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Over 30 Unbuilt/Sealed Figures Model Kits - 1/35 Scale. (3500g). (32)MB (Master Box Ltd)Eastern Region Peasants, WWII Era - MB3588 (Box unsealed/appears complete)MB German Motorcyclists 1940-1943 - MB3539 (Box unsealed & slightly crushed/appears complete)MB US & German Paratroopers 1944 - MB35157 (Box unsealed & a little dented/appears complete)MB 'Urgent Dispatch' - MB35212 (Box unsealed & a little dented/appears complete).MB Civilians, Western region, WWII Era - MB3567 (Box unsealed & a little dented/appears complete).MB Women of WWII era - MB35148 (Box unsealed/appears complete)MB Women at War: US Navy WAVES - MB3556 (Box unsealed/appears complete)Tamiya - Wehrmacht mounted Infantry Set - 35053 (Box unsealed/appears complete).Tamiya - WWII Japanese Utility Boat Set - 26.Tamiya - German Soldiers at field briefing - 35212 (Box unsealed/ appears complete).Tamiya - Brick Wall Set - 35028 (Box unsealed and squashed/ appears complete).Tamiya - Brick Wall Set - 35028 (Box unsealed/ appears complete).Tamiya - Brick Wall Set - 35028 (Box unsealed/ appears complete).Wolf - Resting German soldier WWII Resin model.Verlinden Productions - German Recon. Group WWII - 995.Verlinden Productions - 'Dear John' Vietnam - 420 (Box scuffed)Verlinden Productions - 1430 Us Marines Vietnam War - 1430.Plus model - Organ Grinder - 291 (Box scuffed)Plus model - Refugees - 292 (Tamiya - Brick Wall Set - 35028 (Box a little scuffed).Verlinden Productions - SS Cavalry/Mounted - 701.MiniArt - Soviet Villagers - 38011 - Sealed.MiniArt - Soviet Villagers - 38011 - UnsealedMiniArt - German Train Station Staff - 38010 - SealedMiniArt - French Civilians - 38037 - SealedMiniArt - Tram Crew w/Passengers - 38007 - SealedICM - B4 1939 Production German car with passengers - 35531 (Unsealed/appears complete)MiniArt - Ruined House - 35526 (Unsealed/Appears complete).2 x Boxes Of Tusk Models (approx. 10 figures in each). Condition Report - ALL UNBUILT and as new inside, boxes in varying conditions. (see descriptions)
Australia, Australian Service Medal 1945-75, unnamed; Civilian Service Medal 1939-45, bronze, the reverse engraved ‘Sample Specimen’; Vietnam Logistic and Support Medal, the edge engraved ‘Specimen Copy’, together with the riband bar and miniature award, in Royal Australian Mint case of issue, extremely fine Canada, Canadian Volunteer Service Medal for Korea (2), both unnamed, one a good-quality copy; Kuwait Medal 1990-91, with clasp, unnamed; Somalia Medal 1992-93, unnamed, in card box of issue; Special Service Medal, 3 clasps, Alert, Humanitas, Peace-Paix, these all loose on riband, unnamed, in case of issue; Confederation of Canada Centenary Medal 1967, unnamed; Confederation of Canada 125th Anniversary Medal 1992 (2), both unnamed, one a good-quality copy; Jubilee 2002, Canadian issue (L. A. Stetham) about extremely fine (12) £200-£240 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
CONRAD, Joseph (1857-1924). Youth, London, 1902, 8vo, original cloth gilt (spine darkened and spotted). FIRST EDITION of this collection of three stories which includes "Heart of Darkness", arguably the author's best-known work.CONRAD, Joseph (1857-1924). Youth: A Narrative and Two Other Stories. Edinburgh and London: William Blackwood and Sons, 1902. 8vo (190 x 125mm). Half title with publisher's advertisement on the verso, 32-pages of publisher's advertisements at the end dated "10/02" (two very faint spots at the lower margin of the title, small stain at the edge of the contents leaf, some light staining to the stitching at a few gutters, most pronounced to pages 168 and 169). Original pale green cloth lettered and decorated in darker green, the spine lettered in gilt (spine darkened with some light spotting, extremities very lightly rubbed). Provenance: The Property of a Collector; Beatrice H. Maclaurin (etched bookplate designed by Sir David Young Cameron R.A.). FIRST EDITION, FIRST ISSUE, of this collection of three stories which includes "Heart of Darkness", arguably the author's best-known and most influential work, and certainly the one which has most captured the public imagination. It includes the line "Mistah Kurtz - he dead" which T. S. Eliot chose as the epigraph to "The Hollow Men", and the story provided the inspiration for Francis Ford Coppola's 1979 film "Apocalypse Now" which transferred the setting from the 19th-century Congo Free State to the Vietnam War. "Three stories including 'Heart of Darkness' from which Eliot took the epigraph ... for his 'Hollow Men'. This account of a superman running an ivory business in the heart of the Congo for a greedy sanctimonious Belgian company and brutalising himself and the natives in the process, is a masterpiece of sinister deterioration seen by a narrator who is himself profoundly altered by it" (Connolly). Cagle A7a; Connolly The Modern Movement 14; Ehrsam p.326; Keating 38; Modern Library Top 100 67 (citing "Heart of Darkness"): "... one of the most searing and relevant books of the twentieth century"; Wise 10: "Regarding this volume Mr. Conrad has furnished the following notes:- '"Youth" and "Heart of Darkness" are the first short stories of mine which attracted attention to my work in a wider sphere. Most critics dismissed "The End of the Tether" either with contempt or with a few cursory remarks. The first and second stories are autobiographical, the idea emerging from the narrative. The third story was suggested to me by the fate of a man I knew'."
Five albums of all world banknotes, some uncirculated / mint examples including German language, Austro Hungarian note, Nicaragua, Zaire, Vietnam, Lebanon, Egypt, Venezuela, Bolivia, Peru, Sudan, Cuba Foreign Exchange notes, Chinese / North Korean safe conduct certificates x 2, South Africa India, Zimbabwe etc., some redeemable currency
Collection of approximately 160 banknotes from Indochina and the Far East in an album, including Thailand, China, Vietnam, Cambodia, Burma, Japan, Laos and Singapore and a number of commemorative notes from Thailand, Macau and Hong Kong. Some notes are individually encased in plastic wallets, others have been attached directly to thin card with small amounts of weakly adhesive tape
The two ends of the cross are in the shape of a ruyi. The front is inlaid with carved mother-of-pearl, depicting fruit vines, lotus, flowers and leaves. The sides and back are plain. Catalogue notes:Macau became a major training and departure point for Catholic missionaries to different countries in Asia, and crosses such as this example would have served in the teaching of the Bible.The cross crucifix most probably came from Macao. After the arrival of the Portuguese in the sixteenth century, Macau became a diocese of the Catholic Church. The Diocese of Macau was given a wide jurisdiction over various ecclesiastical territories in the Far East, such as China, Japan, Vietnam, and Malaysia.A related, Chinese, mother-of-pearl inlaid crucifix dating to the 17th-18th century was sold at Christie's Auction "European Courts Encounter Japan" on May 11, 2015, lot 14. A similar cross is published in the Sotheby's catalogue: "Fine Chinese Decorative Works of Art, April 18 and 19 1989, New York, lot 465A.螺钿嵌木使徒十字架,中国,19世纪末/20世纪初
Seafood.- Davidson (Alan) Seafish of Tunisia and the Central Mediterranean, first edition, second issue, illustrations, original pictorial wrappers, small piece torn from lower inner corner of upper wrapper, not affecting text, spine ends worn, some marking and light staining, Tunis, British Chamber of Commerce Tunisian Red Crescent, 1963; Fish and Fish Dishes of Laos, signed presentation copy from the author to Jill Norman, illustrations, original pictorial wrappers, National Printers of Vietnam, 1975; and 2 others on seafood by the same, v.s. (4)
An Africa General Service medal, awarded to 23137493 Pte D Blackburn KSLI (Replacement) with a Kenya clasp, and a General Service medal, 1962-2007, with a South Vietnam clasp (Collectors Item) (2) Provenance: On Instructions of the Family: Medals and Militaria from the Estate of a West Country Collector
John Crawfurd: 'A Descriptive Dictionary of the Indian Islands & Adjacent Countries', London, Bradbury & evans, 1856, 1st edition, folding engraved map of South East Asia and parts of the East Indies titled "Asiatic Archipelago" (map worn, repairs verso), 459pp, rebound full calf gilt (not recent). Authoritative work on the Indonesian Archipelago, primarily concerned with Java, but also covers the Malay peninsula, Thailand (Siam), the Philippines, Cambodia and Cochin-China (Vietnam). Scarce
(Counter Culture, Black Power, Activism.) A collection of radical and alternative/underground periodicals and magazines from the late 1960's/early 1970's, including 5 issues of the fortnightly Black community newspaper 'Hustler', comprising issues 14 August 1968, 31 August 1968, 14 November 1968, 17 January 1969 & 8 March 1969, each 8 lithographed pages (46 x 29cm), illustrations from photographs, content includes rare coverage of the racism suffered by immigrants to the UK written by people who would become significant figures in the British Black Power movement. First published in May 1968, it was initially edited by Courtney Tulloch from the Mangrove restaurant in Notting Hill. Frank Crichlow’s Mangrove effectively operated as a Black community centre and became the de facto office of the Notting Hill Carnival and it was also at the centre of a ground-breaking trial. Covers a mixture of news such as community housing issues, racist violence, police raids, and articles and reviews broadening the reader’s understanding of the worldwide Black Power movement within the historical perspective of the struggle against racism. Rare; together with 'The Black Dwarf', 25 assorted issues 1968-1970 of the fortnightly radical left/anarchist broadsheet. It was conceived by the literary agent Clive Goodwin, who owned the name; the poet Christopher Logue who came up with the name; Tariq Ali, already a leader of VSC; designer Robin Fior; and poet Adrian Mitchell, among others. While clearly guided by a revolutionary Marxist perspective, Black Dwarf was driven by the spirit of the times. The May 1968 events in France, and their parallels in the USA, Italy, Germany, and Japan, taught the potential for students to destabilise the advanced capitalist countries, just as Cuba and Vietnam were demonstrating the possibility of peasants to fight (and win) in colonised ones; plus 12 assorted issues of the counterculture newspaper 'International Times' 1969/70; plus 8 assorted issues of 'The Red Mole', 1970, a "revolutionary internationalist" paper carrying a broad range of left-wing opinion edited by Tariq Ali and others, formed after 'The Black Dwarf's' editorial board split over questions of Leninism; plus 7 assorted issues of the newspaper 'Irish Democrat' July 1969 to January 1970, much content Irish Troubles; plus 2 issues of 'Marxism Today' 1975 & 1979, 'International Free Press Present a Cosmic Paper', Nov. 1st 1969, and 'Miner', Jan/Feb 1974
VOSTELL, WOLF1932 Leverkusen - 1998 BerlinTitel: B 52 Lippenstiftbomber. Datierung: 1969. Technik: Mischtechnik (Serigrafie und 16 Lippenstifte) auf Karton, in Objektrahmen. Maße: Rahmenmaß: 90 x 120 x 5cm. Bezeichnung: Signiert unten links: VOSTELL. Nummeriert und datiert unten rechts: 5/XX/69. Exemplar: 5/XX. Sockel/Rahmen: Im Rahmen beschrieben. Aus einer Auflage von 20 geplanten Exemplaren, bei der unbekannt ist wie viele Exemplare tatsächlich produziert wurden. Es handelt sich um eine bei Vomm nicht aufgeführte zweite Auflage auf Karton, nachdem sich die erste von 1968 wegen zu dünnen Papiers unter dem Gewicht der aufgeklebten Lippenstifte verzogen hat. Provenienz:- Sammlung B. u. H. Hahn, Köln (Aufkleber)- Privatsammlung Nordrhein-WestfalenAusstelungen:- Kunstmuseum Mühlheim an der Ruhr, 2016- Kunstmuseum Heidenheim, 2017- Städtische Galerie Villingen-Schwenningen, 2017Literatur:- Ausst.-Kat. I like Fortschritt, German Pop Reloaded, Kunstmuseum Mühlheim an der Ruhr/Kunstmuseum Heidenheim/Städtische Galerie Villingen-Schwenningen, Köln 2016, S. 59, Abb. - Kraft, Hartmut: Kunst ist immer eine Behauptung, Sammeln auch, 50 Jahre Sammlung Kraft, Dortmund 2019, S. 48, Abb.- Inkunable der deutschen Pop Art- Ironische Anspielung auf die konsumistischen Folgen des Kapitalismus - Ein weiteres Exemplar befindet sich in der Sammlung des Museum of Modern Art, New York (MoMA)Der "B52 Lippenstiftbomber" ist eine der bekanntesten Grafiken von Wolf Vostell, eine Inkunabel der deutschen, konsumkritischen Variante der internationalen Pop Art. Bereits 1966 publizierte der Künstler in der New Yorker "Something Else Press" ein Manifest, worin er vorschlug, Konsumartikel wie Lippenstifte statt Bomben über Vietnam abzuwerfen. Hierauf nahm er mit dieser Objektgrafik Bezug. Im Laufe der Jahrzehnte leicht verblasste, ursprünglich blutrote Lippenstifte verlassen den Bauch des todbringen Bombers, der als Silhouette zu erkennen ist. Durch die Bombardierungen im Ukrainekrieg hat diese Arbeit, die vor mehr als einem halben Jahrhundert entstanden ist, eine lange Zeit nicht für möglich gehaltene Aktualität zurückgewonnen.Die Objektgrafik existiert in mehreren Varianten. Auf einigen Graphiken fliegt der Bomber von links nach rechts, in einer anderen Version seitenverkehrt gedruckt von rechts nach links. Die Anzahl und die Abstände der Lippenstifte variieren. Da die erste Auflage 1968 auf einem dünnen Papier gedruckt wurde, verzog dieses sich zum Teil unter der Last der Lippenstifte. In einer zweiten Auflage 1969 wurde ein deutlich dickeres Papier mit leicht veränderten Maßen verwendet. Ob die sowohl 1968 als auch 1969 mit 20 Exemplaren angesetzte Auflagenhöhe wirklich produziert wurde, ist zweifelhaft. Abgesehen von material- und altersbedingten Ausfällen ist deshalb nur von einer geringen Stückzahl heute noch existierender Exemplare des "B52 Lippenstiftbombers" auszugehen.Erläuterungen zum Katalog Wolf Vostell Deutschland Fluxus Kapitalistischer Realismus Neuer Realismus Zeitgenössische Kunst Objekte 1960er Krieg Objekt Mischtechnik Voraussichtliche Versandkosten für dieses Los:Absprache nach der Auktion.
A Corgi Aviation Archive AA35904 1:72-scale Military Airpower Sikorsky S-70B-2 Seahawk, No.816 Squadron, Royal Australian Navy, HMAS ANZAC 2005; a 1:48-scale AH-1G Cobra Attack Helicopter - 'The Crystal Ship' - Vietnam US51205; and 1:72-scale WW2 Fleet Airm Arm Fairey Swordfish Mk1, No.810 Sqn., Royal Navy, HMS Ark Royal, 'Sinking the Bismark', 27 May 1941; together with assorted other military aircraft models (7) Condition Report:Available upon request
CHINA, SOUTHEAST ASIA AND THE FAR EAST A lot to include Stamps Of Macau 1997 from the China National Philatelic Corporation together with various new and used presentation packs and used examples of stamps from Thailand, Vietnam, Hong Kong, Japan and occupied countries, Republic Of China, Taiwan etc Condition Report:Available upon request
Hasbro GI Joe group to include (1) #81537 Vietnam Nurse; (2) #81547 WW II U.S. Infantry with Flamethrower; (3) #81571 Airborne at Normandy; (4) #81572 WW I Doughboy, all are Near Mint to Mint, within Good Plus packaging - some of the boxes are open, but the contents appear to be unused and complete (but not checked), and are still strapped to the inner packaging. (4)
Hasbro (Sealed) GI Joe group to include (1) #57721 US Army MP-Saigon Defender; (2) #57086 U.S. Military Photographer Battle Gear Set; (3) #57611 WW I Doughboy Battle Gear Set; (4) #57635 WW II Paratrooper Battle Gear Set; (5) #57753 WW II U.S. Army Air Corps - 97th Fighter Squadron Battle Gear Set; (6) #81649 Vietnam M60 Gunner with Muzzle Blast Action!, all are Mint, within Good Plus sealed packaging. (6)
Hasbro GI Joe Classic Collection group to include (1) Pearl Harbor Army Air Corps Display Set; (2) #81608 Invasion of Inchon, 15 Sept. 1950; (3) #81633 John F. Kennedy: PT109 Boat Commander; (4) #81662 Vietnam Wall Memorial, all are Near Mint to Mint, within Good Plus packaging - some of the boxes are open, but the contents appear to be unused and complete (but not checked), and are still strapped to the inner packaging. (4)
Hasbro GI Joe group to include (1) #81571 Airborne at Normandy; (2) #81682 Wheeler Field Pilot (Pearl Harbor Collection); (3) #81679 Vietnam Combat Engineer; (4) #81683 Diamond Head Lookout Invasion Alert (Pearl Harbor Collection), all are Near Mint to Mint, within Good packaging - some of the boxes are open, but the contents appear to be unused and complete (but not checked), and are still strapped to the inner packaging. (4)
15th century A.D. Each a broad dish with low basal ring, band of stamped geometric ornament to the outer edge, rolled rim, chop seal to centre. 1.78 kg total, 27.6-28.3 cm (10 7/8 - 11 1/8 in.). [2, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Each a bell-shaped jar with leaf and other motifs. 1.22 kg total, 12.5-13.5 cm (5 - 5 1/4 in.). [4, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. With thick basal ring, stepped rim, band of flowers and tendrils enclosing a floral motif. 868 grams, 23.2 cm (9 1/8 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted rosettes to the lid, geometric band to the sidewall. 285 grams total, 60-61 mm (2 3/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Each a squat jar with broad shoulder and low rim to the mouth, applied scroll handle, painted rosette and tendril motifs to the shoulder and sidewall. 573 grams total, 89-95 mm (3 1/2 - 3 3/4 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Broad bowl with substantial basal ring, reserved petals to the outer face, tondo with stamped vesica-shaped motifs and central landscape scene with lake, trees and mountain. In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau. 1.83 kg, 34 cm (13 3/8 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.
15th century A.D. Broad glazed bowl with substantial basal ring and rounded rim, band of cloud pattern motifs and floral motifs to the centre. 1.98 kg, 34 cm (13 3/8 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Each a bell-shaped bowl with polychrome floral motifs inside and out, concentric rings, central rosette. 1.2 kg total, 13 cm each (5 1/8 in.). [4, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted flowers to the lid. 467 grams total, 75-79 mm (3 - 3 1/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted rosette to the lid, geometric panels to the sidewall. Comprising three powder boxes with painted flower to the lid. 362 grams total, 65-67 mm (). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Broad shallow bowl with substantial basal ring, band of cloud pattern ornament enclosing a floral motif. 1.65 kg, 32.5 cm (12 3/4 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. With thick basal ring, stepped rim, band of tendrils enclosing a floral motif. 823 grams, 23.5 cm (9 1/4 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. With floral motifs to the inner walls and petal design to the outer walls, a large central floral motif enclosed by trailing tendrils and leaves. 1.89 kg, 36.5 cm (14 3/8 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted landscape to the lid. 373 grams total, 65-67 mm (2 1/2 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau
15th century A.D. Footed with painted blue floral motifs to the inner face and large vertical petals to the outer face. 755 grams, 24.7 cm (9 3/4 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted rosette to the lid, and sidewall. 262 grams total, 54-57 mm (2 1/8 - 2 1/4 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted landscape to the lid. 381 grams total, 62-66 mm (2 3/8 - 2 5/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted rosette to the lid, tendrils to the sidewall. 210 grams total, 50-56 mm (2 - 2 1/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Each a squat jar with low neck and rolled rim; rosette detailing to the shoulder. 404 grams total, 71-80 mm (2 3/4 - 3 1/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. With polychrome floral motifs to the inner walls and petal design to the outer walls, a large central floral motif enclosed by trailing tendrils and leaves. 2.5 kg, 34.5 cm (13 1/2 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. With substantial basal ring, tondo with blue rings encircling a fish and fronds. 7.52 grams, 22.7 cm (9 in.). [No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Each a squat jar with basal ring and low mouth, applied floral motifs. 483 grams total, 77-79 mm (3 - 3 1/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted rosette to the lid, tendrils to the sidewall. 144 grams total, 34-57 mm (1 3/8 - 2 1/4 IN.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Both with polychrome floral motifs to the inner walls and petal design to the outer walls, a large central flower motif enclosed in trailing leaves. 1.18 kg total, 22.2-22.5 cm (8 3/4 - 8 7/8 in.). [2, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Both with painted petals to the outer faces, painted bichrome design of vegetal motifs surrounding a Chinese character fu (meaning fortune or good luck) to the inside. 1.25 kg total, 22.2-22.3 cm (8 3/4 in.). [2, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
Early 18th century A.D. Each a tin-glazed shallow dish with blue flowers and bridge motif. 388 grams total, 11.3-11.6 cm (4 3/8 - 4 1/2 in.). [6, No Reserve]Ex Sotheby's, Amsterdam, 29-31 January 2007. Accompanied by an illustrated information sheet about the Ca Mau shipwreck.The Ca Mau shipwreck refers to a cargo of Chinese porcelain sunk between 1723 and 1735 off the coast of Vietnam. The wreck was discovered by Vietnamese fishermen in 1998. It is believed the wreck was a merchant’s junk on its way from Canton (Guangzhou) to Batavia when it caught fire and sank. The ship was carrying goods destined for Dutch traders who had limited access to China and its ports.
15th century A.D. Comprising three powder boxes with painted rosette to the lid, petals to the sidewall. 309 grams total, 58-60 mm (2 3/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
15th century A.D. Comprising three powder boxes with painted flower to the lid and sidewall. 365 grams total, 71-73 mm (2 3/4 - 2 7/8 in.). [3, No Reserve]Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
Early 18th century A.D. Each a miniature bowl with landscape motif to the centre, stippled band below the rim, tan-brown exterior. 250 grams total, 65-66 mm (2 1/2 in.). [6, No Reserve]Ex Sotheby's, Amsterdam, 29-31 January 2007. Accompanied by an illustrated information sheet about the Ca Mau shipwreck.The Ca Mau shipwreck refers to a cargo of Chinese porcelain sunk between 1723 and 1735 off the coast of Vietnam. The wreck was discovered by Vietnamese fishermen in 1998. It is believed the wreck was a merchant’s junk on its way from Canton (Guangzhou) to Batavia when it caught fire and sank. The ship was carrying goods destined for Dutch traders who had limited access to China and its ports.
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