We found 31872 price guide item(s) matching your search

A First War 1914 Princess Mary Christmas gift tin, still retaining the original cigarettes and tobacco contents with 1914 Christmas card and envelope

A First War brass 1914 Princess Mary's gift tin to the troops containing original cigarettes and tobacco contents, Christmas card and Princess Mary photograph, the envelope and lid inscribed No.7427 Pte. C.H. Page First Bedfordshire Regiment"

A collection of mixed worldwide coinage, to include silver examples, in a ‘Will’s O.K Flake’ printed tobacco tin.

WWI trench art brass shell casing tobacco box in the form of a peaked cap, the top with nailwork 'SOUVENIR D'YPRES 1916' and 'CANADA' around the rim, 9cm diameter.

An early 20th Century Moorcroft pottery tobacco jar and lid with tube lined and hand painted decoration in the 'Pomegranate' pattern - impressed marks and painted signature to base

A quantity of ceramics including two 19th Century novelty tobacco jars, three jelly moulds, etc.

Eight pieces of Torquay pottery including tobacco jars, vases, dog figurine, etc.

A quantity of Torquay pottery Motto ware and other items including 1919 St. Mary Church Peace mug, jugs, tobacco jar, etc.

Four Longpark Torquay pottery items with hand painted Tinturn Abbey views comprising two vases, a hot water jug and a tobacco jar

A tobacco tin containing a quantity of military and other badges, including silver ARP, RAC, Royal Engineers, etc. - sold with an onyx desk blotter

Gilbert & George (b.1943 & b.1942)A Message From The Sculptors Gilbert & GeorgeThe Postal Sculpture, 1970, comprising an embossed greeting card with collage containing elements of the artists' make up, tobacco and ash, hair, clothing and breakfast used in their performances, together with five small black and white photographs taken during the performances, numbered from the edition of 300 on the reverse, published by the artist’s under their imprint ART FOR ALL, on wove paper, the full sheet as issued, 202 x 126mm., 8 x 5 in.

An Edward VII silver tobacco twist tin, of oval form, Birmingham, 1908, Charles Boyton & Son Ltd, together with a silver vesta case, electroplated cigarette case embossed with three soldiers shaking hands, The Allies 1914 match case, a hip flask and a French/English dictionary weighable silver approximately 88 grams

Brass tobacco jar surmounted with a figure of Napoleon, early 19th Century, height 21cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).

Mixed Lot: Antique brass miners tabacco box, engraved J Newstead (drilled beneath), a Dutch copper and brass tobacco box engraved with biblical scenes and text, the inside lid with John Palmer 1756, 14.5cm long, together with a vintage brass vesta box, the lid chased with a ram (3)

A decorative lot comprising a white metal box with late 19th Century Chinese ceramic lid, an early 20th Century French fine bead purse, a collection of lace bobbins, mainly wooden, a vintage Sweet Briar navy cut tobacco tin, small pill boxes and a creme de menthe decanter label. Location:If there is no condition report, please request.

An early 20th century oak smokers cabinet with twin doors, a revolving tray with Royal Doulton tobacco jar drawers and 2 traysLocation:If there is no condition report, please request.

Birmingham Guild of Handicrafts Arts and Crafts copper and brass tobacco jar or tea caddy, of tapering form, the base marked 'B.G.H', H8cm, W13.5cm. CR : Dent/mishapen at the base of the pot. Otherwise appears well.

Antique silver pocket tobacco box of scroll shape to fit comfortably around a leg, the body incised with leaf design, by Joseph Gloster Ltd, Birmingham 1912, 9cm long 95g.

Continental silver table tobacco box of cartouche form, the hinged cover decorated in relief with classical scene framed by C scroll border, by B Muller & Son (Berthold Muller), import marks London 1902, 9cm wide, 125g.

Aesthetic movement Oak, tobacco or cigar box, with applied metal mounts and handles, with fitted interior, the sloped front lifting up to extend a drawer, stamped 'Rd 371192', 31cm wide x 18cm high x 19cm deep approx overall, a smaller wooden box with carved decoration, 21cm wide x 9cm high x 15cm deep approx overall and one other mahogany cased box with fitted interior, with turned bone handles, 23.5cm wide x 11.5cm high x 16.5cm deep (3) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

2 Tobacco jars, one of a boy smoking a pipe and one in Doulton style

MARTIN BROTHERS SERPENT TWIN-HANDLED VASE, 1906 incised MARTIN BRO LONDON & SOUTHALL / 2-1906, glazed stoneware 14.5cm high (5 ¾in high) Woolley & Wallis, 14 December 2017, lot 298 The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS GOURD VASE, 1910 incised MARTIN BROS LONDON & SOUTHALL / 5-1910, glazed stoneware 16cm high (6 ¼in high) Woolley & Wallis, 27 November 2019, lot 150 The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS PAIR OF VASES, 1909 each incised MARTIN BRO LONDON & SOUTHALL 3 - 1909 NO. 2, glazed stoneware (2) 16cm high (6 ½in high)  The Daryl Fromm Collection of Martin Brothers, Woolley & Wallis, 27 November 2019, lot 28 Exhibited: Worthing Museum & Art Gallery, Gorgeously Grotesque, 2003, catalogue number 20.Literature: The Studio, 1907, p. 112, fig. 12 where a comparable vase is illustrated.The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS THREE MINIATURE VASES, 1901-1906 tallest incised W.H.M. 1901 N5, bottle form incised MARTIN BROS LONDON & SOUTHALL 10-1904, gourd form incised MARTIN BROS LONDON & SOUTHALL 3-1906, glazed stoneware (3) 6.5cm high (2 ½in high), 5.5cm high (2 1⁄8in high), 4.5cm high (1 ¾in high) Woolley & Wallis, 30 November 2022, lot 41 The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS GOURD VASE, CIRCA 1930 incised MARTINWARE SOUTHALL, glazed stoneware 25.5cm high (10in high) Woolley & Wallis, 14 December 2017, lot 293 Clement Martin, son of Robert Wallace Martin, revived the pottery in 1928 in partnership with H. Butterfield having originally worked alongside his father and uncles in the 1910s. The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS FOUR DRAGONS VASE, 1889 incised R W MARTIN BROTHER LONDON & SOUTHALL / 3-1889, glazed stoneware 23cm high (9in high) The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS VASE, 1902 incised MARTIN BRO LONDON & SOUTHALL / 3-1902, glazed stoneware 24.5cm high (9 ¾in high) The George Twyman Collection of Martin Ware, Woolley & Wallis, 27 November 2019, lot 158 Literature: The Studio, October 1907, p.11 where a comparable vase is illustrated (figure 9). The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS VASE, CIRCA 1900 incised R W MARTIN BROS LONDON & SOUTHALL, glazed stoneware 27cm high (10 ½in high) Christie's South Kensington, 1st March 1996, lot 52The Martin Brothers Potters, Woolley and Wallis 31st October 2005, lot 24. The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS TWO MINIATURE VASES, 1903 AND 1913 green incised MARTIN BROS LONDON & SOUTHALL 8 - 1903, other incised MARTIN BROS LONDON & SOUTHALL 7-1913, glazed stoneware (2) green 7.5cm high (3in high), other 5.7cm high (2 ¼in high) Woolley & Wallis, 27 November 2019, lot 149 The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS AQUATIC JUG, 1898 incised MARTIN BRO LONDON & SOUTHALL / 10-1898, glazed earthenware 23.5cm high (9 ¼in high) John Cathles Hill and by descentWoolley & Wallis, 18 June 2014, lot 174 John Cathles Hill (1857-1915) was a property developer and brick manufacturer who was influential in the development of parts of suburban north London. The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS FACES VASE, 1884 incised MARTIN BRO LONDON & SOUTHALL / 6-84,  glazed stoneware 23.7cm high (9 ¼in high) Cheffins, 26 May 2022, lot 50 The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS GOURD VASE, 1901 incised MARTIN BROS LONDON & SOUTHALL / 6-1901, glazed stoneware 8cm high (3 1⁄8in high) Woolley & Wallis, 30 November 2022, lot 36 The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

MARTIN BROTHERS GOURD VASE, 1905 incised MARTIN BRO LONDON & SOUTHALL / 11-1905, glazed stoneware 27cm high (10 ½in high) Tennants, 9 October 2021, lot 2008 The Martin Brothers, Robert Wallace, Charles, Walter, and Edwin, were pioneering British ceramicists known for their eccentric and highly collectible stoneware. Operating in London from the 1870s to the early 20th century, they created some of the most distinctive ceramics of the Arts and Crafts movement, blending elements of Gothic revival, medieval grotesques, and natural forms.At the heart of their production was Robert Wallace Martin (1843–1923), the eldest brother and creative force behind their whimsical and often macabre Wally Birds, sculptural tobacco jars with expressive, exaggerated features. These creatures, along with their salt-glazed vases, grotesque face jugs, and aquatic-inspired designs, set them apart from traditional Victorian ceramics.While Walter (1857–1912) and Edwin (1860–1915) Martin specialised in glazing and throwing, Charles Martin (1846–1910) was more involved in the business side of the workshop. Together, they developed a distinctive textured, earthy glaze, often in rich browns, greens, and blues, that gave their ceramics an organic, almost ancient quality.Despite their artistry, financial struggles plagued the brothers throughout their careers. However, their work gained a cult following among collectors, and today, Martinware is highly sought after, with pieces commanding significant prices at our auctions.

Bootleg Lego, includes various figures & bricks, majority are bootleg Lego but there are some real Lego pieces, unchecked for completeness or correctness, Fair (would benefit from cleaning, tobacco oder), (Qty).

A MIXED LOT TO INCLUDE THREE BUDDAHS ON PLINTHS, AN ENIGMA FIGURE OF A LADY AND CAT, DRESDEN FIGURE - A/F, CERAMIC TOBACCO JAR AND TWO WOODEN BOXES

AN ANTIQUE, BELIEVED TO BE AUSTRIAN, POTTERY TOBACCO JAR, DESIGNED IN THE SHAPE OF A 'MOOR BOY' WEARING A FEZ

A QUANTITY OF BRASS AND COPPER TO INCLUDE A COPPER POWDER FLASK, TOBACCO JAR, HOT WATER BOTTLE, EGG POACHER, ETC.,

A striking Royal Doulton Kingsware tobacco jar featuring a sterling silver-mounted lid, hallmarked for authenticity. The piece showcases a hand-painted scene of two men in period attire against a rich brown glaze, characteristic of the sought-after Kingsware line. The base bears the Royal Doulton backstamp, confirming its provenance. This tobacco jar exemplifies the superior craftsmanship and artistic quality of Royal Doulton’s early 20th-century production. Total weight 158g.Issued: 20th centuryDimensions: 3.25"HCountry of Origin: EnglandCondition: Age related wear.

1914 Christmas gift tin from Princess Mary, with contents of cigarettes and tobacco. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

19th Century brass heart shaped tobacco box, engraved to the cover with a hunting scene

A mixed group of collectables, comprising;- two early 20th century brass matchbox holders, a WWI German ceramic tobacco holder in the form of a dog, National Service medal and fob compass etc.

Two 1914 Princess Mary Christmas tins. One containing cigarettes, tobacco and a photograph of a female.

A Tanglewood Lone Star bass guitar, maple neck and headstock with Abelone dot inlay fret markers, two tone tobacco sunburst body with white scratchplate, 118cm long , with soft shell case.

American Tobacco Co., (USA) Boer War Series A (Numbered) 25/25, Ex. Cat £250

British American Tobacco Co., Ltd. Modern Warfare 1936 set 50/50, b/w military scenes of field guns, mortar units tanks armoured cars, warships and so on. Very Good

Electric Guitars, Three guitars comprising Teisco Electric Satellite Stratocaster tobacco sunburst with whammy bar, some slight wear - Teisco Satellite Strat red overall good condition but screw missing on pickguard, some bumps and pinhole to headstock together with a Zenta tobacco sunburst Strat style reasonable condition with some small bumps to edge and reverse of neck all untested

A Royal Doulton glazed tobacco jar and cover, c.1920s, glazed stoneware, patent number 194168, impressed maker's mark and initials UBW 8528, 16cm highCondition ReportChip to the base rim. Lid firmly set.

A selection of old tobacco tins and other product tins

Games Workshop Warhammer Realm of Battle: Shattered Dominion battle boards, painted to a high standard, within Fair Plus box, slight tobacco odour otherwise Good Plus to Excellent.

Games Workshop Warhammer figures, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer figures, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer Realm of Battle: Sector Imperialis battle boards, painted to a high standard, within Poor box, slight tobacco odour otherwise Good Plus to Excellent.

Games Workshop Warhammer figures, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer vehicles, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer figures and some vehicles, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer figures, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer vehicles, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer scenery, 40,000, plastic, painted to a high standard, some parts may be detached, unchecked for completeness or correctness, slight tobacco odour Good Plus to Excellent. (Qty).

Games Workshop Warhammer books & other including:  Codex Thousand sons; Core Book; Codex Dark Angels; plus various White Dwarf magazines; slight tobacco odour otherwise Good to Good Plus; (Qty).