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Click here to subscribeA pair of mother of pearl opera glasses fitted folding handle10cm widetogether with two joint holders, a baby jelly mould, two pairs of inkwells, a mother of pearl handled fruit knife, a pot lid, a Bergman style group kitten with violin on a rosewood handled knife (qty.)Condition Reporthairline crack to ceramic inkwell, pitting to jelly mould areas of paintloss to violingeneral wear and tear commensurate with age
A mid century violin and bow having 14.5inch back in modern carrying case CONDITION REPORT no label insidelength is 14 inches without button 14.5inches withOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention to showcase the lot in more detail.
A CASED JOSEPH HEL VIOLIN, stamped below the button 'J. HEL', interior label reads 'J. Hel, Luthier a Lille 1880', two piece back, length of body 35.7cm, total length 58cm, with an unnamed bow in a hard F. Winter case, IMPORTANT NOTE, This lot contains ivory material (the tip of the bow). Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 1947 with less than 10% Ivory by volume. Ivory declaration submission reference 5PD6ZGZ6 (1) (Condition Report: appears in good condition, minor chips/rubs to the purfling, wear commensurate with age and use)
This charming oil painting, signed A.H. 1948 is a copy of Danish genre scene painter Johan Julius Exner. It depicts a tranquil domestic scene in a rustic interior capturing a young boy playing the violin for an elder man and a smiling woman, set within a warmly lit, detailed kitchen-like setting. The vibrant brushstrokes bring life to the figures and their environment, showcasing a traditional Northern European rural lifestyle. Elements such as the teapot on the table, patterned wallpaper, and the old-fashioned wooden furniture enhance the nostalgic quality of the piece. Notably, the pig resting in the corner adds a touch of whimsy and charm to the painting. Signature and date on lower right side: AH? 1948. Housed in a gilded frame. Artwork dimensions: 29"L x 23.25"H. Frame dimensions: 33.50"L x 27.75"H x 1.50"W.Artist: After Johan Julius Exner (Denmark 1825-1910)Issued: 1948Dimensions: See DescriptionCountry of Origin: DenmarkCondition: Age related wear. Some buckling on upper right and left.
A 9ct rose gold bracelet, width approx 5mm, each link marked 9 375 with padlock clasp, length approx 19cm with safety chain, suspending various charms including 9ct gold disc, glass oil lamp, horse shoe, two unmarked charms including pig, violin and top hat assessed as 9ct gold, together with a George V 1911 mounted half sovereign, total gross weight approx 38.2gms Further details: links intact, some bruises, wear commensurate with age clasp working
A collection of mixed miniature silver and white metal items to include; a novelty Continental white metal violin shaped pill or snuff box, with embossed classical figural scenes, approx. 9.3cm long; a novelty Continental white metal shell shaped snuff box with hinged end and elaborate scrolled design, approx. 4.3cm wide; a matching Modern silver mustard pot with spoon, salt and pepper pots, all marked STERLING; a miniature white metal cottage, approx. 2.5cm wide; a miniature Birmingham silver hand mirror (dented); a small Chester silver pencil in case; a Birmingham silver thimble; a Modern silver thimble marked 925; a white metal pin tray with ribbed edging and of circular shape, marked 408B and star, approx. 8.2cm diameter; an 800 silver spoon with floral design; other white metal spoons; a Victorian 1887 half crown and other miniature silver / white metal items inc. abalone shell decorated pill box and thimble, and some half-silver English coins. (1 bag) Weighable Sterling silver approx. 62 grams (2ozt) Further details: tarnishing; wear, scratches etc.
RADIGUET RAYMOND: (1903-1923) French novelist and poet. An extremely rare Autograph Manuscript Signed, Raymond Radiguet, one page, 8vo (originally two oblong 8vo sheets of paper, neatly pasted together at the centre), n.p., n.d. (1919), in French. The manuscript, with a number of corrections and deletions, is entitled Allusions and is an article of appreciation for the artist Juan Gris, stating, in part, ´Juan Gris peint comme tous les peintres, c´est a dire sur de la toile ou du carton ou du bois. Ai-je dit qu´il ne differait pas des autres? Il y a toujours un certain secret professionnel, beaucoup de gens voudraient le connaitre. Moi, je ne pense pas que l´emotion ressentie devant un tableau soit due a la qualite des pinceaux ou des couleurs. Seul le resultat importe. Une route y mène qui s´appelle l´Esthetique......L´horizon est une ligne conventionelle.....Par conséquent rien a craindre, les voleurs ne sauront pas où se cacher. Quelqu´un prononce un mot. On repete: PRISON. Un seul avait entendu le PINSON qui pourtant chante nuit et jour. De même, chacun dit avoir son opinion sur la peinture. Mais tout le monde n´a pas raison. Juan Gris a vu la beaute de tous les jours de la semaine y compris le dimanche. La plus petite de ses natures mortes n´est pas une "etude". Il y a une pipe qu´on fume le soir. La derniere heure. Plus, une guitare; non c´est un violin. Comme tout classique, Gris a le souci des proportions. Je parle des veritables proportions qui sont dans l´esprit et non pas ce que le vulgaire nomme ainsi. Les cocktails sont supprimés. Quand je demande a boire il y a toujours le ciel, ou le siphon qui est de la meme couleur´ (Translation: ´Juan Gris painted like all painters, on canvas, cardboard or wood. Did I say that he was no different from the others? There's always a certain amount of professional secrecy, and many people would like to know. Personally, I don't think that the emotion felt in front of a painting is due to the quality of the brushes or the colours. All that matters is the result. There's a road that leads there, and it's called aesthetics.....The horizon is a conventional line.....So there's nothing to fear, thieves won't know where to hide. Someone says a word. It is repeated: PRISON. Only one had heard the PINSON, which sings day and night. Similarly, everyone says they have an opinion on the painting. But not everyone is right. Juan Gris saw beauty every day of the week, including Sunday. The smallest of his still lifes is not a ‘study’. There is a pipe being smoked in the evening. The last hour. Plus, a guitar; no, it's a violin. Like any classical painter, Gris is concerned with proportions. I am talking about the true proportions that are in the mind and not what the vulgar call them. There are no cocktails. When I ask for a drink, the sky or the siphon is always the same colour´). Autograph manuscripts of Radiguet are extremely rare as a result of his tragically early death at the age of 20 of typhoid fever. With a small red circular stamp at the base featuring the letters PAB to the centre. Some light age wear and an irregularly torn lower edge, not affecting the text or signature, GJuan Gris (1887-1927) Spanish Cubist painter, a friend of Radiguet.The present article was published in the March/April edition of the magazine Sic, founded and published by Pierre Albert-Birot (1876-1967) French avant-garde poet and dramatist who was a defender of Futurism and Cubism.
BARTOK BELA: (1881-1945) Hungarian Composer. A very interesting and lengthy L.S., `Bela Bartok´, two pages, 4to, Budapest, 1st of October 1922, in French. Bartok states in part `C´est avec infiniment de plaisir que j´ai lu votre lettre d´aujourd´hui où vous me parlez de la possibilité de mon voyage à Paris. Mon voyage à Londres est encore plutôt incertain, je crois cependant que sans cela même on pourrait s´arranger très bien de sorte que j´irais à Paris avant ou après la première à Francfort de mes 2 oeuvres pour la scène. J´espère que les honoraires que vous avez l´obligeance de m´offrir suffiront à mes frais de voyage de Francfort à Paris et de retour...´ (Translation: "It was with great pleasure that I read your letter of today in which you speak to me of the possibility of my travel and journey to Paris. My journey to London is still rather uncertain, I believe however that even without that it could be arranged very well so that I would go to Paris before or after the premiere in Frankfurt of my 2 works for the stage. I hope that the fee which you are kind enough to offer me will be sufficient for my travel expenses from Frankfurt to Paris and back...") Further, Bartok refers to the program of the concert and to which ones are his works that he wishes to perform, insisting on a Sonate for violin & piano that he has just finished composing, saying `Quant au programme de ce concert, j´aimerais jouer avant tout ma nouvelle sonate pour violon et piano, au cas où vous pourriez m´assurer d´un violoniste de premier ordre. La sonate est encore manuscrite et c´est seulement au début de Mars que je pourrais vous l´expédier afin que le violoniste ait le loisir de s´en occuper. En tout cas, nous aurons besoin encore avant le concert de 3 répétitions sérieuses...´ (Translation: "As for the program of this concert, I would like to play first of all my new sonata for violin and piano, in case you can assure me of a first-rate violinist. The sonata is still a manuscript and it is only at the beginning of March that I will be able to send it to you so that the violinist has the leisure to take care of it. In any case, we will need 3 more serious rehearsals before the concert...") Further again, Bartok suggests Jelly Aranyi as the solo violinist and forwards her address in London, stating `J´ai écrit la sonate pour elle, je lui en ai envoyé le premier exemplaire et je la jouerai avec elle à un concert de Francfort, et peut-être à Londres...´ (Translation: "I wrote the sonata for her, I sent her the first copy and I will play it with her at a concert in Frankfurt, and perhaps in London...") Before concluding, Bartok suggests performing also on top of his works some of Kodaly´s ones, and recommends as an option the Hungarian quartet, forwarding their address. VG
SIVORI CAMILLO: (1815-1894) Italian virtuoso Violinist and Composer. Sivori was the only known pupil of Paganini. A very fine and attractive A.M.Q.S., `Camillo Sivori´, one page, musical score page, large oblong 4to, London, 6th June 1844, to Signora Cambiasi, in Italian. The musical quotation is presented to a very attractively blind embossed ornated score page to the four borders. Sivori has cleanly and carefully penned twenty bars of music for violin, which he entitles to the heading `Andante - Violino Solo´, also inscribed at the base `Souvenir d´amitié per la bravissima dilettante di Piano Forte, Signora Cambiasi´ ("Friendship souvenir for the very talented pianist amateur, Mrs Cambiasi"). Sivori has also added several handwritten tempo annotations to the musical quotation. VGCirilla Branca Cambiasi (1809-1883) Italian virtuoso Pianist.
VIOLIN MAKERS Jalovec (Karel) Italian Violin Makers London, Paul Hamlyn, 1964, 4to Encyclopedia of Violin-Makers London, Paul Hamlyn, 1968, two volumes Hill (William Henry & Sons) Antonia Stadivari: His Life and Work (1644-1737) and The Violin Makers of the Guaneri Family (1626-1762) W.E. Hill & Sons, 1980, two volumes in slipcase Condition Report:Available upon request
VIOLINE 'GRAND CONCERT' UND VIOLINBOGEN Deutsch, um 1900 Zweiteilige Fichtenholzdecke und Ahornboden, hellbrauner Lack, mit Koffer und Kolophonium. 4/4/ Geige, L. ca. 60 cm, Korpusl. 36 cm. Ohne Geigenzettel, an der Schnecke gemarkt 'Grand Violin Concert'. Geigenbogen, deutsch, 20. Jh., oktogonale Stange, Pariser Auge, Neusilbermontierung, Wicklung, Daumenleder, Knochenkopfplatte, L. ca. 74,5 cm, Gew. ca. 60g, ungemarkt, min. ber. und best. Geige part. best. und besch., min. Deckenrisse.
Elegant Swarovski crystal figurine depicting a violin with a bow and stand, part of the Crystal Melodies theme group. This finely crafted piece features a faceted clear crystal violin with a delicately sculpted scroll, strings, and bridge. The rhodium-plated metal bow and stand provide contrast and add to the realism. Swarovski marking present. A highly collectible and refined piece showcasing exquisite craftsmanship. This item has its original box.Artist: Gabriele StameyDimensions: 4"HCountry of Origin: AustriaCondition: Age related wear.
A stunning set of three Swarovski crystal musical instrument figurines, featuring a grand piano, a violin with a bow, and a harp. Each piece is intricately crafted with fine detailing and rests on a round mirrored base. The largest figurine measures 4"H, while the largest base is 4" in diameter. The set comes with its original Swarovski Silver Crystal box, measuring 4.5"H. Each piece bears the Swarovski backstamp, ensuring authenticity. A remarkable addition to any Swarovski collection.Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.
A mid 19th century Sonneberg composition eight piece band, these highly characterful figures in 18th and 19th century style dress, very detailed and expressive faces with flocked hair and two with set curled wigs, comprising vigorous conductor, double bass, trombone, violin, flute, French horn, bassoon and flute, turned wooden circular bases, five pencil inscribed in German on the underside Querflöte (flute), Posaune (trombone), Flöte, Geige (violin) and Dirigent (conductor) —6in. (15.5cm.) height of man with hat — see Early Toys 2, Leipold/Bickert/Kreher, 2024 - page 172, figs 2 and 3 for these actual models - a similar band was shown at the 1851 Great Exhibition in London
COLUMBIA CLASSICAL - UK STEREO LP RARITIES. A quality pack of 3 classical LP rarities. All UK stereo pressings on Columbia. Composers/ performers include David Oistrakh inc Beethoven: Violin Concerto (SAX 2315, blue/ silver labels. Record Ex+/ sleeve Ex+), Brahms: Violin Concerto with Otto Klemperer (SAX 2411, blue/ silver labels. Ex+/ Ex) and Klemperer/ Schwarzkopf/ Discher-Dieskau (SAX 2431, double album set. Blue/ silver labels. Ex+ records. Sleeves Ex).
This beautiful Lladro porcelain figurine, titled Jester Serenade (No. 5932), was sculpted by Antonio Ramos and captures a charming scene of a jester playing the violin to a seated ballerina holding a bouquet of pastel-colored flowers. Released in 1992, the piece showcases Lladro's signature soft pastel palette, intricate detailing, and graceful composition. Standing 14.75"H on a 15.5"L base, it embodies elegance and fine craftsmanship. The figurine is artist signed on base and includes the original box measuring 16.25"L x 16"W x 18"H, making it a timeless addition to any collection. Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
This exquisite hand-painted porcelain figurine by Herend Hungary depicts a lively scene of a gypsy musician playing the violin while embracing a dancing woman. Richly detailed with vibrant colors, flowing garments, and expressive motion, the piece captures the energy and grace of traditional European folk artistry. The base bears the blue Herend Hungary shield stamp, along with impressed model number 2155 and additional hand-painted markings. Known for its superior craftsmanship and detailed figurines, Herend has been a leading porcelain manufacturer since the 19th century, producing highly collectible and sought-after works. Estimated to have been released in the mid-to-late 20th century, this piece stands as a testament to Herend's legacy of excellence. Issued: 20th centuryDimensions: 8.75"HCountry of Origin: HungaryCondition: Age related wear.
This exquisite Lladro porcelain figurine, titled "Angelic Violinist," depicts a serene angelic figure gracefully playing the violin. Crafted with a glossy finish, the piece showcases delicate hand-painted details in soft hues of blue, grey, and tan, complemented by a lavender violin. The figurine bears the official Lladro backstamp and includes its original box. Designed by artist Francisco Catala, this piece was issued in 1994 and has since been retired, making it a sought-after collectible for enthusiasts. Issued: 1994Dimensions: 7.5"HCountry of Origin: SpainCondition: Age related wear.
**Collection of Violin Cases and Bows** This lot features a collection of five violin cases, each accompanied by a bow. The cases include four soft fabric designs—three black and one green—and a single black hard-shell case with a leather-style finish. The soft cases feature zippered exterior pockets, with one displaying a red emblem and the green case bearing visible markings. The hard case includes a silver latch and shows moderate signs of use with scuffs and scratches. The wooden bows, affixed externally for display, show wear, including broken or frayed hair. The frog sections appear intact with ebony and metal fittings. This collection is likely from the mid-20th century or later, reflecting varied use by musicians. These items are ideal for restoration or use, offering secure storage and transport options for violins.
Collection of Classical Music Vinyl RecordsThis collection consists of approximately 25 to 30 vinyl records, primarily featuring classical music by renowned composers such as Tchaikovsky, Brahms, Bach, Mozart, Schubert, and Handel, among others. Notable albums include *Tchaikovsky - Piano Concerto No. 1*, *Brahms - Violin Concerto in D Major*, and *Handel - Music for the Royal Fireworks*. Each record spine displays descriptive text regarding the contents, performers, and orchestras involved, with some showing catalogue numbers like "STEREO 410 481-1" and "RCA RED SEAL SB 6817." Standard LP size (approximately 12 inches per side). Likely dating from the late 1950s to the 1980s, this collection includes works from well-known labels such as RCA Red Seal. Additionally, one non-classical title, *Paul Young - The Secret of Association* from 1985, adds variation. Record spines show varying degrees of wear, indicative of their vintage nature.
**Vintage Silver Jewellery Collection**A collection of silver jewellery items, primarily of likely mid-20th-century vintage origin, showcasing intricate craftsmanship and design. Included are the following:1. **Hexagonal Honeycomb Pendant**: - Made with a geometric lattice honeycomb design. - Features embellishments resembling small sparkling stones, potentially cubic zirconia or diamonds. - Embellished with a dangling round stone at the base. - Hallmarked with "925" to indicate sterling silver.2. **Silver Charm Bracelet**: - A sterling silver chain bracelet adorned with various miniature charms. - Charms include a violin, animals, a horseshoe, and a coin that appears to feature a mid-20th-century profile and inscription, as well as other symbolic motifs. - Likely mid-20th century based on coin and charm design.3. **Butterfly Brooch**: - Intricately decorated with marcasite stones and turquoise-coloured bead accents. - Inlaid with an oval turquoise or enamel decoration as the body. - Red stones embedded for the head.4. **Ribbon-Style Brooch**: - Crafted in a textured bow design with engraved diamond and dotted details. - Classic style suitable for versatile wear.5. **Dragonfly Brooch**: - Detailed with marcasite stones and turquoise-coloured beads along the wings and body. - Features red stones for the eyes and additional turquoise at the tail, consistent with vintage jewellery from the early-to-mid 20th century.All pieces are crafted from silver-tone or sterling silver, as evidenced by visible hallmarks and markings, including "925" and "SILVER." The collection includes a mix of ornamental and wearable designs, predominantly dating from the mid-20th century, with possible Art Deco or earlier influences. Suitable for collectors and period jewellery enthusiasts. Further hallmark inspection could provide added insights into provenance.
Collection of Colourful Clown Figurines from The Leonardo Collection, 1990sThis is an eclectic set of clown figurines from The Leonardo Collection, with distinctive designs characteristic of the 1990s. Known for their vibrant costumes and engaging poses, these detailed pieces showcase clowns in various playful activities and characterful expressions. Among the array are clowns juggling with colourful balls, playing musical instruments like a violin, and sitting atop a unicycle with accompanying accessories such as cakes and cymbals. Each figurine is mounted on a base; some marked with "The Leonardo Collection Clowning Around © 1997" or featuring a "Hand Made" stamp and date from 1991. With decorative elements like stars, moons, and ruffled collars, these pieces vary in height, detailed with approximate measurements of 23cm to 25cm, reflecting the intricate artistry of their crafting. A collector's delight, these figurines encapsulate the whimsical charm of circus life during their time of creation.
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