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Click here to subscribeDimensions: Height 11,5 cm Wide 13 cm Depth 3,5 cmWeight: 955,4 grams This image shows a carved Crystal artifact featuring a central Buddha surrounded by several other figures. The figure in the center is depicted in a frontal pose, standing or emerging with an elaborate draped robe.The raised hands resemble the traditional Abhaya Mudra (gesture of reassurance and fearlessness).He is surrounded by his disciples praying to him.
A finely carved and gilded wooden wall bracket featuring intricate floral and geometric patterns. The octagonal platform and tiered design reflect a blend of functionality and ornate artistry, The bracket is equipped with metal fittings for wall mounting. Likely used as a support for decorative objects or religious artifact.22 by 26 cm
Casque du Lieutenant Colonel Elmer Schmierer 393 INF REGT. Coque de casque USM1. Fermeture du jonc a l avant. Numero de lot illisible. Pontets fixes. Jugulaires presentes et montees d origine. Peinture et cork a 80%. Reste d insigne de la 90th DI US grattee sur la face avant de la coque, insigne de la 99th ID present sous la peinture OD. Grade de Lieutenant Colonel soude a l avant de la coque. Double marquage O-24531 a l interieur de la coque. Barre d officier Follow Me realisee au pochoir et a la peinture blanche au dos de la piece. Liner en materiaux composite haute pression, fabrication Westinghouse D-25. Coiffe en toile complete. Nuquiere manquante. Bandeau de sudation en cuir marron. Jugulaire en cuir marron, fabrication United Care. Peinture kaki lisse a 90%. Barre d officier Follow Me realisee au pochoir au dos du liner. Insigne de la 90th DI US peint en rouge a l avant du liner. Grade de Lieutenant Colonel metallique fixe a l avant du liner. On y joint les courrier du Lieutenant Colonel Schmierer relatant son parcours durant la Bataille des Ardennes. Elmet Schmierer etait l officier des operations du 393eme regiment d infanterie. Son poste de commandement etait etabli a Krinkelt sous les ordres du colonel Scott. Cette piece a ete donnee par le veteran a l historien anglo belge William C Cavanagh qui est un specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Il portera ce casque apres la bataille des Ardennes quand il sera reaffecte aux officiers de la 90th ID. Important souvenir historique provenant directement du veteran et comportant son histoire replacant cet objet dans le contexte de celle ci. A noter une certaine usure et patine de la piece. Etat II+. Helmet of Lieutenant Colonel Elmer Schmierer, 393rd Infantry Regiment. US M1 helmet shell with front seam. Lot number illegible. Fixed bales. Original chinstraps intact and mounted. Paint and cork at 80%. Remnants of the 90th Infantry Division ID insignia scratched off on the front of the shell, with the 99th ID insignia still visible beneath the OD paint. A metal rank insignia for Lieutenant Colonel is welded to the front of the shell. Inside the shell, double-stamped O-24531. The stencil-painted Follow Me officer s bar is visible on the rear of the shell in white paint. The liner is made of high-pressure composite material, manufactured by Westinghouse D-25, with a complete fabric suspension. The nape strap is missing. The sweatband is made of brown leather, and the chinstrap is also brown leather, manufactured by United Care. The khaki paint on the liner is 90% intact. The Follow Me bar is stenciled on the rear of the liner. The 90th ID insignia is painted in red on the front of the liner, and the metal Lieutenant Colonel rank insignia is attached to the front of the liner. This helmet comes with correspondence from Lieutenant Colonel Schmierer recounting his experiences during the Battle of the Bulge. Elmer Schmierer was the operations officer for the 393rd Infantry Regiment, and his command post was established at Krinkelt under Colonel Scott. After the Battle of the Bulge, he wore this helmet when reassigned to the officers of the 90th Infantry Division. This piece was donated by the veteran to Anglo-Belgian historian William C. Cavanaugh, a recognized expert on the Battle of the Bulge, whose publications are considered references in the field. A highly significant historical artifact, directly linked to the veteran s experiences, providing valuable context to this object. The helmet shows some wear and patina. Condition II+.
Buckle Boots de Bill Meyer, de la 99th DI US. Il s agit d une paire homogene en cuir marron, a sept œillets dont les lacets d origine sont presents. La jambiere attenante fermant par deux boucles a un seul ardillon. Les semelles et les talons sont uses par le port prolonge de ces bottes par le soldat. On peut distinguer un reste de marquages HTS ESSEX. Des marquages internes sont presents mais, helas, illisibles. On joint des attestations de Bill Meyer donnees a l historien William Cavanagh dans lesquels il raconte l histoire de cette paire de bottes. Elles ont ete portee par lui pendant la bataille des Ardennes, en particulier, et egalement pendant tout le reste de la campagne Europeenne. Bill Meyer relate qu il les portait, notamment, le matin du 17 decembre 1944 a Bullange ou Bullingen en allemand, dans laquelle son unite fut attaquee par les troupes du Lieutenant Colonel Joachim Peiper. En effet, les alliees ne furent pas en mesure de repousser l attaque allemande dans laquelle ils perdirent meme le depot de carburant qui s y trouvait. Nous avons retire notre train de munitions vers une position pres de Weywertz ce matin-la, explique Meyer dans l une de ses notes jointes, tard dans la nuit, il explique egalement que ses pieds etaient geles dans ses bottes, alors qu il essayait avec ses camarades de se replier. Bill Meyer ASN 17 176 654 PFC 371st FA Bn Ammo Train Service Battery. Cette piece a ete donnee par le veteran a l historien anglo belge William C Cavanagh qui est un specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Important souvenir historique provenant directement du veteran et comportant son histoire et replacant cet objet dans le contexte de celle ci. Il est de la plus haute rarete de pouvoir recuperer des objets pouvant etre rattache au contexte des evenements qu ils ont subis. La 99eme DI americaine a jouee un role majeur dans la bataille des Ardennes. Il se livrerent avec autant de courage que de tenacite a des combats acharnes, notamment a Krinkelt. Cette division etait surnommee Battle Babies ou Checkerboard. A noter une certaine usure et patine des pieces. Etat II+. Buckle Boots by Bill Meyer, of the 99th DI US. This is a matched pair of brown leather boots, with seven eyelets and original laces intact. The attached gaiters close with two single-prong buckles. The soles and heels show wear from extended use by the soldier. Traces of HTS ESSEX markings can still be distinguished, though internal markings are present but, unfortunately, illegible. Included are attestations from Bill Meyer provided to historian William Cavanagh, in which Meyer recounts the history of this pair of boots. They were worn by him during the Battle of the Bulge, specifically, and throughout the rest of the European campaign. Meyer notes that he was wearing them on the morning of December 17, 1944, in Bullange or Bullingen in German, where his unit was attacked by Lieutenant Colonel Joachim Peiper s troops. The Allies were indeed unable to repel the German assault, during which they even lost the fuel depot located there. We withdrew our ammunition train to a position near Weywertz that morning,” Meyer explains in one of his attached notes, further recounting that his feet were frozen in his boots as he and his comrades tried to fall back late that night. Bill Meyer ASN 17 176 654 PFC 371st FA Bn Ammo Train Service Battery. This item was given by the veteran to Anglo-Belgian historian William C. Cavanagh, a recognized specialist on the Battle of the Bulge whose publications are authoritative in this field. This is an important historical artifact directly from the veteran, preserving his story and situating this item in the context of the events it witnessed. It is extremely rare to recover objects that can be linked to the context of the events they underwent. The American 99th Infantry Division played a major role in the Battle of the Bulge, fighting with as much courage as tenacity in fierce engagements, particularly at Krinkelt. This division was nicknamed the ,Battle Babies, or ,Checkerboard Division., Note some wear and patina on the items. Condition, II+.
Portefeuille de Edward A Lawrence Prisoner of War. Portefeuille en cuir marron vide. Deux photos recentes. Edward A Lawrence SGT 1st Squad 1st Platoon CO M 424th Inf 106th Div. Le Sergent Lawrence du 424th Infanterie de la 106th Division a ete fait prisonnier durant la bataille des Ardennes le 16 decembre 1944. Il a ete interne dans les Stalag XII B, III B, et IIIA. Un an apres son retour aux USA, il eut la surprise de recevoir du Departement d Etat le portefeuille qu il avait perdu lors de la bataille. On y joint une photo, une lettre de lawrence et l enveloppe d envoi de ce portefeuille a l historien W C. Cavanaugh. Cette piece a ete donnee par le veteran a l historien anglo belge William C Cavanaugh qui etait un specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Interessant souvenir historique provenant directement du veteran et comportant son histoire, replacant cet objet dans le contexte de celle ci. Il est de la plus haute rarete de pouvoir recuperer des objets pouvant etre replace dans le contexte des evenements qu ils ont subis A noter une certaine usure et patine de la piece. Etat II+. Wallet of Edward A. Lawrence, Prisoner of War. Brown leather wallet, empty. Two recent photographs. Edward A. Lawrence, SGT, 1st Squad, 1st Platoon, CO M, 424th Infantry, 106th Division. Sergeant Lawrence of the 424th Infantry, 106th Division, was captured during the Battle of the Bulge on December 16, 1944. He was interned in Stalag XII B, III B, and IIIA. One year after his return to the USA, he was surprised to receive the wallet he had lost during the battle, sent to him by the State Department. Included with the wallet are a photograph, a letter from Lawrence, and the envelope in which the wallet was sent to historian W.C. Cavanaugh. This piece was given to the historian by the veteran himself. William C. Cavanaugh, a renowned Anglo-Belgian historian and specialist in the Battle of the Bulge, whose publications are considered authoritative in the field. An interesting historical artifact directly linked to the veteran s personal story, providing context for the item within the events it endured. It is extremely rare to recover objects that can be placed back in the context of the events they were part of. Notable wear and patina on the piece. Condition II+.
Patch du General Matthew Ridgway. Patch du XVIII Airborne Corps, porte par le General Matthew Ridgway lors de la bataille des Ardennes. Des traces de colle sont visibles au dos de l insigne. Il a ete demonte de la vareuse qu il portait lors de la bataille des Ardennes comme l explique le general dans la lettre d envoi a l historien W C. Cavanagh datee du 19 avril 1971. On y joint plusieurs autres signatures de Ridgway en 1968 et en 1993 et un retirage de photo le montrant portant cet insigne sur sa veste de saut. Le general Matthews Ridgway commandait le XVIII Airborne Corps. Le General Eisenhower decide d’envoyer a la rescousse le XVIIIth US Airborne Corps qu’il tient en reserve operationnelle. Le 17 Decembre 1944, le Major General Ridgway est informe de la percee Allemande et decide dans l’urgence d’envoyer tous les hommes disponibles vers la Belgique. Le 18 Decembre au petit matin, la 82nd Airborne embarque a bord de camions, suivis l’apres-midi par la 101st Airborne. Les « All-American » debarquent dans le secteur de Werbomont tandis que les Screaming-Eagles se positionnent autour de Bastogne. Cette unite prit une part tres importante dans les combats de la bataille des Ardennes. Cette piece a ete donnee par le general a l historien anglo belge William C Cavanagh qui est un specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Important souvenir historique provenant directement d un des officiers generaux les plus connus de l armee americaine et dont l attestation replace cet objet dans son contexte originel. A noter une certaine usure et patine de la piece. Etat II+. General Matthew Ridgway s Patch. Patch of the XVIII Airborne Corps, worn by General Matthew Ridgway during the Battle of the Bulge. Traces of glue are visible on the back of the insignia. It was removed from the uniform he wore during the Battle of the Bulge, as explained by the general in his letter to historian W.C. Cavanagh, dated April 19, 1971. Several other signatures from Ridgway, from 1968 and 1993, are included, as well as a reprint of a photo showing him wearing this insignia on his jump jacket. General Matthew Ridgway commanded the XVIII Airborne Corps. General Eisenhower decided to send the XVIII US Airborne Corps, held in operational reserve, to the rescue. On December 17, 1944, Major General Ridgway was informed of the German breakthrough and urgently ordered all available men to Belgium. On the morning of December 18, the 82nd Airborne began boarding trucks, followed in the afternoon by the 101st Airborne. The ,All-Americans, landed in the Werbomont sector, while the ,Screaming Eagles, positioned themselves around Bastogne. This unit played a very important role in the fighting during the Battle of the Bulge. This item was given by the general to the Anglo-Belgian historian William C. Cavanagh, a recognized expert on the Battle of the Bulge, whose publications are authoritative in the field. A significant historical artifact directly from one of the most famous American military officers, with documentation placing the item in its original context. Note some wear and patina on the piece. Condition II+.
Blouson de tankiste de Harvey Fraser, commandant du 51st Engineer Combat Battalion. Piece en popeline kaki dont les feutrines du col et des bas de la veste sont en tres bon etat. Les feutrines au bas des manches sont d un modele differents, resultat d une probable reparation d epoque. Les fermeture eclair sont fonctionnelles et de fabrication Talon. Une indication nominative Fraser se trouve au niveau du bas de la doublure de la fermeture eclair. L insigne de la troisieme armee US est cousu d origine au niveau de la manche droite. Les Stripes de 36 mois de service outre-mer sont cousus au bas de la manche gauche. L interieur est double en drap kaki, l etiquette de taille est illisible. On peut remarquer quelques reparations et taches visibles sur l ensemble de la veste. Il y est joint un pull sans manche en lainage kaki, sans marquages visibles, et avec quelques taches et trous de mite. Un livret Message Book M-210-A Signal Corps US Army, incomplet, certains calques ont des annotations manuscrites, un patch de la premiere armee U.S. Toutes ces pieces ont ete offerte par le general Harvey Fraser a l historien William C. Cavanagh. L original de la lettre attestant de l envoi de ces pieces est jointe au lot, ainsi que quelques autres correspondances du general Fraser a Cavanagh. William C Cavanagh est un historien anglo belge, specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Important souvenir historique provenant directement du veteran et comportant son histoire et replacant l objet dans le contexte de celle ci. Le 51eme Engineer Combat Bataillon eut un role crucial dans la bataille des Ardennes ou il a obtenu la citation presidentielle americaine et la Croix de Guerre francaise. Le colonel Fraser, commandant le 51eme Engineer Combat Battalion, avec le capitaine Sam Schuber et le Major Robert Yates firent sauter le premier pont de la ville de Trois Ponts face aux premiers blindes de la colonne Peiper, ce qui les empecha de traverser a cet endroit. Une tres interessante publication nommee Holding the Line developpe toute l action de ce bataillon et le role fondamental de son commandant Harvey Fraser, qui devint general de brigade apres le guerre. On peut trouver cette etude sous le lien suivant , https,//www.publications.usace.army.mil/portals/76/publications/engineerpamphlets/ep_870-1-38.pdf. Cette unite participa activement a la bataille de Trois Ponts. Emblematique piece d uniforme comportant une double prestigieuse provenance. A noter une certaine usure et patine de la piece, ainsi que quelques taches, accrocs et reparations. Etat II+. Harvey Fraser’s tank commander jacket, commander of the 51st Engineer Combat Battalion. The piece is made of khaki poplin, with the felt on the collar and the bottom of the jacket in very good condition. The felt at the bottom of the sleeves is of a different model, likely the result of a period repair. The zippers are functional and made by Talon. A name tag reading ,Fraser, is found at the bottom of the zipper lining. The insignia of the 3rd US Army is originally sewn onto the right sleeve. The 36-month overseas service stripes are sewn at the bottom of the left sleeve. The interior is lined with khaki wool, and the size label is illegible. Some visible repairs and stains are present throughout the jacket. A khaki wool sleeveless sweater, without visible markings, is included, with some stains and moth holes. Also included is a Message Book M-210-A Signal Corps US Army, incomplete, with handwritten annotations on some pages, and a patch of the 1st US Army. These items were gifted by General Harvey Fraser to historian William C. Cavanagh. The original letter confirming the donation of these items is included with the lot, as well as other correspondence from General Fraser to Cavanagh. William C. Cavanagh is an Anglo-Belgian historian, a recognized expert on the Battle of the Bulge, whose publications are authoritative in the field. This is an important historical artifact directly from the veteran, with his story attached, placing the item within that context. The 51st Engineer Combat Battalion played a crucial role in the Battle of the Bulge, where it was awarded the US Presidential Citation and the French Croix de Guerre. Colonel Fraser, commanding the 51st Engineer Combat Battalion, along with Captain Sam Schuber and Major Robert Yates, blew up the first bridge in the town of Trois Ponts in front of the first tanks of Peiper’s column, preventing them from crossing there. A very interesting publication called Holding the Line develops the actions of this battalion and the fundamental role of its commander, Harvey Fraser, who became a brigadier general after the war. This study can be found at the following link, https,//www.publications.usace.army.mil/portals/76/publications/engineerpamphlets/ep_870-1-38.pdf. This unit actively participated in the Battle of Trois Ponts. An iconic uniform piece with dual prestigious provenance. Note some wear and patina on the item, as well as a few stains, snags, and repairs. Condition, II+.
Regle d artillerie du soldat americain Richard H Byers. Regle en bois avec de nombreux marquages destines aux calculs de tirs d artillerie. Elle comporte une indication manuscrite au nom de ,Byers, a la peinture rouge et une mention gravee CPL Byers. c est un modele de regle pour Howitzer, c est a dire pour obusier d artillerie. Cette piece est datee du 28 avril 1942. Elle a ete donnee par le veteran a l historien William C. Cavanagh. On y joint egalement une tres interessante cassette audio moderne relatant l historique de RH Beyers, un livet American Red Cross Map of Paris, date fevrier 1945 lui ayant appartenu et un manuel TM20-230 Logarithmic Trigonometric and Mathematical tables for artillery, date octobre 1944 et comportant son nom sur la page de garde, S/SGT Richard H Byers C Btry 371 FABN 99th Inf Div ASN 35523280, Un TM 9-524, 12 inch Graphical Firing Tables, date du 8 novembre 1944. Une lettre tapuscrite de Richard H Byers a Cavanagh indique qu il a bien utilise ce materiel pendant son service lors de la seconde guerre mondiale et notamment en Belgique. Recuperee en dotation en 1943, Byers explique longuement dans son courrier le mode d utilisation de cette regle. Cette piece a ete donnee par le veteran a l historien anglo belge William C Cavanagh qui est un specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Interessant souvenir historique provenant directement du veteran et comportant son histoire qui replace cet objet dans le contexte de celle ci. La 99eme DI americaine a joue un role majeur dans la bataille des Ardennes. Il se livrerent avec autant de courage que de tenacite a des combats acharnes, notamment a Krinelt. Cette division etait surnommee Battle Babies ou Checkerboard. A noter une certaine usure et patine des pieces. Etat II+. Artillery Rule of American Soldier Richard H. Byers. Wooden rule with numerous markings for artillery firing calculations. It bears a handwritten indication of the name Byers in red paint and an engraved mention CPL Byers. This is a model of rule for Howitzer, that is, for artillery howitzers. The piece is dated April 28, 1942. It was given by the veteran to historian William C. Cavanagh. Also included is a very interesting modern audio cassette recounting the history of Richard H. Byers, an American Red Cross Map of Paris booklet, dated February 1945, which belonged to him, and a TM20-230 manual, Logarithmic Trigonometric and Mathematical Tables for Artillery, dated October 1944, bearing his name on the front page, S/SGT Richard H. Byers, C Btry 371 FABN 99th Inf Div ASN 35523280. Additionally, a TM 9-524 manual, 12 Inch Graphical Firing Tables, dated November 8, 1944, is included. A typed letter from Richard H. Byers to Cavanagh states that he indeed used this equipment during his service in World War II, notably in Belgium. Retrieved in 1943, Byers explains in detail in his letter how to use the rule. This piece was donated by the veteran to Anglo-Belgian historian William C. Cavanagh, a recognized specialist in the Battle of the Bulge, whose publications are considered authoritative in the field. An interesting historical artifact directly from the veteran, with his story placing the item within its context. The 99th Infantry Division played a major role in the Battle of the Bulge. They fought with as much courage as tenacity in fierce battles, particularly in Krinkelt. This division was nicknamed the Battle Babies or Checkerboard. Notable wear and patina on the pieces. Condition II+.
The black mourning kontusz button is a unique element of the Polish national costume, worn during periods of national mourning, particularly during the partitions of Poland, when it served as a symbol of resistance against oppression and remembrance of the lost independence. It became especially symbolic during and after the January Uprising (1863–1864), when the national dress transformed into a manifestation of patriotism.Unlike the traditional, elaborately decorated silver or gold kontusz buttons, the black mourning button was made from less expensive materials or painted black, symbolizing mourning. Its simplicity was an intentional gesture, expressing solidarity with the nation, modesty, and defiance against the partitioning powers. It was often worn with black clothing, which became popular among the Polish intelligentsia and nobility as a way of expressing rebellion during times when patriotic demonstrations were prohibited.During the January Uprising, the black kontusz button and mourning attire became part of the so-called "patriotic fashion." Both women and men wore jewelry and accessories in subdued colors, often adorned with national symbols such as eagles or anchors, while men donned simplified kontuszes with mourning elements, including black buttons and the kontusz button.Today, the black kontusz button is a rare and highly valuable historical artifact, serving as a reminder of the dark, yet hopeful times of the struggle for independence. It symbolizes both mourning and the unyielding will of the Polish nation in its pursuit of freedom.
ENGLAND. James I, 1603-25. Gold Sovereign, ND (1603-1604). Tower Mint. Thistle 125. A rare and short-lived type, the first coinage of James I was struck at the start of his reign in 1603. This type, the Sovereign of twenty shillings, was struck in crown gold (22 carats) and is noteworthy as the only type that features England and Scotland as separate entities in the legend. From the second coinage, the title "King of Great Britain" is adopted to emphasise the union of the crowns. The rarity of this type and uniqueness of the legend, makes it highly desirable to collectors and a fascinating artifact of the transition from Tudor to Stuart England.James I, crowned and armoured facing right, holding orb in one hand and sceptre in the other leaning on shoulder, legend and beaded circles around, thistle mint mark above; IACOBVS. D'. G'. ANG'. SCO'. FRAN'. ET. HIB'. REX. / Crowned quartered shield of arms, I to left, R to right, beaded circle and legend around; ". EXVRGAT. DEVS. DISSIPENTVR. INIMICI.".In secure plastic holder, graded NGC MS 62, certification number 2124442-028.NGC Census in this grade: 1, single finest graded.Total NGC Census: 2Reference: S-2608; N-2065; Fr-226Weight: 11.11 g. (AGW=0.3272 oz.)Composition: 916/1000 Gold.PLEASE NOTE: A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
RUDOLPH VALENTINO AND VILMA BANKY AS AHMED AND YASMIN | Royal Dux (Czech / Bohemian around 1926) | around 1926 | painted, glazed ceramics | 34 cm | Lot description | The ceramic figurine of Rudolph Valentin and Vilma Banka in the roles of Ahmed and Yasmin is an excellent example of decorative art, inspired by the popular films of the 1920s. Created by the Royal Dux manufactory, this sculpture depicts the couple in a sensual dancing stance that evokes the romance and exoticism of the Orient as perceived by Western culture at the time. The inspiration from the film "Son of the Sheik" (1926), where Rudolph Valentino portrayed the iconic role of the Sheik, is reflected in the fine execution of details such as the expressive movement and stylization of the characters' clothing. The statuette stands out for its harmonious combination of colors and dynamics, which is supported by the play with glazes and the precise modeling of the figures. This work is not only an example of the masterful processing of ceramics, but also a cultural artifact that recalls the fascination of Western civilization with oriental motifs in the interwar period of Europe. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
SAINT MITROFAN OF VORONEZH AND SAINT TIKHON OF ZADON | Russia | silver icon. Weight 571.15 grams gross | 22 x 17.5 x 2 cm (height x width x depth) | marked: I. E. | Lot description | This silver icon depicts Saint Mitrofan of Voronezh and Saint Tikhon of Zadonsky, two prominent figures of the Russian Orthodox Church. The icon, decorated with a richly elaborate relief inlay, is an example of excellent craftsmanship, typical of Russian church art of the 19th century. The poultice is made of silver and decorated with delicate ornaments, which gives the icon not only protection, but also dignity and spiritual depth. The relief depiction of the saints is complemented by inscriptions in Cyrillic that identify the figures. This artifact is not only an object of spiritual reverence, but also a valuable work of art, which is an expression of the deep faith and rich tradition of Orthodox Christianity. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
RARE SABRETACHE OF A HORSE-HUNTER OF THE OFFICER, IMPERIAL GUARD, FIRST EMPIRE MODEL. Leather sabretache, cover covered with dark green cloth, embroidered in its center with the great imperial arms with a cast brass eagle. On its edges it is framed with a soutache and a yellow gold braid. Inner lining in leather with pocket lined with ecru canvas. A remarkable artifact embodying Napoleonic military heritage. Excellent condition. Size 30x26 cm.
Rare Nazi Germany Promotion certificate with autograph of Heindrich Himmler (1900-1945), 1941. A Promotion certificate. "In the name of the Fuhrer", the Gustav Kraufe is being promoted to the captain of the gendarmerie. The date is May 17, 1941, the promotion takes effect starting on June 1st. The document is enacted by Reich Minister of the Interior, Heindrich Himmler. Himmler's signature is made in black ink. A very rare artifact of Nazi Germany with the autograph of one of the key figures of the Third Reich. Good condition.
Extra Rare WWII Nazi German Allgemeine SS - StandartenfŸhrer tunic, SS-Hauptamt (SS Head Office). This lot presents an exceptionally rare World War II-era German Allgemeine SS StandartenfŸhrer tunic associated with the SS-Hauptamt (SS Head Office). This authentic uniform was worn by a high-ranking officer equivalent to a colonel, offering a significant glimpse into the administrative branch of the SS during a pivotal period in history. Crafted from high-quality black wool, characteristic of Allgemeine SS uniforms of the era. Original collar tabs indicating the rank of StandartenfŸhrer, silver-threaded shoulder board. The SS-Hauptamt cuff title denoting assignment to the SS Head Office. Lined with period-correct fabric, maker's tag. On the left side of the chest there are three Ribbon Bars; Honor Cross of the World War 1914/1918, Cross "For Military Merit" 1939, Iron Cross 2nd Class 1914. The SS-Hauptamt (SS Head Office) (SS-HA) was the central command office of the Schutzstaffel (SS) in Nazi Germany until 1940. During the late 1930s, the power of the SS-HA continued to grow becoming the largest and most powerful office of the SS, managing nearly all aspects of the paramilitary organization. This tunic is a significant historical artifact that provides insight into the uniforms and organizational structure of the SS during World War II. It is a valuable piece for collectors, historians, and museums dedicated to military history. Good condition.
Rare WWII Nazi German, 3rd Waffen-SS Panzer Division "Totenkopf", Leather Jacket. This historically significant piece is a leather combat jacket associated with the "Totenkopf" division, one of the most prominent armored divisions of the Waffen-SS during the Second World War. Crafted from black leather suitable for armored vehicle crews. Includes original shoulder boards. Features the divisional insignias of the 3rd SS Panzer Division "Totenkopf," a skull emblem, on the collar. Chest patch with an eagle on the right. Front closure with original metal zipper. Exhibits signs of wear such as scuffs, which are typical for combat-used gear. The lining is heavily damaged from age. An authentic period piece reflecting the gear used by the 3rd Waffen-SS Panzer Division. This leather jacket represents a tangible piece of World War II history, offering insight into the attire of armored division personnel within the German forces. It serves as a valuable artifact for historians, collectors and museums focused on military studies of the 20th century. There is damage, see photos.
Rare Dagger of Kama, Cossack of the Terek Cossack Army, Silver and Niello, Russian Empire, 1916. Straight steel blade with two fullers on each side. Etched in Cyrillic letters with remnants of gilding at the base of the TKV (Terek Cossack Army) blade. Bone handle with silver fittings. Inscription on the back of the handle, 1916 V.S. Mulenko. The wooden scabbard is covered with black leather. The silver fittings of the scabbard are richly decorated with floral niello ornaments. The inscription on the back of the scabbard Village Khadyzhenskaya. A rare artifact of Terek Cossack Army history. length 65 cm.
Rare Shako troop of the 51st line infantry regiment, model 1812. Cardboard barrel covered with black cloth. Leather cap, bourdalou and visor. Eagle plate with cut-out number Ò51Ó. Scaled chinstraps and starred rosettes. Tricolor leather cockade. The scarlet ball pompom crowns the shako, enhancing its vibrant appearance. A remarkable artifact embodying Napoleonic military heritage. Good condition. The diameter at the bottom is 19 cm.
Extra Rare Black Sea Cossack Host low ranks Dagger M1840, Russian Empire, Zlatoust Arms Factory 1840-1850's. A broad double-edged blade of flattened-diamond section, a small flat part at the base with Zlatoust Arms Factory, Cyrillic letters "P" and "F" stamps. The bone, curved handle is secured with two iron rivets. The wooden scabbard is covered in original black leather. The iron fittings of the scabbard have the stamp, Cyrillic letter "B" in a circle. This Dagger is a significant artifact that provides insight into the Black Sea Cossack weapon during the Russian Empire. It is a valuable piece for collectors, historians, and museums dedicated to military history. Length 46 cm. Excellent condition.
Rare WWII Nazi German Waffen SS Sturmmann tunic, Panzer-Division. This lot offers a rare World War II-era German Waffen-SS Sturmmann tunic from a Panzer-Division. This authentic military uniform was worn by an enlisted soldier holding the rank equivalent to Private First Class in one of the armored divisions of the Waffen-SS. Crafted from period-correct black wool typical of German military uniforms during the era. Features original collar tabs with SS runes and indicating the rank of Sturmmann, the sleeve eagle insignia and SS Sturmmann patch. The tunic shows signs of age and use, which add to its authenticity and historical value. This tunic is a significant historical artifact that provides insight into the uniforms and equipment used by the Waffen-SS Panzer Divisions during World War II. It is an invaluable piece for collectors, historians, and museums focused on military history. Good condition
WWII Nazi German Silver SS TOTENKOPF Ring. The ring was initially presented to senior officers of the Old Guard (of which there were fewer than 5,000). Each ring had the recipient's name, the award date, and Himmler's signature engraved on the interior. The ring came with a standard letter from Himmler and citation. It was to be worn only on the left hand, on the "ring finger". If an SS member was dismissed or retired from the service, his ring had to be returned. This ring, in addition to the owner's name, has the date 20.4.34.. A wonderful collectible WWII artifact. Good condition
Rare WWII Nazi German SS "Dot 44" Camouflage Pattern Tunic (feldbluse). This historically significant piece was part of the standard issue combat uniform for Waffen-SS infantry units during the later stages of the Second World War. The M44 is a cotton/rayon blend construction field blouse has an HBT, (Herring Bone Twill), weave and machine printed dot pattern camouflage to the exterior. The field blouse features a vertical, five button front closure with small fold back lapels, a single metal hook and eye positioned at the neckline and a lay down collar. The blouse has four, non-pleated, patch front pockets with straight edged button down flaps. The straight cut sleeve have a small vertical slash to the outside seam with single button closure. The front closure and exterior pocket buttons are the field gray painted, pebbled, sheet metal type while the cuff buttons are the Bakelite type. Eagle patch on left sleeve. Inside bottom right has a dressing pocket with a single button closure. This tunic represents a tangible piece of World War II history, offering insight into the military attire and camouflage innovations of the era. It serves as a valuable artifact for historians, collectors and museums focused on 20th-century military studies. Good condition
Rare WWII Nazi German SS-UntersturmfŸhrer tunic, SS-Panzer-Division "Leibstandarte SS Adolf Hitler". This lot presents a rare World War II-era German SS-UntersturmfŸhrer tunic from the SS-Panzer-Division "Leibstandarte SS Adolf Hitler." The tunic is an authentic piece of military history, representing the uniform worn by a junior officer (equivalent to a lieutenant) in one of the most notable divisions of the Waffen-SS. Constructed from high-quality black wool typical of the period. Original collar tabs featuring SS runes and indicating the rank of UntersturmfŸhrer, and the divisional cuff title embroidered with "Adolf Hitler." Superbly preserved shoulder straps! The tunic shows signs of wear consistent with its age, which attest to its authenticity and historical usage. This tunic is a significant artifact that provides insight into the uniforms and regalia of the Waffen-SS during World War II. It is a valuable piece for collectors, historians, and museums dedicated to military history. Good condition.
The Crimea Medal, 18mm miniature in silver, is a specimen medal with four clasps (Alma, Balaklava, Inkermann, Sebastopol), the ribbon is pale blue with yellow edges. The medal was awarded to British (and some French) soldiers and sailors who fought in and around the Crimean peninsula. It was first presented by Queen Victoria to her troops on 18 May 1855. An interesting artifact for collectors of artifacts of the Crimean War of 1854Ð56.
ITEM: Theatrical mask beadMATERIAL: GlassCULTURE: RomanPERIOD: 2nd - 3rd Century A.DDIMENSIONS: 25 mm x 16 mmCONDITION: Good conditionPROVENANCE: Ex Swedish private collection, R.S., acquired from German art marketComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Roman theatrical mask bead is a unique and significant artifact that reflects the rich cultural and social practices of ancient Rome, particularly in the realms of entertainment and personal adornment. These beads, which were often worn as jewelry or used in decorative pieces, featured the facial likenesses of theatrical masks associated with Roman drama. Roman theatre masks, typically representing characters from comedy and tragedy, were widely recognized symbols of the theatrical tradition, and their incorporation into personal items like beads suggests the integration of theatrical culture into daily life. These beads were usually made of materials such as glass, terracotta, or even precious metals, depending on the social status of the wearer.The use of theatrical mask imagery in Roman jewelry had both decorative and symbolic purposes. The masks themselves were part of a long tradition that originated in Greek theatre and continued through Roman performances, where actors would wear large masks to exaggerate emotions and to distinguish between characters. These masks typically represented two genres of drama: comedy (often depicted with a smiling face) and tragedy (depicted with a sorrowful or serious expression). By wearing beads shaped like these masks, Romans not only displayed their appreciation for the arts and theatre but also linked themselves to cultural traditions that celebrated drama and performance. This connection to theatre could also carry deeper meanings, such as invoking the powers of gods associated with the arts, or signaling the wearer's personal connection to the theatrical world.Roman theatrical mask beads were more than just decorative items; they were also symbols of cultural identity and social status. Such beads were popular among the Roman elite, who had access to luxury materials and could afford to incorporate fine craftsmanship into their jewelry. These beads were worn on necklaces, bracelets, and other forms of adornment, showcasing not only the wearer’s wealth but also their cultural sophistication. In addition to their use in personal jewelry, Roman theatrical mask beads were sometimes included in grave goods, indicating that they held a symbolic meaning beyond the living world.
ITEM: Oil lamp with inscription 'The light of Christ shines for all'MATERIAL: PotteryCULTURE: ByzantinePERIOD: 4th - 5th Century A.DDIMENSIONS: 30 mm x 60 mm x 87 mmCONDITION: Good conditionPROVENANCE: Ex Palestine private collection, acquired in the 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.A Byzantine oil lamp inscribed with the phrase "The light of Christ shines for all" is a remarkable artifact that reflects the deep spiritual and theological beliefs of the Byzantine Empire. This inscription emphasizes the central role of Christianity in daily life and religious practices during the Byzantine period. Oil lamps were essential for both practical illumination and religious rituals, and incorporating a Christian message into their design highlights the integration of faith into everyday objects. The inscription serves as both a devotional statement and a reminder of the divine presence in the lives of believers, making the lamp a significant symbol of Christian piety and enlightenment.The design and craftsmanship of Byzantine oil lamps were highly refined, often made from materials such as clay, metal, or glass. These lamps frequently featured intricate decorations, including religious symbols, motifs, and inscriptions. The inclusion of the inscription "The light of Christ shines for all" on the lamp would have been achieved through engraving or molding, demonstrating the skill of Byzantine artisans. This inscription not only personalized the lamp but also reinforced the idea that light, both physical and spiritual, is a manifestation of Christ's presence and guidance in the world. The lamp's practical function as a source of light was thus imbued with deep religious significance.In addition to its spiritual message, the Byzantine oil lamp with this inscription provides valuable insights into the religious and cultural practices of the period. The lamp would have been used in private homes, churches, or during religious ceremonies, emphasizing the importance of maintaining a connection with the divine in various aspects of life. The presence of such an inscription also reflects the broader trend of incorporating Christian themes into art and everyday objects, illustrating how Byzantine art and material culture were deeply intertwined with religious beliefs.
ITEM: Duck mountMATERIAL: SilverCULTURE: Iron Age, CelticPERIOD: 2nd Century B.C - 1st Century A.DDIMENSIONS: 12 mm x 21 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, Suffolk, acquired in U.K art market in 2015, before from English private collection, Kent.Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Iron Age Celtic silver duck mount is a remarkable artifact that reflects the artistic and cultural sophistication of the Celtic peoples during the late Iron Age (around 500 BCE to the Roman conquest). The Celts, known for their intricate metalwork and symbolic art, often created decorative mounts and fittings for various objects, including weapons, chariots, and ceremonial items. The silver duck mount is an example of their skill in metalworking and their use of animal motifs, which were common in Celtic art, symbolizing various spiritual and cultural beliefs.This silver duck mount likely served as a decorative piece, possibly attached to a ceremonial object such as a shield, helmet, or chariot. The duck itself holds symbolic significance in Celtic culture, often associated with water, fertility, and the otherworld. Waterfowl, like ducks, were believed to be creatures that could traverse both the earthly and spiritual realms, making them potent symbols of transition and connection between worlds. The use of silver, a precious metal, further indicates the mount's importance, suggesting it may have belonged to a person of high status, perhaps a chieftain or a warrior of significant rank.The craftsmanship of the Celtic silver duck mount is notable for its detailed and stylized representation of the bird, reflecting the Celts' deep appreciation for nature and their ability to infuse symbolic meaning into their art. The design likely incorporated the flowing, curvilinear patterns typical of La Tène art, the dominant artistic style of the Celts during the Iron Age. This style is characterized by its intricate patterns and abstract forms, often inspired by natural elements.
JACOB TYPOT (German / Dutch 1540 - 1601) - SYMBOL Diuina & Humana PONTIFICVM IMPERATORVM REGVM | 1602 | technique: publisher: Prague, [Aegidius Sadeler, Georg Nigrini] | number of pages: 182, missing pages 1-2, spots on the edge, period parchment binding | 31.5 x 20 cm | Lot description | A rare copy of a book published in 1602 in Prague, which was illustrated by the important copper engraver Aegidius Sadeler with the cooperation of the printer Georg Nigrini. Entitled Symbola Divina et Humana, this publication presents a comprehensive collection of allegorical depictions of aristocratic symbols and emblems, reflecting the wealth of spiritual and secular power of European monarchs and church leaders. The book contains 182 pages, but the first two pages are missing. The work, preserved in a contemporary parchment binding, is a valuable artifact that demonstrates the importance of Prague as the cultural and intellectual center of Europe at the time. | condition report*In case of missing photos, please feel free to contact us.
A FIRST WORLD WAR MEMORIAL SHIELD TO AN AMERICAN CASUALTY FROM ILLINOIS. A memorial shield 'To his wife in memory and admiration of Lieut. Jasper J. Ffrench A.S.M.A. who died in the service of his country in the cause of liberty October 15, 1918 '. With the names of his friends, flying officers of Payne field, Miss. Officers of the post and others. 21 x 19 cm, stamped 'Sterling'. Jasper Ffrench was born at Brookfield Illinois on the 6th May 1895. Enlisting around the 6th February 1917 he trained at Austin, Texas where he qualified for Officer training and later pilot training. Working as an instructor. With some 700 hours flying and clearly an excellent instructor, Ffrench did not serve overseas but was credited with training over 300 aviators. Killed when his Curtis JN-4 Jenny caught fire on the 15th October 1918. Mounted for display, with copied research. 31 x 30 cm. *CR A fine rare and historic First World War artifact. generally good condition.
A LARGE SILVER PRESENTATION CIGARETTE BOX 'TO BOOM FROM THE OFFICERS CENTRAL FLYING SCHOOL JULY 17TH 1920'. A rectangular silver cigarette box with engraved inscription 'To "Boom" From the Officers Central Flying School, July 17th 1920'. A gift on the occasion of his marriage, the inscription surrounded by twenty five signatures to include G.W. Biles, J.H. Lawrence and others. Boom being Hugh Trenchard's nickname acquired on the account of his voice being clearly audible from the far side of an airfield. Hallmarked for London 1919. 20 x 13 x 7 cm. *CR Marking to surfaces, base very slightly out of shape - clearly an item that 'Boom' used regularly. An historic artifact from the man so often referred to as the 'Father of the R.A.F.'.
A SILVER PRESENTATION CIGARETTE BOX, A GIFT TO 'VISCOUNT TRENCHARD ON THE OCCASION OF HIS MARRIAGE, WITH SIGNATURES TO INCLUDE WINSTON CHURCHILL. A rectangular silver cigarette box with ten engraved signatures to the lid, presumably a gift on the occasion of his marriage on the 17th 1920. Signatures to include Winston Churchill (at the time Secretary of State for War), Henry Wilson (Field Marshall and one of the most prominent Staff Officers of the First World War), Peel (William Robert Wellesley Peel), C.H. Harrington (Boer War and First World War General), and others. Hallmarked for London 1919. 18 x 9 x 5.5 cm. *CR Marking to surfaces, base very slightly out of shape - clearly an item that 'Boom' used regularly. An historic artifact from the man so often referred to as the 'Father of the R.A.F.'.
A LARGE SILVER PRESENTATION CIGARETTE BOX 'AIR MARSHAL SIR H.M. TRENCHARD ... ON THE OCCASION OF HIS MARRIAGE'. A rectangular silver cigarette box with engraved inscription 'Presented to 'Air Marshall Sir H.M. Trenchard Bart KCB DSO On the occasion of his marriage by the Officers of the Department of the Inspector of recruiting Royal Air Force July 17th 1920. Hallmarked for Birmingham 1910. 23 x 14 x 8 cm. *CR Marking to surfaces, hinge slightly out of shape - the lid not quite sitting flush on the base. An historic artifact from the man so often referred to as the 'Father of the R.A.F.'.
Mayer, Hansjörg (Hg.). hardy annual. Mit zahlreichen, meist farbigen Abbildungen. Stuttgart, Hansjörg Mayer, 1969. Unpaginiert. 28,5 x 20,5 cm. Illustrierter Original-Halbleinenband mit illustrierten Original-Blechdeckeln (leicht berieben) in Original-Holzkassette.Eins von 100 nummerierten Exemplaren. - Enthält zahlreiche Arbeiten von Richard Buckley, Ian Burton Elliott, Frank Challenger, Veronica Loveless, Hansjörg Mayer, Graham Pow, Kathryn Wallbridge, Cilla Weeks, und John Wells. - "this book was produced between may 1968 and may 1969 at watford school of art england. printed through a rotaprint r 70 ... design and binding by graham pow and john wells." (Druckvermerk). - "It is a great artifact of experimental printmaking that emphasizes a freestyle approach to illustration and color on the printed page." (www.metmuseum.org/blogs). - Innen tadellos. - Provenienz: Sammlung Helmut Anton und Margot Krätz.
20th century | height: 21 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | Dating from the 18th century, this jar is an example of faience pharmaceutical pottery, which was used to store medicines in pharmacies. It is decorated with a delicate blue-yellow decoration that depicts a wreath of laurel leaves, which was a frequent symbol of victory and strength, often used in apothecary ceramics. Stylized figures of cherubs can be seen between the laurels, which give the jar a soft and playful touch. Although the inscription indicating the contents of the jar is missing, it was probably used to store syrups, ointments or other medicinal preparations that were commonly used in pharmacy practice. The shape of the jar is simple, with a slightly narrowed neck, which ensured easy handling of its contents. This artifact is a perfect example of European faience ceramics that combined practical function with aesthetic value in the 18th century. jars of this type were not only part of pharmacies, but also decorative elements that reflected the cultural and artistic values ​​of the time. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1651 | height: 27 cm | country: Germany | provenance: private pharmacy museum | Albarello faience pottery | This earthenware jar dates from the 18th century and was probably made in Frankfurt or Nuremberg, which were important centers of earthenware production in Germany. The jar is decorated with delicate floral decor in blue, a typical style inspired by Chinese porcelain, which was very popular in Europe. Characteristic features of this jar include a pewter lid that is firmly attached to the jar and was used to store liquids such as wines, oils or healing elixirs. The spiral-shaped ear gives the jar an elegant look and at the same time ensures its functionality. This jar is a great example of German faience ceramics, where aesthetic value is combined with practical use. Its origin and precise processing make it a valuable collector's artifact from the 18th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
19th century | height: 17 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 19th century albarello comes from a Neapolitan ceramic workshop and is decorated with colorful polychrome painting with floral motifs. The floral decor combined with fine blue lines on the upper and lower edges of the jar is a typical example of Neapolitan faience production of the period. The jar was used in pharmacies to store medicines, but thanks to its decorative design, it also fulfilled an aesthetic function. This artifact exemplifies the masterwork of Italian potters who combined practicality with artistic expression and is sought after by collectors of historic ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
17th century | height: 23 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Known as a "Versatoio", this apothecary jar comes from Liguria, Italy and dates to the 17th century. It is made of faience, which is a typical Italian ceramic covered with a lead glaze, which gives the jar a characteristic shiny surface. The blue-and-white decoration includes rich floral motifs, typical of the Baroque ceramic art of the time. The inscription on the jar "S. de Menta" refers to its contents, i.e. mint syrup (Latin sirupus de menta), which was commonly used in medicine as a remedy for stomach problems or to freshen the breath. The jar is equipped with a spout and handles, which facilitated handling and precise dosing of liquids in pharmacies. Its distinctive aesthetics, together with its practical use, make it not only an important artifact for historians of pharmacy, but also a valuable example of the Italian ceramic tradition of the 17th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.more photos:https://drive.google.com/drive/folders/1oBSEA5wKywQKldovOa23lW2DjGMpTNZV?usp=sharing
19th century | height: 28 cm | region: Palermo (Sicily) | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 19th century albarello from Palermo is an excellent example of Sicilian faience pottery. It is decorated with a rich polychrome painting, on one side with a depiction of a knight, which refers to medieval symbolism. The other side is decorated with a distinctive heraldic motif. Ornamental elements and vivid colors are characteristic of the ceramics of this region, where local traditions have been mixed with the influences of Italian ceramics. This artifact, which was used to store medicines in pharmacies, is highly valued among collectors due to its historical significance and artistic execution. | condition: damaged | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1LGBEm1fJdIgJLMIFI7CfJwnKF9JzT2x-?usp=sharing
18th century | height: 20 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Originating in 18th century Italy, this albarello is an example of faience apothecary pottery decorated with typical blue underglaze painting. The decor represents an idealized rural landscape with buildings and vegetation, a popular motif in Italian ceramic workshops of the period. The jar was used to store medicines, and its slim shape with a widened neck allowed for easy handling. Albarello, with its rich artistic processing, is not only an important historical artifact, but also a sought-after collector's item that reflects the union of aesthetics and functionality. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 26 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello is an example of 18th century Italian faience pottery, characterized by blue underglaze painting with scenes of landscape and architecture. Hand-painted motifs depict houses set in rich vegetation, while the stylization of flora and architectural elements is characteristic of the Baroque period. The jar was used to store medicines in pharmacies, where it not only fulfilled a practical function, but also acted as an aesthetic element of the interior. Due to its decorative style and historical value, this artifact is sought after by collectors of historical ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1763 | height: 27 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 1763 albarello is an excellent example of 18th century Italian faience pottery, specifically from the Savona region. Its blue decor on a white background shows the classic elements of this production, such as carefully rendered landscape scenes, architectural elements and vegetation details. The jar was probably used in pharmacies to store dry herbs or medicines. The date 1763 is clearly marked on the back of the albarella. The excellent condition and fine design make it a valuable artifact for collectors of European ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/18rdpE50A-FprqLLrUivvROXAaMAEczHc?usp=sharing
18th century | height: 22 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | Dating from the 18th century, this jar is a beautiful example of Delft faience pottery, which was very popular in Europe. The jar is decorated with blue and white decor, a style that imitated Chinese porcelain, which was in high demand at the time. On the front of the jar, a bird sitting on a vine branch is elegantly depicted, set in a richly ornamental frame with plant motifs. This type of ceramic was widely used in the pharmaceutical environment for the storage of medicines or as a decorative element in interiors. The shape of the jar is simple but functional, with a bulbous body and a narrow neck that made handling easier. Delft faience was prized for its quality and precision of workmanship, and this artifact is evidence of a high level of craftsmanship. This jar is not only a utilitarian object, but also a work of art that reflects the aesthetic values ​​and skills of the potters of the time. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1726 | height: 17 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Made in Liguria in 1726, this albarello belongs to the medium-sized apothecary category. Albarella was used to store dry or gooey medicines, and thanks to its tapering shape, it fit comfortably on apothecaries' shelves. Made of earthenware, the jar is covered with a glossy glaze and decorated with delicate blue and white motifs, characteristic of 18th century Italian ceramics. On one side of the jar there is a figural scene that may refer to an ancient allegory, while the other side is decorated with a simple motif and the year "1726". This albarello is not only a valuable historical artifact of pharmacy practice, but also a beautiful example of the Italian ceramic tradition, combining utility with artistic value. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
17th century | height: 22 cm | region: Rome | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 17th-century Roman albarello is an example of masterful faience pottery used in pharmacies at the time to store medicines. The jar is decorated with a typical blue underglaze painting, which includes rich floral ornaments and decorative elements, characteristic of Roman ceramic production of the time. The albarello has a traditional slender shape with a widened neck and a gently bulbous body, which facilitated the handling and storage of apothecaries. This historical artifact represents not only a functional object, but also an aesthetic object that was part of the pharmacy interiors of the time, and is highly valued among collectors of antique ceramics. | condition: restored | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1smDUR7iqs2GMFAo5BqYMN2ZwWF5ydGpc?usp=sharing
18th century | height: 17 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This beautiful ceramic "albarello" jar comes from Liguria and dates back to the 18th century. It is characterized by rich decoration in the typical blue-white color combination that was characteristic of the production of ceramics in the Savona region. The jar is hand-decorated with floral and plant motifs along with the calligraphic inscription "Rose commune", which refers to the rose ointment or essence traditionally used in medicine and pharmacy. Albarella was an important part of pharmacies and was used to store medicinal ointments, herbs or raw materials. This artifact is proof of the high artistic and craftsmanship of the Italian workshops of the time, with a strong emphasis on detail and aesthetics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 19 cm | region: Ligure | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello-type jar comes from 17th-century Liguria and was used to store apothecaries. The inscription "Ros•mes" is probably an abbreviation for "Rosatum Mesue," which was a mixture of rose syrup according to the recipe of the famous Arab physician Mesue, widely used in the pharmacy of the time. Blue-hued decorations with geometric elements, especially stylized arches, are typical of Italian majolica of this period. This artifact is not only an example of the precise work of the craftsmen of the time, but also a reflection of the medical and pharmaceutical procedures of the early modern era. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1746 | height: 22 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello from 1746 is an example of Baroque Italian faience ceramics that were used in pharmacies to store medicines. The front of the jar is decorated with blue underglaze painting with architectural and landscape motifs, which is typical of Italian ceramic production of the 18th century. These scenes not only contributed to the decorative appearance of the jar, but also underlined its functionality in a pharmacy environment. On the back of the jar is the inscription “C.D.M. 1746", which probably refers to the manufacturer or apothecary for whom the jar was made and the year it was made. This artifact is valuable not only for its historical function, but also for its artistic workmanship, making it an important item for collectors of historical ceramics. | condition: dents on the edges | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1Oh6LrOa34Cn-iygOVB-zH8Xk8GlwXsFo?usp=sharing
1690 | height: 23 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 1690 albarello comes from Savona, a major center of Italian ceramic production, and is an exceptional example of 17th century faience pottery. Savona pottery is famous for its blue underglaze painting, which also decorates this artifact with rich floral and faunal motifs. Animal scenes, including a rabbit among the trees, add liveliness and decorative value to the jar. The inscription "Ac Macc" probably refers to the medicinal contents that were kept in the jar. The back of the albarella bears the initials "A.R." and the date "1690", which may refer to the owner or maker. The typical shape of the jar with a widened neck and delicate decoration is a sign of the artistic and functional quality of ceramics from Savona, which was highly valued for its aesthetics and practical use in pharmacies. This artifact is a significant collectible due to its history and artistry. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1tEw0pgEcrzY97vhvZW8m1wrd5opUXzAS?usp=sharing
1725 | height: 26 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This Savona albarello from 1725 is a typical example of the faience pottery of the area, known for its underglaze blue painting. The jar is decorated with a rural landscape scene with architectural elements, complete with a decorative coat of arms with the inscription "Charitas", which refers to the Christian virtue of love and charity. This motif was often used to decorate jars in pharmacies, where these moral values ​​had a special meaning. On the back of the jar is the date "1725", confirming its origin in the first half of the 18th century. The slender shape and widened neck allowed for easy storage and handling of medicinal preparations, which is typical for this type of apothecary ceramics. This piece represents an important historical and aesthetic artifact, sought after by collectors of Italian ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1iLLjGlpF9zwuwX3mt3aOoy8jnBx9u2zf?usp=sharing
18th century | height: 18 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello comes from Liguria, Italy and dates back to the 18th century. It is a traditional pharmacy jar used to store herbs, ointments or dry medicines. Made of earthenware, this artifact is characterized by its white background with blue floral decorations, typical of northern Italian ceramics of this period. The jar is marked "Absinth" in black, indicating that it was used to store wormwood (Artemisia absinthium), an herb known for its medicinal properties and use in medicine and herbal medicine. This species of albarella was commonly used in pharmacies to store dried herbs. Elegant calligraphy together with a decorative blue motif on a white background reflect the aesthetic demands of a time when even utilitarian objects had an artistic dimension. This artefact is not only evidence of pharmaceutical practice, but also a representative of Baroque ceramics from Liguria. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
end of the 17th century | height: 20 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 17th century albarello from Naples is richly decorated with polychrome heraldic motifs. On the front of the jar is an emblem depicting an eagle crowned with three stars, a typical symbol used in heraldry to represent power and majesty. A saint is depicted above the coat of arms, emphasizing the jar's religious significance. It was used to store medicines in pharmacies, but thanks to its precise artistic processing, it also fulfilled a decorative function. This artifact represents a highly prized example of Neapolitan faience pottery. | condition: good | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 13 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | This 18th century jar comes from faience pottery workshops, probably in Delft, and is intended for holding milk thistle syrup (S. CARD:MAR). Milk thistle has been valued for centuries for its medicinal properties, especially for supporting liver health. The jar is decorated with blue-white decor, a style popular in European ceramic production at the time. The decoration includes floral motifs, two stylized birds, and a small angel on the lower part of the cartouche, which are elements typical of the Baroque and Rococo periods. The inscription indicating the contents of the jar is located in the central cartouche, which increases the legibility and functionality of the jar. These jars were used in pharmacies to store medicines, but also served as decorative elements of the interior. The preserved condition and quality workmanship make this artifact a valuable example of 18th century pharmaceutical ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 22 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | This is an albarello, i.e. a type of ceramic apothecary jar characteristic of European medieval and early modern apothecaries. This particular artifact, dating from the 18th century (dated 1742), bears typical majolica features, with a glazed surface decorated with rich, colorful paintings. The obverse shows a coat of arms crowned with a royal crown, suggesting possible affiliation to a prestigious apothecary or noble family. Two figures on the sides of the shield and decorative motifs in the style of rococo ornamentation give this jar a rich aesthetic character. Albarella of this type were used to store medicines, often in the form of dried herbs or powders, and are prized collectibles for their artistic and historical value. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1AZrIwOfuMmOZxMMKn7bJoG3tkbc46jLT?usp=sharing
turn of the 19th/20th century | height: 61 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This large 18th century albarello comes from a Neapolitan ceramic workshop and is decorated with rich polychrome decoration. The front is dominated by a heraldic coat of arms with the initials "A.G.P." and is surrounded by angelic figures, symbolizing protection and spiritual significance. The beautiful color combination of yellow, blue and green underlines the significance of the jar, which was used in pharmacies to store medicines. The detailed workmanship and spectacular decoration rank this artifact among the significant examples of Neapolitan faience ceramics, which are highly valued among collectors. | condition: good | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1-hdhFMR5DlfNi1UwU9zfy9xM1wYI8p0L?usp=sharing
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