN BROWN "Route B" Acrylic & collage Signed. Titled verso & dated 1999 16.5in x 23.5in (42cm x 59.5cm) Usual gallery price £1500 Note. Colin Brown was famously awarded a major grant in 1996 by the Pollock-Krasner Foundation, New York (Jackson Pollock & Lee Krasner). He is represented by Panter & Hall, London and has exhibited widely in the USA, Europe & the UK.
Lot 621
George Smart: A Cut-Felt Collage Picture of Old Bright The Postman, early 19th century, worked in cloth and velvet with a village postman and his donkey before a painted scene, inscribed on the mile post 2 Mile from Twell 1837, 27cm by 20cm, on the reverse applied with original black and white engraved label G.Smart Maker of Cloth & Velvet Figures, Frant, Near Tunbridge Wells, the whole in bird`s eye maple veneered frame See illustration, George Smart (d.1846) was a tailor of Frant near Tunbridge Wells, who was well known for these individual pictures of local characters which were popular with tourists visiting the Regency spa of Royal Tunbridge Wells. Other well known subjects by this artist included the Earthstopper and the Goosewoman.
Lot 381
DEREK CARRUTHERS (1935- BRITISH) Choices; surreal study of a female nude on a staircase, an assault rifle propped against a door frame, oil and collage on canvas onto board, the rifle moulded and applied in relief, signed lower right, in a wood effect frame inscribed `Art is an illusion to... an illusion of...`, signed, titled and dated 1986 verso, the canvas 84 x 101cms, overall 117 x 132cms.
Lot 382
DEREK CARRUTHERS (1935- BRITISH)Surreal room study of a bird in a cage, an office chair in relief, reflected in a mirror leaning against a wall, oil and collage on canvas, onto board, signed lower right, in a wood effect frame inscribed `Art is an illusion to... an illusion of...`, the canvas 84 x 101cms, overall 117 x 132cms.
Lot 531
Richard Hamilton (b.1922) marcel duchamp offset lithograph printed in colours 1970 with a collage of silver metalized polyester and applied clear polyester on wove paper the full sheet with text as published in good condition sheet 800 x 600mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Lot 603
Joe Tilson (b.1928) ho chi minh silkscreen printed in colours with collage 1970 signed titled and dated in pencil numbered 39/70 Printed by Chris Prater at Kelpra Editions and published by Marlborough Graphics London on wove paper with full margins in good condition apart from minor creases at extreme edges of sheet 1020 x 700mm. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Lot 260
* Christo (1935-). Wrapped Walkways: (Project for St. Stephen`s Green Park in Dublin), 1983, colour lithograph and white cloth collage, on Arches paper, signed, dated, and numbered 54/100 in pencil to top right, 71 x 112cm (28 x 44ins), framed and glazed. Artist`s Resale Rights apply to this lot. (1)
Lot 914
Patrick Prockor RA 1936-2003- Orchids; lithograph in colours, signed and numbered 8/150 in pencil, 77x57cm: Richard Beer b.1928- "West Pier at Brighton"; lithograph in colours, signed, titled and numbered 2/150 in pencil: Terrence Millington b.1942- Fireplace; etching with aquatint, signed, numbered 20/60 and dated 74 in pencil: Alan MacKenzie-Robinson, late 20th century- Two waistcoats and a suit; lithograph in colours, signed and numbered 77/150 in pencil: de Sanctis, European late 20th century- Standing surreal figure; etching in colours, signed, numbered 1/15 and dated 75 in pencil: Lawrence Mynott b.1954- Flowers in a vase; lithograph in colours, signed and numbered 28/150 in pencil: Richard Walker b.1954- Portrait; coloured crayon and collage, signed and dated 77 in pencil: together with a other artists prints, reproductions and watercolours by and after different hands, all late 20th century, (a lot), (unframed)
![[Doyle, Charles Altamount]. An album of 49 original illustrations thought to be by Charles Altamount Doyle, c. 1868-76, inclu](http://lot-images.atgmedia.com/SR/10121/2772175/317.JPG)
Lot 317
[Doyle, Charles Altamount]. An album of 49 original illustrations thought to be by Charles Altamount Doyle, c. 1868-76, including series of 25 illustrations entitled The seasons, a series of 6 illustrations entitled The story of the wonderful pig that was (to have been) sent to Miss Juilet Reeves as a Christmas gift, a poem and illustration entitled Miss [Antoinette] Stirling ode to the very young gentleman who showed her such devoted attention at a small tea party, a collage of David Livingstone [ink with pasted on engraving of character`s face], an ink sketch of a meeting held in Committee Room No. 1 at the House of Commons on 31st March 1876 [discussing the Caledonian Railway], a series of 5 illustrations entitled A song about tea, an ink sketch of an evening service on Good Friday 1876 at St. Ann`s in Soho, ink illustrations in the majority pasted onto leaves, various sizes from 10 by11.5cm (at smallest) to 15 by 20cm (at largest), contemporary cloth gilt, rubbed at edges. Note: Charles Altamount Doyle [1832-1893], artist and illustrator, was the father of the author Arthur Conan Doyle. Born in England in 1832 he grew up in artistic surroundings: his father, John Doyle, was the famous political cartoonist "HB" while his older brother, Richard Doyle, was a prominent illustrator. Charles was unable to make a living from his work and in 1849 he moved to Edinburgh to join the Scottish Office of Works as an architectural draughtsman. Charles suffered from depression and alcoholism throughout his life, having a great effect on his physical and mental health. In June 1876 Charles lost his job at the Scottish Office and in 1881 he was committed to a mental institution. Charles would go on to spend the remaining 12 years of his life in various institutions. It was during this period that Charles produced some of his most significant work, with distinctive fantasical and macabre themes. This album contains various ink stektches from his final years at the Scottish office, including a sketch of a House of Commons meeting regarding the Caledonian Railway in 1876 that Charles attended in his role at the Office of Works. Other illustrations included various short series all captioned in his distinctive block letters [for comparison see The Doyle Diary, published in 1978]
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