20th century | height: 21 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | Dating from the 18th century, this jar is an example of faience pharmaceutical pottery, which was used to store medicines in pharmacies. It is decorated with a delicate blue-yellow decoration that depicts a wreath of laurel leaves, which was a frequent symbol of victory and strength, often used in apothecary ceramics. Stylized figures of cherubs can be seen between the laurels, which give the jar a soft and playful touch. Although the inscription indicating the contents of the jar is missing, it was probably used to store syrups, ointments or other medicinal preparations that were commonly used in pharmacy practice. The shape of the jar is simple, with a slightly narrowed neck, which ensured easy handling of its contents. This artifact is a perfect example of European faience ceramics that combined practical function with aesthetic value in the 18th century. jars of this type were not only part of pharmacies, but also decorative elements that reflected the cultural and artistic values ​​of the time. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
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1651 | height: 27 cm | country: Germany | provenance: private pharmacy museum | Albarello faience pottery | This earthenware jar dates from the 18th century and was probably made in Frankfurt or Nuremberg, which were important centers of earthenware production in Germany. The jar is decorated with delicate floral decor in blue, a typical style inspired by Chinese porcelain, which was very popular in Europe. Characteristic features of this jar include a pewter lid that is firmly attached to the jar and was used to store liquids such as wines, oils or healing elixirs. The spiral-shaped ear gives the jar an elegant look and at the same time ensures its functionality. This jar is a great example of German faience ceramics, where aesthetic value is combined with practical use. Its origin and precise processing make it a valuable collector's artifact from the 18th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
19th century | height: 17 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 19th century albarello comes from a Neapolitan ceramic workshop and is decorated with colorful polychrome painting with floral motifs. The floral decor combined with fine blue lines on the upper and lower edges of the jar is a typical example of Neapolitan faience production of the period. The jar was used in pharmacies to store medicines, but thanks to its decorative design, it also fulfilled an aesthetic function. This artifact exemplifies the masterwork of Italian potters who combined practicality with artistic expression and is sought after by collectors of historic ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
17th century | height: 23 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Known as a "Versatoio", this apothecary jar comes from Liguria, Italy and dates to the 17th century. It is made of faience, which is a typical Italian ceramic covered with a lead glaze, which gives the jar a characteristic shiny surface. The blue-and-white decoration includes rich floral motifs, typical of the Baroque ceramic art of the time. The inscription on the jar "S. de Menta" refers to its contents, i.e. mint syrup (Latin sirupus de menta), which was commonly used in medicine as a remedy for stomach problems or to freshen the breath. The jar is equipped with a spout and handles, which facilitated handling and precise dosing of liquids in pharmacies. Its distinctive aesthetics, together with its practical use, make it not only an important artifact for historians of pharmacy, but also a valuable example of the Italian ceramic tradition of the 17th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.more photos:https://drive.google.com/drive/folders/1oBSEA5wKywQKldovOa23lW2DjGMpTNZV?usp=sharing
19th century | height: 28 cm | region: Palermo (Sicily) | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 19th century albarello from Palermo is an excellent example of Sicilian faience pottery. It is decorated with a rich polychrome painting, on one side with a depiction of a knight, which refers to medieval symbolism. The other side is decorated with a distinctive heraldic motif. Ornamental elements and vivid colors are characteristic of the ceramics of this region, where local traditions have been mixed with the influences of Italian ceramics. This artifact, which was used to store medicines in pharmacies, is highly valued among collectors due to its historical significance and artistic execution. | condition: damaged | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1LGBEm1fJdIgJLMIFI7CfJwnKF9JzT2x-?usp=sharing
18th century | height: 20 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Originating in 18th century Italy, this albarello is an example of faience apothecary pottery decorated with typical blue underglaze painting. The decor represents an idealized rural landscape with buildings and vegetation, a popular motif in Italian ceramic workshops of the period. The jar was used to store medicines, and its slim shape with a widened neck allowed for easy handling. Albarello, with its rich artistic processing, is not only an important historical artifact, but also a sought-after collector's item that reflects the union of aesthetics and functionality. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 26 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello is an example of 18th century Italian faience pottery, characterized by blue underglaze painting with scenes of landscape and architecture. Hand-painted motifs depict houses set in rich vegetation, while the stylization of flora and architectural elements is characteristic of the Baroque period. The jar was used to store medicines in pharmacies, where it not only fulfilled a practical function, but also acted as an aesthetic element of the interior. Due to its decorative style and historical value, this artifact is sought after by collectors of historical ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1763 | height: 27 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 1763 albarello is an excellent example of 18th century Italian faience pottery, specifically from the Savona region. Its blue decor on a white background shows the classic elements of this production, such as carefully rendered landscape scenes, architectural elements and vegetation details. The jar was probably used in pharmacies to store dry herbs or medicines. The date 1763 is clearly marked on the back of the albarella. The excellent condition and fine design make it a valuable artifact for collectors of European ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/18rdpE50A-FprqLLrUivvROXAaMAEczHc?usp=sharing
18th century | height: 22 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | Dating from the 18th century, this jar is a beautiful example of Delft faience pottery, which was very popular in Europe. The jar is decorated with blue and white decor, a style that imitated Chinese porcelain, which was in high demand at the time. On the front of the jar, a bird sitting on a vine branch is elegantly depicted, set in a richly ornamental frame with plant motifs. This type of ceramic was widely used in the pharmaceutical environment for the storage of medicines or as a decorative element in interiors. The shape of the jar is simple but functional, with a bulbous body and a narrow neck that made handling easier. Delft faience was prized for its quality and precision of workmanship, and this artifact is evidence of a high level of craftsmanship. This jar is not only a utilitarian object, but also a work of art that reflects the aesthetic values ​​and skills of the potters of the time. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1726 | height: 17 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Made in Liguria in 1726, this albarello belongs to the medium-sized apothecary category. Albarella was used to store dry or gooey medicines, and thanks to its tapering shape, it fit comfortably on apothecaries' shelves. Made of earthenware, the jar is covered with a glossy glaze and decorated with delicate blue and white motifs, characteristic of 18th century Italian ceramics. On one side of the jar there is a figural scene that may refer to an ancient allegory, while the other side is decorated with a simple motif and the year "1726". This albarello is not only a valuable historical artifact of pharmacy practice, but also a beautiful example of the Italian ceramic tradition, combining utility with artistic value. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
17th century | height: 22 cm | region: Rome | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 17th-century Roman albarello is an example of masterful faience pottery used in pharmacies at the time to store medicines. The jar is decorated with a typical blue underglaze painting, which includes rich floral ornaments and decorative elements, characteristic of Roman ceramic production of the time. The albarello has a traditional slender shape with a widened neck and a gently bulbous body, which facilitated the handling and storage of apothecaries. This historical artifact represents not only a functional object, but also an aesthetic object that was part of the pharmacy interiors of the time, and is highly valued among collectors of antique ceramics. | condition: restored | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1smDUR7iqs2GMFAo5BqYMN2ZwWF5ydGpc?usp=sharing
18th century | height: 17 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This beautiful ceramic "albarello" jar comes from Liguria and dates back to the 18th century. It is characterized by rich decoration in the typical blue-white color combination that was characteristic of the production of ceramics in the Savona region. The jar is hand-decorated with floral and plant motifs along with the calligraphic inscription "Rose commune", which refers to the rose ointment or essence traditionally used in medicine and pharmacy. Albarella was an important part of pharmacies and was used to store medicinal ointments, herbs or raw materials. This artifact is proof of the high artistic and craftsmanship of the Italian workshops of the time, with a strong emphasis on detail and aesthetics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 19 cm | region: Ligure | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello-type jar comes from 17th-century Liguria and was used to store apothecaries. The inscription "Ros•mes" is probably an abbreviation for "Rosatum Mesue," which was a mixture of rose syrup according to the recipe of the famous Arab physician Mesue, widely used in the pharmacy of the time. Blue-hued decorations with geometric elements, especially stylized arches, are typical of Italian majolica of this period. This artifact is not only an example of the precise work of the craftsmen of the time, but also a reflection of the medical and pharmaceutical procedures of the early modern era. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1746 | height: 22 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello from 1746 is an example of Baroque Italian faience ceramics that were used in pharmacies to store medicines. The front of the jar is decorated with blue underglaze painting with architectural and landscape motifs, which is typical of Italian ceramic production of the 18th century. These scenes not only contributed to the decorative appearance of the jar, but also underlined its functionality in a pharmacy environment. On the back of the jar is the inscription “C.D.M. 1746", which probably refers to the manufacturer or apothecary for whom the jar was made and the year it was made. This artifact is valuable not only for its historical function, but also for its artistic workmanship, making it an important item for collectors of historical ceramics. | condition: dents on the edges | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1Oh6LrOa34Cn-iygOVB-zH8Xk8GlwXsFo?usp=sharing
1690 | height: 23 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 1690 albarello comes from Savona, a major center of Italian ceramic production, and is an exceptional example of 17th century faience pottery. Savona pottery is famous for its blue underglaze painting, which also decorates this artifact with rich floral and faunal motifs. Animal scenes, including a rabbit among the trees, add liveliness and decorative value to the jar. The inscription "Ac Macc" probably refers to the medicinal contents that were kept in the jar. The back of the albarella bears the initials "A.R." and the date "1690", which may refer to the owner or maker. The typical shape of the jar with a widened neck and delicate decoration is a sign of the artistic and functional quality of ceramics from Savona, which was highly valued for its aesthetics and practical use in pharmacies. This artifact is a significant collectible due to its history and artistry. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1tEw0pgEcrzY97vhvZW8m1wrd5opUXzAS?usp=sharing
1725 | height: 26 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This Savona albarello from 1725 is a typical example of the faience pottery of the area, known for its underglaze blue painting. The jar is decorated with a rural landscape scene with architectural elements, complete with a decorative coat of arms with the inscription "Charitas", which refers to the Christian virtue of love and charity. This motif was often used to decorate jars in pharmacies, where these moral values ​​had a special meaning. On the back of the jar is the date "1725", confirming its origin in the first half of the 18th century. The slender shape and widened neck allowed for easy storage and handling of medicinal preparations, which is typical for this type of apothecary ceramics. This piece represents an important historical and aesthetic artifact, sought after by collectors of Italian ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1iLLjGlpF9zwuwX3mt3aOoy8jnBx9u2zf?usp=sharing
18th century | height: 18 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello comes from Liguria, Italy and dates back to the 18th century. It is a traditional pharmacy jar used to store herbs, ointments or dry medicines. Made of earthenware, this artifact is characterized by its white background with blue floral decorations, typical of northern Italian ceramics of this period. The jar is marked "Absinth" in black, indicating that it was used to store wormwood (Artemisia absinthium), an herb known for its medicinal properties and use in medicine and herbal medicine. This species of albarella was commonly used in pharmacies to store dried herbs. Elegant calligraphy together with a decorative blue motif on a white background reflect the aesthetic demands of a time when even utilitarian objects had an artistic dimension. This artefact is not only evidence of pharmaceutical practice, but also a representative of Baroque ceramics from Liguria. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
end of the 17th century | height: 20 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 17th century albarello from Naples is richly decorated with polychrome heraldic motifs. On the front of the jar is an emblem depicting an eagle crowned with three stars, a typical symbol used in heraldry to represent power and majesty. A saint is depicted above the coat of arms, emphasizing the jar's religious significance. It was used to store medicines in pharmacies, but thanks to its precise artistic processing, it also fulfilled a decorative function. This artifact represents a highly prized example of Neapolitan faience pottery. | condition: good | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 13 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | This 18th century jar comes from faience pottery workshops, probably in Delft, and is intended for holding milk thistle syrup (S. CARD:MAR). Milk thistle has been valued for centuries for its medicinal properties, especially for supporting liver health. The jar is decorated with blue-white decor, a style popular in European ceramic production at the time. The decoration includes floral motifs, two stylized birds, and a small angel on the lower part of the cartouche, which are elements typical of the Baroque and Rococo periods. The inscription indicating the contents of the jar is located in the central cartouche, which increases the legibility and functionality of the jar. These jars were used in pharmacies to store medicines, but also served as decorative elements of the interior. The preserved condition and quality workmanship make this artifact a valuable example of 18th century pharmaceutical ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 22 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | This is an albarello, i.e. a type of ceramic apothecary jar characteristic of European medieval and early modern apothecaries. This particular artifact, dating from the 18th century (dated 1742), bears typical majolica features, with a glazed surface decorated with rich, colorful paintings. The obverse shows a coat of arms crowned with a royal crown, suggesting possible affiliation to a prestigious apothecary or noble family. Two figures on the sides of the shield and decorative motifs in the style of rococo ornamentation give this jar a rich aesthetic character. Albarella of this type were used to store medicines, often in the form of dried herbs or powders, and are prized collectibles for their artistic and historical value. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1AZrIwOfuMmOZxMMKn7bJoG3tkbc46jLT?usp=sharing
turn of the 19th/20th century | height: 61 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This large 18th century albarello comes from a Neapolitan ceramic workshop and is decorated with rich polychrome decoration. The front is dominated by a heraldic coat of arms with the initials "A.G.P." and is surrounded by angelic figures, symbolizing protection and spiritual significance. The beautiful color combination of yellow, blue and green underlines the significance of the jar, which was used in pharmacies to store medicines. The detailed workmanship and spectacular decoration rank this artifact among the significant examples of Neapolitan faience ceramics, which are highly valued among collectors. | condition: good | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1-hdhFMR5DlfNi1UwU9zfy9xM1wYI8p0L?usp=sharing
Ca. 1-200 AD. A Roman garnet intaglio set into a later gold ring (Byzantine, 9th-12th century AD). The intaglio is meticulously adorned with a plethora of symbolic elements, embodies the profound artistic expression found in Roman glyptic art. The centerpiece of this exquisite artifact showcases a delicately engraved hand clasping a bundle of ears of grain, a caduceus, a poppy seed head, and a wreath. Collectively, these motifs evoke notions of abundance and prosperity, encapsulating the aspirations and beliefs of Roman society. The depiction of the hand holding ears of grain serves as a potent symbol of fertility, agricultural abundance, and nourishment. In Roman culture, grain was not only a vital staple but also represented the bountiful harvests necessary for the sustenance and prosperity of the empire. The hand, a universal symbol of human agency and dexterity, further reinforces the human connection to the cultivation of crops and the subsequent rewards of abundance. The inclusion of the caduceus adds another layer of significance to the composition. As a symbol associated with the Greek god Hermes and later adopted by the Romans, the caduceus embodies messages of commerce, diplomacy, and transcendent power. Its presence within this glyptic scene suggests the influence of trade and prosperity, emphasizing the interconnectedness between economic success and the broader societal fabric. Size: D: 17.32mm / US: 7 / UK: N 1/2; 9.45g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.
This exquisite Sasanian agate stamp, skillfully carved with a bust of a dignitary, is a remarkable artifact from the ancient Persian Empire. The stamp, made from a beautifully polished red-orange agate, features a finely detailed engraving of a noble figure, showcasing the characteristic attire and regal bearing typical of Sasanian royalty or high-ranking officials. The reverse side of the stamp bears an inscription in Pahlavi, the Middle Persian script used during the Sasanian era, possibly identifying the individual depicted or offering a message of power and authority. The agate’s vibrant color and translucency add to the visual appeal of this piece, making it not only a functional object but also a work of art. Such stamps were used to seal documents and items of importance, symbolizing the identity and authority of the owner. The craftsmanship evident in this piece reflects the high level of artistry and the importance of personalized seals in Sasanian culture. H: 1.7cm
This remarkable Roman artifact, dating to the 2nd - 3rd century AD or later, is a concave rock crystal intaglio featuring a detailed depiction of a wolf's head. The wolf, an animal often associated with Roman mythology and symbolism, is intricately carved with attention to the texture of the fur and the ferocity of its expression, capturing the essence of the creature in a compact and durable form. Rock crystal was a highly prized material in antiquity, valued for its clarity and hardness, making it an ideal medium for detailed intaglio work. The concave shape of this piece adds an additional level of craftsmanship, allowing the image to appear almost three-dimensional and providing a unique viewing experience from different angles. This intaglio would have likely been used as a personal seal or amulet, symbolizing strength, protection, or connection to the legendary Roman she-wolf, symbol of the founding myth of Rome. D: 1.3cm
The foot is intricately detailed, with carefully defined toes and the natural curvature of the arch, demonstrating a high level of artistic skill. The material, chalcedony, is a form of silica with a lustrous and smooth finish, making it a favoured medium for detailed carvings in antiquity. The foot likely belonged to a larger statue or served as a votive offering, a common practice in Roman religious and funerary contexts. The use of purple agate, with its natural bands and subtle translucence, adds a sense of luxury and significance to the piece. The stone's color, often associated with royalty and divinity in Roman culture, suggests that this artifact may have been of considerable importance. L: 6cm
This rare and exquisite Egyptian amuletic plaque, dating back to the New Kingdom period (circa 1500 - 1400 B.C.), showcases intricate craftsmanship on both sides. The plaque, made from copper, is a significant artifact representing the ancient Egyptian goddess Maat, who embodied truth, justice, and cosmic order. One side features a detailed depiction of the seated goddess Maat, adorned with her characteristic ostrich feather headdress, alongside other symbolic imagery and hieroglyphs. The opposite side presents a scene of reverence, possibly depicting a figure offering or worshiping in front of a deity, accompanied by additional hieroglyphic symbols. The plaque, with its beautifully aged patina and finely incised details, offers a unique glimpse into the religious and cultural practices of ancient Egypt. Such artifacts were often used as protective amulets, believed to ensure the wearer’s alignment with the principles of Maat in life and the afterlife. L: 2.5cm
ITEM: Duck mountMATERIAL: SilverCULTURE: Iron Age, CelticPERIOD: 2nd Century B.C - 1st Century A.DDIMENSIONS: 10 mm x 17 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, Suffolk, acquired in U.K art market in 2015, before from English private collection, Kent.Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Iron Age Celtic silver duck mount is a remarkable artifact that reflects the artistic and cultural sophistication of the Celtic peoples during the late Iron Age (around 500 BCE to the Roman conquest). The Celts, known for their intricate metalwork and symbolic art, often created decorative mounts and fittings for various objects, including weapons, chariots, and ceremonial items. The silver duck mount is an example of their skill in metalworking and their use of animal motifs, which were common in Celtic art, symbolizing various spiritual and cultural beliefs.This silver duck mount likely served as a decorative piece, possibly attached to a ceremonial object such as a shield, helmet, or chariot. The duck itself holds symbolic significance in Celtic culture, often associated with water, fertility, and the otherworld. Waterfowl, like ducks, were believed to be creatures that could traverse both the earthly and spiritual realms, making them potent symbols of transition and connection between worlds. The use of silver, a precious metal, further indicates the mount's importance, suggesting it may have belonged to a person of high status, perhaps a chieftain or a warrior of significant rank.The craftsmanship of the Celtic silver duck mount is notable for its detailed and stylized representation of the bird, reflecting the Celts' deep appreciation for nature and their ability to infuse symbolic meaning into their art. The design likely incorporated the flowing, curvilinear patterns typical of La Tène art, the dominant artistic style of the Celts during the Iron Age. This style is characterized by its intricate patterns and abstract forms, often inspired by natural elements.
ITEM: Oil lamp with inscription 'The light of Christ shines for all'MATERIAL: PotteryCULTURE: ByzantinePERIOD: 4th - 5th Century A.DDIMENSIONS: 30 mm x 59 mm x 85 mmCONDITION: Good conditionPROVENANCE: Ex Palestine private collection, acquired in the 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.A Byzantine oil lamp inscribed with the phrase "The light of Christ shines for all" is a remarkable artifact that reflects the deep spiritual and theological beliefs of the Byzantine Empire. This inscription emphasizes the central role of Christianity in daily life and religious practices during the Byzantine period. Oil lamps were essential for both practical illumination and religious rituals, and incorporating a Christian message into their design highlights the integration of faith into everyday objects. The inscription serves as both a devotional statement and a reminder of the divine presence in the lives of believers, making the lamp a significant symbol of Christian piety and enlightenment.The design and craftsmanship of Byzantine oil lamps were highly refined, often made from materials such as clay, metal, or glass. These lamps frequently featured intricate decorations, including religious symbols, motifs, and inscriptions. The inclusion of the inscription "The light of Christ shines for all" on the lamp would have been achieved through engraving or molding, demonstrating the skill of Byzantine artisans. This inscription not only personalized the lamp but also reinforced the idea that light, both physical and spiritual, is a manifestation of Christ's presence and guidance in the world. The lamp's practical function as a source of light was thus imbued with deep religious significance.In addition to its spiritual message, the Byzantine oil lamp with this inscription provides valuable insights into the religious and cultural practices of the period. The lamp would have been used in private homes, churches, or during religious ceremonies, emphasizing the importance of maintaining a connection with the divine in various aspects of life. The presence of such an inscription also reflects the broader trend of incorporating Christian themes into art and everyday objects, illustrating how Byzantine art and material culture were deeply intertwined with religious beliefs.
Antique African artifact of the Chokwe people, apparently a whistle. Made of a carved material, from the end of the 19th century or the beginning of the 20th century, Width: 5.5 cm, Height: 11 cm. The Chokwe people, known by many other names (including Kioko, Bajokwe, Chibokwe, Kibokwe, Ciokwe, Cokwe or Budge Badjok), are a Bantu ethnic group from central and southern Africa. They are found mainly in Angola, the southwestern parts of the Democratic Republic of the Congo (Kinshasa to Lualba), and the northwestern parts of Zambia. Period: 19th century
KATHARINE HEPBURN - HANDWRITTEN SIGNED LETTER ON SPENCER TRACY'S LETTERHEADLetter (8.5" x 11") Handwritten by Katharine Hepburn on Spencer Tracy's personal letterhead describing Tracy's recent death (JSA COA)Very Fine 1967An autographed letter signed by Katharine Hepburn to her fellow suffragette Emily Pierson mourns the death of Spencer Tracy in 1967. This intimate and poignant letter, penned on Tracy's stationery with Hepburn's St Ives Street address in Los Angeles handwritten at the top right corner, is a remarkable artifact. It symbolizes the most celebrated romantic partnership in twentieth-century cinema and subtly references Hepburn's enduring commitment to the women's suffrage movement in the United States.The letter, undated, was composed shortly after Tracy's death on June 10, 1967. Following their long-standing, highly publicized romance, Tracy, who remained married, spent his last two years predominantly in the company of Hepburn. She recounts their final moments together with vivid detail, a narrative she reiterates in her autobiography:"A massive coronary occurred at 3 AM. I'm certain he felt nothing unusual since he didn't ring my bell. I heard him walk down the hall to the kitchen. I rose to join him-I knew he was about to prepare a cup of tea..."Hepburn's signature on the reverse of the letter simply reads "Kath."This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.
THE CUREOne Sheet (27" x 41"); Stone LithoGood on Linen Mutual, 1917This remarkable artifact was produced using stone lithography and truly stands out. It is thought to be the only existing copy of this poster.The poster has been expertly restored, although it had several issues beforehand. Approximately six inches on the right side of the poster were missing, and the tear extended down through the "A" of "Specials," just grazing the woman's face and continuing down to the "P" of "Chaplin" and the "E" of "The Cure." The title has been retouched, as well as a few chips in the remaining border. The poster now presents very well."The Cure" is a short comedy film written and directed by Charlie Chaplin. In the film, Chaplin portrays a drunkard who checks into a health spa to sober up. However, his suitcase filled with alcohol hinders his efforts. Throughout the short film, he manages to irritate a large man and charm a young woman, which is typical of Chaplin's characters.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.
This neat piece of history is visually appealing and nicely arranged. On the top right section is the mounted artifact which measures 1"L x 0.75"H. Underneath is a picture of the ship's captain, Edward Smith. Adjacent to both is the provenance detailing what part of the vessel it was removed from, the wheelhouse door, and by whom, William J. Parker. From the William Brower collection. Housed in a brown, molded design frame with textured tan and black mats and glass. Sight size: Wood 1.5"L x 1.25"H,, Photo 6.5"L x 4.75"H., and Certificate 7.5"L x 9.5"H. Frame size: 20.5"L x 15.5"H x 1"D. Issued: 1909-1912Dimensions: See description. Country of Origin: United KingdomCondition: Age related wear.
Ca. 664 - 332 BCAn Egyptian mold-formed faience amulet depicting the god in shape of standing baboon with facial features marked. The baboon was an important animal in ancient Egypt because was associate to the god Thoth. The entire artifact is covered in turquoise-hued glaze.Size: (with stand) 75mm x (stand base 50mm)10mm; Weight: (with stand) 43.28gProvenance: Private Old English collection; acquired on the UK art market.
Ca. 900 - 700 BCA Western Asiatic bronze spearhead, dating back to the 9th to 7th century BC, showcases remarkable metallurgical craftsmanship of that historic era with its large wings, high midrib, and long tang. This artifact offers a distinct chance for collectors to acquire a relic of early military history. The bronze material, along with its traditional craftsmanship, emphasizes its genuineness and cultural importance.Size: 150mm x 20mm; Weight: 32gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s.
Nazi Germany 25-Year SS Long Service Medal with Box - Rudolf Souval This historical artifact is a 25-Year SS Long Service Medal from Nazi Germany. The medal features a central swastika, a symbol associated with Nazi ideology, encased within a laurel wreath and a cross. The obverse side of the medal bears the German inscription "Für treue Dienste," which translates to "For Faithful Services." The medal is attached to a blue ribbon, adding to its distinct appearance and historical significance. The medal is housed in its original red presentation box, with the number "25" embossed on the cover, indicating the years of service. The box's outer dimensions are approximately 12 cm by 6 cm, with an internal compartment fitting the medal snugly at around 11 cm by 5 cm. The medal itself measures roughly 4 cm across.
World War II German K98 Bayonet with Scabbard and Leather Frog This historical World War II German K98 bayonet, identifiable by the "41 CVE" marking on the blade, is a quintessential piece from the era. The bayonet features a robust, impeccably crafted blade measuring 9 3/4 inches in length, and an overall length from blade to handle of 15 inches. When housed in its accompanying scabbard, the total length extends to 16 inches. The scabbard, constructed from metal and exhibiting a slightly worn, blackened surface, is equipped with a leather frog attachment, underscoring its period authenticity and practical design. This bayonet not only represents the engineering precision of its time but also serves as a tangible artifact of military history. (Matching numbers on blade 9003 and on scabbard). This item is available for in-person inspections – kindly contact us to schedule a viewing. Prior to placing a bid, prospective buyers are advised to personally verify the authenticity of the item.
Wedgwood Bone China Chinese Legend Collection This esteemed collection features several pieces of Wedgwood bone china adorned with the intricate "Chinese Legend" pattern. The set includes a variety of items, each meticulously decorated with oriental motifs such as pagodas, trees, birds, and boats, rendered in vibrant colours and fine detailing characteristic of Wedgwood craftsmanship. The pieces in this collection are: 1. **Oval Platter** – This large serving piece is perfect for displaying and serving dishes, its stylised design making it a standout item in any dining set-up. 2. **Cylindrical Vase** – An elegant vase with flared top, showcasing a detailed Chinese landscape, excellently suited for an ornamental flower arrangement. 3. **Small Round Lidded Box** – A charming container with ribbed sides featuring a detailed lid design including buildings and ornamental elements, though it has a slight chip on its rim. 4. **Rectangular Dish** – An elegant dish ideal for serving appetisers or showcasing as a decorative piece, adorned with traditional Chinese architectural elements. Though exact dimensions are not provided, each piece represents the elegant tradition of Wedgwood bone china, combining both utility and artistic heritage. For precise measurements, manual evaluation of each artifact would be necessary.
World War II German Enlisted Men's SS Belt Buckle This World War II German enlisted men's SS belt buckle features the characteristic design elements of the period, including a prominent eagle with outstretched wings clutching a swastika inside a wreath. The central motif is encircled by a circular border with Gothic script text, typical of the buckles used by the SS divisions during the era. The metallic buckle shows signs of wear and rust, indicating its age and authentic historical context. This artifact is a significant piece of military history and should be handled with respect and awareness of its sensitive nature.
Mid-Victorian Spanish Navaja Clasp Knife with Horn Grips and White Metal Mounts This exquisite mid-Victorian era Navaja clasp knife, dating circa 1860, showcases an overall length of approximately 15 inches. The handle is meticulously crafted from horn and complemented by white metal mounts, including a detailed inlay of a well-modeled figure, likely of a historical or cultural significance. The segmented handle features a decorative metal section near the midpoint and a robust metal ring at the end. The blade reveals signs of wear and a developed patina, affirming its historical usage and authenticity. This elaborately designed Spanish vendetta knife stands as a remarkable artifact from the 19th century, reflecting both the functional and artistic craftsmanship of the period.
**World War II Iron Cross Medal with Ribbon** This World War II Iron Cross medal features a distinct blackened core with a silvered trim and a central swastika emblem, characteristic of German military decorations from that era. The design includes the year "1939" embossed at the bottom of the cross. The medal is attached to a ribbon displaying the period-authentic black, white, and red stripes. Notably, the ring connected to the cross is stamped with the number "55," identifying the manufacturer as J.E. Hammer & Söhne, Geringswalde. This Iron Cross represents a significant historical artifact from World War II.
**Inert WWII British No.36 Mk 1 Mills Grenade with Cup Launcher Base** This offering comprises an inert World War II British No.36 Mk 1 Mills grenade, featuring its distinctive checkered pattern and swept lugs design. Developed by John Pilling & Sons Ltd., with a base manufactured by Patent Diecastings Co. and dated November 1942 (11/42), this grenade is a notable artifact from the period. Additionally, the item includes a cup launcher base, allowing it to be deployed from a cup discharger, which expands its historical utility. The grenade's segmented, grooved outer body, characteristic safety pin and lever mechanism, and possibly included metallic parts such as a safety clip or internal components, offer a detailed view of its construction. Though the grenade exhibits signs of rust and wear typical of its age, it remains an important relic showcasing the engineering and manufacturing prowess of the WWII era.
This impressive artifact features a wooden handle adorned with intricate burn-engraved patterns. It includes two small animal hooves filled with beans, creating a unique rattling sound. The rattles are securely attached with real leather and decorated with detailed beadwork. The blue beads symbolize the sky and water, while the red beads represent life, vitality, and strength. Issued: 20th centuryDimensions: 2''L x 6.5''W x 11.5''HCondition: Age related wear.
This Official Artifact Represents The Work Of John Johnston Jardine Keswick who founded a pressure group formed in British India. The Association has been described as "primarily, the political party of non-official British Ornate Indian Silver Scroll Case with Original Scroll. Case with Inlays of Flowers in the Same Medium, made by Silver Smith Hamilton of Calcutta, [Inscribed: "Presented To Keswick Esquire By The Planting Community Of Cachar Silchar Bengal 15th March 1884" Original Scroll Document Entitled "European And Anglo Indian Defence Association" The Document goes on to acknowledge The Defence Of Liberty Over Many Years and Commends The Recipient For All Their Hard Work in the Interests of The Planting Community. The Scroll Goes On To Mention: Mr Furrell, Britannicus, The Albert Bill.The Albert Bill or Illbert Bill sought to remove the racial bar in the code of criminal Procedures, which prevented Indian Judges from trying European Defendants"This Scroll Commends This Bill and Gives Gratitude for The Importance Of Such an Historical Judgement. Indian Silver Weight Approximately 1.5 kilos. 42 cm long.
![[Collins, Michael] A lock of hair, said to be from Michael Collins, taped on a card with harp and ‘Erin Go Bragh’ device](https://cdn.globalauctionplatform.com/aec3df14-fc67-43ec-9ed4-b1a800ae5299/b93c8d1a-9462-4b90-905e-b1ae00ab310e/468x382.jpg)
[Collins, Michael] A lock of hair, said to be from Michael Collins, taped on a card with harp and ‘Erin Go Bragh’ device, inscribed rear, O’Connor, Clerk of Works, 1925. (1) Provenance: This truly unique artifact was given after Collins death on 22 August, 1922 to his friend, Felix Cronin. Cronin was, 3 years later, to marry Kitty Kiernan, Collins fiancé at the time of his death. Cronin who was a veteran of the Irish War of Independence and Irish Civil War who served as quarter master General of the Irish Free State army in the 1920s. The couple had two sons, Felix jnr, who died in 2000, and Michael Collins Cronin, who died in 2021. Cronin was a dashingly handsome ex IRA man. Hearing anecdotes about his hunger strike, or the way he'd borrow a dress suit and gate crash a landlord's ball and dance with the most beautiful women there, you can see why Kitty might have liked him. Ostensibly, she played the role of wife: and mother in the Irish Free State - with style and conviction. But her family was not fooled. "My mother was cut out for something different," said her son Michael many years later. "She found it difficult to settle into her life as a housewife - she knuckled down and did it, but it was a chore." Kitty had been raised to think of herself as special. Her family was part of the new Catholic bourgeoisie which was a rising force in late 19th century Ireland. The Kiernans ran various business concerns, centred around their hotel, the Greville Arms Hotel, Granard, Co. Longford. But despite their prosperity, the Kiernans suffered great personal tragedy, with both parents and Kitty's twin sisters dying within two years of each other while Kitty was still a teenager. Loss was to become a theme of her life. Kitty's charisma was recognised at Saint Ita's, the innovative school for girls founded by Patrick Pearse as a partner to his boys' school, Saint Enda's. Kitty was School Captain, the Saint Ita's equivalent of head girl.
A RARE AND WELL-PRESERVED VINTAGE BREITLING MEN’S MANUAL CHRONOGRAPH WRISTWATCH. NAVITIMER FULL SET WITH A “TWIN JET” GILT GLOSS BLACK DIAL.Brand: Breitling Model: Navitimer ‘Twin Jet’ gilt gloss black dial Case reference: 806 Year: 31/12/1971 Movement: Manual, chronograph, 17 Jewels, Cal. 178 Dial: Gilt glossy black, "Twin Jet", applied tritium hour markers, gilt outer "Tachymeter" division, white sword hands with tritium insert, white centre seconds hand for the chronograph, silvered subsidiary for seconds at the 9 o'clock position and black hand, subsidiary dial for chronograph minutes at the 3 o'clock position with black hand, subsidiary dial for chronograph hours at the 6 o'clock position Material: Stainless steel Bracelet/Strap: Black leather, buckle Signed: Dial, movement, case, buckle Dimension: 41mm Accessories: Full Set with a Breitling original box and paperworkAviation Heritage and Precision CraftsmanshipIntroduced in 1952, the Breitling Navitimer quickly became an essential tool for pilots due to its unique slide rule bezel, allowing for various flight calculations. The reference 806, particularly with the ‘Twin Jet’ dial, is highly regarded among collectors for its historical significance and distinctive design. This 1971 model embodies the innovative spirit and technical prowess that have defined Breitling’s legacy in aviation. The Breitling Navitimer 806, featuring the esteemed Valjoux 178 movement, is an iconic timepiece that embodies the spirit of aviation and the precision of Swiss watchmaking. This model, complete with a full set including the original Breitling plastic box and paperwork from 1971, purchased in Paris, is a rare find for collectors and enthusiasts alike. One of the most striking features of this Navitimer 806 is its ‘Twin Jet’ gilt gloss black dial. The dial is adorned with Tachymeter division, providing a stunning contrast against the deep black background. The ‘Twin Jet’ logo, prominently displayed, adds a touch of vintage charm and signifies Breitling’s long-standing association with aviation. The dial’s glossy finish and gilt accents ensure optimal legibility and a luxurious appearance, making it a centerpiece of this remarkable timepiece. The watch is housed in a robust stainless steel case, reference 806, known for its durability and classic design. Measuring 41mm in diameter, the case provides a substantial yet comfortable presence on the wrist. The case’s clean lines and polished surfaces reflect Breitling’s commitment to quality craftsmanship and timeless style. The rotating bezel with a slide rule function is a hallmark of the Navitimer, allowing pilots to perform crucial flight calculations on the go. At the heart of this Breitling Navitimer 806 is the Valjoux 178, a manual winding chronograph movement celebrated for its precision and reliability. The Valjoux 178 features a column-wheel mechanism, ensuring smooth operation and accurate timekeeping. This movement underscores Breitling’s dedication to producing high-performance watches that meet the rigorous demands of aviation professionals. This Navitimer 806 comes with a rare full set, including the original Breitling plastic box and paperwork from 1971. Purchased in Paris, the documentation provides a comprehensive record of the watch’s history and authenticity, enhancing its value and appeal. The full set is a testament to the watch’s well-preserved condition and provenance, making it an exceptional addition to any collection. This Breitling Navitimer 806 is in excellent condition, preserving its historical and aesthetic integrity. The stainless steel case, gilt gloss black dial, and reliable Valjoux 178 movement ensure that this timepiece is not only a beautiful artifact but also a functional and accurate watch. Its provenance and condition make it a valuable addition to any discerning collector’s collection.The Breitling Navitimer 806 with ‘Twin Jet’ gilt gloss black dial from 1971 is a remarkable example of Breitling’s legacy of innovation and precision in aviation watches. Its striking design, advanced movement, and historical significance make it a coveted piece for collectors and enthusiasts. This watch is more than just a timekeeping instrument; it is a testament to the enduring excellence of Breitling and a celebration of horological mastery. 41mm.
A COLLECTABLE MEN'S BREITLING STAINLESS STEEL AUTOMATIC CHRONOGRAPH WRISTWATCH. BLUE IMPULSE LIMITED EDITION No 658 of 1,000.Brand: Breitling Model: Blue Impulse Limited Edition No 658 of 1,000 Case reference: A13048 Year: Circa 1990's Movement: Automatic, Cal. 7750, 25 Jewels Dial: Silvered sunburst embossed, silvered applied baton hour markers, applied luminous dots, black outer minute division, black outer "Tachymeter", silvered sword hands with luminous insert, silvered centre seconds hand for the chronograph, blue subsidiary dial for seconds at the 9 o'clock position and a white seconds hand, blue subsidiary dial for chronograph minutes at the 12 0'clock positions with a white minute hand, blue subsidiary dial for chronograph hours at the 6 0'clock position with white hours hand, date aperture at the three o'clock position with a white calendar disk and black Arabic numerals, blue impulse logo at the 3 o'clock position Material: Stainless steel Bracelet/Strap: Blue leather with white stitching, stainless steel buckle Signed: Dial, movement, case, strap, buckle Dimension: 40mmThe Blue Impulse aerobatic team, officially known as the 11th Squadron of the Japan Air Self-Defense Force, was formed in 1960 and has become a symbol of precision, skill, and dedication in the world of aviation. Known for their breathtaking aerial displays and intricate maneuvers, Blue Impulse has inspired countless aviation enthusiasts around the world. This limited edition Breitling chronograph pays homage to their legacy, making it a significant piece for aviation enthusiasts and collectors. Breitling's long-standing association with aviation is further solidified through this special edition, celebrating the brand's heritage and commitment to excellence.The Breitling Chronograph Blue Impulse Limited Edition, case reference A13048, is a stunning tribute to aviation history and precision watchmaking. This limited edition timepiece, numbered 658 of 1,000, celebrates Breitling's deep connection with aviation and its commitment to crafting exceptional pilot's watches.At the heart of this Breitling chronograph is the renowned Valjoux 7750 movement, a highly reliable and accurate automatic chronograph movement. Known for its robustness and precision, the 7750 movement is a favorite among watch enthusiasts and professionals alike. It offers a smooth chronograph function, ensuring precise timing and excellent performance, essential for aviation use.The watch features a captivating silvered dial with contrasting blue subsidiary dials, embodying the Blue Impulse theme. The silvered dial provides a sophisticated and clean backdrop, while the blue sub-dials add a dynamic and visually appealing contrast. The layout includes a 30-minute counter, a 12-hour counter, and a small seconds sub-dial, all ensuring optimal legibility and functionality. The chronograph’s hands and markers are luminescent, ensuring visibility even in low-light conditions, a crucial feature for pilots. The dial is further enhanced by the Blue Impulse logo in full color, adding a vibrant and distinctive touch that celebrates the elite aerobatic team.This Breitling Chronograph is a limited edition, with only 1,000 pieces produced worldwide, making it a highly sought-after collector's item. The case back is engraved with the limited edition number, 658 of 1,000, and the Blue Impulse logo, certifying its exclusivity and enhancing its collector's appeal. Owning this watch means possessing a piece of Breitling's prestigious history and a tribute to the elite Blue Impulse aerobatic team.The stainless steel case, reference A13048, is both robust and elegant, designed to withstand the rigors of aviation while maintaining a sophisticated appearance. The watch features a scratch-resistant sapphire crystal and a screw-down crown, ensuring durability and reliability under various conditions. The case size is substantial yet comfortable, providing a commanding presence on the wrist. This Breitling Chronograph Blue Impulse Limited Edition is in excellent condition, preserving its historical and aesthetic integrity. The silvered dial with blue sub-dials, robust stainless steel case, and reliable 7750 movement ensure that this timepiece is not only a beautiful artifact but also a functional and accurate watch. Its provenance and condition make it a valuable addition to any discerning collector's repertoire.The Breitling Chronograph Blue Impulse Limited Edition (case reference A13048, movement 7750) is a remarkable example of Breitling's dedication to aviation and precision watchmaking. Its striking design, advanced movement, and historical significance make it a coveted piece for collectors and enthusiasts. This watch is more than just a timekeeping instrument; it is a tribute to aviation excellence and a testament to the enduring legacy of Breitling. 40mm.
A RARE LADIES' MUST DE CARTIER ARGENT GOLD-PLATED WRISTWATCH. TANK MUST QUARTZ.Brand: Must de Cartier Model: Tank Must Year: Circa 1980's Movement: Quartz Dial: Burgundy, gilt sword hands, "Swiss" dial Material: Argent 925, plaque or G20M, blue cabouchon on the crown Bracelet/Strap: Burgundy leather, gilt buckle Signed: Dial, movement, case Dimension: 20.4mm by 19.9mm Accessories: Red Cartier boxThe Ladies Must de Cartier Tank Must is a quintessential example of Cartier's dedication to elegance and timeless design. This particular model features a rare burgundy dial and a matching burgundy leather strap, making it a standout piece in Cartier's illustrious Tank collection. The Tank design, introduced in 1917, has become one of the most iconic and enduring designs in watchmaking history, known for its clean lines and sophisticated appeal. The Tank design itself, inspired by the military tanks of World War I, has been a symbol of modernity and elegance since its inception. This particular model, with its rare burgundy dial and matching strap, represents a blend of historical significance and contemporary style.One of the most striking features of this watch is its rare burgundy dial. The deep, rich hue of the dial adds a touch of sophistication and uniqueness to the timepiece. The dial features Cartier's signature Roman numerals and blued-steel hands, which stand out beautifully against the burgundy background. This color combination creates a visually captivating and elegant aesthetic that is both timeless and modern.Complementing the rare burgundy dial is a luxurious burgundy leather strap. The strap enhances the watch's overall elegance and ensures a comfortable fit on the wrist. The matching strap and dial create a harmonious look that is perfect for any occasion, whether formal or casual.This Must de Cartier Tank Must features a case made of Argent 925, or sterling silver, plated with 20 microns of gold (plaque or G20M). This combination of materials ensures both durability and a luxurious appearance. The vermeil finish gives the watch a rich, warm hue that complements the elegant design. The use of sterling silver and gold plating highlights Cartier's commitment to quality and attention to detail.A hallmark of Cartier watches, the crown of this Tank model is adorned with a blue cabochon. This distinctive feature adds a touch of elegance and serves as a signature detail that is instantly recognizable. The blue cabochon not only enhances the aesthetic appeal but also underscores the meticulous craftsmanship that goes into each Cartier timepiece.Powered by a reliable quartz movement, this Must de Cartier Tank Must offers precision and ease of use. The quartz movement ensures accurate timekeeping with minimal maintenance, making it a practical choice for daily wear. This combination of elegance and functionality is a key aspect of the Must de Cartier collection.This Must de Cartier Tank Must is in excellent condition, preserving its historical and aesthetic integrity. The Argent 925 case with gold plating, blue cabochon crown, rare burgundy dial, matching leather strap, and precise quartz movement ensure that this timepiece is not only a beautiful artifact but also a functional and reliable watch. The Ladies Must de Cartier Tank Must with a rare burgundy dial is a remarkable example of Cartier's legacy of elegance and innovation. Its unique design, luxurious materials, and reliable quartz movement make it a coveted piece for collectors and enthusiasts. This watch is more than just a timekeeping instrument; it is a testament to the enduring excellence of Cartier and a celebration of horological mastery. 20.4mm by 19.9mm.
dating: 1871 - 1873 provenance: Italy and Spain, German-silver skull, crest stamped with a large star and racemes, visor part shaped as a dragon's head with black mane (identical to the Italian helmet models of that period), plate with the royal monogram 'A I°', brass radial pattern with silver badge bearing the Arms of Spain and the Savoyard cross in the small front oval, plume holder, nape-guard with fronds, scaled chin-strap with starred cheek-pieces, leather inside. This is an exceedingly rare artifact in excellent condition and complete with the rare dragon-head crest. Amedeo Ferdinando Maria di Savoia (born in Turin in 1845, died in 1890), son of the first King of Italy, Vittorio Emanuele II, and the first Duke of Aosta, was King of Spain from January 2, 1871, to February 11, 1873. This brief and tumultuous period in Spanish history ended with his abdication. His entire Bodyguard was composed of Italians, and the helmets they wore closely resembled those used during Vittorio Emanuele II's reign, with only minor differences in detail. Instead of the large Savoy eagle, the central badge bore the Arms of Spain with the cross of Savoy in the center. height 31 cm.
The "Portiere of the Chariot of Triumph," also known as "The Triumphal Procession of Alexander the Great," is a remarkable piece of ancient art created during the late 15th century. It is a tapestry, not a sculpture, and is renowned for its intricate design and historical significance. Here are some key details about the "Portiere of the Chariot of Triumph":1. **Origin**: The "Portiere of the Chariot of Triumph" is a tapestry that was created in Brussels, Belgium, around 1470-1490. It is part of a group of tapestries known as "The Triumph of the Seven Virtues," and it is considered one of the masterpieces of Flemish weaving.2. **Subject Matter**: The tapestry depicts a grand procession led by the figure of Alexander the Great, the renowned ancient Greek king and conqueror. The scene is a celebration of his military achievements and victories.3. **Design and Details**: The tapestry is celebrated for its intricate design and attention to detail. It features numerous figures, animals, and elements that represent the opulence and splendor of Alexander's conquests. The central focus is on the chariot of Alexander, drawn by four horses, and Alexander himself is shown in a triumphant pose.4. **Historical Significance**: "The Triumphal Procession of Alexander the Great" reflects the fascination with classical antiquity and the revival of interest in ancient Greek and Roman history and art during the Renaissance. It captures the spirit of humanism and the celebration of great historical figures from the past.5. **Purpose**: Tapestries like this one were often commissioned for wealthy patrons, nobility, or even royal courts. They served as status symbols and were used to decorate the interiors of palaces and grand residences. They were also functional, providing insulation and helping to maintain a comfortable temperature in large stone buildings.6. **Preservation and Display**: The "Portiere of the Chariot of Triumph" is a significant artifact in art history. Today, it is housed in various museums and collections. Some parts of the series can be found in the Vatican Museums, while other sections are held by institutions such as The Cloisters in New York City.7. **Artistic Excellence**: The tapestry is an example of the skill and craftsmanship of Flemish weavers during the Renaissance period. The level of detail, use of color, and composition demonstrate the high artistic standards of the time."The Portiere of the Chariot of Triumph" is not only a beautiful work of art but also a testament to the Renaissance fascination with classical antiquity and the desire to celebrate and emulate the great figures of history. It remains a valuable piece of cultural heritage, showcasing the artistic achievements of the Flemish weaving tradition during the late 15th century.Measures 39.5 x 52.5.Cotton.
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