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A 19th century German  violin, one piece 36cm back, inscribed John Hanna, 60cm overall

BRASS TRUMPET & CASE, VIOLIN & CASE

An Early XX Century Violin (in pieces), bears label for Joannes Franciscus Pressanda a Raphael Fecit Tourini, one piece back, 37cm long, with bow, in case; Another violin, bow and case, no label. (2)

Violin Bows - Vuillaume, Czechoslovakia and others un-named, no bow hairs present. (9)

A Modern 'Armstrong' Saxophone, in case and a modern violin and bow (no label) in case. (2)

An Early XX Century Violin, with two-piece back, no label, length of back 37cm.

A Modern Kinglos Violin, with neck rest and two bows, in case; A J.P. 121 Mk 3 Clarinet, in case and an African stringed instrument. (3)

An Early 20th Century Violin, two -piece back, labelled ''Stradivarius"; another labelled "Giuseppe Marvinelli", condition poor. (2)Violin 1 - repair to scroll with metal plate. Wear throughout.Violin 2 - several cracks and repairs, no strings, only 2 pegs.

An Early XX Century Violin, with two-piece back, bearing label inscribed 'Antonius Stradivarious Cremonensis', length of back 34cm, with bow, cased.

A Mid XX Century Matched German Porcelain Monkey Band, of nine pieces, each in XVIII Century garb, to include:-conductor, violin players, singer, cello player, etc, printed marks, 11-19cm high. (9)

SCOTTISH FULL-SIZE VIOLIN, GEORGE SYMINGTON, 1882 with two piece back, hand written and dated label to interiorback 36cm long, 58.5cm overall

AMERICAN FULL-SIZE VIOLIN, CHARLES FRANCIS ALBERT, 1891 with one piece back, dated label to the interior, along with another violinback 36cm long, 59cm overallQty: 2Additional images available.

SCOTTISH FULL-SIZE VIOLIN, WILLIAM POLE with one piece back, the interior bears two labels - Pole label dated 1887 reads 'Made from wood 230 years old and upwards from the old college' also an Archibald Morrison label dated 1892back 36cm long, 59cm overall

FRENCH FULL-SIZE VIOLIN, LATE 19TH CENTURY with interior label for GUSTAVE BAZIN NO.135 1894, two-piece 14" inch back, in case with three unmarked bows59cm longCondition good to fair. Worn as per age and use, with additional images to illustrate this. UV shows adhesive residue around side, so possibly deconstructed and rebuilt, at some stage. Ample additional images.

A cased Primavera violin and bow

Four boxes of assorted, ceramics, glassware, violin etc

A violin without any maker’s label, 59cm overall, 36cm back, with an unmarked bow in a hard plastic case.

A child's Skylark guitar, 76 cm, another guitar and a violin with hard case, (3). 

Vintage Violin with Bow, in fitted named case [E KOHLER & SONS MUSICAL INSTRUMENT MAKERS EDINBURGH]

4/4 VIOLIN | Ladislav F. Prokop (Czech / Bohemian 1843 - 1919) | 1904 | Wood cut, shaped, varnished. Traditional lute motifs and details. Chrudim region | 35 cm (body length), 60 cm (total length) | marked: vignette: Ladislav F. Prokop, maker of musical instruments in Chrudim | date of birth of the author: 1843 - 1919 | Lot description | The fiddler. Son and pupil of Frantisek Dominik Prokop. He gained further valuable experience at the Viennese violin company David Bittner. He worked as a foreman at the Viennese company David Bittner. He became independent in 1870 in Hlinsk, in 1875 he moved his plant to Chrudim. The main content of his prosperous Chrudim company was the repair and sale of musical instruments. He worked according to the method of Stradivari, Amati and Stainer. He used brown-red varnish. | condition: damaged case | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

BLOCH, Ernest (1880-1959). An important correspondence comprising c.120 autograph and typed letters, signed ("Ernest Bloch"), to Ernest Chapman, many with his replies, 1933-58.BLOCH, Ernest (1880-1959).  An important correspondence comprising c.120 autograph and typed letters, signed ("Ernest Bloch"), to Ernest Chapman, many with his replies, San Francisco, Paris, Châtel, Geneva, Naples, New York, Rangeley (Maine), North Platte (Nebraska), Agate Beach (Oregon) and elsewhere in America, 21 September 1933 to 17 August 1958. In English. c.345 pages, various sizes, some on postcards, telegrams or greetings cards. [With:] 12 letters to Chapman from Bloch's wife, Marguerite [And:] typescript by Ernest Chapman of "Ernest Bloch at 75" published in the 20th-century music journal "Tempo" (of which Chapman was the first editor), with autograph comments and corrections in Bloch's hand. An important correspondence between Ernest Bloch and Ernest Chapman, an indispensable source for the musical career, opinions, methods and personal life of the great Swiss composer, a singular figure in the music of the 20th century. The correspondence presents – except for a period of three years during WWII – a continuous picture of the last twenty-five years of Ernest Bloch's life, from 1933 and continuing until a few months before his death. Throughout this period Bloch was actively composing, continuing even during his long final illness. Among the subjects covered in the correspondence are the gestation and creation of new works, including such important compositions as the "Violin Concerto" (recorded by Szigeti, Menuhin, Totenberg, Bress, etc), the "Avodath Hakodesh" (or "Sacred Service", recorded by Bloch and Bernstein), the "Voice in the Wildernes for Cello and Orchestra", the "Concerto Symphonique for Piano and Orchestra", the "Piano Sonata", the final "Suites for Unaccompanied Stringed Instruments" (shortly to be recorded by Menuhin) and other works, including the difficulties with the revival of his opera, "Macbeth", 30-years after it was written, with the last-minute resignation of the conductor and Bloch’s illness; his conducting activities with leading orchestras in Europe and the United States; and his composition teaching courses at the University of California. In some letters he discusses the origin of his Jewish national style, and how he came to regard this in later years, and his artistic and philosophical outlook as a whole; some contain references to his personal life, and his view of his life as "a tragedy" and his opinions on contemporaries such as Schoenberg and Stravinsky. He expounds upon his method of teaching composition, with many references to his extremely detailed analyses of Beethoven's "Eroica", fugues by Bach, works by Lassus ("incomparable"), Josquin de Pres ("no less extraordinary – more daring"), Palestrina and others; expressing his concern that his huge collection of pedagogical material should be properly edited and published. During their twenty-five year relationship Bloch regarded Ernest Chapman first as a young admirer of his music, then as his publisher at Boosey & Hawkes, and eventually as a friend and confidant to whom he wrote, with ever increasing frankness, about himself, his music and the world at large. The correspondence as a whole constitutes a unique and indispensable source of information about Bloch's activities and thinking during the period of his full maturity as both man and artist. Bloch was a highly articulate writer and these letters reveal a man of deep culture, wide-ranging interests and passionate feelings. His prose is concise and clear, always lively and often extremely vivid. Ernest Chapman's replies are in a cooler, more prosaic style, making an appropriate foil. Contained in two boxes. Please note that only a small part of the lot is illustrated. Provenance: Sotheby's, 27 November 1980, lot 216.

A late 19th/early 20th century Copelands twin handled vase, painted with a lady playing the violin to one side, signed S.Alcock for Samuel Alcock, the other side decorated with a motifs with raised enamel in the style of semi-precious stones, twin pierced handles, highlighted in gilt, with retailer's mark for Gilman, Collamore & Co., New York to the base, 21.5cm high x 15.5cm wideIf there is no condition report shown, please request

A small group of 18th century English porcelain, comprising Worcester: 'Tea Party' sucrier and cover, 12cm high, reeded tea bowl with blue underglaze cell diaper border, W mark, 7.2cm diameter; 'Hollow Rock' fluted saucer, W mark, 13.2cm diameter; a Chelsea Red Anchor florally decorated saucer, 12.5cm diameter; a scarce Chaffers Liverpool 'Two-storey shelter' saucer, circa 1758-63, unmarked, 12cm diameter; a Worcester sparrow beak milk jug, painted with flowers, unmarked, 8.5cm high; a Derby fluted ogee coffee cup, painted with flowers, with gilt dentil rim, 6.2cm high; a Derby seated bocage putto, 18cm high; sold together a Derby porcelain taperstick, moulded with leaves, 9.5cm high; and a small group of blue and white pearlware, comprising a 'Long Bridge' coffee cup, a 'Violin' tea bowl and coffee cup and a 'Curling Palm' sucrier and cover, 9cm high (group) (faults and restorations) Condition:Pearlware coffee cups 1 - chipped and cracked, another with foot rim chipTea party sucrier - cover chipped, reglued break to rim and associated hairlineWorcester fluted tea bowl - nibbles to rimDerby coffee cup - hairline to rimPearlware sucrier - repaired chips to cover, nibble to finial, restored rim chip to base and hairline crackChaffers tea bowl with crude repaired rim chipChelsea saucer cracked Candlestick with chip to mouthDerby candlestick with various breakages 

Scottish violin with single piece back in fitted case, interior lable for David Murray of Gorebridge 1900, back size L36cm.

French early 20th century violin, with two piece back and ebonized fretboards, interior label marked Francois Barzoni fecit-anno 1906 Manufacture speciale de la Maison Beare & Fils a Londres, the button and base stamped FB, within fitted case with two bows, back size 36.3cm.

French Compagnon violin, with single piece back and ebonized fretboards, interior label marked Compagnon, in fitted case with bow, back size 36cm.

A Riff student violin with bow, in padded case.

Christian Wilhelm Ernst Dietrich ( 1712-1774) – attributed, the violin player. Oil on wooden board. Described on the reverse. In a gilded and carved collectors frame. Early 19th Century. 23 x 16 cm.

TWO CASED VIOLINS, ONE BEARING THE LABEL OF A PARIS MAKER 1805 the Paris labelled violin with decorated back and edges

A Vintage Violin and Bow for Repair

An early 20th century apprentice violin, measuring approx 24cm long. Comprising of the violin, bow and red lined case, with label 'La premier piece de l'apprenti Martin Culher de la Royale Vienna Atelier, Paris, complete en Octobre 1907'.

Jerzy Faczynski Polish Impressionist & Modern ( 1917 - 1995) Two Abstract Impressionist Figural Oil on boards The  First of a figure dressed in a vibrant red coat with a Violin. Signed and dated 51 top left. 32cm x 25cm frame inclusive The second a depiction of St Christopher with a child on his Shoulder. Signed top left and dated 1951 to verso 29cm x 20.5cm frame inclusive Jerzy Faczynski was a Polish soldier, artist, architect who came to Britain in 1941 as a refugee. He studied Polish School of Architecture at Liverpool University and later on taught at the Polish School of Architecture in London from 1946-52 teaching drawing. In his life time he designed more that fifty churches.

Eighth size, quarter size and half size violins, the latter by the London Violin Co Ltd (3)

3/4 size contemporary violin in case with bow

Collection of old violin bows, mostly full sizePlease see additional images on our website

Antique violin, with single piece figured back, cased together with two bowsLength of back is 36cm, full length is 59cm

19th century violin in case with bow, with label signed 'Ignatius Wrozina' and dated 1885, two-piece backPlease note amended measurement: full length is 60.5cm, length of back excluding button is 36cm

A Royal Dux porcelain figure group depicting an 18th century gentleman playing the violin with a dog at his feet, along with a Royal Dux figure of a seated lady playing the lute/mandarin, and another indistinctly marked miniature figure group titled 'The Last to Bed to Put Out the Lights'. Tallest 17cm

Cased student's violin

AN ANTIQUE VIOLIN AND BOW IN CASE

TWO VIOLIN BOWS, WEICHOLD SILVER MOUNTED AND A TOURTE (2)75cm L

A VINTAGE CASED VIOLIN, a double backed violin without a makers mark, a bow with mother of pearl inlay, in a hardshell case (1) (Condition Report: sold a/f, tailpiece is loose, unidentified piece in the interior, heavy signs of usage to the neck, needs restringing)

AN 18CT GOLD VIOLIN BROOCH PENDANT, a yellow gold novelty brooch designed as a violin with a bow, with a white gold chinrest embellished with seven round brilliant cut diamonds, calibre cut blue spinel channel set behind the strings, approximate length 58mm, hallmarked 'CLM' 18ct Birmingham import 1991, approximate gross weight 9.4 grams (condition report: general light wear, all stones intact, overall condition good)

Four funny figures of putti musicians sitting on columnar pedestals and giving a chamber concert on the lyre, violin, flute and horn. Hallmark 800 silver. Total weight: 500 gr. Width: 3.5cm, Height: 9cm, Depth: 20cm, Weight: 0.5kg, Condition: Good, with traces of use, Material: Silver 800, ID: ID-ANTQ-8647

A cased violin.

Copy of an Antonius Stradivarius Cremona Violin. Comes with hard carry case, No bow. See photos.

A Violin Bearing Label 'Jean Baptiste' With Two Piece Back, measuring 37cm long, in need of restoration, approximately 60cm long.

Eight Various Violin, Viola and Cello Bows, some with mother of pearl inserts to end, longest approximately 75cm long. (8).

A 19th century German violin - with a one piece back measuring 37cm, interior label 'Sebastian Cappa' - Tyrol, with bow and hard case.

A modern Gear4Music electric violin with bow, in fitted hard case, unused as new condition.

Paar Figurenleuchter mit "Geigenspieler" und "TanzenderTirolerin" von Meissenauf vergoldeter Bronzemontierung. 2-flg.; Von großen, reliefplastischen Voluten getragener, durchbrochen gearbeiteter Sockel. Rückseitig aufsteigende Blattranken, seitlich in zwei blütenförmigen Tüllen endend. Schauseitig, auf rocaillereliefiertem, mit plastischen Blüten und Blättern belegtem Sockel stehender, musizierender Geigenspieler in purpurfarbener Kniebundhose und Jacke über weißem Hemd bzw. eine in Tanzhaltung stehende Tirolerin mit blütengemustertem Rock, zartgelber Schürze mit plastischen Blüten, schwarzem Mieder und purpurfarbenem Schleifenhut. Polychrome Malerei mit Goldstaffage. Entw. Johann Joachim Kaendler. Unw. best./rest.; Ges.-H. 20,5 cm.Vgl. Rückert, Kat. Meissener Porzellan, Bayer. Nationalmuseum, Nr. 1008.A pair of figural gilt-bronze mounted candlesticks with porcelain figures of a violin player and a dancing Tyrolean woman. Insignificantly restored/chipped.Meissen. Um 1750.

Violin in Case, needs attention, as found.

A violin bearing interior label detailed 'Copie d'apres Jacobus Stainer in Abfom...', length of back excluding button 36cm, cased with a bow.

Antique violin case shaped vesta case - 5cm long - has small amount of wear to the plating

Antique violin in case with Nach vuillaume bow with abalone set frog - violin 60cm & a/f

Antique violin in original wooden carry case with bow (with mother of pearl inlay to ebony handle) - length of case 79cm (violin 59cm) and in used played condition ~ 1 catch a/f

A 19TH CENTURY CASED VIOLIN WITH TWO BOWS, violin L 60 cm

SILVER CHARM BRACELET, with various charms including a holy bible, violin and furtherQty: 108g

LANDAU, SIGALIT1969 JerusalemTitel: Violin. Datierung: 2016. Technik: Violine und Salzkristalle. Maße: 64 x 24 x 13cm. Sockel/Rahmen: Plexiglashalterung sowie Sockel (110 x 50 x 50cm) und Plexiglashaube (70 x 49 x 49cm). Zu diesem Werk liegt ein unterschriebenes Zertifikat der Künstlerin vor. Provenienz:- Privatsammlung Deutschland. Erläuterungen zum Katalog Sigalit Landau Israel Zeitgenössische Kunst Objekte 2010er Plexiglashalterung sowie Sockel (110 x 50 x 50cm) und Plexiglashaube (70 x 49 x 49cm) Musik Objekt Mischtechnik Voraussichtliche Versandkosten für dieses Los:Absprache nach der Auktion.

A 9ct charm bracelet including a carriage, golf clubs French horn and gondolaa collection of ten charms on a fancy bar bracelet including a gondola stamped 750, violin, horse shoe, carriage, tankard, golf clubs, watering can, anchor and French horn.total approx. length 18cm total approx. weight 9.0gCondition:With wear commensurate with age