We found 456 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 456 item(s)
    /page

Lot 139

This vintage set of glass fishing floats features four vibrant, hand-blown glass spheres in amber, green, blue, and purple, encased in an intricate knotted rope net. Traditionally used by fishermen to keep their nets afloat, these collectible floats have become sought-after decorative pieces. The floats are secured within the original netting, complete with a cork separator and an elongated hanging loop for display. A wonderful maritime artifact, perfect for coastal decor enthusiasts and collectors of nautical antiques. Measures 26"L.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

Lot 35

A striking Mesoamerican carved stone head fragment, possibly from an ancient civilization such as the Aztecs or Mayans. The piece depicts a stylized human face with deeply incised eyes, nose, and mouth, framed by a prominent headdress or ceremonial adornment. The weathered surface and rough texture indicate significant age and exposure to natural elements over time. This artifact serves as a testament to the craftsmanship and cultural symbolism of Mesoamerican societies, where such carvings were often used in religious, architectural, or funerary contexts. Mounted on a custom metal stand for display.Issued: 20th centuryDimensions: 14"HCondition: Age related wear. Fragmentary with expected weathering and surface wear consistent with age.

Lot 105

This original WWII-era homefront propaganda poster, published in 1942 by Victory Builders, was created by Bressler Editorial Cartoons, Inc. The striking artwork, signed Bressler, depicts a determined industrial worker flexing his muscles, symbolizing the essential role of factory laborers in wartime production. The bold text, "I'm a Fightin' Man Too! Watch My Smoke", reinforces the message of unity between the homefront workforce and soldiers on the battlefield. Featuring a dynamic color palette of blue, yellow, and orange, this poster embodies the patriotic spirit of wartime America. A powerful historical artifact and a rare collectible for WWII memorabilia and propaganda poster enthusiasts.Artist: Bressler Editorial CartoonsIssued: 1942Dimensions: 27"L x 40"HCountry of Origin: United StatesCondition: Age related wear.

Lot 72

ALEXANDER SERGEYEVICH PUSHKIN (1799-1837) | PORTRAIT BY LITHOGRAPHER THOMAS WRIGHT (RUSSIA / RUSSIAN) | 1837 | Alexander Sergeyevich Pushkin (Александр Сергеевич Пушкин) | profession: Poet | country: Russia | signature: Printed autograph | size: 200 x 135 mm | technique: Lithograph on paper | Lot information |Rare lithograph depicting the portrait of Alexander Sergeyevich Pushkin, one of the most prominent Russian poets and the founder of modern Russian literature. The artwork is by lithographer Thomas Wright, whose delicate graphic rendering highlights the poet's distinctive features, including his iconic hairstyle and attire. At the bottom, there is a reproduction of Pushkin's signature. This print is a valuable collector's artifact, paying tribute to the legendary author of works such as Eugene Onegin, Boris Godunov, and The Captain's Daughter.

Lot 61

MARIS RUDOLFS LIEPA (1936-1989) | HANDWRITTEN SIGNATURE WITH DRAWING (RUSSIA / RUSSIAN) | 1975 | profession: Ballet | country: Russia / Lithuania | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on a paper card | Lot information | Signature of the famous Latvian ballet dancer Maris Rudolfs Liepa, accompanied by a simple sketch of ballet dancers. Liepa was one of the most significant dancers of his generation, a long-time soloist at the Bolshoi Theatre in Moscow, and one of the most prominent figures in 20th-century classical ballet. This unique artifact not only captures his signature but also includes a personal artistic element, making it an exceptional collectible item.

Lot 206

MARIE ALSOVA (NEDOHLEDANO) | HANDWRITTEN CONGRATULATORY LETTER (CZECH/ BOHEMIAN) | 1914 | profession: Wife of the famous Czech painter Mikolas Ales | country: Czechia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten name-day greeting from Marie Alesova, the wife of renowned Czech painter Mikolas Ales. The letter is dated April 4, 1914, and originates from Kralovske Vinohrady.In the letter, she expresses heartfelt wishes for health and happiness to the recipient and their family. The document also includes a delicate drawing featuring a folk motif. This is a rare personal artifact connected to the family of one of the most significant Czech artists.

Lot 204

JAROSLAV KOCIAN (1883-1950) | HANDWRITTEN AUTOGRAPH WITH MUSICAL NOTATION (CZECH/ BOHEMIAN) | 1915 | profession: Violinist | country: Czechia | signature: Original signature | size: 160 x 210 mm | technique: Handwritten autograph and music notation by J. S. Bach: Andante | Lot information | Signature of the famous Czech violinist Jaroslav Kocian, accompanied by handwritten musical notes from the Andante by Johann Sebastian Bach. Kocian, one of the most prominent Czech violinists of the first half of the 20th century, was known for his brilliant technique and lyrical tone.The document is dated Prague, October 9, 1915, and represents a unique collectible artifact capturing the mastery of this outstanding musician.

Lot 69

DMITRY SERGEYEVICH MEREZHKOVSKY (1865-1941) | AUTOGRAPH (RUSSIA / RUSSIAN) | 1933 | Dmitry Sergeyevich Merezhkovsky (Дми́трий Серге́евич Мережко́вский) | profession: Poet | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten autograph on a paper card | Lot information |Handwritten signature of Dmitry Sergeyevich Merezhkovsky from 1933, a Russian writer, philosopher, and literary critic. The autograph is elegantly placed in a mat along with a period portrait of the author, on which his printed signature also appears. Merezhkovsky was one of the key figures of Russian symbolism and literary modernism. His works focused on historical and philosophical themes, often analyzing the relationship between religion, culture, and politics. An interesting collectible artifact presented in a representative style.

Lot 73

ALEXANDR I. PAVLOVIC (1777-1825) | PORTRAIT BY LITHOGRAPHER FRANCESCO VENDRAMINI (RUSSIA / RUSSIAN) | Alexandr I. Pavlovic (Александр I Павлович) | profession: Tsar | country: Russia | signature: Marked in the board | size: 310 x 260 mm (size of the pad) | technique: Lithograph on paper by Francesco Vendramini (1780 - 1856) by drawing by Louis de Saint-Aubin | Lot information |Rare lithograph depicting the portrait of Tsar Alexander I Pavlovich, who ruled the Russian Empire from 1801 to 1825. The artwork was created by renowned Italian lithographer Francesco Vendramin, whose precise technique emphasizes the tsar's majestic expression and his ornately decorated military uniform adorned with orders. Based on the original artistic model, the lithograph was dedicated to Empress Maria Feodorovna, the mother of Alexander I. This graphic print is a significant historical artifact, commemorating the reign of a ruler who played a key role in the Napoleonic Wars and the formation of the Holy Alliance.

Lot 41

KORNEL MAKUSZYNSKI (1884-1953) | HANDWRITTEN LETTER WITH SIGNATURE (POLAND / POLISH) | 1929 | profession: Writer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | This rare autograph contains a fragment from the opera Krol Roger and is dated October 22, 1932, in Prague. Szymanowski, the most prominent Polish composer of the first half of the 20th century, is known for his original musical synthesis of impressionism, Oriental influences, and innovative harmonies. This document represents an important artifact associated with his peak creative period.

Lot 126

SAMUIL YAKOVLEVICH MARSHAK (1887-1964) | AUTOGRAPH WITH DEDICATION (RUSSIA / RUSSIAN) | 1962 | Samuil Yakovlevich Marshak (Самуил Яковлевич Маршак) | profession: Writer | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information |Handwritten dedication and signature of the famous Soviet poet, playwright, and translator Samuil Yakovlevich Marshak, written in Moscow on November 23, 1962. Marshak is best known as the founder of Soviet children's literature, author of popular fairy tales, poems, and translations of English literature, including works by William Shakespeare.Original text in Russian:"Мой сердечный приветДорогому Карлу Шафранеку,С. МаршакМосква, 23-XI-1962"English translation:"My heartfelt greetings to dear Karel Safranek,S. MarshakMoscow, November 23, 1962."This handwritten dedication represents a valuable artifact from one of the most influential figures in Soviet literature, whose works shaped generations of readers and contributed significantly to the development of children's poetry and literary translation in the Soviet Union.

Lot 39

KAROL MACIEJ SZYMANOWSKI (1882-1937) | HANDWRITTEN SIGNATURE WITH MUSICAL NOTATION AND DEDICATION (POLAND / POLISH) | Prague 1932 | profession: Composer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten notation by Krol Roger with signature | Lot information | This rare autograph contains a fragment from the opera Krol Roger and is dated October 22, 1932, in Prague. Szymanowski, the most prominent Polish composer of the first half of the 20th century, is known for his original musical synthesis of impressionism, Oriental influences, and innovative harmonies. This document represents an important artifact associated with his peak creative period.

Lot 11

JERZY ZAGORSKI (1907-1984) | MANUSCRIPT WITH DEDICATION TO DIRECTOR BURIAN (POLAND / POLISH) | 1958 | profession: Poet | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | Handwritten note on the letterhead of the book Swieto Winkelrida by Andrzejewski and Zagorski, dated March 14, 1958, in Warsaw. Jerzy Zagorski addresses a personal dedication to director Burian, in which he praises his outstanding directorial work on the production of Romeo and Juliet, which left a deep impression on the audience.The text is signed by the author and includes his address in Warsaw (Zoliborz). This document is a remarkable collectible artifact reflecting cultural connections and the theatrical scene of the second half of the 20th century.

Lot 59

PAUL MAXIMILIEN LANDOWSKI (1875-1961) | POEM WITH DEDICATION AND SIGNATURE (POLAND / POLISH) | 1939 | profession: Sculptor | country: Poland / France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten poem dedicated to Karel Safranek | Lot information |Handwritten poem dedicated to Czech sculptor Karel Safranek. The text reflects the strength of the human spirit and its resilience against obstacles, while also paying tribute to the art of sculpture. The author compares Safranek's work to the masterpiece of the divine Michelangelo and extends his admiration to other artists as well. This unique manuscript is not only a literary artifact but also a rare testament to the artistic connections between creators from different fields.

Lot 205

JAN EVANGELISTA KUBELIK (1880-1940) | HANDWRITTEN AUTOGRAPH WITH VIOLINIST DRAWING (CZECH/ BOHEMIAN) | 1915 | profession: Violinist | country: Czechia | signature: Original signature | size: 210 x 160 mm | technique: Handwritten autograph | Lot information | Signature of the famous Czech violinist Jan Kubelik, accompanied by a stylized drawing of the violinist in action. Kubelik was considered one of the most prominent violin virtuosos of his time, and his technical brilliance earned him international fame.The document is dated January 9, 1915, and represents a unique artifact that combines the artist's signature with his artistic expression.

Lot 194

GUNDULA JANOWITZ (1937*) | AUTOGRAPHED PHOTOS (AUSTRIA / AUSTRIAN) | profession: Soprano | country: Austria | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on the photo | Lot information | Black-and-white portrait photograph of the renowned Austrian soprano Gundula Janowitz (born 1937), one of the most celebrated opera singers of the 20th century. Her career began at the Vienna State Opera in 1960, where she quickly established herself as a leading interpreter of Mozart, Strauss, and Bach operas.Below the photograph is the handwritten signature of Gundula Janowitz, making this artifact highly valuable to collectors.

Lot 45

KAZIMIERZ PRZERWA-TETMAJER (1865-1940) | AUTOGRAPH WITH DEDICATION (POLAND / POLISH) | 1904 | profession: Writer | country: Poland | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten text with signature | Lot information | Original handwritten dedication and signature of the renowned Polish writer, poet, and playwright Kazimierz Przerwa-Tetmajer. The document contains a dedication addressed to Adolf Cerny and is part of the second volume of his work Na skalnem Podhalu, published in Warsaw in 1904.Kazimierz Przerwa-Tetmajer was one of the most significant Polish literary figures of the late 19th and early 20th centuries, closely associated with the Mloda Polska (Young Poland) movement. His poetry and prose often reflected the Tatra landscape and the folklore of the Podhale region.This document is a rare example of personal correspondence from a distinguished author, making it a valuable collectible artifact.

Lot 189

IVAN MESTROVIC (1883-1962) | HANDWRITTEN AND SIGNED LETTER (JUGOSLAVIA / JUGOSLAVIAN) | 1933 | profession: Sculptor | country: Jugoslavia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten letter by the renowned Croatian sculptor Ivan Mestrovic, written and signed in Split on September 26, 1933.Original text in Croatian:"Postovani gospodine!Tek mi je sada vase pismo prispjelo u ruke, te rado ispunjam vase zelje i klijetim se sa osobitim postovanjem.Split, 26. IX. 1933."English translation:"Dear Sir!Your letter has just reached my hands, and therefore I will fulfill your request and remain with deep respect.Split, September 26, 1933."Ivan Mestrovic was one of the most significant sculptors of the 20th century, whose monumental works carry strong historical, religious, and national themes. His work influenced not only the Balkan sculptural tradition but also European modernism. Mestrovic was the first sculptor to have a solo exhibition at the Metropolitan Museum in New York during his lifetime.This handwritten document represents a unique collectible artifact, reflecting his personal and professional relationships."

Lot 80

GENNADY NIKOLAYEVICH ROZHDESTVENSKY (1931-2018) | AUTOGRAPHED PHOTO (RUSSIA / RUSSIAN) | 1974 | Gennady Nikolayevich Rozhdestvensky (Генна́дий Никола́евич Рожде́ственский) | profession: Conductor | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Original photograph with handwritten signature | Lot information |Black-and-white photograph of renowned Russian conductor Gennady Nikolayevich Rozhdestvensky with his handwritten signature in red ink, dated June 2, 1977. Rozhdestvensky was one of the key figures in the 20th-century conducting scene, known for his precise leadership of orchestras such as the Grand Symphony Orchestra of All-Union Radio and Television, BBC Symphony Orchestra, Vienna Symphony Orchestra, and the Royal Stockholm Philharmonic Orchestra. His interpretations of Shostakovich, Prokofiev, Mahler, and others were highly praised for their analytical approach and emotional depth. This autograph originates from his visit to Prague and represents a noteworthy collector's artifact documenting his artistic career.

Lot 219

ADOLF KASPAR (1877-1934) | AUTOGRAPH (CZECH/ BOHEMIAN) | 1917 | profession: Painter | country: Czechia | signature: Original signature | size: 210 x 160 mm | technique: Handwritten autograph | Lot information | Signature of the prominent Czech painter and illustrator Adolf Kaspar, dated 'Prague 25th September 1917'. Kaspar is primarily known for his illustrations for the works of Alois Jirasek and Bozena Nemcova. This autograph represents an interesting collectible artifact associated with one of the most significant Czech illustrators of the first half of the 20th century.

Lot 230

JOSEF HOLECEK (1853-1929) | HANDWRITTEN VERSE FROM THE BOOK SOKOLOVIC (CZECH/ BOHEMIAN) | profession: Writer | country: Czechia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten verse by Josef Holecek, a prominent Czech poet and journalist. This text is part of his literary work Sokolovic, in which he focuses on a realistic portrayal of life and the emotional experiences of his characters. The letter contains his verse, accompanied by his signature:"Krasny prirodni dar byl matek stroj,dobrou dava, pece tu nastroji,velikemu nasemu prani cil,ale take tuz je co si manzeli."("A beautiful natural gift was the mother's machine,she gives well, care arranges it here,a great goal of our wish,but also a bond that makes one a husband and wife."â€)This selected verse from his work reflects a deep understanding and contemplation of human relationships and social values. Holecek was known for his literary realism and focus on the Czech national identity, making this handwritten piece a valuable literary artifact.

Lot 103

IVAN YAKOVLEVICH BILIBIN (1876-1942) | DEDICATION WITH SIGNATURE (RUSSIA / RUSSIAN) | 1935 | Ivan Yakovlevich Bilibin (Ива́н Я́ковлевич Били́бин) | profession: Painter | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Card with handwritten dedication and signature | Lot information |Card with a handwritten dedication and signature of the prominent Russian illustrator and theatre designer Ivan Yakovlevich Bilibin, dated 18 June 1935. Bilibin was one of the most important artists of Russian Modernism, especially famous for his illustrations of Russian fairy tales and stage designs for opera and theatre productions. Original text in Russian:"Во воспоминание о первый представлении"Tsar Saltan" in beautiful Prague.18/VI 1935И. Bilibin"Translation in Czech:"In memory of the first performance of "Tsar Saltan" in beautiful Prague.June 18, 1935I. Bilibin"A rare collector's artifact associated with one of Russia's most important illustrators and his work on the set design of Nikolai Rimsky-Korsakov's opera "The Tale of Tsar Saltan".

Lot 225

TOMAS GARRIGUE MASARYK (1850-1937) | POSTCARD WITH PRINTED SIGNATURE (CZECH/ BOHEMIAN) | 1917 | profession: President | country: Czechia | signature: Printed autograph | size: 90 x 145 mm | technique: Printed signature on a postcard (issued by the Union of Czechoslovak Students) | Lot information | Historical postcard depicting Tomas Garrigue Masaryk at work at a desk in an interior, likely during his stay in Kyiv in 1917.In the upper left corner, there is a printed signature and date: "T. G. Masaryk, Kyiv, 30 (17), XI. 17." The postcard was issued by the Czechoslovak Student Union.T. G. Masaryk played a key role in the struggle for the independence of Czechoslovakia, and his stay in Kyiv was part of his diplomatic activities in the formation of the Czechoslovak Legions. This artifact is a valuable historical document illustrating his international activities.

Lot 210

JOSEF CAPEK (1887-1945) | ORIGINAL SIGNATURE ON PHOTO (CZECH/ BOHEMIAN) | profession: Painter | country: Czechia | signature: Original signature of the ink on a photograph from the series of portrait photographs "Gallery of outstanding personalities" from the studio of Jindrich Vanek | size: 310 x 260 mm (size of the pad) | technique: Postcard from the studio | Lot information | Portrait of Czech writer, painter, and journalist Josef Capek, one of the most prominent Czech intellectuals, known for his works for both children and adults.This original photograph comes from the portrait series "Gallery of Outstanding Personalities", created by renowned photographer Jindrich Vanek.The photograph captures Capek in his distinctive appearance, wearing glasses and elegant attire, and is accompanied by his ink signature.This authentic artifact is valued not only for its historical significance but also as an important testament to a figure who helped shape Czech culture and literature.

Lot 169

HENRI FANTIN-LATOUR (1836-1904) | HANDWRITTEN LETTER (FRANCE / FRENCH) | 1903 | profession: Painter | country: France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Personal letter | Lot information |"January 26, 1903 Sir, It will be possible to come and photograph my painting on Monday or next Tuesday from 9 to 11 o'clock or from 5 to 3 o'clock on the same days. My painting is not quite finished. Please accept the expression of my highest consideration. H. Fantin-Latour 81, rue des Beaux-Arts" Original French text: "26 Janvier 1903 Monsieur, On pourra venir photographier mon tableau Lundi ou Mardi prochain de 9h a Onze heures ou de 5h a trois les memes jours mon tableau n'est pas tout a fait achieve. Veuillez agreer l'expression de ma consideration la plus distinguee. H. Fantin-Latour 81, rue des Beaux-Arts" This personal letter from Henri Fantin-Latour, a renowned 19th-century French painter, was sent in 1903 regarding his unfinished painting, which was to be photographed. The letter is written in elegant handwritten script and reflects the artist's attention to detail and his dedication to his craft. This document is a remarkable historical artifact, showcasing the painter's care for his work and his engagement in artistic communication.

Lot 211

MAX SVABINSKY (1873-1962) | BROMOGRAPHY WITH ORIGINAL AUTOGRAPH AND LETTER (CZECH/ BOHEMIAN) | 1927 and 1928 | profession: Painter | country: Czechia | signature: Original signatures | size: 310 x 260 mm (size of the pad) | technique: Bromograph with original autograph from 1928 and letter from December 1927 | Lot information | This photograph, a well-known bromograph, captures one of the most significant Czech artists, Max Svabinsky, with his original signature and dated July 2, 1928.The photograph comes from a professional studio and reflects the characteristic style of Svabinsky, who gained fame for his portraits and graphic works.Included in this auction is also a letter sent by Svabinsky in December 1927. The letter is addressed to "Slovutnemu panu doktoru" ("Esteemed Doctor"), in which Svabinsky expresses his gratitude and extends warm Christmas wishes, accompanied by a small Christmas gift as a token of appreciation.This rare letter, featuring the artist's personal signature, is a valuable artifact for collectors—not only for its historical significance but also for the personal touch it conveys from a time when Max Svabinsky was one of the leading Czech painters and graphic artists.

Lot 192

HANS HARTUNG (1904-1989) | HAND SIGNED NEW YEAR'S CARD (GERMANY / GERMAN) | 1975 | profession: Painter | country: Germany / France | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten New Year's greeting on a paper card | Lot information |Handwritten New Year's greeting with the signature of Hans Hartung, one of the most prominent representatives of lyrical abstraction and tachisme. Text in French: "MEILLEURS VÅ’UX Janvier 1975 Excusez-nous!!! Nous tacherons de mieux faire prochainement. Mille pensees tres cordiales de votre Hans Hartung." Translation into English: "Best Wishes January 1975 Excuse us!!! We will try to do better next time. A thousand warm thoughts from your Hans Hartung." Hans Hartung was a Franco-German painter and graphic artist, known for his gestural painting and dynamic brushstrokes, which influenced the direction of abstract expressionism. His works are represented in the most prestigious galleries and museums around the world. This personal message with the artist's handwritten signature is a unique collector's artifact reflecting Hartung's personality and style.

Lot 40

LEOPOLD STOKOWSKI (1882-1977) | AUTOGRAPHED PHOTO (POLAND / POLISH) | 1961 | profession: Composer and conductor | country: Poland / USA / Great Britain | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on paper | Lot information | Photograph with a handwritten signature, dated May 20, 1967. Stokowski was one of the most significant conductors of the 20th century, known for his innovative interpretations of classical music and his collaboration with the Philadelphia Orchestra, where he created the distinctive "Stokowski Sound." He also gained fame for his work on the music for Walt Disney's animated film Fantasia. This autograph represents a valuable collectible artifact linked to his rich musical career.

Lot 70

ALEKSANDR TRIFONOVICH TVARDOVSKY (1910-1971) | A POEM WITH A SIGNATURE (RUSSIA / RUSSIAN) | 1963 | Aleksandr Trifonovich Tvardovsky (Александр Трифонович Твардовский) | profession: Poet | country: Russia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten poem with signature | Lot information |Handwritten quote by Russian poet and journalist Alexander Trifonovich Tvardovsky, accompanied by his signature and dated December 2, 1965, in Barvikha near Moscow. The text refers to his famous work Terescenko na bozim soude ("Терещенко на божьем суде"), a well-known poem from his literary period.Tvardovsky was one of the most significant Soviet poets, whose work influenced generations of readers. He is best known for his cycle about the soldier Vasily Tyorkin, where he masterfully combined serious and satirical motifs. As the editor-in-chief of the magazine Novyj mir, he played a significant role in publishing works by critics of the Soviet regime.This is a rare collector's artifact, combining literary significance with the author's personal handwriting. 

Lot 313

A beautifully crafted antique cameo brooch, marked "SILVER" on the back, indicating the frame is sterling silver. The cameo is carved from what appears to be a natural material, likely shell, showcasing fine detailing and craftsmanship. The subject is a classical profile of a woman adorned with a pearl necklace, a traditional motif in Victorian and Edwardian jewelry. Dimensions: Height: Approximately 4 cm Width: Approximately 3 cm Features: Material: The cameo is carved with high precision, displaying natural variations and color typical of shell cameos. Frame: The silver setting features a delicate scalloped design, enhancing the elegance of the piece. Marking: The word "SILVER" is engraved on the reverse, confirming the material of the frame. Condition: The brooch is in excellent antique condition, with no visible chips or cracks in the cameo. The silver frame shows minor age-appropriate tarnishing that adds to its vintage charm. Stylistic Notes: This brooch represents a classic example of Victorian or early 20th-century cameo jewelry, prized for its elegance and the skill required to carve such intricate designs by hand. Cameos of this type were often cherished heirlooms, symbolizing refinement and status. Historical Significance: The use of shell and silver in cameos became popular in the late 19th and early 20th centuries, making this piece both a collectible and a wearable artifact of history. This brooch is a fine example of antique jewelry, suitable for collectors or those looking for a timeless accessory with historical significance.

Lot 49

A unique handcrafted string instrument featuring a resonator bowl made from a hollowed coconut shell. The instrument showcases a dark wooden neck with a fretboard inlaid with simple dot markers, leading to a carved headstock with four wooden tuning pegs. The coconut shell body gives this piece a rustic and organic appeal, likely crafted in the folk music traditions of Southeast Asia or Africa. The strings are stretched across a wooden bridge inside the shell, adding to its traditional aesthetic. A rare and decorative musical artifact with cultural significance.Issued: 20th centuryDimensions: 13.5"HCondition: Age related wear.

Lot 68

Magic Lantern Slide of Fairbottom Bobs, Newcomen-Type Beam EngineStandard squate magic lantern Slide, label in script reads '200 Fairbottom Nr Oldham', slide shows a very clear image of the Newcomen-type steam engine, used in the 18th century as a pumping engine to drain Fairbottom's colliery near Ashton-under-Lyne.Footnote:Fairbottom Bobs is a Newcomen-type beam engine taht was installed around 1760 or 1764 at Cannel Colliery in Fairbottom, near Ashton-under-Lyne, England. Its primary function was to pump water from the colliery, featuring a 28-inch (71 cm) bore cylinder with an 8-foot (2.4 m) stroke, capable of raising water from a depth of 240 feet at 14 strokes per minute.The engine's design included a single wooden king post beam with wrought iron straps and wooden arch heads at each end, supported by a dressed stone pillar. Notably, there was no engine house or roof to protect it from the elements.Beyond draining the colliery, Fairbottom Bobs contributed to maintaining water levels in the Ashton Canal by discharging into the Fairbottom Branch Canal at Fennyfield Bridge. After the colliery ceased operations in the 1820s, the engine continued to function until its abandonment in 1826 or 1827.In 1927, Henry Ford acquired the engine for preservation. It was dismantled and reassembled at the Henry Ford Museum in Dearborn, Michigan, where it remains on display as a significant artifact of early steam engineering.

Lot 40

a collection of 17 albumen prints, c.1894-1894, photographed by Lt Somerville during the work of the survey ship The Penguin in 1893, 12 mounted as gold-edged cabinet cards with annotations in blue pencil verso, some with additions in a later hand, one portrait/self-portrait titled 'Mr B T Somerville' 'The Penguin's Photographer', one titled Njaku and his canoe Mungeri' (a later printing from the negative, a gelatin silver print dated 1897 is in the British Museum, (Museum number Oc,B36.2), others showing native men and boys, and members of the ship's crew, with another smaller, also by Somerfield, captioned 'Shaving with a piece of glass at Ugi, one unmounted albumen print, again by Somerville, captioned 'Camping Party landed at Solomon Islands' with three further smaller albumen prints, apparently from the same expedition, cabinet cards 16.5cm x 10.6cm, images typically 10cm x 14.5cm, smallest three 10.5cm x 7.2cmH.M.S. Penguin and the 1893 Solomon Islands ExpeditionH.M.S. Penguin was a Royal Navy survey vessel that played an important role in charting the waters of the Pacific in the late 19th century. In 1893, Penguin undertook an expedition to the Solomon Islands, contributing significantly to British naval and scientific knowledge of the region.The primary purpose of the voyage was hydrographic survey work, mapping uncharted areas to improve navigation and facilitate safe passage for naval and commercial vessels. This work helped establish reliable maritime routes in the western Pacific. Additionally, the crew engaged in artifact collection, acquiring ethnographic items and natural specimens, many of which were later housed in British institutions, offering insight into the diverse cultures and ecosystems of the Solomon Islands.The expedition’s historical significance lies in its contribution to both imperial expansion and scientific inquiry, reflecting the dual role of the Royal Navy in exploration and colonial administration during the late Victorian era.

Lot 931

Presenting an Antique Solid Silver Presentation Tray of remarkable historical and sentimental importance, crafted in 1925 by the distinguished Goldsmiths & Silversmiths Company of 112 Regent Street, London. This masterfully fashioned piece weighs approximately 730 grams and measures 25.5 cm in width. Its subtly octagonal outline rests on four dainty, claw-like feet, adding both balance and visual intrigue. The tray bears a full set of clear hallmarks, attesting to its maker and purity, and exemplifies the graceful styling and superb craftsmanship for which London’s finest silversmiths were renowned in the early 20th century.What elevates this tray beyond exquisite form and silver content is its unique provenance. It was presented to Lieutenant Robert Francis Lochee Bush (later Brigadier R.F.L. Bush, Royal Artillery) by the officers of the 19th Field Brigade on the occasion of his marriage on November 28th, 1925. Richly engraved across the tray’s surface are the names and signatures of many of these officers, capturing a moment in time when camaraderie, loyalty, and celebration converged. This personal touch provides an immediate, tangible link to the military circles of post-World War I Britain and to one distinguished soldier’s journey within the Royal Artillery.Lieutenant (later Brigadier) Robert Francis Lochee Bush was born on 15 May 1896 and passed away on 21 November 1955. Throughout a notable military career, he rose through the ranks—receiving acting, temporary, and substantive promotions from Major to Lieutenant-Colonel, Colonel, and ultimately Brigadier—reflecting his dedication and leadership. His service record includes pivotal appointments such as Commanding Officer of the 23rd Field Regiment Royal Artillery during the early years of the Second World War, before going on to command other brigades. He finally retired in 1948, having been granted the honorary rank of Brigadier.R.F.L. Bush’s connection to Robert Edwin Bush adds further depth to this story. The senior Bush was a philanthropist and public figure who, after returning to England in the early 1900s, purchased Bishop’s Knoll in Stoke Bishop, near Bristol. He married Margery Scott in 1907, served as Sheriff of Bristol in 1911, and became President of the Gloucestershire County Cricket Club in the same year. During World War I, Robert Edwin Bush famously converted Bishop’s Knoll into a hospital for wounded soldiers—funding its operations himself and personally serving as an ambulance orderly. This act of generosity and service to others exemplified the Bush family’s commitment to duty and compassion, traits that would have undoubtedly influenced young Robert Francis Lochee Bush in his own military endeavors.By 1919, Robert Edwin Bush’s philanthropic activities led to his role as an Australian delegate to the International Red Cross meeting in Geneva. He later engaged in both the film industry and broadcasting, traveling the world extensively until his death at Bishop’s Knoll on 29 December 1939. The Bush family’s extensive legacy of public service, military distinction, and transnational ties (spanning Britain, Australia, and beyond) weaves an extraordinary backdrop for the presentation tray offered here.Every aspect of this 1925 solid silver tray resonates with layers of history—an object commissioned to mark a joyous marriage within a prominent family, enriched by the respect and fellowship of military officers who signed their names in tribute. The tray’s regal lines and balanced proportions are underscored by the four decorative feet, while the engraved text and signatures create a mesmerizing focal point that entices collectors and historians alike.For connoisseurs of militaria, family history, or fine silver, this tray represents a compelling convergence of aesthetics, heritage, and personal narrative. In the same piece, you witness the elegance of London silversmithing, the storied career of an officer who rose to the rank of Brigadier, and the philanthropic achievements of a remarkable family that shaped British and Australian military and civilian life.This offering is not merely a collectible but a tangible document of its era, bridging personal sentiment with broader historical currents. Its presence at auction is a rare opportunity to acquire an artifact that embodies the spirit, service, and celebration of an influential family—and a lasting tribute to the dedication and fellowship of the officers of the 19th Field Brigade.In summary, the Antique Solid Silver Presentation Tray is:Crafted in 1925 by the Goldsmiths & Silversmiths Company (London).Approximately 730 grams, 25.5 cm wide, with a roughly octagonal shape and claw-like feet.Engraved with multiple signatures of the 19th Field Brigade, marking Lieutenant R.F.L. Bush’s marriage on November 28, 1925.Imbued with a rich family history, extending from Robert Edwin Bush’s WWI-era philanthropy to Brigadier Bush’s distinguished military career.This remarkable piece stands as a testament not just to fine silver artistry, but also to a storied lineage and a vivid chapter in 20th-century military history—an incomparable addition to any discerning collection.

Lot 1298

10th-12th century A.D. With detailed depiction of a bird of elongated form on a dense field of flowing, intricate vegetal motifs with turquoise-coloured detailing; exterior ringed with a Kufic inscription, probably a blessing or prayer for the owner, written in a stylised script; heavily restored with overpainting. 569 grams, 20.5 cm (8 1/8 in.). [No Reserve] Acquired prior to 1998. Private collection, London.The Sultanabad region was renowned for its high-quality ceramics during the Seljuk period. While the precise translation of the legend is uncertain, such inscriptions were commonly used to invoke protection or good fortune, making the object not only a functional piece but also a meaningful, personal artifact.

Lot 4

A Fiji tapa cloth, 1940 or earlier, with dedication to John Miller on his 60th birthday, height 134 x 42.5cm. Original letter was placed inside the rear of the frame. Tapa cloth, made from the bark of trees and traditionally used by many Pacific Island cultures, is often prized for its intricate patterns and symbolic meaning. This particular piece was purchased in Fiji in 1940, during a pivotal time in history, as World War II was underway. It was gifted to Cornish artist John Miller on his 60th birthday by Tommy and Tean Craske-Rising, a couple with a fascinating history of their own. Tommy was a former headteacher at Penzance Boys Grammar School, and the couple shared a personal connection with Miller, who was a beloved artist in Cornwall. The provenance of the cloth adds to its mystique, as the accompanying letter conveys an extraordinary tale of survival and gratitude. The letter recounts the journey the cloth made during the Second World War, from Fiji across the Pacific Ocean and then through the Atlantic, following the perilous convoy journey where Tommy and Tean were miraculously spared from the convoy being wiped out. The letter reflects the belief that the cloth carried some sort of protective magic, preserving the lives of those who carried it. The Tapa cloth’s journey, with the letter conveying this story, becomes a precious artifact of not just artistic and cultural value, but also of historical importance, especially with the tie-in to wartime survival and the bond it represents between the artist and the Craske-Rising family. This gift, imbued with the luck and wishes of the couple, stands as a meaningful gesture for John Miller and continues to serve as a reminder of the intertwined histories and experiences of the people who gifted and received it. 

Lot 250

Collection of assorted mineral and rock specimens, including labeled samples. Includes a worked flint artifact from the prehistoric period.

Lot 312

This original World War I propaganda poster, designed by American artist L.A. Shafer in 1917, was part of the U.S. Treasury Department's Victory Liberty Loan campaign, urging citizens to support the nation's war effort through bond purchases. The dynamic composition features an intense naval scene, depicting a heavily armed patrol boat navigating turbulent waters while a convoy of warships and cargo vessels secures crucial supply routes. The upper right text, They Kept the Sea Lanes Open, honors the role of the U.S. Navy in safeguarding maritime transportation during the war. Printed by The W.F. Powers Co., N.Y., this lithograph embodies the patriotic fervor and graphic strength characteristic of early 20th-century war posters. Shafer's use of vibrant colors and dramatic motion conveys urgency and national duty, making this an iconic piece of wartime propaganda. Professionally framed under glass, this rare historical artifact remains a powerful visual reminder of the collective effort required for victory. Artwork dimensions with frame: 48"L x 38.25"H x 1.50"W. Artwork can be unframed and rolled for shipment.Artist: L. A. (Leon Alaric) Shafer (American 1866-1940) Issued: c. 1917Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear. Minor crease on left side.

Lot 318

A captivating Burmese Shan-style Buddha statue crafted from wood, featuring a gilded surface with intricate polychrome details and colorful inlays. The figure is adorned with intricate red and green inlays resembling glass or enamel, carefully embedded into the crown, cuffs, and other decorative elements. These vibrant accents complement the radiant gold-leaf finish, emphasizing the divine and regal qualities of the statue. The statue depicts a seated Buddha in a meditative posture, characteristic of Shan artisanship, exuding tranquility and spiritual authority. The facial features are delicately rendered, with a serene expression and downcast eyes symbolizing introspection and enlightenment. The statue features exquisite craftsmanship, evident in the intricate detailing of the garments, jewelry, and headpiece. The wear and patina reflect its age, adding authenticity and character to this spiritual artifact. Its back reveals the raw, untouched surface of the wood, contrasting with the detailed front.Dimensions: 22"L x 12"W x 35"HCondition: Age related wear.

Lot 30

This exceptional 17th-century handcolored engraved world map was created by Joan Blaeu, one of the leading cartographers of the Dutch Golden Age, is a magnificent artifact of history and geography. The map is an extraordinary example of cartographic excellence and artistic embellishment, featuring a dedication to Frans Banning Cocq, the famed Amsterdam mayor immortalized in Rembrandt's The Night Watch. The map delineates the known world of the 17th century, with latitudinal zones, navigational routes, and continental boundaries rendered in exquisite detail. Hand-colored embellishments, including ships, sea monsters, and a stunning armorial cartouche, elevate this piece as both an educational tool and an artistic masterpiece. Joan Blaeu's maps were at the forefront of cartography during the 17th century, appearing in his monumental Atlas Major, considered one of the most luxurious atlases of its time. This map exemplifies Blaeu's dual focus on scientific accuracy and visual splendor. The dedication to Frans Banning Cocq highlights the importance of influential patrons in supporting cartographic endeavors during the Dutch Golden Age. Frans Banning Cocq, a prominent figure in Amsterdam's civic history, was a key supporter of cultural and scientific advancements. His name, emblazoned in the cartouche, underscores the map's historical context as a symbol of intellectual and artistic collaboration. Sight size: 20"L x 15,50"H. Frame dimensions: 30.75"L x 24.75"H x 1"W. Artwork can be unframed and rolled for shipment.Artist: Joan (Johannes) Blaeu (Flemish 1596-1673)Issued: c. 1660Dimensions: See DescriptionCountry of Origin: NetherlandCondition: Age related wear. Very good condition with vibrant colors. Minor tear on center left side.

Lot 24

This exquisite colored engraving map of the Duchy of Bracciano (Ducatus Braccianus sive Sabatiae Regio) is a remarkable artifact from the 17th century, originally published in Joan Blaeu's renowned Atlas Major. Blaeu, a leading figure in the Dutch Golden Age of cartography, crafted this map with precision, artistry, and dedication to both geographic accuracy and aesthetic grandeur. The map prominently features Lago di Bracciano (Lake Bracciano), also known historically as Sabatini Lacus, surrounded by meticulously rendered towns, forests, and rivers. Richly hand-colored and adorned with an ornate cartouche and heraldic crest, this piece embodies the high level of craftsmanship for which Blaeu's atlas Major is celebrated. Joan Blaeu's Atlas Major, first published in 1662, was an ambitious undertaking, often referred to as the most beautiful atlas ever created. The maps in this collection showcased the height of 17th-century cartographic knowledge and were aimed at the elite of society. This map of Bracciano reflects the cultural and geographical importance of Lazio and the Papal States during this period. The Duchy of Bracciano, situated within the Papal States, was a center of political and social influence. Lake Bracciano served as a vital resource for Rome and has long been celebrated for its natural beauty. This map combines Blaeu's detailed geographic knowledge with the Baroque artistic style of the era. Sight size: 23"L x 17"H. Frame dimensions: 32.50"L x 26.50"H x 1.25"W. Artwork can be unframed and rolled for shipment.Artist: Joan (Johannes) Blaeu (Flemish 1596-1673)Issued: c. 1665Dimensions: See DescriptionCountry of Origin: NetherlandCondition: Age related wear. Minor foxing on center left.

Lot 181

A historical 1918 certificate awarded to Sgt. Jason H. Jamieson for completing the course in Radio Mechanics at the Air Service Radio Schools, United States Army, held at Carnegie Institute of Technology. The document is printed on aged paper with a bold title, winged insignia, and elegant script, showcasing early 20th-century military educational achievements. Signed by Hugh A. Calderwood, President of the Academic Board, and a commanding officer. Dimensions: 13"L x 10"H. A significant World War I-era artifact for collectors of military and aviation history. Dimensions: See DescriptionCondition: Age related wear.

Lot 113

This lot features an original 1941 edition of Jane's Fighting Ships, issued in 1942, edited by Francis E. McMurtrie and published by The Macmillan Company in New York. This highly sought-after naval reference book, in its forty-fifth year of issue, provides an extensive overview of the world's naval fleets during World War II, including ship specifications, illustrations, and technical data. It also contains advertisements from major defense contractors such as Vickers-Armstrongs Ltd., renowned for warship construction, and Barr & Stroud, known for their optical and navigational equipment. As an essential wartime reference, this volume is an invaluable resource for military historians, naval enthusiasts, and collectors of World War II ephemera. The book shows signs of age-related wear, particularly on the cover and binding, but remains a significant historical artifact. Dimensions: 13.25"L x 1.50"W x 8.50"HCondition: Poor.

Lot 259

This framed autographed photograph features General Dwight D. Eisenhower, the Supreme Commander of the Allied Expeditionary Force during World War II and the 34th President of the United States. The photograph captures Eisenhower in his military uniform, exuding the calm and confident demeanor that defined his leadership. Signed by Eisenhower in bold ink, it adds a personal and historical touch to this remarkable artifact. Accompanying this photograph is the historical Instrument of Surrender document, signed by Karl Donitz with the German Reichsadler emblem. This document is directly related to Eisenhower, as his leadership was pivotal in coordinating the Allied victory in Europe. Together, these items represent significant pieces of history tied to Eisenhower enduring legacy. Issued: 1945Dimensions: Each: 11.5"L x 14.5"W x 0.75"DCondition: Age related wear.

Lot 354

A collectible Expo Watch Spy Camera, designed to resemble a pocket watch. Manufactured by Expo Camera Co., New York, this ingenious piece was a popular concealed camera from the early 20th century. Crafted from silver-toned metal, the camera features intricate EXPO engraved on the front and branding on the back. The compact and discreet design made it an ideal tool for covert photography. A fascinating historical artifact for collectors of vintage cameras or spy equipment. Issued: Early 1900sDimensions: 1"HCountry of Origin: United StatesCondition: Age related wear. As is.

Lot 243

This exquisite Buddha statue is meticulously carved from wood, showcasing a polychrome finish that highlights intricate details. The serene expression and flowing robes exhibit remarkable craftsmanship, suggesting its creation during the late 19th century. This piece reflects traditional Buddhist artistry, making it a significant decorative and spiritual artifact. The statue features a distressed patina, adding to its antique authenticity and charm. Its custom wooden base is expertly designed to securely support the statue, ensuring stability during display. The base of the statue reveals a canvas-like reinforcement, possibly for stability during its creation or subsequent restoration. Issued: 18th - 19th centuryDimensions: 35"H (without stand)Condition: Age related wear. Head has chipped paint and hands are removable (loose) with broken or missing fingers.

Lot 198

A stunning 15th-16th century Tibetan gilt bronze Buddha figure, embodying the spiritual and artistic brilliance of Himalayan Buddhist culture. The Buddha is depicted seated in dhyanasana (meditation pose) atop a double-lotus base, with the right hand extended downward in Bhumisparsha Mudra (Touching the Earth gesture), symbolizing the moment of enlightenment and the Buddha’s call to the Earth as witness. The left hand rests gently in the lap, emphasizing serenity and meditation. The figure is richly adorned with flowing robes rendered in exquisite detail and retains much of its original gilding, offering a warm, radiant patina. Blue pigment accents to the head, likely derived from lapis lazuli, remain visible, underscoring its sacred iconography and artistic refinement. A particularly rare feature of this piece is its hollow interior, which houses a prayer scroll—a sacred artifact often inscribed with mantras or Buddhist scriptures, further enhancing its spiritual and historical significance. This extraordinary piece is a masterful representation of Tibetan Buddhist art and devotion, offering immense historical, cultural, and spiritual value for discerning collectors and connoisseurs. Issued: 15th-16th centuryDimensions: 10.5"HCondition: Age related wear.

Lot 145

Rowling (J K). Harry Potter and The Cursed Child, parts 1 and 2, first hardback edition, with dust wrapper, Harry Potter and The Goblet of Fire, Order of The Pheonix, Half-Blood Prince, and Deathly Hallows, softback, together with Harry Potter Page to Screen, Harry Potter The Artifact Vault, Harry Potter Magical Places from the film, Harry Potter and The Philosopher's Stone, illustrated by Jim Kay, and Fantastic Beasts and Where To Find Them. (10)

Lot 47

The Kodak Pony 135 Model C is a classic 35mm film camera introduced in the 1950s as part of Kodak's Pony series. Compact, lightweight, and easy to use, it was designed for amateur photographers transitioning into 35mm photography. This camera features a vintage aesthetic with durable construction, making it both a functional piece and a collectible artifact. Serial number: 1118375. Issued: c. 1950sDimensions: 3.25"HCountry of Origin: United StatesCondition: Age related wear. Not tested, functionality not guaranteed.

Lot 300

A rare vintage Agfa magnesium powder flash device, marked Agfa with the designation (handheld) D.R.P. No. 401015. This antique photographic accessory features a metal body and a black handle, showcasing its original craftsmanship. Magnesium powder flashes were used in early photography for creating bright, instantaneous light, making this a fascinating artifact for collectors of vintage photographic equipment. Issued: Early 20th centuryDimensions: 7.25"HCountry of Origin: GermanyCondition: Age related wear. Untested, functionality not guaranteed.

Lot 288

Dollond of London Telescope 64cm extended, Francis Lemman Biscuit tin 33cm x 22cm x 13cm and a 1970's Artifact Channel One Desk tidy 47cm x 12cm x 5cm

Lot 118

Mid-19th century unique historical artifact, once a personal record, featuring handwritten ink notes on a wide range of topics. This fascinating collection includes definitions similar to a dictionary, notes on stenography, a table of specific gravities, and a series of wise sayings. Issued: c. 1850Dimensions: 4.25"L x 6.5"W x 1"HCondition: Age related wear. Poor condition. Missing spine. Foxing and staining throughout. Sufficiently worn.

Lot 155

Dimensions: Height 21 cm ; Wide 15 cm ; Depth 14,5 cmWeight: 1885 grams Bronze ding, a traditional Chinese tripod vessel with two vertical handles and three cylindrical legs. The surface of the vessel is intricately decorated with repetitive geometric motifs, possibly a stylized "leiwen" (thunder pattern) or taotie design, indicating ritual significance.The ding was historically used for cooking, food storage, or ceremonial offerings, often employed in ancestral worship or state rituals. It symbolized power, authority, and status in early Chinese society. Dark patina , minimal wear suggests careful preservation. Well-balanced proportions between the bowl, handles, and legs for functionality. The ding represents a key artifact of Chinese bronze culture, embodying ritualistic and hierarchical traditions.Vessels of this kind were central to ancestral ceremonies and reflect the technological and artistic achievements of early Chinese civilizations.Comparative examples can be seen in collections at the National Museum of China and other prominent museums housing early Chinese bronzes.

Lot 4

Dimensions: Height 11,5 cm Wide 13 cm Depth 3,5 cmWeight: 955,4 grams This image shows a carved Crystal artifact featuring a central Buddha surrounded by several other figures. The figure in the center is depicted in a frontal pose, standing or emerging with an elaborate draped robe.The raised hands resemble the traditional Abhaya Mudra (gesture of reassurance and fearlessness).He is surrounded by his disciples praying to him.

Lot 550

A finely carved and gilded wooden wall bracket featuring intricate floral and geometric patterns. The octagonal platform and tiered design reflect a blend of functionality and ornate artistry, The bracket is equipped with metal fittings for wall mounting. Likely used as a support for decorative objects or religious artifact.22 by 26 cm

Lot 139

A Mounted Artifact, Salvaged from The 1984 Summit Tunnel Fire, Details to Base, 29cms Wide

Lot 23

Antique Egyptian Artifact sarcophagus figure

Lot 1268

A good copy of an ancient Greek artifact.

Lot 28

Casque du Lieutenant Colonel Elmer Schmierer 393 INF REGT. Coque de casque USM1. Fermeture du jonc a l avant. Numero de lot illisible. Pontets fixes. Jugulaires presentes et montees d origine. Peinture et cork a 80%. Reste d insigne de la 90th DI US grattee sur la face avant de la coque, insigne de la 99th ID present sous la peinture OD. Grade de Lieutenant Colonel soude a l avant de la coque. Double marquage O-24531 a l interieur de la coque. Barre d officier Follow Me realisee au pochoir et a la peinture blanche au dos de la piece. Liner en materiaux composite haute pression, fabrication Westinghouse D-25. Coiffe en toile complete. Nuquiere manquante. Bandeau de sudation en cuir marron. Jugulaire en cuir marron, fabrication United Care. Peinture kaki lisse a 90%. Barre d officier Follow Me realisee au pochoir au dos du liner. Insigne de la 90th DI US peint en rouge a l avant du liner. Grade de Lieutenant Colonel metallique fixe a l avant du liner. On y joint les courrier du Lieutenant Colonel Schmierer relatant son parcours durant la Bataille des Ardennes. Elmet Schmierer etait l officier des operations du 393eme regiment d infanterie. Son poste de commandement etait etabli a Krinkelt sous les ordres du colonel Scott. Cette piece a ete donnee par le veteran a l historien anglo belge William C Cavanagh qui est un specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Il portera ce casque apres la bataille des Ardennes quand il sera reaffecte aux officiers de la 90th ID. Important souvenir historique provenant directement du veteran et comportant son histoire replacant cet objet dans le contexte de celle ci. A noter une certaine usure et patine de la piece. Etat II+. Helmet of Lieutenant Colonel Elmer Schmierer, 393rd Infantry Regiment. US M1 helmet shell with front seam. Lot number illegible. Fixed bales. Original chinstraps intact and mounted. Paint and cork at 80%. Remnants of the 90th Infantry Division ID insignia scratched off on the front of the shell, with the 99th ID insignia still visible beneath the OD paint. A metal rank insignia for Lieutenant Colonel is welded to the front of the shell. Inside the shell, double-stamped O-24531. The stencil-painted Follow Me officer s bar is visible on the rear of the shell in white paint. The liner is made of high-pressure composite material, manufactured by Westinghouse D-25, with a complete fabric suspension. The nape strap is missing. The sweatband is made of brown leather, and the chinstrap is also brown leather, manufactured by United Care. The khaki paint on the liner is 90% intact. The Follow Me bar is stenciled on the rear of the liner. The 90th ID insignia is painted in red on the front of the liner, and the metal Lieutenant Colonel rank insignia is attached to the front of the liner. This helmet comes with correspondence from Lieutenant Colonel Schmierer recounting his experiences during the Battle of the Bulge. Elmer Schmierer was the operations officer for the 393rd Infantry Regiment, and his command post was established at Krinkelt under Colonel Scott. After the Battle of the Bulge, he wore this helmet when reassigned to the officers of the 90th Infantry Division. This piece was donated by the veteran to Anglo-Belgian historian William C. Cavanaugh, a recognized expert on the Battle of the Bulge, whose publications are considered references in the field. A highly significant historical artifact, directly linked to the veteran s experiences, providing valuable context to this object. The helmet shows some wear and patina. Condition II+.

Lot 55

Buckle Boots de Bill Meyer, de la 99th DI US. Il s agit d une paire homogene en cuir marron, a sept œillets dont les lacets d origine sont presents. La jambiere attenante fermant par deux boucles a un seul ardillon. Les semelles et les talons sont uses par le port prolonge de ces bottes par le soldat. On peut distinguer un reste de marquages HTS ESSEX. Des marquages internes sont presents mais, helas, illisibles. On joint des attestations de Bill Meyer donnees a l historien William Cavanagh dans lesquels il raconte l histoire de cette paire de bottes. Elles ont ete portee par lui pendant la bataille des Ardennes, en particulier, et egalement pendant tout le reste de la campagne Europeenne. Bill Meyer relate qu il les portait, notamment, le matin du 17 decembre 1944 a Bullange ou Bullingen en allemand, dans laquelle son unite fut attaquee par les troupes du Lieutenant Colonel Joachim Peiper. En effet, les alliees ne furent pas en mesure de repousser l attaque allemande dans laquelle ils perdirent meme le depot de carburant qui s y trouvait. Nous avons retire notre train de munitions vers une position pres de Weywertz ce matin-la, explique Meyer dans l une de ses notes jointes, tard dans la nuit, il explique egalement que ses pieds etaient geles dans ses bottes, alors qu il essayait avec ses camarades de se replier. Bill Meyer ASN 17 176 654 PFC 371st FA Bn Ammo Train Service Battery. Cette piece a ete donnee par le veteran a l historien anglo belge William C Cavanagh qui est un specialiste reconnu de la bataille des Ardennes et dont les publications font references dans le domaine. Important souvenir historique provenant directement du veteran et comportant son histoire et replacant cet objet dans le contexte de celle ci. Il est de la plus haute rarete de pouvoir recuperer des objets pouvant etre rattache au contexte des evenements qu ils ont subis. La 99eme DI americaine a jouee un role majeur dans la bataille des Ardennes. Il se livrerent avec autant de courage que de tenacite a des combats acharnes, notamment a Krinkelt. Cette division etait surnommee Battle Babies ou Checkerboard. A noter une certaine usure et patine des pieces. Etat II+. Buckle Boots by Bill Meyer, of the 99th DI US. This is a matched pair of brown leather boots, with seven eyelets and original laces intact. The attached gaiters close with two single-prong buckles. The soles and heels show wear from extended use by the soldier. Traces of HTS ESSEX markings can still be distinguished, though internal markings are present but, unfortunately, illegible. Included are attestations from Bill Meyer provided to historian William Cavanagh, in which Meyer recounts the history of this pair of boots. They were worn by him during the Battle of the Bulge, specifically, and throughout the rest of the European campaign. Meyer notes that he was wearing them on the morning of December 17, 1944, in Bullange or Bullingen in German, where his unit was attacked by Lieutenant Colonel Joachim Peiper s troops. The Allies were indeed unable to repel the German assault, during which they even lost the fuel depot located there. We withdrew our ammunition train to a position near Weywertz that morning,” Meyer explains in one of his attached notes, further recounting that his feet were frozen in his boots as he and his comrades tried to fall back late that night. Bill Meyer ASN 17 176 654 PFC 371st FA Bn Ammo Train Service Battery. This item was given by the veteran to Anglo-Belgian historian William C. Cavanagh, a recognized specialist on the Battle of the Bulge whose publications are authoritative in this field. This is an important historical artifact directly from the veteran, preserving his story and situating this item in the context of the events it witnessed. It is extremely rare to recover objects that can be linked to the context of the events they underwent. The American 99th Infantry Division played a major role in the Battle of the Bulge, fighting with as much courage as tenacity in fierce engagements, particularly at Krinkelt. This division was nicknamed the ,Battle Babies, or ,Checkerboard Division., Note some wear and patina on the items. Condition, II+.

Loading...Loading...
  • 456 item(s)
    /page

Recently Viewed Lots