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Click here to subscribeA striking framed bullfighting poster from the Plaza de Toros Monumental de Barcelona, advertising the Extraordinarios Festejos Taurinos of July 2001. The lithographic print features a dramatic illustration of a matador in traditional traje de luces controlling a charging black bull with a red cape. The design conveys the intensity of the Spanish corrida through expressive brushwork and bold color contrasts. The typography highlights celebrated toreros such as Enrique Ponce, Finito de Cordoba, Jose Tomas, and Jose Ortega Cano. This poster is a piece of Spanish bullfighting history, marking an event in one of Barcelona's most renowned arenas before the region banned the practice in 2012. The piece is professionally framed with a red mat and black frame, enhancing its visual impact and collectible appeal.Issued: 1981Dimensions: 30"L x 47"HCountry of Origin: SpainCondition: Age related wear.
. LEEDS / CHELSEA 1966 FAIRS CUP SEMI FINAL REAL ZARAGOZA V LEEDS UNITED PLAYED 20/4/1966 IN ZARAGOZA. THE SPANISH DAILY FOOTBALL MAGAZINE/NEWSPAPER ''DICEN'' DATED 20/4/1966 WHICH PREVIEWS THE GAME AND INCLUDES TEAM LINE-UPS. THIS ISSUE ALSO EXTENSIVELY PREVIEWS THE FAIRS CUP SEMI FINAL CHELSEA V BARCELONA AT STAMFORD BRIDGE ALSO DUE TO BE PLAYED 20/4/1966 BUT WAS POSTPONED ON THE MORNING OF THE GAME DUE TO A WATERLOGGED PITCH.
1966 FAIRS CUP SEMI FINAL ''PLAY-OFF'' REAL ZARAGOZA V LEEDS UNITED PLAYED 11/5/1966. THE SPANISH DAILY FOOTBALL MAGAZINE/NEWSPAPER ''DICEN'' DATED 12/5/1966 WHICH REVIEWS THE GAME. INCLUDES PICTURES, REPORTS AND TEAM LINE-UPS. THIS ISSUE ALSO REVIEWS THE 1966 FAIRS CUP SEMI FINAL CHELSEA V BARCELONA (RE-ARRANGED MATCH) PLUS THE 1966 EUROPEAN CUP FINAL REAL MADRID V� PARTIZAN BELGRADE INCLUDING PICTURES, REPORTS AND TEAM LINE-UPS. ALL THREE MATCHES WERE PLAYED THE DAY BEFORE
A small assorted collection of European silver coinage comprising: Spain - real of Seville, Isabel I and Ferdinand V (1474, 1504, 1516). Hungary - Wladislaw II (1490 - 1516) denar dated 1513. Leopold I (1658 - 1705) 15 krajczar. kremnitz 1679. Spain - Barcelona, Charles III The Pretender, 2 reals, dated 1711. (4)
Numismatics - The Olympic Commemorative Collection Set, nineteen silver proof coins, Atlanta 1996 Hurdles, Swimming, Running, High Jump, Table Tennis, Pole Jump; etc; others, Barcelona France, Turks and Caicos 1995, all encapsulated, blue felt box, 900 silver total weight 231.51g; 925 silver total weight 10g and 999 silver 258g
charcoal on paper, initialled mounted, framed and under glass image size 59cm x 64cm, overall size 86cm x 91cm Note: Donald Macdonald was born on the Isle of Lewis in 1976 and after a short time in the Scottish Infantry he moved to Aberdeen and gained a BA Hons degree in Fine Art. After living and painting in Denmark and Glasgow for several years he returned home to the Isle of Lewis where he is now based. His work is held in various private collections around the UK, in Denmark, Hong Kong, Israel and the USA and in 2009 he was one of only three Scottish artists to feature in the BP Portrait Prize Award Exhibition. He was also the Scottish representative for the Mead Johnson International Exhibition in Evansville, USA. In 2013 he exhibited a commissioned painting in the Imperial War Museum in Manchester and later won a place in the 7th Figurativas painting and sculpture exhibition, held in the European Museum of Modern Art, Barcelona. In 2017 he won the Public Choice Award at the Art Gemini Prize and more recently he has been invited to show at the Columbia Threadneedle Prize (2018), The Lynn Painter Stainers Prize (2019), The Scottish Portrait Awards (2019), The Westmorland Landscape Prize (2019) and The Royal Scottish Academy (2019 & 2020).
charcoal on paper, initialled mounted, framed and under glass image size 75cm x 52cm, overall size 103cm x 78cm Note: Donald Macdonald was born on the Isle of Lewis in 1976 and after a short time in the Scottish Infantry he moved to Aberdeen and gained a BA Hons degree in Fine Art. After living and painting in Denmark and Glasgow for several years he returned home to the Isle of Lewis where he is now based. His work is held in various private collections around the UK, in Denmark, Hong Kong, Israel and the USA and in 2009 he was one of only three Scottish artists to feature in the BP Portrait Prize Award Exhibition. He was also the Scottish representative for the Mead Johnson International Exhibition in Evansville, USA. In 2013 he exhibited a commissioned painting in the Imperial War Museum in Manchester and later won a place in the 7th Figurativas painting and sculpture exhibition, held in the European Museum of Modern Art, Barcelona. In 2017 he won the Public Choice Award at the Art Gemini Prize and more recently he has been invited to show at the Columbia Threadneedle Prize (2018), The Lynn Painter Stainers Prize (2019), The Scottish Portrait Awards (2019), The Westmorland Landscape Prize (2019) and The Royal Scottish Academy (2019 & 2020).
conte on paper, initialled mounted, framed and under glass image size 67cm x 58cm, overall size 95cm x 84cm Note: Donald Macdonald was born on the Isle of Lewis in 1976 and after a short time in the Scottish Infantry he moved to Aberdeen and gained a BA Hons degree in Fine Art. After living and painting in Denmark and Glasgow for several years he returned home to the Isle of Lewis where he is now based. His work is held in various private collections around the UK, in Denmark, Hong Kong, Israel and the USA and in 2009 he was one of only three Scottish artists to feature in the BP Portrait Prize Award Exhibition. He was also the Scottish representative for the Mead Johnson International Exhibition in Evansville, USA. In 2013 he exhibited a commissioned painting in the Imperial War Museum in Manchester and later won a place in the 7th Figurativas painting and sculpture exhibition, held in the European Museum of Modern Art, Barcelona. In 2017 he won the Public Choice Award at the Art Gemini Prize and more recently he has been invited to show at the Columbia Threadneedle Prize (2018), The Lynn Painter Stainers Prize (2019), The Scottish Portrait Awards (2019), The Westmorland Landscape Prize (2019) and The Royal Scottish Academy (2019 & 2020).
Ca. 700 - 600 BC. A black terracotta seated female figure with exaggerated legs. Her head features a distinctive coiled hairstyle, with subtly defined facial features. The arms extend outward.For similar see: Brooklyn Museum, Accession Number 46.180.2.Size: 70mm x 35mm; Weight: 40.6gProvenance: Private collection of an important art dealer, Mr. I. L., Barcelona, 1929-2022. Thence by decent, Ex. Gallery owner of modern and contemporary art, he collected a large group of pieces from the main cultures of pre-Hispanic. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Konvolut 7 tlg.: bestehend aus: Silbermedaillen im Etui XXII. Olympiade 1980 in Moskau, 1000er Silber, Hersteller: Intercoin, Deutschland Weimarer Republik Medaille 1924 Luftfahrt, Amerikafahrt des LZ 126 (ZR III), Dr. Hugo Eckener, 990 Silber, 500 Won Olympische Spiele Barcelona, Diskuswerfer, 999er Silber, 1 Kanadischer Dollar 1986, Vancouver/Pacific-Express, Silber, Medaille auf den Abschluss der Westfälischen Friedensverträge zu Münster am 24. Oktober 1648, Silber. Gesamtgewicht: 156 g. Altersgemäß guter Zustand, Etui defekt.
Football Autographed Paul Scholes 12 X 8 Photo : Col, Depicting Manchester United's Paul Scholes Scoring A Wonderful Winning Goal Against Barcelona In The 2008 Champions League Semi-Final Second Leg At Old Trafford, Victory Secured United's Place In The Final, Signed In Black Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Byran Robson Manchester United 12x16 football signed Coloured Autographed Editions, Limited Edition photo. Photo shows Bryan stooping to head home his first 2 goals against Barcelona in 1983/84 quarter final 2nd leg. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Bryan Robson Manchester United 12x16 football signed Coloured Autographed Editions, Limited Edition squad photo. Photo shows the Man United squad who contested the 1991 European Cup Winners Cup Final against Barcelona. 2-1 Victory. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
MIRÓ, JOANMICHEL LEIRIS / FERNAND MOURLOT: Litógrafo. (Spanische Ausgabe). Bd. I (von 4). Barcelona: Ediciones Polígrafa u. Paris: Maeght 1972. 31,7 x 24,8 cm. Mit 12 (5 doppelblattgr.) OrFarblithos (dav. 1 auf d. Umschl.). 231 SS., 2 Bll. OrLn. mit OrSchutzumschl.Cramer 160. - Nahezu unberührtes Exemplar.
Pablo Picasso (Spanish, 1881-1973). Graphite sketch on graph paper titled "Self Portrait with Marie-Therese Walter," depicting two portraits along the front of the artist and his lover and model, Marie-Therese Walter (French, 1909-1977). She was the mother of their daughter Maya Widmaier-Picasso (1935-2022). The verso of this piece renders several sketches of various objects including a wardrobe cabinet, a ball, a cage, a snail, a human figure, a dog, and an elegant hound voiding his bowels.Provenance: The Estate of Marie-Therese Walter, France; Private collection, Minnesota.Literature: Josep Palau I Fabre, "Pare Picasso," Barcelona: Ediciones Poligrafa, 1977.Lot Essay:A multi-faceted artist who worked as a sculptor, painter, printmaker, and theater designer, Pablo Picasso is known as the co-founder of the Cubist movement and regarded as one of the most influential artists of the 20th century.The artist was born on October 25, 1881 in Malaga, Spain to Don Jose Ruiz y Blasco (1838–1913) and Maria Picasso y Lopez. His father was a naturalist painter of birds and game as well as a professor of art at the School of Crafts and a curator of a local museum. From the early age of seven, Picasso received formal traditional artistic training from his father, copying work from old masters and rendering the human body through the use of live models and plaster casts.This training took place throughout Picasso’s childhood. In 1891, his family moved to A Coruna where they resided for four years while his father took a position at the School of Fine Arts there. Picasso’s artistic capabilities grew, and even Ruiz claimed that his son had surpassed his own talents. In 1895, his sister, Lola, died from diptheria, and the family moved once again, this time to Barcelona. As a professor at the School of Fine Arts, his father persuaded the institution to let Picasso take the entrance exam for advanced classes at the mere age of thirteen. Though this process typically took a month to complete, Picasso finished in a short week and was accepted into the advanced courses. At age sixteen, Picasso’s father and uncle sent him to the Real Academia de Bellas Artes de San Fernando in Madrid. However, soon after enrollment Picasso stopped attending classes but was instead invigorated by attractions such as the Prado with artistic works by masters Diego Velazquez, Francisco Goya, Francisco Zurbaran, and El Greco.By the time Picasso married his first wife, Olga Stepanovna Khokhlova, in 1918, he had risen to success and acquired some fame and fortune as a forerunner of the Cubist movement, though this contrasted greatly with his humble “starving artist†beginnings and continuing bohemian lifestyle. Khokhlova came from high society and introduced her new husband to formal dinner parties and life of the rich in Paris during the 1920s. This clashed with Picasso’s own world views and inevitably led to the couple’s demise.A long-standing secret affair began in 1927 between Picasso and the then 17-year-old Marie-Thérèse Walter. In 1935, Marie became pregnant and it was then that a friend told Khokhlova about Picasso’s mistress. Khokhlova and Picasso separated, never divorcing, until Khokhlova’s death in 1955. On September 5, 1935, Marie and Picasso’s child, Maria de la Concepcion, called "Maya", was born. Though Picasso financially supported Marie and Maya throughout his life, he never married her and had a number of affairs with other women.Marie was a model and muse for many of Picasso’s paintings, sculptures, and drawings including the sketch seen in this lot. She is typically portrayed as bright and blonde in contrast to the weeping woman persona of Picasso’s other lover, Dora Maar. Though the sketch on the recto of the artist and his lover is masterful and typical of Picasso’s greatest works, the verso renders drawings of dogs, a snail, and other random objects created for the amusement of his daughter, Maya. Both sides demonstrate Picasso’s virtuoso and ability to be playful yet skillful in his artistic works.Height: 5 3/4 in x width: 3 3/4 in.Condition: The drawing is in good condition overall. The drawing is executed on graph paper and has a deckled edge along the right. There is a paper loss along the lower right. A repair to a 1 inch tear that goes from the upper right edge, diagonally downward. Some areas of skinning along the upper left and right corners. Some light surface soiling. Some minor losses and one small tear along the lower edge. The drawing bears light impressions of the drawings on the verso. The drawing is not framed.
Radiant F.c. Barcelona watch. Steel watch with quartz movement. Black dial with club shield with triple calendar on three dials. Time of day, day of the week and day of the month. Water-resistant 5ATM. 46 mm. BA01702Radiant F.c. Barcelona watch. Watch with stainless steel case and black silicone band. Quartz movement. Black dial with club crest with triple calendar on three dials. Time of day, day of the week and day of the month. Water-resistant 5ATM. 46 mm. BA01701Brand new
Lionel Messi's boot of Futbol Club Barcelona, signed and certified. Boot of the left foot, good foot of the footballer, The signature is in the centre of the boot next to the typical three stripes of Adidas. Signed and with certificate of authenticity. The boot is framed with a picture of the legendary footballer Lionel Messi. The framing of the piece was done after its certificate.
PEDRO ARRIZABALAGA A PAIR OF 12-BORE SELF-OPENING HAND-DETACHABLE SIDELOCK EJECTORS, serial no. 11693 / 4, for 1974, 27 1/2in. nitro chopperlump barrels, file cut ribs gold-inlaid '1' and '2' at the breech ends, the tubes engraved 'PEDRO ARRIZABALAGA - EIBAR' and 'RAVELL - BARCELONA', 2 3/4in. chambers, bored approx. imp. cyl. and 3/4 choke, side-clipped treble-grip actions with hidden third bites, removable striker discs, toplevers gold-inlaid '1' and '2', automatic safeties, Holland & Holland style self-opening systems and hand-detachable lockplates, cocking-indicators, articulated front triggers, bouquet and scroll engraving, retaining much original colour-hardening, 14 5/8in. stocks, weight 6lb. 12oz., in their brass-cornered leather case S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act
A BOX OF FOOTBALL INTEREST ITEMS, to include five football shirts: two Wolverhampton Wanderers - one as new with tag attached, sizes M and L, Real Madrid size L, FC Barcelona size L, and Argentina size L, Wolverhampton Wanderers FC season ticket books from the 1990s and early 2000s, one signed on the cover - possibly Matt Murray, another with a personalised note to the inside back cover signed Jack Hayward, a signed menu from a Football Heroes 'A Wolves Team of Legends' Tribute Dinner 14/09/1995 - with three signatures, etc (1 box) (sd)
Joan Miró (1893-1983)Barcelona, XXXVI (Mourlot 41) Lithograph, 1944, signed and dated in pencil, numbered from the edition of 5, printed by Mourlot, Paris, published by Joan Prats, Barcelona, on Torras Juvinya wove paper, the full sheet printed to near the edges, sheet 690 x 525mm (27 1/8 x 20 5/8in)
Joan Miró (1893-1983)Plate V, from Série Mallorca (Dupin 614)Etching with aquatint printed in colours, 1973, signed in pencil, numbered from the edition of 50, printed by J. -J. Torralba, Barcelona, published by Sala Pelaires, Palma de Mallorca, on Guarro wove paper, with full margins, sheet 720 x 890mm (28 3/8 x 35in) Provenance: Ex coll. Ed Ruscha; Acquired from the above by the present owner.
A collection of various costume jewellery including two 20th Century shell carved cameos, an enamelled bee brooch, an enamelled silver fob watch of suitcase form, a silver cased pocket watch with short chain and bloodstone/carnelian seal, a Parker fountain pen with 18 carat gold nib, a Waterman fountain pen, Shaeffer fountain pen and two others together with a gold filled propelling pencil, a small collection of humorous and other vintage postcards, an embroidered rose decorated table cover and a Barcelona lacework runner
European club match programmes, to include; Europacup Final Barcelona v Benfica Lisbon 31st May 1961; European Champion Clun's Cup Final Benfica v Manchester United 29th May 1968 at Wembley; D.W.S.-A v Sheffield United, 3rd May 1961; Dukla Praha v Servette, 22nd November 1961; European Cup Winners Cup, Atletico Madrid v Tottenham Hotspur, 15th May 1963; UEFA Cup Bohemians v Newcastle United, 14th September 1977; European/South American Cup no.9 Manchester United v Estudiantes of Argentina, 16th October 1968; European Cup Winners Cup, Anderlecht v Zwickau, 14th April 1976; Athletic Bilbao v Servette, 14th September 1977; European Cup Semi-Final 2nd Leg Celtic v Leeds, 15th April 1970; 1969 European Cup Final programme, Ajax v AC Milan, 28th May 1969; European Cup Winners Final, Atletico Madrid v Fiorentina, 10th May 1962; Dortmund v Everton 21st October 1970; European Champion Clubs Cup Final, Benfica v A.C. Milan, 22nd May 1963; European Cup Winners Cup Final TSV Munchen 1860 v West Ham United, 19th May 1965; ; and 1966 European Cup Final / Real Madrid v FK Partizan, 11th May 1966; plus others.
Christiano Ronaldo and Lionel Messi signed boots mounted display. Christiano Ronaldo Real Madrid and Portugal signed yellow boot and Lionel Messi Barcelona and Argentina signed orange boot mounted with photos. Measures 26x24 inch appx. Frame has glass intact. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Celia Mora Secret Hunting, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Celia Mora is a Spanish painter living and practicing painting in London. She completed her studies in Fine Arts at the Complutense University of Madrid (2013). She was awarded an Erasmus Scholarship to study at the University of Arts London (2017), establishing her residence in the UK. She finished her studies in 2018, receiving an award on graduation. Her works are held in private collections, including The Four Seasons Hotel, in Madrid. She was awarded the Elizabeth Greenshields Foundation grant to pursue her Master studies at Royal College of Arts in 2022. She has again received the support from the foundation with a second grant to carry on with her studies at Turps Art School 2023/2024. She has currently got Zsuzsi Roboz Scholarship by Morley College to support her practice. Also, a three-month studio residency at Soho Revue Studios in London. Education 2023 MA Painting, Royal College of Arts, London 2018 BA Fine Arts, Complutense University, Madrid 2013 BA Advertising and Public Relations, Complutense University, Madrid Group Exhibitions 2024 The Eve Principle, Norito Gallery, London Startled, Lychee one Gallery, London Southpark Gallery, London Soma, Duo show, Outhouse Gallery, London Walk while you have the light, Safe House, London Vessel, OHS Projects Jackson's Art Prize, Bankside Gallery, London Leavers show, Turps studio program, London Contemporary British Portrait Painters, The Department Store, London Boundaries, Outhouse Gallery, London Nausea, Playground 72, London Jackson's Art prize, Bankside Gallery, London Slip Slap Slop, Turps studio program, London A room of one's own, Irving Gallery, Oxford 2023 Road of excess, Safe house 2, London Crème Fraiche, ICA, London MA Graduate Show, RCA Battersea, London Figurativas Prize, European Museum of Modern Art Barcelona, Spain Miradas insumisas, Flippa Gallery, Barcelona, Spain Unladylike, D Contemporary, London Awards 2025 Soho Revue Studio Residency Program, London 2024/25 Morley College, Zsuzsi Roboz Scholarship 2024 Turps Studio program, London Elizabeth Greenshields Foundation Grant Statement about AOAP Submitted Artwork From a genuine interest in the depiction of the human figure, through my taken inspiration in the old masters, I redefine the visual codes that configure our interpretation and given unconscious understanding of the images. Taking the male body as a subject and my partner as a model, I place myself in the empowered position of the painter, redefining the idea of the "muse" from the first act of painting. I play with the depiction of the male body as an attempt to subtly challenge notions of beauty and masculinity, exploring its representation through the classical painting aesthetics of figuration and still life. Each work is an attempt to question the subjectivity of the body in relation with the stereotypes of the gender, by pushing the visual boundaries on the depiction of its shapes, cropping, submitting or objecting the body. Concepts of love and control, agency, and intimacy come across my practice creating and entangled web of images directly related to my lived experiences. By exploring the male figure, I get to experiment with all the decisions that depicting someone else's body implies, and to get a deeper understanding on my own power role in the process. In the work, I seek to analyse the ways in which we experience the other's body, playing with the nuances in between comfort and consent. From extreme body positions to the juxtaposition with other elements used as symbolic prompts, I have been producing images that deliberately challenge normative ideas of what masculinity might be, as well as purposely complicating and undermining them. In my most recent practice, I am interested on how male-gazed narratives have limited our perspective and understanding of the world. By visually prioritizing seemingly insignificant objects, I aim to give voice to the untold and break away from a singular worldview. The vases-objects that can be filled, carried, or destroyed- act as symbols to re-signify the male form just by placing them together. Reclaiming the classical painting language, I depict these elements to question the gaze and examine the given narratives that shape our visual perception of gender. These objects reformulate the compositional aspects of each image, distorting the human form and pushing toward abstraction when viewed from a close distance. Through this process, I aim to question conventional representation norms, satirizing gender stereotypes challenging their biased construction. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.