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Lot 831
A Georgian red and gilt painted octagonal lead tobacco box - with dolphin finial (LWH 11.8 x 8 x 12cm), splits to seams and a little mis-shapen; together with a small group of other collectables including two china pipes, one painted with a capercaillie in a landscape at dusk; and an early 20th century deconstructed painted wooden money box.
Lot 363
Catherine Chambers First hand, 2025 Acryic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Chambers is a figurative artist who documents poignant moments, often from her experiences of living abroad in Ethiopia and the Middle East. Catherine is inspired by environments and their inhabitants, capturing intimate moments of connectedness. However, as with all good portraiture, there is more than meets the eye to her work. These works ask the viewer to confront the complicated dynamics of love, care and identity. This is Catherine's second time working with Art on a Postcard. Her previous contributions zoomed in on feet from her larger paintings. This time, Catherine has created postcards looking at the hands in existing works of hers. Education 2009-2012 BA (Hons) Drawing and Applied Arts, University of the West of England, Bristol, UK Solo Exhibitions 2019 I Appreciate You, The Embassy of Ethiopia, London 2016 A Brother's Progress, Freespace Gallery, Kentish Town, London Red Lodge Chair, Red Lodge Museum, Park Row, Bristol Possession(s), The Tobacco Factory, Bristol Group Exhibitions 2024 Herbert Smith Freehills Award, National Portrait Gallery, London Women In Art Finalists, The Roundhouse, London RBA Rising Stars, Royal Over-Seas League, London Wells Contemporary Art, Wells Cathedral, Wells A Personal Treasure, The Nunnery Gallery, London 2023 Missed Letters, Making Space Gallery, London New Wave, Spitalfields Studios, London Awe and Wonder, Chaiya Art Awards, Oxo Gallery, London 2022 Football Art Prize, Millennium Gallery, Sheffield Galvanise, Spitalfields Studios, London Art on a Postcard, The Bomb Factory, London 2021 Summer Show, Royal Academy of Arts, London Sunny Art Prize, Sunny Art Centre, London 2020 Summer Exhibition, Green and Stone Gallery, London 2018 Summer Show, Royal Academy of Arts, London Awards 2024 3rd Prize for The Herbert Smith Freehills Prize at the National Portrait Gallery Royal Society of British Artists Rising Star Women in Art Prize finalist Gallery Representation Mall Galleries, London, UK Statement About AOAP Submitted Artwork Fly is a cropped detail from a larger painting currently being exhibited at the Mall Galleries annual Royal Society of British Artists exhibition. The painting continues a conversation Catherine introduced with her painting "Lying" which won third prize at the National Portrait Gallery in 2024. In this painting, the same sitter holds a bird securely; as it is, the bird cannot fly despite being born to do so. Catherine wants the audience to contemplate, if you have something (could be a relationship, land, artefacts...) but you have it by force or deceit, do you really have it at all? And is it still worth having? Class is a cropped detail from Catherine's larger painting "Between Classes". The girl chooses colours to fill the outlines of a princess. The postcard questions how the girl came to choose those specific colours and how they differ to the girls own image. The work explores ideas of care, influence and status; how they overlap, interact and differ. Fortune is a detail from Catherine's larger painting "Nafkot (Yeabsra)". A child holds a popular paper game, commonly known as a chatterbox or fortune teller. It was introduced to the girl by Catherine in an exchange of sharing games local to one and foreign to another. Games are a recurring theme in Catherine's work, highlighting how unlevel the playing field is in real life. First Hand is a detail from Catherine's larger painting "Holding Space". The hand is of a dear friend of the artist, and celebrates a friendship that challenges outside expectations. It is a prompt to think for oneself and to learn from trusted resources. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 362
Catherine Chambers Class, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Chambers is a figurative artist who documents poignant moments, often from her experiences of living abroad in Ethiopia and the Middle East. Catherine is inspired by environments and their inhabitants, capturing intimate moments of connectedness. However, as with all good portraiture, there is more than meets the eye to her work. These works ask the viewer to confront the complicated dynamics of love, care and identity. This is Catherine's second time working with Art on a Postcard. Her previous contributions zoomed in on feet from her larger paintings. This time, Catherine has created postcards looking at the hands in existing works of hers. Education 2009-2012 BA (Hons) Drawing and Applied Arts, University of the West of England, Bristol, UK Solo Exhibitions 2019 I Appreciate You, The Embassy of Ethiopia, London 2016 A Brother's Progress, Freespace Gallery, Kentish Town, London Red Lodge Chair, Red Lodge Museum, Park Row, Bristol Possession(s), The Tobacco Factory, Bristol Group Exhibitions 2024 Herbert Smith Freehills Award, National Portrait Gallery, London Women In Art Finalists, The Roundhouse, London RBA Rising Stars, Royal Over-Seas League, London Wells Contemporary Art, Wells Cathedral, Wells A Personal Treasure, The Nunnery Gallery, London 2023 Missed Letters, Making Space Gallery, London New Wave, Spitalfields Studios, London Awe and Wonder, Chaiya Art Awards, Oxo Gallery, London 2022 Football Art Prize, Millennium Gallery, Sheffield Galvanise, Spitalfields Studios, London Art on a Postcard, The Bomb Factory, London 2021 Summer Show, Royal Academy of Arts, London Sunny Art Prize, Sunny Art Centre, London 2020 Summer Exhibition, Green and Stone Gallery, London 2018 Summer Show, Royal Academy of Arts, London Awards 2024 3rd Prize for The Herbert Smith Freehills Prize at the National Portrait Gallery Royal Society of British Artists Rising Star Women in Art Prize finalist Gallery Representation Mall Galleries, London, UK Statement About AOAP Submitted Artwork Fly is a cropped detail from a larger painting currently being exhibited at the Mall Galleries annual Royal Society of British Artists exhibition. The painting continues a conversation Catherine introduced with her painting "Lying" which won third prize at the National Portrait Gallery in 2024. In this painting, the same sitter holds a bird securely; as it is, the bird cannot fly despite being born to do so. Catherine wants the audience to contemplate, if you have something (could be a relationship, land, artefacts...) but you have it by force or deceit, do you really have it at all? And is it still worth having? Class is a cropped detail from Catherine's larger painting "Between Classes". The girl chooses colours to fill the outlines of a princess. The postcard questions how the girl came to choose those specific colours and how they differ to the girls own image. The work explores ideas of care, influence and status; how they overlap, interact and differ. Fortune is a detail from Catherine's larger painting "Nafkot (Yeabsra)". A child holds a popular paper game, commonly known as a chatterbox or fortune teller. It was introduced to the girl by Catherine in an exchange of sharing games local to one and foreign to another. Games are a recurring theme in Catherine's work, highlighting how unlevel the playing field is in real life. First Hand is a detail from Catherine's larger painting "Holding Space". The hand is of a dear friend of the artist, and celebrates a friendship that challenges outside expectations. It is a prompt to think for oneself and to learn from trusted resources. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 336
Alexandra Helm The Story waiting for its next Breath, 2025 Acrylic paint and gouache on khadi paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alexandra Helm has a diverse practice that places observational work amongst memories, emotional imprints and dreams. She gives form to an interior world, the starting point often being an emotion or state of mind. The viewer is invited to find themselves and their worlds within the work. Education 2023-2025 Turps Art School, Correspondence Course 2011-2012 BA in Fine Art at Central Saint Martins (Year 1) 2008-2010 Foundation Diploma in Art and Design (Distinction) Chelsea College of Art and Design Solo Exhibitions 2023 Extended Reality, Aldeburgh Beach Lookout, Aldeburgh, Suffolk Group Exhibitions 2025 If Heavan Falls, The Lido Stores, Margate, England Split, The Dispensary, Wrexham, Wales 2024 Platforms Project, The Tobacco Factory, Athens, Greece Summer Contemporary, Snape Maltings, Suffolk, England 2023 Royal Academy Summer Exhibition, London, England Linden Hall Winter Show, Deal, England Woolwich Contemporary Print Fair, London, England Public Collections Bower Ashton Library, Bristol, England Statement about AOAP Submitted Artwork These paintings started with colours and gestures on Khadi paper. Each developed through the connection between the materials and the forms as they revealed themselves. Unknown spaces are created in each of Seventh Heaven, The Boy the Fish and the Squid, The Story waiting for its next Breath. Mystery and dialogue that isn't explained is explored and can be felt within each. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 338
Alexandra Helm The Boy, the Fish, and the Squid, 2025 Acrylic paint and gouache on khadi paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alexandra Helm has a diverse practice that places observational work amongst memories, emotional imprints and dreams. She gives form to an interior world, the starting point often being an emotion or state of mind. The viewer is invited to find themselves and their worlds within the work. Education 2023-2025 Turps Art School, Correspondence Course 2011-2012 BA in Fine Art at Central Saint Martins (Year 1) 2008-2010 Foundation Diploma in Art and Design (Distinction) Chelsea College of Art and Design Solo Exhibitions 2023 Extended Reality, Aldeburgh Beach Lookout, Aldeburgh, Suffolk Group Exhibitions 2025 If Heavan Falls, The Lido Stores, Margate, England Split, The Dispensary, Wrexham, Wales 2024 Platforms Project, The Tobacco Factory, Athens, Greece Summer Contemporary, Snape Maltings, Suffolk, England 2023 Royal Academy Summer Exhibition, London, England Linden Hall Winter Show, Deal, England Woolwich Contemporary Print Fair, London, England Public Collections Bower Ashton Library, Bristol, England Statement about AOAP Submitted Artwork These paintings started with colours and gestures on Khadi paper. Each developed through the connection between the materials and the forms as they revealed themselves. Unknown spaces are created in each of Seventh Heaven, The Boy the Fish and the Squid, The Story waiting for its next Breath. Mystery and dialogue that isn't explained is explored and can be felt within each. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 361
Catherine Chambers Fortune, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Chambers is a figurative artist who documents poignant moments, often from her experiences of living abroad in Ethiopia and the Middle East. Catherine is inspired by environments and their inhabitants, capturing intimate moments of connectedness. However, as with all good portraiture, there is more than meets the eye to her work. These works ask the viewer to confront the complicated dynamics of love, care and identity. This is Catherine's second time working with Art on a Postcard. Her previous contributions zoomed in on feet from her larger paintings. This time, Catherine has created postcards looking at the hands in existing works of hers. Education 2009-2012 BA (Hons) Drawing and Applied Arts, University of the West of England, Bristol, UK Solo Exhibitions 2019 I Appreciate You, The Embassy of Ethiopia, London 2016 A Brother's Progress, Freespace Gallery, Kentish Town, London Red Lodge Chair, Red Lodge Museum, Park Row, Bristol Possession(s), The Tobacco Factory, Bristol Group Exhibitions 2024 Herbert Smith Freehills Award, National Portrait Gallery, London Women In Art Finalists, The Roundhouse, London RBA Rising Stars, Royal Over-Seas League, London Wells Contemporary Art, Wells Cathedral, Wells A Personal Treasure, The Nunnery Gallery, London 2023 Missed Letters, Making Space Gallery, London New Wave, Spitalfields Studios, London Awe and Wonder, Chaiya Art Awards, Oxo Gallery, London 2022 Football Art Prize, Millennium Gallery, Sheffield Galvanise, Spitalfields Studios, London Art on a Postcard, The Bomb Factory, London 2021 Summer Show, Royal Academy of Arts, London Sunny Art Prize, Sunny Art Centre, London 2020 Summer Exhibition, Green and Stone Gallery, London 2018 Summer Show, Royal Academy of Arts, London Awards 2024 3rd Prize for The Herbert Smith Freehills Prize at the National Portrait Gallery Royal Society of British Artists Rising Star Women in Art Prize finalist Gallery Representation Mall Galleries, London, UK Statement About AOAP Submitted Artwork Fly is a cropped detail from a larger painting currently being exhibited at the Mall Galleries annual Royal Society of British Artists exhibition. The painting continues a conversation Catherine introduced with her painting "Lying" which won third prize at the National Portrait Gallery in 2024. In this painting, the same sitter holds a bird securely; as it is, the bird cannot fly despite being born to do so. Catherine wants the audience to contemplate, if you have something (could be a relationship, land, artefacts...) but you have it by force or deceit, do you really have it at all? And is it still worth having? Class is a cropped detail from Catherine's larger painting "Between Classes". The girl chooses colours to fill the outlines of a princess. The postcard questions how the girl came to choose those specific colours and how they differ to the girls own image. The work explores ideas of care, influence and status; how they overlap, interact and differ. Fortune is a detail from Catherine's larger painting "Nafkot (Yeabsra)". A child holds a popular paper game, commonly known as a chatterbox or fortune teller. It was introduced to the girl by Catherine in an exchange of sharing games local to one and foreign to another. Games are a recurring theme in Catherine's work, highlighting how unlevel the playing field is in real life. First Hand is a detail from Catherine's larger painting "Holding Space". The hand is of a dear friend of the artist, and celebrates a friendship that challenges outside expectations. It is a prompt to think for oneself and to learn from trusted resources. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 337
Alexandra Helm Seventh Heaven, 2025 Acrylic paint and gouache on khadi paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alexandra Helm has a diverse practice that places observational work amongst memories, emotional imprints and dreams. She gives form to an interior world, the starting point often being an emotion or state of mind. The viewer is invited to find themselves and their worlds within the work. Education 2023-2025 Turps Art School, Correspondence Course 2011-2012 BA in Fine Art at Central Saint Martins (Year 1) 2008-2010 Foundation Diploma in Art and Design (Distinction) Chelsea College of Art and Design Solo Exhibitions 2023 Extended Reality, Aldeburgh Beach Lookout, Aldeburgh, Suffolk Group Exhibitions 2025 If Heavan Falls, The Lido Stores, Margate, England Split, The Dispensary, Wrexham, Wales 2024 Platforms Project, The Tobacco Factory, Athens, Greece Summer Contemporary, Snape Maltings, Suffolk, England 2023 Royal Academy Summer Exhibition, London, England Linden Hall Winter Show, Deal, England Woolwich Contemporary Print Fair, London, England Public Collections Bower Ashton Library, Bristol, England Statement about AOAP Submitted Artwork These paintings started with colours and gestures on Khadi paper. Each developed through the connection between the materials and the forms as they revealed themselves. Unknown spaces are created in each of Seventh Heaven, The Boy the Fish and the Squid, The Story waiting for its next Breath. Mystery and dialogue that isn't explained is explored and can be felt within each. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 360
Catherine Chambers Fly, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Chambers is a figurative artist who documents poignant moments, often from her experiences of living abroad in Ethiopia and the Middle East. Catherine is inspired by environments and their inhabitants, capturing intimate moments of connectedness. However, as with all good portraiture, there is more than meets the eye to her work. These works ask the viewer to confront the complicated dynamics of love, care and identity. This is Catherine's second time working with Art on a Postcard. Her previous contributions zoomed in on feet from her larger paintings. This time, Catherine has created postcards looking at the hands in existing works of hers. Education 2009-2012 BA (Hons) Drawing and Applied Arts, University of the West of England, Bristol, UK Solo Exhibitions 2019 I Appreciate You, The Embassy of Ethiopia, London 2016 A Brother's Progress, Freespace Gallery, Kentish Town, London Red Lodge Chair, Red Lodge Museum, Park Row, Bristol Possession(s), The Tobacco Factory, Bristol Group Exhibitions 2024 Herbert Smith Freehills Award, National Portrait Gallery, London Women In Art Finalists, The Roundhouse, London RBA Rising Stars, Royal Over-Seas League, London Wells Contemporary Art, Wells Cathedral, Wells A Personal Treasure, The Nunnery Gallery, London 2023 Missed Letters, Making Space Gallery, London New Wave, Spitalfields Studios, London Awe and Wonder, Chaiya Art Awards, Oxo Gallery, London 2022 Football Art Prize, Millennium Gallery, Sheffield Galvanise, Spitalfields Studios, London Art on a Postcard, The Bomb Factory, London 2021 Summer Show, Royal Academy of Arts, London Sunny Art Prize, Sunny Art Centre, London 2020 Summer Exhibition, Green and Stone Gallery, London 2018 Summer Show, Royal Academy of Arts, London Awards 2024 3rd Prize for The Herbert Smith Freehills Prize at the National Portrait Gallery Royal Society of British Artists Rising Star Women in Art Prize finalist Gallery Representation Mall Galleries, London, UK Statement About AOAP Submitted Artwork Fly is a cropped detail from a larger painting currently being exhibited at the Mall Galleries annual Royal Society of British Artists exhibition. The painting continues a conversation Catherine introduced with her painting "Lying" which won third prize at the National Portrait Gallery in 2024. In this painting, the same sitter holds a bird securely; as it is, the bird cannot fly despite being born to do so. Catherine wants the audience to contemplate, if you have something (could be a relationship, land, artefacts...) but you have it by force or deceit, do you really have it at all? And is it still worth having? Class is a cropped detail from Catherine's larger painting "Between Classes". The girl chooses colours to fill the outlines of a princess. The postcard questions how the girl came to choose those specific colours and how they differ to the girls own image. The work explores ideas of care, influence and status; how they overlap, interact and differ. Fortune is a detail from Catherine's larger painting "Nafkot (Yeabsra)". A child holds a popular paper game, commonly known as a chatterbox or fortune teller. It was introduced to the girl by Catherine in an exchange of sharing games local to one and foreign to another. Games are a recurring theme in Catherine's work, highlighting how unlevel the playing field is in real life. First Hand is a detail from Catherine's larger painting "Holding Space". The hand is of a dear friend of the artist, and celebrates a friendship that challenges outside expectations. It is a prompt to think for oneself and to learn from trusted resources. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 27
FIGURAL XHOSA PIPE 19TH CENTURY, SOUTHERN AFRICA carved wood and lead, the long slender stem terminating in a finely carved human figure serving as the bowl, the male is shown nude, the hands held into the sides, with lead inlay indicating the waistband, necklace and armlets 57cm long Wills Cigarette and Tobacco Company Pipe Collection, England (ref 1233)Galerie Valluet, ParisBernice & Terry Pethica Collection, United KingdomPublished:Klopper, Nettleton and Pethica, The Art of Southern Africa, The Terence Pethica Collection 2007, n° 105 “Because the vocational training offered by German missionaries working in the Eastern Cape area often included training in metal in ay techniques, many of the pipes produced by Xhosa-speaking carvers sport inlaid details depicting items of adornment like armbands and beadwork that are stylistically typical for the region. Although the display of genitalia in the depiction of mature men is uncommon, the fact that this is an older man is suggested both through the stocky proportions of the figure and the possible allusion to a headring. The heading, which was developed into an elaborate art form among some communities from the southern Natal region, may also have been used intermittently in the Eastern Cape. A mark of marital status in the Zulu kingdom north of the Thukela river, it was a variable index of age and status among several other groups in the area. Pipes with figurative bowls are likely to have been commissioned by men rather than women. The latter generally smoked from elegantly proportioned but comparatively simple, long-stemmed pipes.” (Klopper, Nettleton and Pethica 2007).
Lot 31
SHONA SNUFF CONTAINER SOUTHERN AFRICA carved wood, of cylindrical form and with an integral carved top, raised on a bespoke wooden mount 7cm diameter Bryan Reeves, London, United Kingdom One of the most notable forms of portable art among the Shona is the carving of small, intricately crafted objects, such as the present snuff container. Snuff bottles have been an element of Shona material culture since the Portuguese introduced tobacco in the late 16th or early 17th century.
Lot 28
XHOSA PIPE IN THE FORM OF A HORSE 19TH CENTURY, SOUTH AFRICA carved wood, the long stem terminating in a bowl in the form of a horse 74.5cm long Wills Cigarette and Tobacco Company Pipe Collection, England (ref 1232)Galerie Valluet, ParisBernice & Terry Pethica CollectionPublished:Klopper, Nettleton and Pethica, The Art of Southern Africa, The Terence Pethica Collection 2007, n° 104 “This elegantly proportioned horse, which doubles as a pipe bowl, is characterised by a lively sense of animation. The carver of this pipe, who was clearly attentive to the way sculptural forms can be manipulated to impart a feeling of vitality, established a subtle echo between the arc of the horse's neck and its slightly raised tail. Since the pipe is awkward to hold, the patron who bought it presumably did so because he was attracted to this sense of vitality in the treatment of the form.”(Klopper, Nettleton and Pethica 2007).
Lot 221
Bristol orphanage Victorian needlework sampler - Late 19th century sampler from The New Orphan Houses (George Müller Homes), Ashley Down, Bristol, dated 1886 by Emily Eastman, worked in red petit-point on a cream ground with upper and lower case alphabet registers in various script over an arrangement of pictorial and geometric motifs, including a bible, anchor, bird perched on a branch, floral sprigs and ‘E Eastman, Bristol, Age 16 1886’, 30cm x 24.8cm, on later card backing framed under glass From the Collection of Bristol 1904 Arts (formerly 'Bristol Savages'). Emily Sarah Eastman was admitted to the Muller Orphanage on 25th July 1877. Her admission number was A5076.The Muller Homes trained girls for a future in domestic service and the 1891 census finds Emily working as a servant at a house in Hereford. By 1901 she had returned to Bristol and had entered into service for the family of a tobacco merchant at 2 Edgecumbe Road, Redland. Emily must have enjoyed a happy relationship with her employers as both the 1911 and 1921 census returns show her with the same family. She passed away on 8th January 1927 and is buried in Canford cemetery, Westbury-on-Trym, Bristol.Clevedon Salerooms gratefully acknowledge the assistance of the George Müller Museum, Bristol for their assistance in preparing this catalogue entry.
Lot 3095
An early 20th century leather cigar / trinket box, of miniature form of a 18th/19th century cutlery box shape, with division inside, approx. 12.4cm high x 11.3cm wide, together with an early 20th century cylindrical tobacco cannister or tea caddy, with hinged demi-lune shaped cover with zinc lining, approx. 11.7cm high x 11.2cm diameter, and a 20th century curved oak two piece cigarette or card case. (3)
Lot 198
λ ROBERT ORGAN (BRITISH B. 1933) TOBACCO PLANTS IN A VASE Oil on canvas laid to board Signed and dated 1983 (verso) 30 x 37cm (11¾ x 14½ in.)Provenance: Browse & Darby, London Condition Report: Light surface dirt. Otherwise appears to be in good original condition. Condition Report Disclaimer
Lot 363A
A WW1 medal group of three, awarded to S2SR-03330 Staff Sergeant R.B. Hagart, Army Service Corps, comprising 1914-15 Star, British War Medal and Victory Medal with Oak Leaf (Mentioned in Dispatches); together with a likely related miniature group of four (having the addition of the DSO), a silver-mounted tobacco pipe with barrel engraved with references to Hagart's war service and a period letter written by him; also a WW2 Defence Medal Condition Report:Available upon request
Lot 137
An Australian mallee tree photograph frame; six wine coasters; Red River Gum Australia wooden book ends; a rustic bowl; a circular wall plaque, carved in relief with a horses head, 29cm diam; another, carved with crest, Honor Virtutis Praemium; an early 20th century banded tobacco jar and cover; a set of graduated stacking Kitchen canisters; a jewellery box; etc
Lot 199
Selection of items including green metal model bike, Wolf sculpture of a beaver and a duck, Quarry Critters Charley with Celine & Cleo, Ising elegance tripod, Will's tobacco Patience, Lambert & Butler motor cycle & Motor cars cigarette cards, Will cigarettes Old Inns, child's dominoes game, thimbles, matchbox 1914 Prince Henry Vauxhall, Unicorn darts etc
Lot 31
A Sèvres porcelain bleu-céleste-ground tobacco-jar and cover (pot à tabac), c.1768, blue interlaced L cypher with date letter P, painter’s ··· mark for J. B. Tandart, incised marks, the ground reserved with gilt-edged elongated oval panels painted with pendant husks and floral garlands divided by gilt husk and dot ornament, applied with two gilt-edged looped straps to hold a spoon, the domed cover similarly decorated with eight oval panels radiating from a central gilt knop finial, 15.3cm highProvenance: American Private Collection. Anonymous sale; Bonhams, 5 July 2018, lot 166. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022). Note: Jean-Baptiste Tandart (l’aîné) was a painter of flowers at Sèvres from 1754 to 1800.
Lot 824
Star Wars - GMFGI - Rubies - A 1978 dated Hong Kong made GMFGI 15" Darth Vader figure with Lightsaber and cape and a boxed Darth Vader moulded adult mask. Both are dusty from display and appear in Very Good overall condition, some tobacco odour, would benefit from cleaning. (This does not constitute a guarantee) [ba-2]
Lot 693
Corgi Original Omnibus - A group of 16 boxed 1:76 scale diecast model buses from Corgi Original Omnibus. Lot includes Corgi OO #97837 Leyland PD1A 'North Western Road Car Co. Ltd.'; #97852 Bristol L6A 'Maidstone & District Motor Services'; #40405 AEC Regent II 'Grimsby' and similar. One of the model has some paint cracking to the roof, otherwise conditions appear to be Mint, and models are presented within Fair Plus, dusty boxes, which have an odour of tobacco plus some general storage related wear. Models are unchecked for completeness. (This does not constitute a guarantee) (K)
Lot 694
Corgi Original Omnibus - A group of 16 boxed 1:76 scale diecast model buses from Corgi Original Omnibus. Lot includes Corgi OO #97814 AEC Regent II 'London Passenger Transport Board'; #42606 Bedford OB Coach 'Guiness'; #97944 Leyland PD2 'Newcastle Corporation & Electricity Undertaking' and similar. Conditions appear to be Mint, and models are presented within Fair Plus dusty boxes, which have an odour of tobacco plus some general storage related wear. Models are unchecked for completeness. (This does not constitute a guarantee) (K)
Lot 719
EFE - A group of eight 1:76 scale diecast model buses model buses and commercial vehicles sets from EFE. Lot includes EFE #99905 Barton Transport Set; #99906 Timpson's & Surrey Motors Coach Set (Model Collector Commission); #99904 De-Luxe Tankers and similar. Models appear Mint contained with Fair - Good dusty window boxes which have an odour of tobacco as well as some general storage related wear. Models are unchecked for completeness.(This does not constitute a guarantee) (K)
Lot 558
Neca - McFarlane - 3 x carded sets of action figures which have all been opened, The Headless Horseman from Sleepy Hollow, Colonel George Taylor from The Planet Of The Apes and Predator Dutch Vs Jungle Hunter. The figures appear Very Good the packaging cut open and with some tobacco odour. (This does not constitute a guarantee) [ba-3]
Lot 917
A COLLECTION OF CHINESE AND BALINESE WOODEN ITEMS comprising a polychrome Balinese processional plaque including fifteen gilded figures, height 19cm x width 97cm, a Chinese wooden carved tobacco jar with a repeating central band of mythological beasts, and carved symbols to the lid, a brass container to the interior, underside of the lid carved with a South West Borderers Regiment insignia 'With love from Hugh,' height 19cm x diameter 14cm, (some chips to the fangs of one the beasts, slight knock to the lid), a two-tiered handled Chinese rattan wedding basket, with six 'prunus' blossom metal mounts to either side, a four character inscription to both sides indicates a possible date of 1901 with a 'Zhang' family surname, height 45cm including handle x width 33cm (some flecks of white paint to the lid, patina present), and a pointed hand painted rattan hat with Wayang Kulit style characters, height 17cm x diameter 36cm (some wear to the tip of the hat, some areas of fading to the paintwork) (4) (Condition Report: itemised conditions above)
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