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Lot 25

Italian School. Probably Venice.  17th century.‘Lady playing the lute’.Oil on canvas. 141 x 115 cm.Courtier playing the lute, in an interior scene in which we also see an old woman with coins, perhaps as an allusion to the passing of time, to the vainglory represented by the jewels the lady is wearing and the coins. To her left a humble child holds out a small bag as if begging for alms. This painting can be seen as a Vanitas.Provenance: Private collection Barcelona, acquired in the mid-20th century on the London art market, possibly at a Sotheby's auction. At the time it was considered to be painted by Pietro della Vecchia.

Lot 88

Francisco Clapera (Barcelona, 1746 – Mexico, 1810)"Immaculate Conception"Oil on copper. Signed and dated "Clapera fecit 1798".There is a small dent in the upper right corner.63,5 x 41,5 cm.Francisco Clapera was a Spanish painter who, after graduating from the Royal Academy of San Fernando in Madrid in 1768, spent much of his artistic career in Mexico, where he arrived via Peru during the 1770s. He participated in the founding of the Royal Academy of San Carlos, where he also taught painting. There, under the direction of Jerónimo Antonio Gil (the first director of the Academy), Clapera introduced European artistic techniques such as Contrapposto to Mexican painting. These techniques made "his casta paintings more dynamic than those of his Mexican contemporaries," as noted by Joy Davis in her work "Eighteenth-century dress and fashion in the casta paintings of Francisco Clapera" (2015).However, in 1790, "he resigned from his position as head of painting" at the Academy, as reported by art historian Clara Bargellini, who also states that "he is known to have created the altarpiece of Our Lady of Mercy in the Sacristy of Mexico." These two quotes are taken from the publication “Dos series de pinturas de Francisco Clapera” (1994) (Two series of paintings by Francisco Clapera), in the scientific journal Anales del Instituto de Investigaciones Estéticas, where Bargellini reveals "fifteen paintings of the life of the Virgin and ten half-length figures of apostles [that] are currently in the bishop's office in the building annexed to the cathedral in the city of Durango"; two series bearing Clapera's signature that were previously unknown. According to the Doctor, "despite the Neoclassicism of the language, the artist's dramatic handling of light and shadow is striking."Francisco Clapera is also known for being the author of the only complete series of caste paintings in the United States and one of the few that remain intact in the world. It is dated circa 1775, in Mexico, and consists of sixteen oils on copper, two of which are signed (inv. 2011.428.1-.16).It has been on display at the Denver Museum of Art since 1996 and, as explained in its cataloguing information, "depicts families in domestic settings engaged in private activities, providing a rare glimpse into daily life in 18th-century Mexico. Others depict occupations and serve as a document of life in colonial times. The clothing, activities, and utensils reveal the hybridisation of 18th-century Mexican culture in its blend of European, Asian, and Mexican material culture."The collection was one of the main attractions of the exhibition "ReVision: Art in the Americas," organised by the Denver Art Museum (October 2021 - July 2022) and, in partnership with that museum, exhibited again at the Minneapolis Institute of Art very recently (June - September 2023). Reference bibliography:- Bargellini, Clara. (1994). Dos series de pinturas de Francisco Clapera. “Anales del Instituto de Investigaciones Estéticas” (Nº. 65), 159-178. https://dx.doi.org/10.22201/iie.18703062e.1994.65.1702- Davis, Joy. (2015). “Eighteenth-century Dress and Fashion in the Casta Paintings of Francisco Clapera” [Master's Thesis, Fashion Institute of Technology, State University of New York]. FIT Institutional Repository. https://institutionalrepository.fitnyc.edu/item/326- Minneapolis Institute of Art. (8th June 2023). “The Minneapolis Institute of Art’s Newest Exhibition, in Partnership with the Denver Art Museum, Provides a Poignant Look into the History of Latin America”. https://new.artsmia.org/press/the-minneapolis-institute-of-arts-newest-exhibition-in-partnership-with-the-denver-art-museum-provides-a-poignant-look-into-the-history-of-latin-america- Pierce, Donna. (2015). Descriptive file on “De Mulato, y Española, Morisco”, by Francisco Clapera. Denver Art Museum. https://www.denverartmuseum.org/en/object/2011.428.5

Lot 224

Easton Press: A New, Authentic, and Complete Collection of Voyages Round the World, Undertaken and Performed by Royal Authority…l Account of Captain Cook's First, Second, Third and Last Voyages, 2 Vols. Limited edition, No. 324 of 800; Baudelaire; R Wild (ill): Petits Poemes en prose. 1942, Numbered Limited edition, Signed binding; Boeck, W: Picasso. Barcelona, 1958, (4)

Lot 632

Fußhocker "Barcelona", Entw. Mies van derRohe f. Fa. Knoll International 1929, Ausführung 1970er Jahre Verchromtes x-förmiges Metallgestell. Polsterauflage m. cognacfarbenem Lederbezug, durch Gurte befestigt. H 37, B 61 cm, T 54 cm. Gebrauchsspuren, Metall angelaufen. Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.

Lot 631

Tagesbett "Barcelona", Entw. Ludwig Miesvan der Rohe 1929 für Fa. Knoll International. Ausführung 1960/70er Jahre. Stahlrahmen aus poliertem Chrom. Hartholzrahmen aus Buche in Walnuss gebeizt. Auflage-Ledermatratze m. Taschen u. Lederknöpfen. Mit Lederriemen befestigt. Rollkissen. Cognacfarbenes Leder. Unterseitig Etikett "Modello Depositato KiGA SpA Knoll International". Ca. H 49, L 194, B 85 cm. Gebrauchsspuren. Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.

Lot 274

AFTER LUDWIG MIES VAN DER ROHE (1886-1969): A 'BARCELONA' TYPE CHAIR AND FOOT STOOL, each with button back black leather upholstery, on chromed x-form supports, the chair 75cm wide x 77cm deep x 76cm high (2)

Lot 400

Bertram Priestman NEA, RA, RBA, ROI (1868-1951) Suffolk Landscapesigned with initials and dated 10 (lower right)oil on canvas39.5 x 49.5cmProvenance:Lord Pearce, the artist's son in lawWith Louise Kosman Modern British Art, LondonThis painting won the third prize in the Barcelona International Art Exhibition in 1911.

Lot 431

Spanish school (20th century)A flower market, Barcelona, signed 'Anne Bundass (?), oil on board, 62 x 72cm

Lot 53

Collection of Ipswich Town European competitions home match programmes to include 1973/74 Real Madrid (UEFA), FC Twente (UEFA), Lazio (UEFA), Lokomotive Leipzig (UEFA), 1974/75 FC Twente (UEFA), 1975/76 Feyenoord (UEFA), FC Bruges (UEFA), 1976/77 FC Antwerp (friendly), 1977/78 Landskrona Bols (Sweden) (UEFA), Las Palmas (UEFA), 1978/79 AZ Alkmaar (ECWC), Barcelona (ECWC), SW Innsbruck (ECWC), 1979/80 Skeid Oslo (UEFA), Grasshoppers Zurich (UEFA), 1980/81 Bohemians Prague (UEFA), St Etienne (UEFA), FC Cologne (UEFA s/f), Widzew Lodz (UEFA), AZ Alkmaar (UEFA Cup final), 1981/82 Aberdeen (UEFA), 1982/83 Roma (UEFA); good. (22)

Lot 289

Boxed Subbuteo table soccer classic heavyweight .00 scale football teams, mostly complete to include Celtic, Newcastle, Blackpool, West Ham, Barcelona, Hamilton, Leeds Manchester City, England and more. (23)

Lot 1

Football pin badge collection includes 59, badges featuring Spanish teams and federations such as Real Madrid, Barcelona, Valencia, Sevilla, Real Betis, Real Sociedad, Athletic Bibao and others past and present. Housed in presentation folder. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 1127

DUNDEE UNITED Eight home programmes for ties against European opposition, Inter Cities Fairs Cup third round v Juventus 8/3/1967, Cities Fairs Cup v Barcelona 16/11/1966, Fairs Cup v Newcastle 15/9/1969, Fairs Cup v Grasshoppers 15/9/1970, Fairs Cup v Sparta Prague 4/11/1970, UEFA CUP v IBK Keflavik 30/9/1975, UEFA CUP v F.C Porto, 22/10/1975, UEFA Cup v Standard Liege 27/9/1978. Some are slightly creased. Generally good

Lot 1185

1961 EUROPEAN CUP FINAL Programme for Barcelona v Benfica 31/5/1961, very slight ageing marks. Generally good

Lot 1482

1989 EUROPEAN CUP FINAL / STEAUA DE BUCHAREST V AC MILAN Programme for the European Cup Final tie at Camp Nou in Barcelona, 24/5/1989. Generally good

Lot 1536

ARSENAL Eight Press folders with information: Arsenal in Europe folder v Fiorentina 27/10/1999 at Wembley including Inside Arsenal, official programme, 8 page dual language information and Gunners Line team group card, Arsenal folder v Valencia 10/12/2002 including Inside Arsenal, 8 page dual language information and team group card, PSV Eindhoven folder 20/2/2007 including Press information, ticket and pirate programme and 5 UEFA Champions League folders, home v PSV Eindhoven 7/3/2008, Real Madrid 8/3/2006 and Borussia Dortmund 23/11/2011 and aways v Barcelona 8/3/2011 with 4 pirate programmes and Bayern Munich 11/3/2014 with 2 official Bayern Magazines. Good

Lot 1556

ARSENAL Twenty five home team sheets, 11 away team sheets, 16 away pirate issue programmes and 10 tickets for matches in the UEFA Youth League and other guises. Tickets include homes v CSKA Moscow 2013 and Anderlecht 2014 and aways v Bayern Munich 2015, Olympiakos 2012 and 2015, Anderlecht 2016, Athletic Bilbao 2015, Borussia Dortmund 2013 and 2013 and Barcelona 2014. Good

Lot 1796

SUPER CUP Programme and ticket for Ajax v Porto, 2nd leg in Amsterdam plus two Dragoes magazines covering both matches and two newspapers La Bola and O'Jogo, AC Milan v Sampdoria, Oggi Milan issue dated 29/11/90 and three Super Cup programmes and a press pack, Man Utd v Red Star Belgrade 19/11/91 and Werder Bremen v Barcelona 10/2/93 (Werder Echo and official programme) plus Barca press pack. Generally good

Lot 1797

SUPER CUP Ajax v Real Zaragoza 6/2/96 in Spain, Don Gols issue plus programme 28/2/96 and press pack, PSG v Juventus 15/1/97; Borussia Dortmund v Barcelona 11/3/98 plus team sheet. Generally good

Lot 207

BARCELONA V CELTA VIGO 1949 Programme for the match at Barcelona 13/2/1949. Good

Lot 969

SHELBOURNE Three home programmes for European matches v Sporting Club of Lisbon 62/3, Barcelona 63/4 and Belenenses 64/5. Generally good

Lot 980

1961 EUROPEAN CUP FINAL Programme for Barcelona v Benfica 31/5/1961 in Bern. Generally good

Lot 145

Lego (Sealed) #10284 Camp Nou - FC Barcelona, within Near Mint sealed packaging, also includes Good original transit carton.

Lot 1

Silver cognac burner with glass. 835/000. Cognac burner on a round base with a dolphin as burner and holder for the glass. Spanish MT.:Barcelona 291. Importer's mark: C. Bos Amsterdam. ø 10.5x11.5cm. approx. 136 grams. In good condition.

Lot 93

A Barcelona style leather and chrome 3 seater sofa. 181cm.

Lot 1043

Unique piece, measures: 58 x 31 x 31 cm, snorkel attached. Reference bibliography: Poisson, Jacques (Apr. 2010). "Raphaël Dubois, from pharmacy to bioluminescence" (in French). Rev Hist Pharm (Paris) (France) 58 (365): 51–6. ISSN 0035-2349. Origin: property of an important collector of scientific objects, Barcelona.

Lot 246

Oil on panel, dimensions: 33 x 24 cm. Gustave Loiseau went every summer to Pont-Aven, staying at the Gloanec pension with his friends Maxime Maufra, Henry Moret and Émile Bernard. Paul Gauguin gave him advice there. In 1894 he participated in the 6th, 7th and 8th exhibitions of impressionist and symbolist painters at Le Barc de Bouteville in Paris, then signed a contract with Paul Durand-Ruel who exhibited his paintings in his gallery in New York. ustave Loiseau, like Camille Pissarro, painted numerous canvases representing Pontoise: the Hermitage district, the banks of the Oise, the quay of Ponthuis, the cathedral of Saint-Maclou and its region: Auvers, Nesles-la-Vallée, Saint-Ouen-l'Aumône, Osny. He also painted landscapes of Brittany, Normandy, Moret-sur-Loing and Paris. Gustave Loiseau is part of the post-impressionist movement. He painted, directly in nature, many scenes of rural life and the countryside, few portraits, being interested however in characters in movement, such as market scenes, or in activity, such as dockers, and, especially towards the end of his life, he painted many still lifes. Loiseau's paintings reveal his passion for the seasons, illustrating everything from the beginning of spring to the last harvests of autumn, through scenes of snow or frost in winter. His series also feature cliffs, harbors or churches and are influenced by those of Claude Monet. Provenance: important Spanish private collection, Barcelona.

Lot 839

Measurements 80 x 56 cm, exhibited in: Paleological Museum of Elche, year 2015. Species from Mongolia. Attached is a certificate from the Cidaris scientific institution issued by Doña Aberasturi Rodríguez, year 2016. Property of an important collector and philanthropist, Barcelona. With attached steel and glass urn. Bibliography: You H. & Xu X. 2005. An adult specimen of Hongshanosaurus houi (Dinosauria: Psittacosauridae) from the Lower Cretaceous of Western Liaoning Province, China. Acta Geologica Sinica (English edition) 79(2): 168-173; Russell, D.A. & Zhao X. 1996. New psittacosaur occurrences in Inner Mongolia. Canadian Journal of Earth Sciences 33: 637-648.

Lot 34

Registration No: T.B.A Chassis No: 1FA6P8CF4F5307788 MOT: July 20251 of just 1,964 Limited Edition 50th Anniversary Performance Pack examples producedUnique Mustang having been further redeveloped by Fortis Auto DesignFeaturing wide-body, scissor doors, and performance upgrades to 450bhpJust 27,000 miles from newPLEASE NOTE: The registration transfer is still on-going for this lot and therefore is not yet back on its age related registration number.PLEASE NOTE: Since photography, this lot has sustained a crack to the windscreen.The Ford Mustang is undoubtedly an American icon. The first production Mustang rolled off the assembly line in Dearborn, Michigan in March 1964 and was introduced to the public at the New York World's Fair on 17th April 1964. It was, and remains, one of the most successful product launches in automotive history, with the original Mustang selling over one million units in its first eighteen months alone. After five previous generations diluting the original 'Pony car', the sixth-generation arrived in 2013 to widespread consideration that Ford has perhaps returned the Mustang to its glory days. Publicly unveiled on the 5th of December 2013, in Dearborn, Michigan, New York, Los Angeles, California; Barcelona, Spain, Shanghai, China; and Sydney, Australia, with the internal project code name; S-550, with three engine options available: a newly developed 2.3 litre EcoBoost with 310bhp, a 3.7 litre 300bhp V6, or the 5.0 litre Coyote 435bhp V8 with either a six-speed manual or six-speed automatic transmission with paddle shifters. A new independent rear suspension system was developed specifically for the new model. It also became the first factory version designed as a righthand drive export model to be sold overseas through Ford new car dealerships in righthand drive markets.This intimidating 5.0 litre V8 special edition was initially imported by Bill Shepherd Mustang in 2015. Part of a limited edition 50th Anniversary Performance Pack run, just 1,964 examples were released to pay homage to the first generation Mustangs of 1964. Boasting retro stitching throughout, a retro-look instrument cluster surround, and exclusive Black leather upholstery embossed with the Mustang 50-year logo. Chrome accents around the rear taillights and a special 50-year plaque on the dash noting this special edition's place in history complete the many upgrades. The model was marketed as a 2014½ model, paying tribute to the original 1964½ model.Not satisfied with the standard Mustangs appearance, and in the true spirit of enhancing the Mustangs, Fortis Auto Design worked closely with renowned specialists to create this one-off bespoke example. Extreme Dimensions created the bespoke wide arch moulded body, Diode Dynamics provided the lighting upgrades which include interior LEDs and RGBW +A Sequential Tri-Bar DRL upgrade, KW Automotive lowered the suspension, and a MagnaFlow competition exhaust was added providing ample audio to compliment the aggressive appearance. The Mustang has hydro-dipped carbon fibre dash panels and ROUSH bonnet scoop and vents.The bodywork modifications don’t stop there however, in fact, arguably most notable is the fitment of scissor doors that give the Mustang additional flair. QuickLIFT ELITE bonnet kit, custom Avery Diamond Super Snake striping and Bullet alloy wheels with original style wheel spinners complete the exterior appearance. Offered now having covered just 27,000 miles, the Mustang has a history file including documented service history including a service last month at Ford Bury St Edmunds, a collection of MOTs, a current no advisory MOT until July 2025, and a current V5C document. Professionally valeted bi-weekly in current ownership, the Mustang also benefits from a stage one ceramic coating at the start of this year. This truly one-off Mustang is undoubtedly not for shrinking violets and harks back to how original Mustang owners would upgrade their 'pony car'.PLEASE NOTE: The registration number shown in the images is not included in the sale. For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452

Lot 3263

A large collection of 18th, 19th and 20th century European and world coinage, including a German East Africa silver one rupie 1907, 'J' below date for Hamburgische Münze, Germany, another German East Africa one rupie 1893, a Barcelona four quartos 1812, an Austria Maria Theresia one kreuzer 1762, mintmark 'P', three Australia pennies 1948 (uncirculated, lustrous), and a Denmark ten ore 1892.

Lot 190

λ&nbspHERMENEGILDO ANGLADA CAMARASA (SPANISH 1871-1959) SOLA EN EL PALCO - 'ALONE IN THE BOX' Oil on panel Signed 'H. Anglada Camarasa' (lower right) 32 x 34cm (12½ x 13¼ in.) Painted in 1911- circa 1952. Provenance: Mir Amorós, Barcelona (by 1981) with Galeria Manel Mayoral, Barcelona where purchased by the present owner in 1997 Literature: F. Fontbona and F. Miralles, Anglada-Camarasa, Barcelona, 1981, p. 298, no. G12 as Proyecto para un retrato Exhibitions: Barcelona, La Pinoteca, H. Anglada Camarasa, June 1952, as Proyecto para un retratoAfter training in Barcelona, the Catalan painter Hermenegildo Anglada-Camarasa, moved to Paris in 1894 where he attended the Académie Julian. He painted numerous pictures of Parisian night-life, concentrating on pallet and light effects. His paintings were visibly influenced by Toulouse Lautrec, Gustav Klimt and Kees van Dongen. A significant turning point in his style came in 1909, with the arrival in Paris of impresario Sergei Diaghilev's Ballets Russes, featuring Vaslav Nijinski and Anna Pavlova. They became a social and artistic sensation that revolutionised both tastes and customs. Camarasa was deeply moved by the sets and costumes of vibrant oranges, purples and greens, to the extent that from then on the pale shades in his female portraits were replaced by brilliant multicolours. His influence also reached young artists like Pablo Picasso, ten years younger than him and with whom he was in contact during his stay in Montmartre, or María Blanchard, who was his student between 1908 and 1913.The present lot is accompanied by a certificate from F. Fontbona and F. Miralles dated 24 February 1998, no. 403.    Condition Report: Some light craquelure throughout however the paint surface appears stable. Rubbing and abrasions to the framing edges with some associated paint loss and subsequent retouching along the upper edge (this is visible in a natural light). One or two superficial surface scratches and spots of surface dirt throughout. There is a black line running diagonally above the sitter's right shoulder however this appears to be original to the work rather than a condition issue. Inspection under UV light reveals some patches of retouching throughout; these are largely contained to the sitter's nose, right arm, and along the upper framing edge. Condition Report Disclaimer

Lot 390

United Grand Lodge decorated certificate from his Royal Highness The Duke of Connaught and Strathearn presented to David Llewelyn Davies being initiated into Free Masonry in the Welchpool Lodge 1922. Freedom of the City of London, vellum document dated 1853 and presented to Joseph Hudson, with engraved crest and an additional handwritten presentation for 1863 on reverse, housed in original treen case with printed label. Souvenir of A Cunard White Star Line Cruise on board the S.S. Laurentic from Liverpool to Gibraltar, Barcelona, Palma & Ceruta 1934 printed brochure with itinerary and separate menu and cards. Welfare Review (Vienna) for Christmas 1946 (4)

Lot 500

Nine Subbuteo player kits, comprising 643 Everton, 472 Barcelona Crystal Palace, 45 Hibernian, 440 Algeress, 149 Peterborough, 663 Liverpool, 667 West Ham, 665 Rangers, boxed.

Lot 64

Ludwig Mies Van der Rohe (1886-1969) Barcelona Ottoman for Knoll international. Leather and chrome-plated steel. | Height: 37 cm.Width: 57.5 cm.Depth: 53 cm. | Condition: Original condition.

Lot 3268

-- "Was wäre der Schatten des Domes ohne Weiss?"-- Künstlermonographien. 3 Bände, jeweils mit einer eigenhändigen Widmung des Künstlers (G. Uecker, Ursula S.-B. und W. Vostell). Mit zahlreichen, teils farbigen Abbildungen. Gr.-4to. Originaleinbände, davon 2 mit illustr. Schutzumschlag. Verschiedene Verlage 1982-2005. I. Günther Uecker. Das Eigentliche... Mit von Beiträgen von Wulf Herzogenrath, Dieter Honisch,... OPappband mit illustr. OSchutzumschlag. Ostfildern-Ruit, Hatje Cantz, 2005. - Erste Ausgabe. Titel mit eigenhändiger, 4-zeiliger Widmung des Künstlers in Bleistift: "Herzlich in Liebe für Eveline von Günther Uecker. 2005". Der Band Erschien anlässlich der Ausstellung Günther Uecker - Zwanzig Kapitel des Neuen Berliner Kunstvereins im Martin-Gropius-Bau und in der Neuen Nationalgalerie. - II. Ursula Schultze-Bluhm. Ursula. Retrospektive. Werke 1951-1992. Von-der Heydt-Museum Wuppertal. München, Hirmer, 1992. - Erste Ausgabe. Titel mit eigenhändiger, 10-zeiliger Widmung und großer Zeichnung in Kugelschreiber: "Dies sollte ein treues Menschenherz werden, nun sieht es eher 'betatzt' aus - vielleicht habe ich heute zu viel 'geschielt', wie Heinrich Hahne heute 9.10.92 in der FAZ meinte ... / Mit recht innigem Dank ....Für Evelyn und Gerd.....für alle Worte und Taten zu meinen Ausstellungen. Eure Ursula." - III. Wolf Vostell - Mercedes G. O. Vostell. El enigma Vostell. Illustr. OKarton. Barcelona 1982. - Mit eigenhändiger, 9-zeiliger Widmung von Vostell auf dem Vorsatz: "Liebe Evelyn! Was wäre der Schatten des Domes ohne Weiss? Danke, herzlichst, Dein Vostell - 3/11/82 - Berlin". Festschrift zum 50. Geburtstag von W. Vostell mit Beiträgen von B. Brock, W. Becker, W. Feelisch und weiteren. - Innen wohlerhaltene Exemplare.

Lot 890

Karl V. von Habsburg. "Carte ejecutoria de la villa de Salmeron como de todas las otras ciudades villas y lugares de los nuestroy Reynos y señorios que agora son o seran de a qui adelante". Spanische Handschrift auf Pergament. 34 nn. Bl. 34-35 Zeilen. Schrift: Gotica rotunda. Schriftraum: 22 x 14 cm. Format: 32 x 21,5 cm. Mit roterbrauner Reglierung, Federwerkschmuck an den Randstegen, 15 5-7-zeiligen Goldinitialen in rotem und blauen Kasten mit weißem floralen Federwerkgrund, großer 7-zeiliger figürlicher Schmuckinitiale und großem illuminierten Doppeltitel mit Bordüren in Gold und Farben, mit Figuren- und floralem Schmuck einer Marienvignette und zwei großen Wappenmalereien, alles üppig in Pinselgold und Farben. Dunkelbraunes Kalbsleder d. Z. (mit wenigen Kratzern, etwas beschabt und betsoßen) mit Rückenvergoldung, goldgeprägtem Wappensupralibros auf den Deckeln, breiter goldgeprägter Deckelbordüre und Eckfleurons. Granada 1550. Besonders prachtvolle spanische Urkunde unter der Habsburger Regierung Karls V. (1500-1558) wohl über die Übertragung bzw. Verleihung von Ländereien der Krone in der Nähe von Salmerón (Guadalajara): "Assi de la villa de Salmerón como de todas las otras ciudades villas y lugares de los nuestros Reynos y señorios que agora son o seran de a qui adelante. E a los que cogen y recaudan y empadron han y ovieren de coger y de recaudar rempadronar en Renta o en fieldad o eu otra qualquier manera ..." ("Es ist die Stadt Salmerón sowie alle anderen Städte, Gemeinden und Orte von uns und unserer Königreiche und Herrschaftsgebiete, die wir jetzt beseitzen oder von nun an besitzen werden. Ferner diejenigen, die wir eingenommen, erobert und in unseren Besitz gebracht haben ...). Interessant ist die Nennung der Titel Karls V. und seiner Ländereien, die längste Liste eines abendländischen Herrschers, dessen Königreich sich von Europa über den vorderen Orient ("Hierusalem") bis nach Amerika ("las Indias islas") erstreckte: "Por la divina clementia Emperador semper Augusto Rey de Alemania doña Joanna su madre y el mismo don Carlos por la gracia de dios Reyes de Castilla de Leon de Aragon de las dos cecilias de Hierusalem de navarra de Granada de toledo de Valencia de Gallizia de mallorcas de Sevilla de cerdeña de Cordova de corecega de murcia de Jahen de los algarves de algezira y de gibraltar y de las islas de Canaria y de las Indias islas y tierra firme del mar ociano, condes de Barcelona (...)".Die überaus prachvoll illuminierte Doppelzierseite zeigt farbenfrohe Bordüren mit musizierenden Putten auf Kandelabern oder eine Weltkugel haltend, einen Mönch in schwarzer Kutte, das Christusmonogramm in einer Tabula ansata und eine große Darstellung (10 x 9,5 cm) der Muttergottes als Regina coeli in der Aureole. Daneben folgen im Rechteck die neun Buchstaben in Rotunda versalis "DON CARLOS", im unteren Drittel jeweils eine sehr große Wappendarstellung in Gold und Farben (je ca. 13 x 14 cm). - Am Schluss mehrere Notariatszeichen und Unterschriften, eine Regeste: "Executoria de Felippe manuel palomeque vezino della villa de Sameron", spätere Beischriften am Rand und auf den pergamentnen Vorsatzblättern. Etwas fleckig, Pergament gewellt, meist aber nur geringere Gebrauchsspuren. - Außergewöhnlich prachtvolles Stück.

Lot 247

Lego - A collection of seven boxed factory sealed Lego 'Brick Headz' from various ranges. Lot includes 'Minecraft' #40625 Llama; #40542 FC Barcelona Go Brick Me; 'Disney' #40621 Moana & Merida and similar. Sets are presumed to be in Mint condition being in factory sealed boxes, which themselves appear to be in Near Mint - Mint condition. (This does not constitute a guarantee) (K)

Lot 1593

Artist: Joan Miro (Spanish, 1893 - 1983). Title: "Personage in the Starry Night". Medium: Pencil drawing on paper. Date: Composed 1979. Dimensions: Overall size: 10 1/8 x 7 1/8 in. (257 x 181 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $12,000/18,000Lot Note(s): Signed in pencil, lower right; dated in pencil, lower left. Drawn on cream wove paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired directly from Miro in Barcelona in 1979. A noted Italian art historian, art dealer, and art collector, Urbano Quinto acquired works from classical artists of the 20th Century as well as Jean-Michel Basquiat, Keith Haring, Andy Warhol, and other Pop and Graffiti artists, often directly from the artists themselves during the 1950’s through the 1980’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Miro image copyright © Artists Rights Society (ARS), New York. [30559-2-1000-NR]

Lot 140

PABLO PICASSO, ‘Lovers in the street’ hand numbered pochoir in colours Suite: Les Bleus de Barcelona Edition:500 – Printed by Daniel Jacomet 1963 French Montparnasse frame 40cm x 60cm. (Subject to ARR - see Buyers Conditions)

Lot 697

Artist: Francesco Miralles y Galup (Spanish, 1848-1901). Title: "Vendedores de Flores". Medium: Oil on panel. Date: Composed c1890. Dimensions: Frame size: 24 7/8 x 29 5/8 in. (632 x 752 mm). Image size: 19 1/4 x 24 1/4 in. (489 x 616 mm).Pricing:   Starting Price: $8,000  Reserve Price: N.A.  Auction Sale Price Estimate: $12,000/15,000Lot Note(s): Signed lower left. Good condition; some repairs to panel cracks with associated inpainting. Comment(s): Our present example is a large, colorful, and impressive painting for Miralles y Galup. His art career began as a student of Ramon Marti y Alsina in Barcelona. After studying at the Beaux Arts in Madrid until 1866, he made Paris his permanent residence until 1897. He forged commercial relationships with Parisian dealers, including Enrique Gomez, who was responsible for exporting a large quantity of his works to the United States. Miralles y Galup participated in a large range of exhibitions, including the 1866 Nationale des Beaux-Arts, Barcelona, the Salon and the Salon des Artistes Francais in Paris from 1875-1896, and the Salon Pares, Barcelona of 1877. He won a silver medal at Dieppe in 1875, another at Angouleme in 1877, and a gold medal at Montpellier in 1885. Museum Collections Include the Musee de Brest, Brest, France and the Musee d'Art Moderne, Barcelona. [27859-10-8000-NA]

Lot 149

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Dibujos de Picasso - Barcelona [Sala Gaspar]". Medium: Original lithograph. Date: Composed 1961. Dimensions: Overall size: 27 5/8 x 19 3/4 in. (702 x 502 mm). Image size: 23 x 18 1/4 in. (584 x 464 mm).Pricing:   Starting Price: $600  Reserve Price: N.A.  Auction Sale Price Estimate: $800/1,000Lot Note(s): Signed in pencil, lower right. Edition of 500. Light cream wove paper. The full sheet. Very fine impression. Very good condition; a few dimples and a few fox marks along left margin, else fine. Literature/catalogue raisonne: Bloch 1292; Czwiklitzer 43 (1970 ed.);Czwiklitzer 44 (1981 ed.); Rodrigo 108; Mourlot 337. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Foto-Repro S.A., Barcelona. Image copyright © Artists Rights Society (ARS), New York. [27398-5-600-NA]

Lot 470

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: Pintura - Dibujo [Sala Gaspar]". Medium: Original color lithograph . Date: Composed 1971. Dimensions: Overall size: 39 1/2 x 20 3/8 in. (1003 x 518 mm). Image size: 38 x 18 1/2 in. (965 x 470 mm).Pricing:   Starting Price: $600  Reserve Price: N.A.  Auction Sale Price Estimate: $800/1,000Lot Note(s): Signed in purple crayon, lower right. Edition unknown, probably small. Light cream wove paper. The full sheet. Very fine impression. Very good condition; a few soft creases in the image (probably easily pressed out), else fine. Literature/catalogue raisonne: Czwiklitzer 422 (1981 ed.); Rodrigo 228. Comment(s): Apparently scarce. We could not find an example of this large poster at auction. Generally catalogued as an offset lithograph; our example appears to be a "stone" lithograph. Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Publicaciones Reunidas, Barcelona. Image copyright © Artists Rights Society (ARS), New York. [27396-6-600-NA]

Lot 1358

Dariush Mohajer (Iran, b. 1944) and Guillaume Apollinaire (France, 1880 - 1918)"Lou tu es ma rose", a soft, romantic depiction of a bunch of roses set before a seated nude woman with gilt-adorned hair below a large blue hat, the concrete poetry of Apollinaire laid in gilt atop the roses, signed by artist in graphite, numbered 31/120, bearing blind embossed stamp for Angell, in double card mount and moulded frame under glass, 70 x 52 cm overall, together with an anthology of illustrated poems: Guilliaume Apollinaire, "Lettres à Lou (extraits). Lou, Toutou, et leur Chat", published by Dariush, printed by Bandecchi & Vivaldi Printing, 1998 [ Dariush was born in Tehran, Iran, completing a course in Decorative Arts and Interior Design there and obtaining a degree in Architecture in Florence, Italy. Today he lives and works in the province of Lucca, having exhibited internationally at The International Art Fair, Rome, The Barcelona International Art Fair and the FIAC, Paris to name but a few.Apollinaire was a poet, playwright, short story writer, novelist and art critic. He is considered one of the foremost poets of the early 20th Century, influenced by renowned artists such as Picasso and Freud. He is credited with coining the terms "cubism", "surrealism and "orphism" and wrote one of the earliest Surrealist texts "The Breasts of Tiresias" in 1917. ]

Lot 683

A George Formby owned Dulcet Ukulele by José Alvarez, bearing an internal label "José Alvarez Barcelona Dulcet Fabricado en España", the case numbered G7, 50 cm, (lot 442 of Beryldene sale), previously described as "This ukelele was used by George on his travels during World War II and can be seen in newsreels of the time."[George Formby, 1904-1961, was an actor, singer-songwriter, comedian and star of stage and screen. He became Britain’s highest-paid entertainer, described by his biographer, Jeffrey Richards, as "able to embody simultaneously Lancashire, the working classes, the people, and the nation". Beryl Formby, George’s wife and manager, died on Christmas Eve, 1960. Seven weeks following the death of his wife, Formby was engaged to Pat Howson, a teacher, whom he initially met as a child. Formby died three weeks later, prior to the wedding. His will left much of his estate to his fiancé. Subsequently, in June 1961, the entire contents of Formby’s “Beryldene” residence was sold by J Entwistle & Co of Lytham St Annes at public auction from a marquee in its garden. The Formby items offered in this auction were acquired at the Beryldene sale by founding member of the George Formby Society and Carlisle businessman, William Logan. Images of related photographs and documents included for online reference not forming part of the lot.] [ Please note, the Formby lots in this auction are being offered for sale by the family of the late William Logan.]

Lot 84

Leather crossbody handbag ' Assemblage No3' by Iriarte Iriarte made in Barcelona with magnetic front closure, front pocket and zipped pocket within main compartment. 24x20cm, unused with cloth bag

Lot 424

After Mies Van der Rohe, a white leather Barcelona chair and stool. Late 20th century, on a chrome base, together with a matching footstool.There are light scratches and finger marks to the chrome, very slight discolouration and stains to the leather from use, this would improve with a clean. The chair is sturdy and ready to use.

Lot 2234

A contemporary black faux-leather upholstered Barcelona style lounge chair, with matching footstool.Lightly used condition. Has been dyed black, and this makes is feel tacky in places.

Lot 4083

Collection of Limited Edition Craig Warwick framed prints - Six (full set) Formula 1 Prints By Craig Warwick. To include Barcelona, Monaco, Suzuka, Spa, Monza, Hockenheim. commissioned by 3M Automotive in the 1990's, In Original Packing Boxes and leaflet.

Lot 217

A Barcelona Lionel Messi football shirt, size XL, Newcastle United shirt, size L, another size M, two other shirts, Newcastle United rosette. (1 box)

Lot 1175

1980's boxed Paya PH 1376 0 Gauge Tinplate Spanish Railway Coaches (6), light brown with red and yellow lining with 'Coruna' Destination board and similar with 'Madrid' board and brown and cream with Barcelona Destination Board, blue with red and yellow lining 1st Class, green with yellow and red lining ' Coche Restaurant' (2) and cream and brown 'Coche Butacas', with Valencia Destination Boards , all in original boxes, VG-E, appear unused, chrome beginning to peel on some wheels with signs of metal fatigue, boxes VG (6)

Lot 722

Goran Vlaovic green and white No.7 Panathinaikos v. Barcelona short-sleeved shirt, 2002, Adidas, M, with v-neck collar and embroidered cloth badge, the reverse lettered VLAOVIC, the right sleeve with Champions League flashIn the match played on 3rd April 2002 in Athens, Panathinaikos defeated Barcelona 1-0The shirt was gained as a swap with Roberto Bonano 

Lot 1171

Garnet and blue No.3 Barcelona short-sleeved shirt with v-neck collar and embroidered cloth badge inscribed F.C.B.

Lot 688

Raphinha yellow and red No.11 Barcelona match issued Champions League short-sleeved shirt, 2023-24, Nike, M, with crew-neck collar and printed badge, the reverse lettered RAPHINHA, the right sleeve with Champions League 5 flash

Lot 782

Zlatan Ibrahimovic garnet and blue No.9 Barcelona long sleeved Champions League home shirt, 2009/10, Nike size XL, v-neck collar with printed badge and FIFA World Champions crest mounted centrally, the back lettered IBRAHIMOVIC with the Champions League Winners 2009 flash on the right sleeve and the UEFA Respect flash on the left sleeve. Barcelona played Arsenal in the quarter final of the competition.Provenance: The Arsenal Kit Manager.      

Lot 179

Gordon McQueen Continental silver 1975 European Cup Runner-up medal, the obverse inscribed UEFA, the reverse inscribed COUPE DES CLUBS CHAMPIONS EUROPEENS 1975 in original fitted case, case damagedThis was Leeds United first-ever and to date only European Cup final, in the match played on 28th May 1975 at the Parc des Princes, Bayern Munich defeated Leeds United 2-0, Gordon was suspended for the final due to red card received in the semi-final against BarcelonaLeeds United were only the second English club at that time to reach the final after Manchester United and after Barcelona only the 2nd team to reach all three European cup competition finals, the 1975 final was the climax of the Glory Years of the team built by former manager Don Revie.The following lots 178 to 210 relate to the career of Gordon McQueen, see Bio Lot 178Provenance Gordon McQueen thence by family decent 

Lot 418

Nemanja Matic pink No.31 Manchester United v. Barcelona match issued short-sleeved shirt, 2018, Adidas, 8, with crew-neck collar and printed badge, the reverse lettered MATIC, the right sleeve with Champions League flash, the other with UEFA Respect flash.In the match played on 16th April 2019, Barcelona defeated United 3-0, Matic was an unused sub.

Lot 132

Viv Anderson garnet and blue No.18 Barcelona v. Nottingham Forest short-sleeved shirt, 1983, Meyba, G, with v-neck collar and embroidered cloth badge inscribed F.C.B. The above shirt was gained by Viv as a swap after the Joan Gamper Trophy match against Barcelona played on 23rd August 1983, Bacelona winning the match 2-0Provenance: The Viv Anderson CollectionThe following lots 39 to 159 relate to the career of Viv Anderson MBE. See bio foot of lot 39

Lot 926

Eidur Gudjohnsen garnet and blue No.7 Barcelona long-sleeved shirt, 2008-09, Nike, L, with v-neck collar and embroidered cloth badge inscribed FCB, the reverse lettered GUDJOHNSEN, the right sleeve with LFP flash

Lot 672

Lamine Yamal white No.27 Barcelona long-sleeved shirt, Nike, L, with crew-neck and printed badge, the reverse lettered LAMINE YAMAL, the left sleeve with 2022-2023 La Liga flash

Lot 1004

Two miniature Champions League trophies, both 6.5in. high on bakelite base, the first trophy has blue ribbons attached and a chrome plate to the front of the base inscribed “ European Cup Final 29th May 1968 with the score and the scorers and states Wembley Stadium Attendance 100,000, the other has red and black ribbons, with plaque on the bases stating “ Manchester United v Bayern Munich with the score and the scorers. Champions League Final 26 May 1999 Nou Camp Barcelona Att 90,000 (2)

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